Sculptures

Whether in the draping of a silk gown worn by an opera diva, or in the sparkle of an intricately beaded headdress worn by a woman of society, Erté had an exceptionally acute visual memory of every detail of his early design creations. It was no wonder then that his fashion designs were so adeptly applied to the sculpture format. In Mermaid, we have a fine example of how Erté carried the technical possibilities of the sculpture medium to a new level. This attention to detail added to his legend as one of the Twentieth Century’s foremost artist-designers, with work represented in the collections of the Metropolitan Museum of Art, New York, the Museum of Modern Art, New York, the Paris Opera House, the Smithsonian Institution and the Victoria and Albert Museum, London. Through Mermaid, Erté takes us beyond the female form by choosing the intriguing legendary sea creature whose upper body is that of a woman, and whose lower body is that of an aquatic creature. In quintessential Erté style...

Homebody is a sculpture in bronze, signed and dated ‘KOSTABI 2022,’ and numbered 4/8 from the edition of ten on the side of the main figure (there were also 2 AP). Mark Kostabi is widely known for his paintings, but the artist has also worked in bronze since the 1980s. Two of his sculptures are permanently installed in Italy – one in the central square of San Benedetto...

The Power of Source is a sculpture in bronze, signed and dated ‘KOSTABI 2022,’ and numbered 7/8 from the edition of nine verso (there was also 1 AP). Mark Kostabi is widely known for his paintings, but the artist has also worked in bronze since the 1980s. Two of his sculptures are permanently installed in Italy – one in the central square of San Benedetto...

Bronze sculpture by Betty Jacob depicts a smooth and curvaceous gilt bronze figure posing on her knees. Signed high on the left thigh and mounted on a blac...

SALE ONE WEEK ONLY This Pre-Star Wars Space Ship captures the magic, power and volume of unidentified objects that pass through our solar system and within viewing site of spaceship Earth. Titled "Untitled" this piece has the monumental quality and style of a spaceship that has been circling the universe forever. Constructed in 1963, prior to film industry creatives scaring viewers with visions of unimaginable spacecraft come to destroy earth, Julius Schmidt's imagination was unstoppable with his numerous and unique cast bronze sculptures. This extraordinary piece is a heart stopping example of what a genius creative can produce. It was exhibited in March 9 - 31, 1963 at the Otto Gerson Gallery, New York, NY. A Catalog of the show accompanies this piece. Julius Schmidt is an American sculptor who earned his B.F.A. from Cranbrook Academy of Art in 1953 and for the next two years studied sculpture under Ossip Zadkine in Paris and at the Accademia di Belle Arti in Florence, Italy. He returned to Cranbrook in Bloomfield Hills, Michigan, in 1955 for his M.F.A. in sculpture. Cranbrook was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists who are alumni of Cranbrook include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald Lipski, Duane Hanson, Nick Cave, Hani Rashid, George Nelson, Urban Jupena (Nationally recognized fiber artist), Artis Lane (the first African-American artist to have her sculpture, "Sojourner Truth," commissioned for the Emancipation Hall in the Capital Visitor Center in Washington DC), Cory Puhlman (televised Pastry Chef extraordinaire), Thom O’Connor (Lithographs), Paul Evans (Brutalist-inspired sculpted metal furnishings), Eugene Caples (small bronze images/abstract), Morris Brose (bronze sculptures), Herb Babcock...

These are figurative works, of classical or archaic inspiration, reinterpreted using strictly contemporary signs and communicative languages, decontextualized and transformed into decorative elements: bar codes, qr codes, wi-fi icons, @, symbols of well-known advertising campaigns, numbers / formulas, which combine to form the vision of a dystopian archeology of the future which bring the individual closer to goods or objects, traces of mechanical or computer elements, which testify to a reality, ours, which has already happened, already lived. It is like an eye on the archeology of a distant future, or on a contemporary discovery that indicates an end already seen, towards which we can move. The metal structures are supports that enter the composition and the aesthetic vision and communication of the topics covered. The "cages" at the same time constrain but support, they root to the ground but soar upwards, in a liberating tension. ATLETA 2 - LA FORMA...

