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Impressionist Prints and Multiples

IMPRESSIONIST STYLE

Emerging in 19th-century France, Impressionist art embraced loose brushwork and plein-air painting to respond to the movement of daily life. Although the pioneers of the Impressionist movement — Claude Monet, Edgar Degas, Paul Cézanne, Berthe Morisot, Camille Pissarro, and Pierre-Auguste Renoir — are now household names, their work was a radical break with an art scene led and shaped by academic traditions for around two centuries. These academies had oversight of a curriculum that emphasized formal drawing, painting and sculpting techniques and historical themes.

The French Impressionists were influenced by a group of artists known as the Barbizon School, who painted what they witnessed in nature. The rejection of pieces by these artists and the later Impressionists from the salons culminated in a watershed 1874 exhibition in Paris that was staged outside of the juried systems. After a work of Monet’s was derided by a critic as an unfinished “impression,” the term was taken as a celebration of their shared interest in capturing fleeting moments as subject matter, whether the shifting weather on rural landscapes or the frenzy of an urban crowd. Rather than the exacting realism of the academic tradition, Impressionist paintings, sculptures, prints and drawings represented how an artist saw a world in motion.

Many Impressionist painters were inspired by the perspectives in imported Japanese prints alongside these shifts in European painting — Édouard Manet drew on ukiyo-e woodblock prints and depicted Japanese design in his Portrait of Émile Zola, for example. American artists such as Mary Cassatt and William Merritt Chase, who studied abroad, were impacted by the work of the French artists, and by the late 19th century American Impressionism had its own distinct aesthetics with painters responding to the rapid modernization of cities through quickly created works that were vivid with color and light.

Find a collection of authentic Impressionist art on 1stDibs.

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Style: Impressionist
"In the Colorful Forest, " Framed Limited Edition Giclee Print, 36" x 72"
Located in Westport, CT
This colorful abstract landscape piece is a Limited-Edition giclee print by Ken Elliott with an edition of 195. Printed on canvas, this giclee ships framed in a gold floater frame wi...
Category

2010s Impressionist Prints and Multiples

Materials

Digital, Giclée

Degas, Deux hommes en pied, Les Réalistes Lyriques (after)
Located in Fairfield, CT
Medium: Lithograph on vélin d'Arches paper Year: 1973 Paper Size: 26 x 20 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Les Réalistes Lyriques, VIII, ...
Category

1970s Impressionist Prints and Multiples

Materials

Lithograph

Keying Up - The Court Jester
Located in Fairlawn, OH
Keying Up - The Court Jester Etching with drypoint, 1879 Signed in the plate lower left corner (see photos) Proof before engraved title and engraved names Printed on thin light golden Japanese tissue paper In the final state, with engraved titled and typeface engraved artist’s signature below the image Condition: excellent Plate size: 6-5/8 x 4-1/4" According to Pisano, this image was very popular during Chase’s life. It is based on his famous painting, Keying Up-The Court Jester, in the collection of the Pennsylvania Academy of Fine Arts. The painting was created in Munich during the artist’s studies there. It was exhibited in the 1876 Centennial Exhibition in Philadelphia where it won a Medal of Honor and helped establish the artist’s reputation as a leading American painter. Chase, always conscious of self promotion, created the etching and had numerous impressions printed. He sold them for a modest price to increase his fame. The etching was later published in Sylvester R. Koehler, American Art Review, September 1878. It was for this American Art Review printing that the engraved titled and type face signature below the image were added to the plate. This example was part of a group of impressions that came down in the Chase family via his daughter Dorothy Bremond Chase, his third daughter. They were acquired at auction in a single auction lot, housed in a paper board folder. The consignor was Associated American Artist’s as they were liquidating their stock prior to closing the gallery. Dorothy was the subject of Chase’s painting, My Little Daughter Dorothy. C. 1894, in the collection of the Detroit Institute of Arts as well as numerous other portraits of her. Reference: Pisano/Bake, Volume 1, Pr. 3, illustrates the rare 1st state, this being a 2nd state before any other the engraved title and Chase's name in the bottom margin which are found in the third state. Artist bio in file (Chase) In 1883 Chase was involved in the organization of an exhibition to help raise funds for a pedestal for the Statute of Liberty. The exhibition featured loans of three works by Manet and urban scenes by the Italian Impressionist Giuseppe de Nittis. Both artists influenced Chase's Impressionistic style that gave rise to a series of New York park scenes. It is also thought that he was influenced by John Singer Sargent's In the Luxembourg Gardens (1879) which was exhibited in New York at this time. Indeed, Chase had met Sargent in Europe in 1881, the two men becoming lifelong friends with Sargent painting Chase's portrait in 1902. On another European trip in 1885, Chase met James McNeill Whistler in London. While Whistler had a reputation for being difficult, the two artists got along famously and agreed to paint one another's portrait. Eventually, however, Whistler's moods began to grate with Chase who wrote home stating "I really begin to feel that I never will get away from here". For his part, Whistler criticized Chase's finished portrait and, according to Hirshler, "complained about Chase for the rest of his life". While no record exists of Whistler's portrait of Chase; Chase's portrait of Whistler remains a well-known piece in his oeuvre. In 1887 Chase married Alice Gerson, the daughter of the manager of a lithography company. Though some fifteen years his junior (Chase was 37), he had known Alice for some time through her family's devotion to the arts. The pair, who would enjoy a happy marriage with Alice in full support of her husband's career, settled initially in Brooklyn where their first child was born. The couple would parent six daughters and two sons and it was only his family that could rival his devotion to his art. Indeed, Chase often combined his two loves by painting several portraits of his wife and children in Brooklyn parks before the couple relocated to Manhattan. Later Period Between 1891 and 1902, Chase and his family spent their summers at a purpose-built home and studio in Shinnecock Hills, a close suburb of the upmarket town of Southampton on the south shore of Long Island (roughly 100 miles east of New York). Chase set up, and taught two days a week, at the nearby Shinnecock Hills Summer School of Art which benefitted from the financial backing of local art collectors. It was at Shinnecock that Chase, taken in by the region's striking natural surroundings, painted several Impressionistic landscapes. As Bettis put it, "There, among the dunes, in the bright sunlight and sea air his painterly impulse was given free sway, and he produced some of his freest and loveliest work". His passion for the area was so felt he even gave his daughter Hazel the middle name of Neamaug, in honor of the rich Native American history of Shinnecock. Chase was equally focused on the students that came to the School and who he encouraged to paint in the modern plein air style favored by the French Impressionists. Although Chase was making a name for himself as an Impressionist, he never abandoned his commitment to the sombre tones and academic tropes he had learned in Munich, though these he reserved for his portraits, and for his series of striking still lifes featuring dead fish. Chase was in fact a successful society portraitist - he painted fashionable women for a fee of $2,000 - and would paint his students as "samples" which he then donated to leading art institutions (such as Lady in Black (1888) which he donated to the Metropolitan Museum in 1891). In 1896, facing financial difficulties, Chase flirted with the idea of giving up his teaching in New York and traveled with his family to Madrid where he developed a passion for bullfighting. Chase returned however to Shinnecock in June to teach his yearly summer art class, and in the fall of that year, established his own art school in Manhattan: the Chase School which was modelled on the Académie Julian in Paris. Chase lacked business savvy, however, and the Chase School lasted only two years before it was placed under new management. It continued as the New York School of Art (changed to Parsons School of Design starting 1941) with Chase as head the School for eleven more years. Chase also taught during this period at the Pennsylvania Academy of Fine Arts. In 1902, following the premature death of his friend John Twachtman, Chase was invited to join the Ten American Painters group (who included amongst its members, Frank Weston Benson, Thomas Wilmer Dewing...
Category

