Impressionist Art

Elliot Seabrooke was well travelled and very much a follower of Cezanne initially and then later much interested in the pointillism of Seurat. Seabrooke studied at the Slade under t...

Four East Village down-and-out derelicts and apparent friends sit on a step and engage in a lively chat. They are smoking and drinking. Street Photographer Mitchell Funk captures the...

Paul Cornoyer, born in 1864 in St. Louis, Missouri, was an American Impressionist artist. Initially studying at the St. Louis School of Fine Arts under Halsey C. Ives, he began his artistic journey painting in a style reminiscent of the Barbizon School. His first exhibition took place in 1887, followed by further studies in Paris at the Académie Julian under notable instructors such as Jules Lefebre, Louis Blanc, and Benjamin Constant. Inspired by French Impressionism during his travels to Paris, London, and Venice, Cornoyer embraced a more fluid and tonal style, particularly evident in his landscapes and cityscapes. Returning to St. Louis in 1894, he painted a mural at the Planters Hotel, depicting the city's birth. Over the next six years, little is known about his work except for the creation of a significant triptych titled "A View of St. Louis," which became iconic for the city. Encouraged by the artist William Merritt Chase, Cornoyer moved to New York City in 1899, where he gained recognition for his urban cityscapes, particularly scenes after rainfall. Capturing the essence of city life with vivid depictions of streets, carriages, and towering buildings, Cornoyer's work became synonymous with New York's urban landscape. He also taught at the Mechanics Institute and mingled with prominent artists such as Childe Hassam and J. Alden Weir, expanding his artistic circle to include New England art schools. In 1917, Cornoyer relocated permanently to Massachusetts, establishing his studio in East Gloucester. He played a pivotal role in founding the Gloucester Art...

Cagnes Ser mer dated 1961 Josine Vignon (French 1922-2022) ...

Windswept Beach Josine Vignon (French 1922-2022) ...

Little Fluffy Clouds by Georges Bordonave (French contemporary) dated 1997 signed oil painting on canvas, unframed canvas: 13 x 16 inches condition: very good provenance: from a lar...

Roses by Louise Alix (French, 1888-1980) *see notes below provenance stamp to the back oil painting on artist paper, unframed measures: 14.5 high by 12 inches wide condition: overal...

OTTO VAN REES Freiburg im Breisgau 1884-1957 Utrecht WASSENDE VROUWEN I LAVANDAIE 1905 Oil on canvas 43 x 52 cm. Signed: lower left ‘OvR’ Particularities: ID 35. Provenance: Pri...

Original Graphite Sketch on Paper 1953 / Signed 1959 Inscribed “Sketch for Robe Feature” 10 5/8″ x 13 1/2″ Viewable 25″ x 29 1/2″ Framed The Robe, a fictional Biblical epic film was ...

Sergei Besedin was born in the village of Ruska near the Ukrainian city of Lozovaya. He was born into a working class family who were staunch communists. Besedin, shortly after the R...

In the 1970s, color photography was still not recognized as fine art. As a street photographer, Mitchell Funk breaks with traditional black and white photography and shoots on the ...

One of a series of sculpted dancers created by the incomparable Edgar Degas, this exceptional bronze exudes all of the expressivity one expects from this 20th-century great. Degas captures the essence of his model in the graceful work, as she strikes a particularly difficult pose of the arabesque. The dancer's features have been manipulated and simplified, executed in a manner that seems almost as if one of Degas' Impressionist canvases has come to life. Degas was obsessed with capturing the dancer in motion throughout his career. He rendered their grace and movement in oil, pastel, pencil, chalk and wax - in fact, of the seventy-four wax sculptures created by Degas during his lifetime, forty of them depicted dancers. Seven of these belong to his series that capture the various forms of the arabesque, and the present work is included among them. It details one of the most difficult and animated poses of the ballet. Degas’ dancer is precariously posed in a study of balance and motion, one leg gracefully thrust into the air as she tilts her body down towards the earth and extends her arm forward. The sense of her movement is perfectly captured in the extraordinary work, as well as the fluid lines of her body. The bronze is a sought-after rarity in terms of Degas’ sculptures. Not only are his dancers the most desirable of his work, but this bronze is also distinguished by the fact that it is a Valsuani bronze, meaning it faithfully records Degas’ wax version’s pose as it appeared at the time of its creation. Most Degas' bronzes that are found on the market were cast by Hébrard – these serialized bronzes are surmoulages, or “aftercasts,” that were cast from the modèle bronzes currently in the Norton Simon Museum (Pasadena). Because these bronzes are second generation, they are smaller and far less detailed that the current bronze. This example, however, was cast by Valsuani from a plaster that was taken directly from Degas’ waxes, according to scholarship by the art historian Dr. Gregory Hedberg. These plasters were created by Degas’ sculptor friend Albert Bartholomé shortly after Degas completed his wax figurines. Thus, they record the earliest versions of Degas’ wax sculptures, before they were damaged by time or handling, and before Degas himself altered the works. The Hébrard bronzes...