Llywelyn ab Iorwerth, (Llywelyn the Great) born in Dolwyddelan d.1240AD Aberconwy Abbey. King of Gwynedd and Prince of Wales he dominated Wales for 45 years. In 1200 Llywelyn made a ...

The Swimmer is a bronze table/wall sculpture, it is connected to a steel base. The edition size is 25. Joan’s latest sculpture series of female figures brings an out-of-the-box approach to sculpture creation. The small vivid women figures linked or bonded to their pedestals; the figures are delicate and intriguing representation of a woman’s mind...

19th Century French Bacchanalian Bronze in the 18th century style depicting two Putti, in the manner of Clodion. One putto reclines while another feeds it grapes. The Patina is worn ...

Karin Beek's (1948) bronze sculptures are characterized by a friendly, round and at the same time monumental style. They breathe the atmosphere of everyday ...

Numbered 1/8 Cast Fonderie Rocher A fine cast with a vivid green patina of a bird of prey

A Monumental French Patinated Bronze Bust of William Shakespeare, after Houdon, by F. Barbedienne Foundry, circa 1870. Masterfully and realistically sculpted in solid bronze, this b...

Animal sculptor Sophie MARTIN creates from inert clay a whole living animal kingdom. She freely observes the animal and captures and interprets a movement; and places it in nature and real life with a zest of fancy. Without humanizing the model, respecting the uniqueness of each one in its biodiversity. After studying three years of art history at the Ecole du Louvre, it was with her uncle and her aunt veterinarians, that her love for animals truly took shape in the clay; as with the first models animals on the examination table...

Animal sculptor Sophie MARTIN creates from inert clay a whole living animal kingdom. She freely observes the animal and captures and interprets a movement; and places it in nature and real life with a zest of fancy. Without humanizing the model, respecting the uniqueness of each one in its biodiversity. After studying three years of art history at the Ecole du Louvre, it was with her uncle and her aunt veterinarians, that her love for animals truly took shape in the clay; as with the first models animals on the examination table...

Animal sculptor Sophie MARTIN creates from inert clay a whole living animal kingdom. She freely observes the animal and captures and interprets a movement; and places it in nature an...

Nancy Graves New York State Governor's Arts Award, 1988 Bronze, polychrome patina and baked enamel on base with Award plaque 10 1/4 × 7 × 10 1/4 inches Ha...

British sculptor Anthony Theakston (1965), who draws his inspiration from the shape and movement of birds, simplifies the birds and omits more and more details until only the essence...

An Italian grand tour patinated bronze group sculpture of Laocoon and his sons, After the antique by Agesander of Rhodes, C. 1870 Very nice quali...