1870s Impressionist Prints and Multiples

Materials

Etching

Manet, Composition, Édouard Manet, Letters with Aquarelles (after)
Located in Southampton, NY
Lithograph and stencil on vélin Foreign Affairs paper mounted on Foreign Affairs museum board, as issued . Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Édouard Manet, Letters with Aquarelles, 1944. Published by Pantheon Books, New York; rendered and printed by Raymond and...
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1940s Impressionist Prints and Multiples

Materials

Lithograph

La Chevre Du Thibet, Impressionist Woodblock by Raoul Dufy
Located in Long Island City, NY
Raoul Dufy, French (1877 - 1953) - La Chevre Du Thibet, Year: circa 1911, Medium: Woodblock, Image Size: 8 x 7.5 inches, Size: 13 x 10 in. (33.02 x 25.4 cm), Description: From the ...
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1910s Impressionist Prints and Multiples

Materials

Woodcut

Scene Champretre, original lithograph, Epreuve d' Artiste
Located in Belgrade, MT
This piece is part of my private collection of artist lithographs, etchings and engravings from the 20th Century. It is a limited edition Epreuve d' Artiste. Pierre Eugene Clairin...
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20th Century Impressionist Prints and Multiples

Materials

Paint, Illustration Board, Engraving, Lithograph

Roosters, Signed Impressionist Lithograph by Amos Yaskil
Located in Long Island City, NY
Roosters Amos Yaskil Israeli (1935) Date: circa 1970 Lithograph, signed and numbered in pencil Edition of 375 Image Size: 18.5 x 14 inches Size: 26.5 x 20 in. (67.31 x 50.8 cm)
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1970s Impressionist Prints and Multiples

Materials

Lithograph

NATURE MORTE AUX TROIS POMMES
Located in Aventura, FL
Lithograph on paper. Hand signed and numbered by the artist. Artwork is in excellent condition. Certificate of authenticity included. Edition of 310. All reasonable offers will be co...
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Late 20th Century Impressionist Prints and Multiples

Materials

Lithograph

Night Fishing> .Contemporary Limited Edition Etching
Located in Brecon, Powys
Signed and numbered (17 of 25) etching from this much collected Scottish Artist. Image 6.75 x 7.75 Excellent condition. Matted Ian Laurie was born in 1933 and is a self taught ...
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2010s Impressionist Prints and Multiples

Materials

Etching

Grove in Vibrant, Print on Satin Paper, Framed
Located in Granada Hills, CA
Artist: Vahe Yeremyan Work: Print on Satin Paper, Edition 017 Subject: Summer Grove in Vibrant, Framed Size: 17.5" x 24.5" x 0.8''inch, 44x62x2cm, Ready to Hang, Wooden Frame. Al...
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2010s Impressionist Prints and Multiples

Materials

Paper, Satin Paper, Color

Autumn Trees, Print on Satin Paper, Framed
Located in Granada Hills, CA
Artist: Vahe Yeremyan Work: Print on Satin Paper, Edition 035 Subject: Autumn Trees, Framed Size: 24.5" x 17.5" x 0.8''inch, 62x44x2cm, Ready to Hang, Wooden Frame. All works are...
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2010s Impressionist Prints and Multiples