Illustrated in "Joseph Barrett, The Prime Years 1970s - 1990s", pg. 49, plate #056. Jim’s of Lambertville is proud to offer this artwork by: Joseph Barrett (1936 – ) Joseph Barrett was born in Midland, North Carolina, in 1936 and studied at the Massachusetts College of Art in Boston and at the Tyler School of Art in Philadelphia. Barrett, now of Lahaska, Pennsylvania, has been painting his entire adult life. His favorite subjects include the landscape surrounding New Hope and many local landmarks often encompassing figures into his compositions. Barrett utilizes a heavy impasto and his palette bears similarities to that of Fern Coppedge and George Sotter. Barrett’s paintings are always found in unique and somewhat charming handmade frames designed by the artist and finished in metal leaf. A living contemporary of the no longer living “New Hope School” impressionist painters, Joseph Barrett resides outside of New Hope above his old-fashioned antique shop and studio. Entering Barrett’s shop is like taking a step back in time. Inside this cluttered and dusty haven of treasures from the past, is a studio spanning only four by eight feet. This little studio, containing cans of old brushes...

Illustrated in "Joseph Barrett, The Prime Years 1970s - 1990s", pg. 16 018 Jim’s of Lambertville is proud to offer this artwork by: Joseph Barrett (1936 – ) Joseph Barrett was born in Midland, North Carolina, in 1936 and studied at the Massachusetts College of Art in Boston and at the Tyler School of Art in Philadelphia. Barrett, now of Lahaska, Pennsylvania, has been painting his entire adult life. His favorite subjects include the landscape surrounding New Hope and many local landmarks often encompassing figures into his compositions. Barrett utilizes a heavy impasto and his palette bears similarities to that of Fern Coppedge and George Sotter. Barrett’s paintings are always found in unique and somewhat charming handmade frames designed by the artist and finished in metal leaf. A living contemporary of the no longer living “New Hope School” impressionist painters, Joseph Barrett resides outside of New Hope above his old-fashioned antique shop and studio. Entering Barrett’s shop is like taking a step back in time. Inside this cluttered and dusty haven of treasures from the past, is a studio spanning only four by eight feet. This little studio, containing cans of old brushes and hundreds of used paint tubes...

Jim’s of Lambertville is proud to offer this artwork by: Charles Hargens (1893 - 1997) Carversville, Bucks County, Pennsylvania artist and illustrator Charles was born in Hot Springs, South Dakota. As a young boy he loved to draw cowboys, Indians and ranch buildings. By age ten, he was “a commercial success” selling drawings of neighbors’ barns and houses for $25. When he grew older, his parents consented to enroll him at the Pennsylvania Academy (1913-20) where he studied with Daniel Garber, Hugh Breckenridge, Henry McCarter, and William Merritt Chase. At Garber’s invitation, Hargens occasionally came to visit his Lumberville studio to paint with him. A lifelong friendship resulted. In 1915, the Pennsylvania Academy awarded Hargens its Cresson Traveling Scholarship and he went to Paris to study at the Academie Julian and the Academie Colarossi. Hargens was a fellow of the Pennsylvania Academy and a member of the Society of Illustrators, the National Cowboy Hall of Fame and the Philadelphia Sketch Club. He exhibited at the Art Institute of Chicago (1923 awards) and at the Pennsylvania Academy of Fine Arts (1915 prize, 1917 prize, 1918 award). By the early 1920s, he began to produce illustrations for book jackets, books, magazines and advertisements. His career took off and soon his illustrations of cowboys, Indians, Western life, Revolutionary War action and boy scout themes appeared in, or adorned the covers of The Saturday Evening Post, Collier’s, Liberty, McCall’s, Boy’s Life and Gentlemen’s Quarterly. His work also appeared on billboards and advertisements for Stetson hats and Coca-cola. It was conditioned by Hargens that all of his original art was returned to him after being published. His entire body work remained in his studio until his death in 1997; this is largely the reason his paintings have not yet commanded the high prices of his contemporary Saturday Evening Post illustrators (i.e. Rockwell, Leyendecker and N.C. Wyeth). At first he and his wife worked from their studio in Philadelphia. In 1940, they purchased a property at the intersection of Aquetong and Sawmill roads in Carversville. They commuted to Philadelphia regularly and stayed in South Dakota every summer. Eventually, he set up a studio next to his Carversville home. After moving to Carversville, Hargens began a lifelong friendship with George Sotter. Hargens’ Carversville home was the subject of many of George Sotter’s paintings long before and during the time Hargens lived there. Hargens also studied with Henry Rand...