William King (1925-2015). Reclining figure, ca. 1965. Cast and welded bronze, 7 x 9.5 x 5 inches. Unsigned. William King, a sculptor in a variety of materials whose human figures traced social attitudes through the last half of the 20th century, often poking sly and poignant fun at human follies and foibles, died on March 4 at his home in East Hampton, N.Y. He was 90. His death was confirmed by Scott Chaskey, who is married to Mr. King's stepdaughter, Megan Chaskey. Mr. King worked in clay, wood, bronze, vinyl, burlap and aluminum. He worked both big and small, from busts and toylike figures to large public art pieces depicting familiar human poses -- a seated, cross-legged man reading; a Western couple (he in a cowboy hat, she in a long dress) holding hands; a tall man reaching down to tug along a recalcitrant little boy; a crowd of robotic-looking men walking in lock step. But for all its variation, what unified his work was a wry observer's arched eyebrow, the pointed humor and witty rue of a fatalist. His figurative sculptures, often with long, spidery legs and an outlandishly skewed ratio of torso to appendages, use gestures and posture to suggest attitude and illustrate his own amusement with the unwieldiness of human physical equipment. His subjects included tennis players and gymnasts, dancers and musicians, and he managed to show appreciation of their physical gifts and comic delight at their contortions and costumery. His suit-wearing businessmen often appeared haughty or pompous; his other men could seem timid or perplexed or awkward. Oddly, or perhaps tellingly, he tended to depict women more reverentially, though in his portrayals of couples the fragility and tender comedy inherent in couplehood settled equally on both partners. Mr. King's work is in the collections of the Metropolitan Museum of Art and the Museum of Modern Art in New York and the Smithsonian American Art Museum in Washington, among other places, and he had dozens of solo gallery shows in New York and elsewhere. But the comic element of his work probably caused his reputation to suffer. Reviews of his exhibitions frequently began with the caveat that even though the work was funny, it was also serious, displaying superior technical skills, imaginative vision and the bolstering weight of a range of influences, from the ancient Etruscans to American folk art to 20th-century artists including Giacometti, Calder. and Elie Nadelman. The critic Hilton Kramer, one of Mr. King's most ardent advocates, wrote in a 1970 essay accompanying a New York gallery exhibit that he was, "among other things, an amusing artist, and nowadays this can, at times, be almost as much a liability as an asset." A "preoccupation with gesture is the focus of King's sculptural imagination," Mr. Kramer wrote. "Everything that one admires in his work - the virtuoso carving, the deft handling of a wide variety of materials, the shrewd observation and resourceful invention - all this is secondary to the concentration on gesture. The physical stance of the human animal as it negotiates the social arena, the unconscious gait that the body assumes in making its way in the social medium, the emotion traced by the course of a limb, a torso, a head, the features of a face, a coiffure or a costume - from a keen observation of these materials King has garnered a large stock of sculptural images notable for their wit, empathy, simplicity and psychological precision." William Dickey King...

Uil Owl Bronze Sculpture Girl with Owl on Head Wisdom Contemporary In Stock The statues of Erwin Meijer are subtle with a recognizable, personal handwriting. They breathe the atmosphere of a narrative poem, where the reader not only encounters the artist, but also himself. Though the statues are realistic, there is still enough room for interpretation. Do the artist and the viewer see the same story? It doesn’t really matter, because the beauty in his work has a autonome quality. How can we interprete the work in the conscious and unconscious brain? The first will be hit by the clear styled forms and the technical know-how. The second by his favourite theme, nature, the loving images of men and animals, often together in harmony. Very common in his work is the symbolic worth within the story. The viewer experiences an emotion, seeing a human or human presence, funny or vulnerable. You sympathize with the myth and feel the power of the methaphorical meaning. This is confirms we are dealing with a real artist. Erwin Meijer managed very well to give his sculptures a classic universality, timeless, surpassing the boundaries of reality. With a signature beyond countries and cultures. . East and west meet each other in many sculptures, like Europe and the bull...

A Large and Rare Patinated Bronze Bust of George Washington, after Houdon by F. Barbedienne Foundry, circa 1870. Very nice quality green patinated bronze bust of President...

OSCAR EISHACKER "DIONYSOS" "BACCHUS" BRONZE, SIGNED FRANCE, C.1910 ALEXIS RUDIER FONDEUR 21.5 X 20 X 9 INCHES Oscar Eishacker 1881-1961 Eishack...

"L'appel aux Armes" The call to arms by George Bareau, French, (1866-1931) A female figural statue of a classical woman with wreaths in her hair, holding a large scroll and pen. H...

Vrouw met Badmuts Woman with Swimming Cap Bronze Sculpture Nude Female The statues of Erwin Meijer are subtle with a recognizable, personal handwriting. T...

Venus Bronze Sculpture Woman Contemporary Female Nude Sitting Lady The statues of Erwin Meijer are subtle with a recognizable, personal handwriting. They ...

'Lapwing' is a Bronze sculpture with a stunning life like qualities. Smith has captured every last detail and given this wonderful sculpture life. A standout piece that would look i...