Materials

Paper, Satin Paper, Color

Malibu Cliffs, Print on Satin Paper, Framed
Located in Granada Hills, CA
Artist: Vahe Yeremyan Work: Print on Satin Paper, Edition 056 Subject: Malibu Cliffs, Framed Size: 21" x 17" x 0.8''inch, 53x23x2cm, Ready to Hang, Wooden Frame. Glass, Plastic Wra...
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2010s Impressionist Prints and Multiples

Materials

Paper, Satin Paper, Color

Grand’mère (effet de lumière) (La Mère de l’artiste) by Camille Pissarro
Located in London, GB
Grand’mère (effet de lumière) (La Mère de l’artiste) by Camille Pissarro (1830-1903) Etching 17.1 x 25.3 cm (6 ³/₄ x 10 inches) Stamped lower right, C.P. an...
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1890s Impressionist Prints and Multiples

Materials

Etching

"Missed" Framed Limited Edition Print, 53" x 53"
Located in Westport, CT
This Limited Edition giclee abstracted coastal landscape print by Bri Custer is an edition size of 195. It features a blue palette with warm pink and orange accents throughout. Prin...
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2010s Impressionist Prints and Multiples

Materials

Digital, Giclée

Grand Canyon, Print on Paper, Framed
Located in Granada Hills, CA
Artist: Vahe Yeremyan Work: Print on Paper, Subject: Grand Canyon, Framed Size: 1.5" x 20.5" x 0.5''inch, 42x52x2cm, Ready to Hang, Metal Frame with the Glass, Plastic Wrapped. A...
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2010s Impressionist Prints and Multiples

Materials

Color, Satin Paper

Voir en Songe
Located in San Francisco, CA
Artist: Kaiko Moti – Indian/French (1921-1989-) Title: Voir en Songe (See in a Dream) Year: 1978 Medium: Lithograph on heavy rice paper Sight size: 22.25 x 18 inches. Sheet size: 29...
Category

1980s Impressionist Prints and Multiples

Materials

Paper, Lithograph

Degas, Le Coucher, E. Degas Monotypes (after)
Located in Fairfield, CT
Medium: Engraving on vélin du Marais paper Year: 1948 Paper Size: 12.25 x 9.125 inches; image size: 8.625 x 6.375 inches Inscription: Unsigned and unnumbered, as issued Notes: From t...
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1940s Impressionist Prints and Multiples

Materials

Engraving

"Tangerine Evening II, " Framed Limited Edition Giclee Print, 36" x 36"
Located in Westport, CT
This abstract landscape limited edition print by Ken Elliott features a warm, vibrant palette and captures a landscape with the sun just along the horizon. The painting has an impres...
Category

2010s Impressionist Prints and Multiples

Materials

Digital, Giclée

"Light Moving Through II, " Framed Limited Edition Giclee Print, 40" x 40"
Located in Westport, CT
This abstract landscape limited edition print by Ken Elliott is made with oil paint features a forest scene with a bold, contrasting palette of cool, deep blues that are accented by ...
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2010s Impressionist Prints and Multiples

Materials

Digital, Giclée

Tranquility
Located in Fairfield, CT
Artist: Itzchak Tarkay (1935-2012) Title: Tranquility Year: Circa 2000 Medium: Silkscreen on wove paper Size: 13.5 x 11.5 inches Edition: 455/750, plus 100 Remarques Condition: Excellent Inscription: Signed in crayon & numbered in ink ITZHAK TARKAY (1935-2012) Itzhak Tarkay has achieved international recognition as a leading representative of figurative artists. The inspiration for his work clearly lies with French Impressionism, particularly the paintings of Matisse and the drawing style of Toulouse-Lautrec. He drew upon the history of art to create many of his compositions, designing a kind of visual poetry from the aura of his cafes and intimate settings. His rich tapestry of form and color is achieved through the use of painting many colors laid over one another to create texture and transparency. Tarkay is considered one of the most influential artists of the early 21st century and has inspired dozens of artists throughout the world with his contemplative depiction of the female figure. ABOUT SELLER DO YOU HAVE ARTWORK TO SELL? WE ARE ACTIVELY SEEKING CONSIGNMENTS AND EXCEPTIONAL OBJECTS TO PURCHASE OUTRIGHT! Art Commerce...
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Early 2000s Impressionist Prints and Multiples

Materials

Screen

Manet, Composition, Édouard Manet, Letters with Aquarelles (after)
Located in Southampton, NY
Lithograph and stencil on vélin Foreign Affairs paper mounted on Foreign Affairs museum board, as issued . Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, ...
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1940s Impressionist Prints and Multiples

Materials

Lithograph

Overlooking Amalfi
Located in Chesterfield, MI
"Overlooking Amalfi" is a lithograph on paper signed by the artist Howard Behrens. It is a limited edition and numbered 20/25. There is some evidence of wear, but only on the borde...
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20th Century Impressionist Prints and Multiples