Daniel Content painted in the grand tradition of the Golden Age of Illustration, in the style of Dean Cornwell, N.C. Wyeth, J.C Leyendecker ...

Sam Uhrdin (Swedish School, 1886-1964) Sam Uhrdin was born in 1886 in the Swedish town of Siljasnas to the north-west of St...

Heavy snow creates a shadowless scene which allows blue and red umbrellas to pop out from a subdued background. Funk captures a magic moment of perfect spacial and color harmony. ...

Veteran photographer Mitchell Funk strikes a fine balance between abstraction and representation in this optically pleasing color photograph. The sky turns pink magenta as waves cras...

Moody image of a man looking out while the photographer looks in. The picture is organized in a composition of alternating floating faces and floating signs. This work also represen...

Jim’s of Lambertville is proud to offer this artwork. Signed lower left. Complemented by a hand carved and gilt frame. Alexander Farnham (1926 - 2017) Alexander Farnham studied with Anne Steele Marsh, Van Deering Perrine, and at the Art Students League with George Bridgman...

A charming and stylized depiction of a day at the Central Park Zoo. with World War Two uniformed visitors front and center. Sea lions put on a show in front of a packed audience. The...

An exceptional impressionistic depiction of an afternoon along the Seine in Paris by Mario Passoni, on a spring day with the busy activities of people wa...

Jim’s of Lambertville Fine Art Gallery is proud to present this piece by Daniel Garber (1880 - 1958). One of the two most important and, so far, the most valuable of the New Hope Sc...

Signed lower right Printer's and designer's marks in margins "Tool pearls in bodice, train & headband & ribbon under bosom." Ex-collection photographer Frank Paulin...

Signed dated and numbered lower right recto Edition 2/15 Unframed. Printed later. Other sizes are available. Mitchell Funk is a pioneer of " Color Photography". In 1970 he participat...

Signed, "A Rackham" lower right Sotheby's New York Arthur Rackham is widely regarded as one of the leading illustrators from the 'Golden Age' of British book illustration Rackham...

Xavier Gonzalez was born in Almeria, Spain, and lived in Argentina and Mexico before emigrating to the United States in 1925. He was known for expressive murals and for theatrical, c...

Shipping should be around $100. As if it were illuminated from an unearthly source, a Ford Falcon glows as it cruises down a country road. Mitchell Funk pioneered the use of late, dr...

In the early in1970's Mitchell Funk was one of the very few photo innovators who used extreme late afternoon golden light. In "Hotel Dixie, 1975, the intense light not only illumin...

Illustrated in "Joseph Barrett, The Prime Years 1970s - 1990s", pg. 21 #024 Jim’s of Lambertville is proud to offer this artwork by: Joseph Barrett (1936 – ) Joseph Barrett was born in Midland, North Carolina, in 1936 and studied at the Massachusetts College of Art in Boston and at the Tyler School of Art in Philadelphia. Barrett, now of Lahaska, Pennsylvania, has been painting his entire adult life. His favorite subjects include the landscape surrounding New Hope and many local landmarks often encompassing figures into his compositions. Barrett utilizes a heavy impasto and his palette bears similarities to that of Fern Coppedge and George Sotter. Barrett’s paintings are always found in unique and somewhat charming handmade frames designed by the artist and finished in metal leaf. A living contemporary of the no longer living “New Hope School” impressionist painters, Joseph Barrett resides outside of New Hope above his old-fashioned antique shop and studio. Entering Barrett’s shop is like taking a step back in time. Inside this cluttered and dusty haven of treasures from the past, is a studio spanning only four by eight feet. This little studio, containing cans of old brushes and hundreds of used paint tubes...

Signed lower right. Guy Carleton Wiggins adopted the bright palette and lively brushwork of the impressionist movement, and is best known for his New York City snow scenes...

Signed and dated on lower right, numbered on verso, unframed. Other sizes available, printed later, other sizes available

86.IV.47 - 06 markings on sticker verso, Edition not know. Matted and framed under glass, not examined out of frame. Done for the American Express Company

Signed upper right: Addams

Titled and signed on verso: LONE TREE ST. LAWRENCE / by VICTOR C ANDERSON

La Chapelle de la Protection in Cagnes, circa 1925 Oil on panel, signed with the monogram lower left 27 x 34.5 cm Bibliography: The Painters of Cagnes, exhibition catalogue, Château-Musée Grimaldi, 2011, p.62 Paul Leduc...

