Mid-20th Century Sculptures

Created in 1975, this madoura turned round dish of red earthenware clay, engobe decoration in black and knife engraving is from the edition of 200 and stamped with the 'MADOURA PLEIN FEU' and 'EDITION PICASSO' pottery stamps on the back. Pablo Picasso ceramic Hibou aux ailes déployées (Owl with spread wings), 1957 A.R. 397 features a smiling owl with wings opening above its head. The owl sits on a thin branch that spans the lower length of the plate, extending the scene beyond the bounds of the ceramic. Beautiful, bushy feathers fan out. Picasso uses...

Refined white marble statue from the first half of the 20th century. This is a very high quality copy of a work by the great Italian sculptor Giacomo Ginotti (1845-1897). Known as Th...

Sculpture of female head, silvered plated brass. Inscribed on the bottom, "Werkstätte Hagenauer Wien" Austria, c. 1930s 16"h x 10.5"w x 3.5"d

This stunning Mid Century Modern welded bronze sculpture was realized by the esteemed 20th Century artist Tony Rosenthal circa 1965. Signed and dated by the artist (and with an inclu...

A wonderful cement sculpture cast of the artist’s Persian cat Pou Pou by American artist Harriet Whitney Frishmuth (1880-1970). Harriet was born in Philadelphia, PA, and, as a teenager , she studied sculpture in Paris classes (with critiques by Auguste Rodin) and later enrolled at the Academie Colarossi there. On her return to the United States she studied with Gutzon Borglum at the Art Students League, served an apprenticeship with Karl Bitter...

Francisco Zuniga bronze sculpture, Nude Lying Down. Edition: 3. #377 in the Zuniga catalog raisonne. Titled: "Desnudo Acostado". Measures: 6 7/8" H x 18" L x 19" W not including the...

Anonymous, Sun God Ra (bookend), 16 x 13.5 x 6 cm (depiction), 17.5 x 13.5 x 8 cm (with pedestal), patinated brass, c. 1935. - Nose slightly rubbed, otherwise very good condition ...

A fine cast patinated bronze sculpture with impressionist figures by American sculptor Stanley Bleifeld (1924-2011). Bleifeld was born and raised in Brooklyn, New York, and was an ar...

One of a kind ceramic sculpture by Latin American sculptor Raúl Valdivieso (Chilean, 1931-1993). Valdivieso is known for his reinterpretation of classic organic forms and human figures. Sculpture retains the original wood and black laminate base with metal cage. Ceramic is in good original condition. Laminate is in poor condition with a few chips. Raúl Valdiveso was born September 9, 1931 in Santiago, Chile. In 1952 he began his studies at the School of Fine Arts at the University of Chile. There he took to sculpture and studied under professors like Marta Colvin...

Pheasant by François Pompon (1855-1933) Exceptional bronze with old gilded patina Cast by Valsuani Period cast France circa 1930 height 8,2 cm length 14,2 cm width 3,6 cm A similar model is represented in "Pompon, Catalog raisonné", Editions Gallimard, RMN, 1995, page 202, n°95B. Biography: François Pompon (1855-1933) is known for his animal sculptures whose innovative style is characterized by the simplification of shapes and polished surfaces. Pompon entered as an apprentice in the workshop of his father, Alban Pompon (1823-1907) who was a "compagnon du devoir" of the carpenter-cabinetmakers. Thanks to a scholarship obtained by the parish priest, he left in 1870 for Dijon where he became an apprentice stonemason with a marble worker. He attended evening classes at the School of Fine Arts in Dijon, first in architecture and engraving with Célestin Nanteuil, then in sculpture with François Dameron (1835-1900). After a short stint in the army in 1875, Pompon arrived in Paris where he became a marble worker in a funeral business near the Montparnasse cemetery. He attended evening classes at the Petite École, the future National School of Decorative Arts. His teachers were the sculptors Aimé Millet (1819-1891) and Pierre Louis Rouillard (1820-1881), also professor of anatomy, who showed him the menagerie of the Jardin des Plantes. In 1890, François Pompon entered the studio of Auguste Rodin (1840-1917), where he worked as a practitioner at the marble depot, rue de l'Université. He quickly gained the master's confidence since he ran the workshop in 1893. His role then was to pass on the accounts, pay for the marbles and supervise the work. It is in this same workshop that he met Ernest Nivet and Camille Claudel. He worked for a long time as a practitioner for other sculptors such as Jean Dampt...

Dudley Vaill Talcott (American, 1899-1986), The Gate, 1930s. From the estate of the artist. In fine condition. This large aluminum gate is decorated with the...