Materials

Lithograph

Overlooking Amalfi
Overlooking Amalfi
$480 Sale Price
20% Off
Rare 1922 German Jewish Judaica Zion Woodcut Woodblock Print Hermann Fechenbach
By Hermann Israel Fechenbach
Located in Surfside, FL
Title: Zion Subject: Various biblical images depicting Creation and prayer 1922 Medium: woodcut Frame: 14" x 18" Image: 12.5" x 16.75" Provenance: owned and signed verso by Peter Keil. Central panel shows the Jewish star over a crown, with inscription in Hebrew: "When God comforts Zion, He will comfort all its ruins and make its deserts look like Eden," and "You have sanctified the seventh day, the goal of creation of Heaven and Earth." This is flanked by a Palestinian farmer pioneer on the left and a Jew praying on the right. The lower tier shows six vignettes of the days of creation from Genesis. Hermann Fechenbach was born in 1897 in Württemberg, Germany. He grew up in Bad Mergentheim where his parents had an inn, which served as a meeting place for the local Jewish community. He left school early and through family connections with clothing retailers received training in window dressing. His skill with brush writing was quickly recognised by a big firm in Dortmund where he was responsible for the displays in 10 large windows. He received his conscription papers in 1916 and recalls “being as patriotic as any other fool”. In August 1917 he was involved in a grenade attack in which he was the sole survivor. With serious injuries to both legs he struggled to safety and was eventually transported to a front line “slaughterhouse” where the first of a series of amputations was performed which led to the loss of his left leg. As a result of his injuries his father dropped his opposition to him becoming an artist. His formal art education started in 1918 with training at a Stuttgart handcraft school for invalids. He attended the Academies in Stuttgart and Munich to learn painting and restoration for 3 years. He was influenced at this time by Max Liebermann. He has been compared to Kathe Kollwitz and was a contemporary of Jakob Steinhardt and hermann Struck. In 1923 he went to Florence for a year. While in Florence he started to produce a series of miniature wood engravings to illustrate the stories of Genesis. This was followed by periods in Pisa, Venice, Vienna and Amsterdam. In 1924 he returned to Stuttgart to paint in the contemporary style “Die Neue Sachlichkeit”. (The New Objectivity was a movement in German art that arose during the 1920s Weimar republic as a reaction against expressionism. The term was coined by Gustav Friedrich Hartlaub, the director of the Kunsthalle in Mannheim, who used it as the title of an art exhibition staged in 1925 to showcase artists who were working in a post-expressionist spirit. These artists—who included Max Beckmann, Otto Dix, George Grosz, Christian Schad, Rudolf Schlichter and Jeanne Mammen) Every spring and autumn he exhibited at the “Kunstgebit” which served as the showcase for all serious artists of the period. His professional status “Kunstmaler und Grafiker” was recognised by Berlin in 1926. Practically all his work from this period was sold following exhibition. In 1926 he collaborated with an architect friend to build a bungalow in Hohenheim, a non-Jewish area and a suburb of Stuttgart. Hermann alternately lived in his country bungalow and his town studio, producing portraits for sale or barter and wood engravings for his own pleasure. In 1930 he married a non-Jewish professional photographer – Greta Batze. They had a studio in Stuttgart, which was used to teach art to a group of 12 students. In 1933 the Nazi influence removed his name from the official state register together with the right to exhibit. By spending most of his time in his bungalow out of the Jewish quarter the Fechenbachs escaped being registered by the Nazis for some years. They were ostracised and abused by their non-Jewish neighbours. Hermann made weekly visits to friends in town to teach them the practical skills they would need assuming they were to escape from Germany. His energies were directed towards protection and survival. Ultimately the Nazi persecution forced the Fechenbachs to flee their homeland. They moved to Palestine for 3 months in 1938, but found the political and physical environment unsustainable. Greta arrived in England penniless in January 1939 to work as a domestic servant and to find a guarantor for her husband. Hermann arrived in May 1939. They moved to Blackheath a few months later. Hermann resumed his painting and engraving as a means of earning a living. He raised enough money to get his parents out of Germany to join his brothers in Argentina but was unable to save his twin sister Rosa who died in a Nazi concentration camp. In 1940 Hermann was interned in Bury as a suspect alien. He protested about his treatment by starting a hunger strike. Because of his persistence he was moved to a prison in Liverpool. From Liverpool he was moved to the Hutchinson Camp in the Isle of Man with fellow artist Kurt Schwitters. Arrangements were made for Greta to be accommodated near by. While interned he commenced work on “Refugee Impressions”, a series of linocut prints (no wood was available). In 1941 when released from internment the Fechenbachs came under the sponsorship of Dr. Bela Horovitz, the Austrian art publisher who in turn made an introduction to Professor Tancred Borenius. They were offered lodgings with a family in Oxford. Hermann had his first public exhibition for many years in a small gallery in Oxford in 1942. A second exhibition of oils, pencil drawings, coloured linocut and woodblock prints held later in the year was opened by the mayor of Oxford and critically acclaimed. In 1944 the first London exhibition took place at the Anglo-Palestinian club in Piccadilly. There were two exhibitions at the Ben Uri Art gallery during this period. In 1948 a second exhibition at the Anglo Palestinian club was inaugurated by a member of the Rothschild family and several members of Parliament. This was a great success. In 1944 the Fechenbachs moved to a top floor studio flat in Colet Gardens. Open exhibitions were held each Spring at the Embankment from 1946 to 1951. Movietone News produced a short feature on the artist, which was shown in cinemas in England and Germany. In 1969 he published the Genesis story in a hard back volume containing 137 prints. He started to research the fate of the entire Jewish community of Bad Mergentheim during the period of the second world war, liaising with historian Dr. Paul Sauer and Professor Max Miller, historian and theologian. In 1972 Kohlhammer published his partly autobiographical book “The last Jews of Mergentheim”. He exhibited at the Anglo-Palestinian Club & the Ben Uri Gallery in the 1940s. His works only came to prominence during the last year of his life when he exhibited at Blond Fine Art. Peter Keil part of the Junge Wilde. In 1978, the Junge Wilde painting style arose in the German-speaking world in opposition to established avant garde, minimal art and conceptual art. It was linked to the similar Transavanguardia movement in Italy, USA (neo-expressionism) and France (Figuration Libre). They were also known as the Neue Wilde. Artists included; Austria: Siegfried Anzinger, Erwin Bohatsch, Herbert Brandl, Gunter Damisch, Hubert Scheibl, Hubert Schmalix...
Category