Charles Bertie Hall, Yacht sailing in a river. Owning an Impressionist marine landscape by Charles Bertie Hall, an English/American Impressionist painter, offers a unique opportuni...

Iris Watercolor on paper, c. 1920 Unsigned Provenance: Estate of the Artist Condition: Excellent, slight surface dirt Image/Sheet size: 15 x 10 1/4 inches Allen was trained in Boston...

Broadbills Drypoint, 1922 Signed in pencil, lower left (see photo) Initialed and dated in the plate (see photo) Edition: 150 (unnumbered) Condition: Excellent, professionally cleaned...

Beyond artistic and aesthetic expression, every still life offers the opportunity to activate a deeply intimate experience. David Segel invites us into a profound encounter with this...

The Staircase - 1987 Original Oil on Masonite Original 1987 oil painting depicting a staircase behind a brick archway by Miriam Ragan (American, 1930-2014). The viewer looks onward ...

Beautiful impressionistic landscape of Shongum Lake, New Jersey countryside in Spring with Stream and blossoms by Rudolph J. Eicher (1884 - 1958), Circa 1940s. Bright springtime fo...

William LEE HANKEY RWS, ROI An oil painting is in very good condition. The canvas has had a clean and a varnish. There is no noticeable restoration. British 1869 - 1952 William L...

Gifford Beal always knew that he wanted to paint. At the age of 12, he began studying with William Merritt Chase in New York City and during the summer at Chase’s School in Long Isla...

Campbell A. MELLON Oil on Panel Picture Size: 15 x 18.5" (37.5 x 46.25cm) Outside Frame Size: 21 x 24.5"(52.5 x 61.25cm) A fantastic example of a rare landscape by Campbell Mellon....

Autumn Stream - Original 1973 Oil Landscape Original 1973 vintage impressionist oil on stretcher canvas painting representing a tranquil stream in the autumn forest by Jean Kenning ...

Detail of Michelangelo's David - 1999 Original Pastel on Paper Original 1999 pastel drawing of a close up of Michelangelo's 'David' by California artist Christopher Baker (American,...

Marion Eldridge Washington Square Park, circa 1925-30 Signed lower right Oil on canvas 18 x 22 inches

Hand embellished by the artist, "Along Lake Como I" is in excellent condition and hand signed by the artist. It is an ARTIST PROOF. Framing options are always available with The Loft Fine Art.

Gorgeous, vibrant early 20th century seascape painting of Point Lobos looking toward Monastery Beach, Carmel by Rinaldo Cuneo (American, 1877-1939). Signed "Cuneo" lower right. Presented in a giltwood frame. Image, 11"H x 12"W. Dubbed “The Painter of San Francisco." Well received at the Panama Pacific International Exhibition in 1915. Born in San Francisco, California and raised in the North Beach area, Rinaldo Cuneo was a painter of landscape, still lifes, city views and muralist who, commissioned by the Federal Art Project adminstrators, painted murals in Coit Tower in San Francisco in 1934. His studio and cottage in San Francisco, later in his career, had a panoramic view of the bay from Telegraph Hill. His family were painters including two of his brothers, Cyrus and Egisto Cuneo, and several family members were founders of the Tivoli Opera Company in San Francisco. He served in the Spanish-American War and then studied at the Mark Hopkins Institute of Art with Arthur Mathews and Gottardo...

Irises by Louise Alix (French, 1888-1980) *see notes below provenance stamp to the back oil painting on canvas, unframed measures: 24 high by 15 inches wide condition: overall very...

Collotype in colors on paper. Unsigned. Title and copyright info in typeset lower margin. Artwork is in excellent condition. All reasonable offers will be considered.

Antique American impressionist flower landscape oil painting by Edward S Annison. Oil on board, circa 1910. Signed. Image size, 9L x 12H. Housed i...

A Rocky Coastline French School, mid-late 20th century unsigned oil painting on canvas textured paper (reverse side is smooth, the painted side looks and feels as canvas), unframed o...

Frank Duffield (British, 1908-1982) original gouache painting on artist paper, unframed size: 12 x 15 inches condition: overall very good, minor wear to the edges as is normal for an...

French Impressionist artist, circa 1930 oil on canvas, unframed canvas: 22 x 18 inches provenance: private collection, France condition: very good and sound condition

Henri Lebasque 1865-1937 French Maternité (Maternity) Oil on canvas Signed “Lebasque” (lower left) In this effusive oil on canvas, Henri Lebasque captures a contemplative scene o...