SEMION RABINKOV "UNICYCLE HORN PLAYER" BRONZE, SIGNED, NUMBERED 1/9 MOLDOVAN-AMERICAN, C.1990'S 27.5 INCHES Semion was born in Chisinau, Moldova, 1954...

Incised signature by the artist and stamp numbered with foundry and date. Bronze with gilt highlights on swivel base. Edition: Of 275. Additional images are available upon request....

SALE ONE WEEK ONLY Schmidt mainly worked in cast iron and bronze. This work reflects the influences of ancient cultures, natural forms, and the machinery of the modern age. Synthesi...

"Doubt" bronze figurative sculpture limited at 8 pieces 16x16x16cm left n° 3/8 certificate emmanuelle vroelant in 2009 Emmanuelle Vroelant decided to start scu...

Antique Pair of Russian Wolfhounds/Borzois Dog Portrait Sculptures by Scalini (aka Scali; Italian, 20th century) circa 1930's Patinated spelter 9 x 14 inches (on bases) Though rath...

Antique Bronze Dog Portrait of a Terrier Pierre-Albert Laplanche (French, 1826-1873) Signed in script to base "Laplanche" Stamped "E.V 3753" 8 x 2.75 x 8 1/4 inches This is a super...

Signed on base. This was exhibited at the Goldscheider Pavilion at the 1925 Paris Exhibition Marble base has loss to right edge and very small lose to center edge. , Bronze is in ve...

An amazing bronze cast of a little 19th-century boy. The quality of the piece is outstanding, as is the color and patination. There is little known about the painter other than he wo...

Abstract modern sculpture by Latin American sculptor Raúl Valdivieso (Chilean, 1931-1993). Valdivieso is known for his reinterpretation of the classic ...

Appealing bronze organic sculpture by Latin American sculptor Raúl Valdivieso (Chilean, 1931-1993). Valdivieso is known for his reinterpretation of the...

Expressive bronze sculpture of a mother holding an infant by Rose Van Vranken (American, 1918-2013). Signed and numbered "VAN VRANKEN 5/6" on the back of the pedestal. 14.5"H x 5.5"...

SALE ONE WEEK ONLY "Roma II" is an exquisite example of Morris Brose's abstract sculpture that invites numerous imaginative suggestions from architecture to weaponry and armor. No soft edges on this piece and no invitation to caress, the power, strength and beauty of the bronze are front and center and create awe. Morris Brose, Polish/American was born in Wyszkow, Poland. He became a sculptor and instructor of sculpture at the Detroit Institute of Arts, Wayne State University and Cranbrook Academy of Art, Bloomfield Hills, Michigan. Cranbrook was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists who are alumni of Cranbrook include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald Lipski...

SALE ONE WEEK ONLY "Bronze Bull" is an exquisite example of Morris Brose's abstract/figurative sculpture. No soft edges on this piece and no invitation to caress, the power, strength and beauty of the bronze are front and center and create awe. "Bronze Bull" is a free-standing piece signed on the base. Morris Brose, Polish/American was born in Wyszkow, Poland. He became a sculptor and instructor of sculpture at the Detroit Institute of Arts, Wayne State University and Cranbrook Academy of Art, Bloomfield Hills, Michigan. Cranbrook was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists who are alumni of Cranbrook include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald Lipski...

SALE ONE WEEK ONLY This small exquisite "Bronze Sculpture I" is in excellent condition and a perfect example of Eugene Caples craftsmanship. Although it is mainly abstract, there are bits that look figurative either an arm or a leg attempting to emerge from a fold or attempting to hold a pose such as in yoga. It cries out to be touched and held, looked at and caressed. The beautiful patina on the surface gives voice to the many hands that have done these things. Eugene Caples is a designer and craftsman who worked in Kansas City in the 1960s and later through the early 21st century. He attended the Kansas City Art Institute, earning his Bachelors of Fine Arts in Industrial Design in 1959. In 1963 he was accepted to Cranbrook Academy of Art, Bloomfield Hills, Michigan. The Cranbrook Academy of Art was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists are alumni of Cranbrook and include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald Lipski, Duane Hanson, Nick Cave, Hani Rashid, George Nelson, Urban Jupena (Nationally recognized fiber artist), Artis Lane (the first African-American artist to have her sculpture, "Sojourner Truth," commissioned for the Emancipation Hall in the Capital Visitor Center in Washington DC), Cory Puhlman (televised Pastry Chef extraordinaire), Thom O’Connor (Lithographs), and Paul Evans (Created Brutalist-inspired sculpted metal furnishings.) Gene worked...