1980s Impressionist Prints and Multiples

Materials

Woodcut

Waiting Game
Located in San Francisco, CA
This artwork titled "Waiting Game" 1991 is a color offset lithograph by noted African/American artist Yvonne Cole Meo, 1923-2016. It is hand signed, da...
Category

Late 20th Century Impressionist Prints and Multiples

Materials

Lithograph

Mid Century French Impressionistic Etching - "Degel en Haute Loire"
Located in Soquel, CA
Mid Century Impressionistic French Etching - "Degel en Haute Loire" ("Thaw in High Loire) by Andre Jacquemin Wonderful French Impressionist winter landscape of Loire hills by Andre Jacquemin (French, 1904-1992), 1950. The bare trees and undulating landscape and hills draws the viewer in and evokes a peaceful and serene feeling. Signed and dated: Within etching and below image Series Number: 161/200 Condition: Good Image size: 8.25"H x 15"W Paper size: 15"H x 22"W Mat size: 20"H x 24"W André Jacquemin was born in Epinal, France in 1904. While attending art school in Paris he studied under Charles Walter, where he learnt the techniques of etching and practiced by copying the most famous artists and visited all the museums to learn more about the masterpieces of past and present. In 1925, he underwent military service at Fort de Domont outside Paris together with Louis-Joseph Soulas and Edouard Mac-Avoy. Four years later, with a few other up-and-coming artists including Yves Alix, Amédée de la Patellière and Jacques Villon, André Jacquemin founded "la jeune Gravure Contemporaine", a society of Printmakers. In 1930, he simultaneously received the Foundation Florence Blumenthal prize and an allowance to go on a study trip from Spain to Morocco for 14 months. Back from Morocco, his career developed very rapidly. At the beginning of 1932, he exhibited his work at the Simonson gallery. It was a success: he sold everything he had done in Morocco and Spain. The same year, he was elected as a fellow of the French Society of Painter-Etchers/Engravers (Peintres Graveurs Français). In 1936, he was awarded the national arts prize, given for the first time to an etcher. The following year he along with Jacques Villon, Marcel Gromaire 1937 Venice Biennale to represent French gravure...
Category

1950s Impressionist Prints and Multiples

Materials

Paper, Ink, Etching

Courtesans at Yoshiwara Edomachi - Figurative Japanese Woodblock Print on Paper
Located in Soquel, CA
Courtesan at Yoshiwara Edomachi - Figurative Japanese Woodblock Print on Paper Full color woodcut print of two women in elaborate gowns by Utagawa Yoshiiku (Ochiai Yoshiiku) (Japanese, 1833-1904). Two women are dressed in colorful robes with crossed arms. They are underneath a plum blossom tree in bloom, at night. In the background there is a building with many rooms. Valuable polychrome woodblock print of vertical large oban (大判) format made by Utagawa Yoshiiku (歌川芳幾), the famous artist also known as Ochiai Yoshiiku (落合芳幾), and depicting the courtesan Shizuka (しづか), of the house of pleasure Matsumotoro (松本楼), together with her young kamuro (禿) assistant. The couple is escorted by a kanabohiki (金棒引き) watchman holding a lantern and a metal rod with rings to make noise and alert the crowd. The work, produced in August 1869 by the publisher Tsunajima Kamekichi (綱島亀吉), is taken from the “Twelve Months of Yoshiwara” (よし原十二ヶ月のうち), an elegant series of prints dedicated to the famous red light district of Edo (江戸), and is paired with the “month of leaves” Hazuki (葉月), that is August. Ochiai Yoshiiku (Japanese, 1833-1904) was an ukiyo-e artist from the end of the Edo Period to the Meiji Period. He has created works which are essential to the history of ukiyo-e, such as“Twenty-eight Famous Murders with Verse”, a series of chimidoro-e (bloody paintings) which Yoshiiku and Tsukioka Yoshitoshi collaborated together, and “Shimbun (newspaper) Nishiki-e” that illustrated Meiji news articles with ukiyo-e. Born the son of teahouse proprietor Asakusa Tamichi in 1833, Yoshiiku became a student of ukiyo-e artist Utagawa Kuniyoshi toward the end of the 1840s. His earliest known work dates to 1852 when he provided the backgrounds to some actor prints by his master. Yoshiiku's earliest works were portraits of actors (yakusha-e), beauties (bijin-ga), and warriors (musha-e). He later followed Kuniyoshi into making satirical and humorous pieces, and became the leading name in the field after Kuniyosh's death in 1861. He illustrated the Tokyo Nichi Nichi...
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1860s Impressionist Prints and Multiples

Materials

Paper, Ink, Woodcut

Sur la Route de Village, Impressionist Lithograph after Maurice Utrillo
Located in Long Island City, NY
Artist: Maurice Utrillo (after), French (1883 - 1955) Title: Sur la Route de Village from Douze Contemporains Year: 1959 Medium: Lithograph with Pochoir on Wove paper, signed in the ...
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1950s Impressionist Prints and Multiples