SALE ONE WEEK ONLY This small exquisite "Bronze Sculpture II" is in excellent condition and a perfect example of Eugene Caples craftsmanship. This is mainly abstract with some graphic or architectural elements and is so delightful that mythical creatures demand to be considered. It cries out to be touched and held, looked at and caressed. The beautiful patina on the surface gives voice to the many hands that have done these things. Eugene Caples is a designer and craftsman who worked in Kansas City in the 1960s and later through the early 21st century. He attended the Kansas City Art Institute, earning his Bachelors of Fine Arts in Industrial Design in 1959. In 1963 he was accepted to Cranbrook Academy of Art, Bloomfield Hills, Michigan. The Cranbrook Academy of Art was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists are alumni of Cranbrook and include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald...

Horse is an original artwork realized by Augusto Murer in 1975. Sculpture realized in bronze. Hand-signed, dated and numbered in the interior: A. Murer, 75, 8/10. Very good condit...

Bronze sculpture. Incised artist signature with date and edition. Size includes base. Additional images are available upon request. Certificate of Authenticity is included. Please ...

Animal sculptor Sophie MARTIN creates from inert clay a whole living animal kingdom. She freely observes the animal and captures and interprets a movement; and places it in nature an...

Realized by the Artist in 3 different variants, each with a different central body. Declaration of authenticity signed by the Artist on rear of photo in 1975. Provenance: Private Col...

Head of Man is an original artwork realized by Amedeo Bocchi in 1920 ca. This little sculpture is made in gilded bronze. The original wax model is published on the artist's monogra...

Bronze sculpture with wooden base. Signed and dated under the base. Certificate of authenticity signed by the artist,

This sculpture entirely made of bronze. The eggs are patinated with a marble blue color while the nest is patinated with a mix of golden, green and brown colors. Executed through a c...

Signed: A. Carrier-Belluese Two large bronze matching busts of an unknown male and female 22 x 10 x 11" male 23 x 10 x 9" female Both show signs of wear with their age but are in fa...

Incised signature and numbered by the artist. Artwork is in excellent condition. Certificate of authenticity included. Edition of 50. All reasonable offers will be considered.

Incised signature by the artist and stamp numbered with foundry and date. Additional images are available upon request. Certificate of Authenticity is included. Please do not hesitat...

Sculpture, bronze and stainless, figurative Edition of 6 Measurement includes stainless base and bronze sculpture

Hand fabricated bronze with patina. Sealed with lacquer and wax. Large pyramid- 20"h x 8 x 8 x 4" base, small pyramid 18"h x 7 x 7 x 4" base 2 separate pyramids. Total size together ...

This head of young boy is a rare, precious and unpublished sculpture by Marino Marini, belonging to a private collection for over 60 years. The same subject...

Olympiad. Hand fabricated steel with patina, bronze rod. Unique, one of a kind. 19 x 19 x 14" sculpture. Powder coated steel base, 3"h, 12"w, 9"d. There are two sides to any circle:...

Mother & Child, Mid-Century Figural Brutalist Bronze Sculpture by Curt Beckmann Rare and evocative mid-century figural bronze sculpture of mother and fleeing young child by Curt Bec...

The historic tradition of cast bronze provides a contemporary avenue for the creation of Wayne Salge’s abstracted human and animal figures. Thoroughly modern and distinctly impressio...

This is a beautiful original bronze casting by the foremost Russian sculptor of his day Evgeny Lanceray. Artist signed on the base in Cyrillic (image 5) and is also inscribed on the ...