Materials

Lithograph

"Femme au cep de vigne" original lithograph
Located in Henderson, NV
Medium: original lithograph. Catalogue references: Delteil 44 or Roger-Marx 19. Printed in Paris by Clot and published in 1919 by Ambroise Vollard for the rare "Douze Lithographies O...
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1910s Impressionist Prints and Multiples

Materials

Lithograph

Gulli I /// Impressionist Anders Zorn Swedish Etching Antique Girl Face Portrait
Located in Saint Augustine, FL
Artist: Anders Zorn (Swedish, 1860-1920) Title: "Gulli I" Series: Gulli *Signed by Zorn in pencil lower right. It is also signed and dated in the plate (printed signature) lower right Year: 1914 (second state of two) Medium: Original Etching on cream Van Gelder Zonen laid paper Limited edition: approx. 50 impressions Printer: the artist Zorn himself, Mora, Sweden Publisher: the artist Zorn himself, Mora, Sweden Reference: Asplund No. 265; Hjert & Hjert No. 162 Sheet size (irregular margins): 12.88" x 10.13" Image size: 5.13" x 3.5" Condition: Faint UV stain. Minor toning to sheet and minor paper loss at bottom center margin. It is otherwise a strong impression in excellent condition Very rare Notes: Provenance: private collection - Santa Fe, NM. Fleur-de-lis shield (Van Gelder Zonen) watermark at left center margin. Pencil inscribed "Gulli No. 1" lower right in margin. Retains old paperwork from previous framing. Biography: Anders Leonard Zorn...
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1910s Impressionist Prints and Multiples

Materials

Etching, Laid Paper, Intaglio

Manet, Composition, Édouard Manet, Letters with Aquarelles (after)
Located in Southampton, NY
Lithograph and stencil on vélin Foreign Affairs paper mounted on Foreign Affairs museum board, as issued . Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, ...
Category

1940s Impressionist Prints and Multiples

Materials

Lithograph

Winter Wildfowling
Located in New York, NY
This 1927 etching by Frank W. Benson is entitled Winter Wildfowling. Printed in an edition of 150 this impression is signed in pencil, lower left. The image size 11 7/8 x 9 7/8" (30 x 24.8 cm) and sheet size 15 1/16 x 12 5/8" (38.3 x 32 cm). FRANK W. BENSON (1862-1951) Frank Weston Benson, well known for his American impressionist paintings, also produced an incredible body of prints - etchings, drypoints, and a few lithographs. Born and raised on the North Shore of Massachusetts, Benson, a natural outdoorsman, grew up sailing, fishing, and hunting. From a young age, he was fascinated with drawing and birding – this keen interest continued throughout his life. His first art instruction was with Otto Grundman at the Museum of Fine Arts in Boston, and then in 1883 in Paris at the Academie Julian where he studied the rigorous ‘ecole des beaux arts’ approach to drawing and painting for two years. During the early 1880’s Seymour Haden visited Boston giving a series of lectures on etching. This introduction to the European etching...
Category

1920s Impressionist Prints and Multiples

Materials

Etching

Theo Tobiasse "Le Petit Train qui mene au chant de la pensee" Lithograph c.1970
Located in San Francisco, CA
Theo Tobiasse (French, 1927-2012) Le Petit Train qui mene au chant de la pensee" Lithograph c.1970 Bright and colorful lithograph by noted French artist. The title translates to "T...
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Mid-20th Century Impressionist Prints and Multiples

Materials

Lithograph

Winslow Homer 19th Century Woodcut Engraving "The Morning Walk"
Located in Alamo, CA
This Winslow Homer woodcut engraving entitled "The Morning Walk, Young Ladies' School Promenading the Avenue", was published in Harper's Weekly in the...
Category

1870s Impressionist Prints and Multiples

Materials

Engraving, Woodcut

Pond Pals, Fish Art, Animal Prints, Print Art, Contemporary Art, Art under $1000
Located in Deddington, GB
3 colour screen print showing the tranquil habitat of aquatic life in a fish pond framed with botanical foliage.Clare Halifax, artist, joins Wychwood Art selling art online and in their art gallery in Deddington. Clare Halifax is offering exclusive Cotswold screen prints with Wychwood Art as well as scenes of London and Oxford. Clare Halifax graduated from the University of Loughborough in 2000 with a BA Hons in Printed Textile design and went on to sell her work internationally to the fashion and interior markets...
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21st Century and Contemporary Impressionist Prints and Multiples

Materials

Paper, Screen

St. Raphael (FRAMED & FREE US SHIPPING) (Provence, seascapes, countryside)
Located in Kansas City, MO
Ella Fort St. Raphael (Provence, seascapes, countryside art, Impressionist) Color lithograph Signed, numbered or inscribed Edition: 390 + 10 E.A. Size: 22.8 × 14.8 on 27.5 × 19.6 inches Framed: 35.75x24 inches COA provided *edition number might vary from shown in listing image Tags: Provence landscapes, French countryside art...
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1980s Impressionist Prints and Multiples

Materials

Lithograph

"Caught" Framed Limited Edition Print, 53" x 53"
Located in Westport, CT
This Limited Edition giclee landscape print by Bri Custer is an edition size of 195. It features a light green, blue, and mint green palette. Printed ...
Category

2010s Impressionist Prints and Multiples

Materials

Digital, Giclée

Degas, Le Divan, E. Degas Monotypes (after)
Located in Fairfield, CT
Medium: Engraving on vélin du Marais paper Year: 1948 Paper Size: 12.25 x 9.125 inches; image size: 6.5 x 4.75 inches Inscription: Unsigned and unnumbered, as issued Notes: From the ...
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1940s Impressionist Prints and Multiples

Materials

Engraving

Il ne Faut pas Oublier
Located in San Francisco, CA
Artist: Jean-Louis Forain (French, 1852-1931) Title: Il ne Faut pas Oublier Year: 1918 Medium: Lithograph Edition: Numbered 266/300 in pencil Paper: Wove Size paper: 15 x 22....
Category

Early 20th Century Impressionist Prints and Multiples

Materials

Lithograph

Degas, Avenue du Bois-de-Bologne, E. Degas Monotypes (after)
Located in Fairfield, CT
Medium: Engraving on vélin du Marais paper Year: 1948 Paper Size: 12.25 x 9.125 inches; image size: 4.75 x 6.5 inches Inscription: Unsigned and unnumbered, as issued Notes: From the ...
Category

1940s Impressionist Prints and Multiples

Materials

Engraving

Degas, Famille Cardinal, E. Degas Monotypes (after)
Located in Fairfield, CT
Medium: Engraving on vélin du Marais paper Year: 1948 Paper Size: 12.25 x 9.125 inches; image size: 8.5 x 6.25 inches Inscription: Unsigned and unnumbered, as issued Notes: From the ...
Category

1940s Impressionist Prints and Multiples

Materials

Engraving

Reclining Nude Holding a Necklace
Located in Fairlawn, OH
Reclining Nude Holding a Necklace Lithograph, c. 1908 Signed in pencil lower right (see photo) Edition: c. 15 Reference: Belleroche No. 525 Condition: Excellent Image: 16 3/4 x 20" ...
Category

Early 1900s Impressionist Prints and Multiples

Materials

Lithograph

"Femme nue assise" original etching
Located in Henderson, NV
Medium: original soft ground etching. Catalogue reference: Delteil 12. Executed in 1906, this lovely impression on cream laid paper is from the rare 1906 first edition of "Histoire d...
Category

Early 1900s Impressionist Prints and Multiples

Materials

Etching

Mary Cassatt: Graphic Art at Smithsonian Institution Traveling Exhibition poster
Located in New York, NY
Mary Cassatt: Graphic Art at Smithsonian Institution Traveling Exhibition poster, 1981 Offset lithograph poster 22 × 18 inches Unframed and unsigned Publisher: Smithsonian Institutio...
Category

1980s Impressionist Prints and Multiples

Materials

Offset

SELF PORTRAIT DRWING
Located in Santa Monica, CA
MAX LIEBERMANN (1847 1935) SELF PORTRAIT DRAWING (Selbstportrat) c. 1922 (Schiefler, 341, III b) Etching, signed in pencil, Scarce signed example found in Max Liebermann “Sein Leb...
Category

1920s Impressionist Prints and Multiples

Materials

Etching

Flower Song Landscape
Located in Soquel, CA
Flower song, a beautiful landscape lithograph in soft tones by Michael Schofield (American, b. 1947). Presented in a wooden frame. Signed "Schofield" lower right and numbered "165/35...
Category

1970s Impressionist Prints and Multiples

Materials

Paper, Ink

Chien et Chat (Bouvet 90), circa 1920, Etching by Pierre Bonnard
Located in Long Island City, NY
Chien et Chat (Bouvet 90) Pierre Bonnard, French (1867–1947) Date: circa 1920 Etching, signed in the plate Size: 12.5 in. x 9.75 in. (31.75 cm x 24.77 cm)
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1920s Impressionist Prints and Multiples

Materials

Etching

Early 20th century aquatint landscape figure boat water trees lake print signed
Located in Milwaukee, WI
'Le Pecheur' is an excelletn example of the aquatints of Manuel Robbe, a French artists working during the turn of the 20th century. The image draws upon th...
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Early 1900s Impressionist Prints and Multiples

Materials

Aquatint

Sonoma Mountain Meadow Landscape
Located in Soquel, CA
A beautiful soft landscape Giclee of a glowing meadow in the Sonoma Mountains by Donna McGinnis (American, 20th century). Signed "Donna McGinnis", titled "Sonoma Mountains", and numbered "5/195", lower edge. Limited edition Giclee, high resolution long life inkjet print, Edition 5/195, printed on Epson Somerset velvet cotton rag paper. Displayed in a custom mat and wood Italian classical frame. Image size 29"H x 39"W. Paper size, 32.5"H x 42.5"W. Donna McGinnis was born in Spokane, Washington. McGinnis grew up in an artistic family. Her mother was an artist, her grandmother a musician and her father a photographer. Drawing came naturally to her as she had very vivid memories of admiring her father’s black and white photography. These silvery prints inspired McGinnis. Through his love affair with the still image, McGinnis learned composition, chiaroscuro (light and dark tonality), form and line, in essence the basics of formal art theory. McGinnis had a childhood babysitter and mentor who taught her and her two sisters art...
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Early 2000s Impressionist Prints and Multiples

Materials

Laid Paper, Giclée

Manet, Composition, Édouard Manet, Letters with Aquarelles (after)
Located in Southampton, NY
Lithograph and stencil on vélin Foreign Affairs paper mounted on Foreign Affairs museum board, as issued . Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, ...
Category

1940s Impressionist Prints and Multiples

Materials

Lithograph

Hillside Place, Modern Lithograph by Robert Kipniss
Located in Long Island City, NY
Robert Kipness was an American painter and printmaker who’s work focused on forms and a pronounced moodiness. This print is signed, numbered, dated, and...
Category

1980s Impressionist Prints and Multiples

Materials

Lithograph

Orphée (for Le bestiaire ou Cortège d'Orphée de G. Apollinaire), by Raoul Dufy
Located in Long Island City, NY
Orphée (for Le bestiaire ou Cortège d’Orphée de G. Apollinaire) Raoul Dufy French (1877–1953) Date: 1911 Woodblock, signed in pencil lower right Image Size: 10 x 8 inches Frame Siz...
Category

1910s Impressionist Prints and Multiples

Materials

Woodcut

Along Lake Como I
Located in Chesterfield, MI
Hand embellished by the artist, "Along Lake Como I" is in excellent condition and hand signed by the artist. It is an ARTIST PROOF. Framing options are always available with The Loft Fine Art.
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Late 20th Century Impressionist Prints and Multiples

Materials

Giclée

Along Lake Como I
Along Lake Como I
$480 Sale Price
20% Off
Henri Matisse 'Blue Nude II' Vintage
Located in Brooklyn, NY
Blue Nude II by Henri Matisse was created in 1952 as part of his celebrated series of cut-outs, a technique he developed later in life. Using painted paper cut into shapes, Matisse c...
Category

Early 2000s Impressionist Prints and Multiples

Materials

Offset

Manet, Composition, Édouard Manet, Letters with Aquarelles (after)
Located in Southampton, NY
Lithograph and stencil on vélin Foreign Affairs paper mounted on Foreign Affairs museum board, as issued . Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Édouard Manet, Letters with Aquarelles, 1944. Published by Pantheon Books, New York; rendered and printed by Raymond and...
Category

1940s Impressionist Prints and Multiples

Materials

Lithograph

Lonely Giant. Contemporary Limited Edition Etching
Located in Brecon, Powys
Limited Edition , 5 of 15, etching from this very collected Scottish artist. Signed. Excellent condition Image 9" x 7.5" Ian Laurie was born in 1933 and is a self taught artist who...
Category

21st Century and Contemporary Impressionist Prints and Multiples

Materials

Etching

Manet, Composition, Édouard Manet, Letters with Aquarelles (after)
Located in Southampton, NY
Lithograph and stencil on vélin Foreign Affairs paper mounted on Foreign Affairs museum board, as issued . Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, ...
Category

1940s Impressionist Prints and Multiples

Materials

Lithograph

Manet, Composition, Édouard Manet, Letters with Aquarelles (after)
Located in Southampton, NY
Lithograph and stencil on vélin Foreign Affairs paper mounted on Foreign Affairs museum board, as issued . Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Édouard Manet, Letters with Aquarelles, 1944. Published by Pantheon Books, New York; rendered and printed by Raymond and...
Category

1940s Impressionist Prints and Multiples

Materials

Lithograph

Manet, Composition, Édouard Manet, Letters with Aquarelles (after)
Located in Southampton, NY
Lithograph and stencil on vélin Foreign Affairs paper mounted on Foreign Affairs museum board, as issued . Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, ...
Category

1940s Impressionist Prints and Multiples

Materials

Lithograph

MARC CHAGALL "Le joueur de flûte"
Located in Los Angeles, CA
MARC CHAGALL 1887 - 1985 "Le joueur de flûte" 1958 Colour lithograph 25.5x44 cm, illustration; 38.3x57.3 cm, sheet size Signed lower right by the artist in ink "Marc Chagall" and dedicated "Pour Ursula et Gerd Hatje / "merci" / Marc Chagall / 1958". Inscribed lower left by the artist "Epreuve d'artiste". This is an artist’s proof, aside from the edition of 90. Catalogue Raisonné : Mourlot 197 Gerd Hatje (14 April 1915 – 24 July 2007) was a German publisher. The publishing house that he founded in 1945, named the Humanitas Verlag, renamed in 1947 as Verlag Gerd Hatje, is internationally known for contemporary art, photography and architecture. It merged in to Hatje Cantz in 1999. In the 1950s and 1960s, Hatje changed the focus to art, photography, and architecture.[1] He had contact with and was a friend of contemporary artists such as Hans Arp, Willi Baumeister, Joseph Beuys, Max Bill, Georges Braque, Marcel Breuer, Marc Chagall, Christo, Le Corbusier, Max Ernst, Alberto Giacometti, Walter Gropius, Joan Miró, Pablo Picasso, Ludwig Mies van der Rohe, and James Stirling...
Category

Mid-19th Century Impressionist Prints and Multiples

Materials

Paper, Lithograph

Small Fields, Modern Lithograph by Robert Kipniss
Located in Long Island City, NY
Small Fields Robert Kipniss, American (1931) Date: circa 1980 Lithograph, signed and numbered in pencil Edition of 139/250 Size: 4 x 3.25 in. (10.16 x 8.255 cm) Frame Size: 11.25 x 9...
Category

1980s Impressionist Prints and Multiples

Materials

Lithograph

Impressionist prints and multiples for sale on 1stDibs.

Find a wide variety of authentic Impressionist prints and multiples available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add prints and multiples created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, purple, yellow and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Michel Delacroix, (after) Edgar Degas, Leroy Neiman, and Norman Rockwell. Frequently made by artists working with Lithograph, and Etching and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Impressionist prints and multiples, so small editions measuring 2.96 inches across are also available. Prices for prints and multiples made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $77 and tops out at $99,000, while the average work sells for $900.

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