Mark Morrison (1895-1964) Mountain Goat, ca. 1940 Carved diorite 3 7/8" wide, 2.5" deep, height is 3" Provenance: Estate of Mrs. Mark Morrison. Born: Kingfisher, OK Educatio...

Lioness Turning by Roger GODCHAUX (1878-1958) A very fine bronze sculpture with nuanced greenish dark brown patina Signed " Roger Godchaux " on the base Cast by "Susse Frs Edts Par...

Yuko Nasaka (1938) Untitled Resin and lacquer on board 45.5 x 45.5 cm (17.9 x 17.9 in) not considering the frame Executed in 1963 About the Artist: Born in Osaka in 1938, Yuko Nasak...

Tony Rosenthal, Attributed to, American (1914 - 2009) - Bicycle, Medium: Acrylic on Metal Assemblage, Size: 31 x 36 x 6 in. (78.74 x 91.44 x 15.24 cm)

RICHARD LOUIS GARBE, RA (1876-1957) Alfreda, The Artist’s Daughter Signed and dated 1956 Plaster with patinated surface on a wooden base 30 cm., 11 ¾ in. high Provenance: Gifted ...

Tête de chèvre de profil, Picasso, 1950's, Plate, Goat, Animal, Design, Ceramic Tête de chèvre de profil Ed. 50 pcs 1950 White earthenware clay, decoration in oxidized paraffin and ...

Young Wood Owl, Pablo Picasso, 1950's, Multiples, Design, Postwar, Pitcher Young wood-owl Ed. 500 pcs 1952 White earthenware clay, partly polychromed and glazed 26.5 x 9.5 cm Stampe...

Measures about 3.75 X 3.5 inches. Box is 11 X 11 inches. (Piece is in excellent condition. box frame has some minor wear and piece might need to be remounted, it has been removed and...

Pichet gravé gris Ed. 500 pcs, 1954 White clay with grey engobe painting, partially glazed in white and black with incised decor. H. 30 cm Stamped underside : Madoura, Edition Picass...

Oriental sculpture from the mid-20th century. Finely carved and crafted exotic wooden object depicting a fisherman with fish, of good quality. Sculpture made from a single wooden blo...

Antique American modernist mixed media sculpture painting by Duayne Hatchett (1925 - 2015) . Mixed media metal sculpture . Signed on verso.

A painted metal palm tree or banana with removable leaves. Detailed trunk and leaves and a fabulous white flower. What is it about palm trees, that conjures up the romantic? Perfect ...

Félix Agostini, rare original sculpture in gilt resin made circa 1960 Representing a Dancer or Icarus, this original sculpture is one of Félix Agostini's rarest creations. Félix Ag...

Charles Green Shaw Montage, circa 1935 Labeled on verso Pipes, antique playing cards 19 x 16 inches Charles Green Shaw, born into a wealthy New...

Astounding painting and carving on wood panel by the “Hound of Heaven” artist Robert Gammell. Created 1947. This beautiful work features rich color, gold accents and incredible detail. Signed lower right “R.H. Ives Gammell” and dated ‘47. The subject comes from the imagination of the artist and is titled “Lady of the Seven Sorrows.” The work measures 34 1/2"h x 11 1/4"w and is considered to be one of the artist’s “Puppy Panels.” The ornate frame measures 38 1/2"h x 15 1/2"w x 1 1/4"d. The weight is 9 ½ pounds. A label is attached to the verso listing the work as being an entry for the 1967 Grand National Show with the American Artists Professional League in New York. This detailed and beautiful painting is a work to be treasured. More Information Robert Hale Ives Gammell: After completing his major allegorical sequence, the Hound of Heaven, Gammell felt compelled to revisit certain themes and figurative compositions in later years. His original plan was to display the smaller panels, or "Puppy Panels" as he affectionately called them, between the larger Hound panels. Robert Hale Ives Gammell (1893-1981) was a prolific professional painter working in Boston, Provincetown, and Williamstown, Massachusetts. During the sixty-five years of his career, Gammell painted murals, portraits, landscapes, and still lifes, but the pieces which excited him most were the allegorical works drawn from his imagination. In his diary Gammell wrote that he was “fascinated by the drama of man in his relationship to the forces of the universe and of his own nature.” Over the years he experimented using ancient myths and rituals as well as contemporary symbols in his attempts to articulate images of man’s terror, wonder and yearning in the face of a century of upheaval. Excerpt from Elizabeth Ives Hunter, the God-daughter of R. H. Ives Gammell and the daughter of his assistant, Theodore W. J. Valsam. R. H. Ives Gammell believed in the practice and standards of art should rest on the Gold standard established by the 19th-century French system of learning, as practiced by the Ecole des Beaux-Arts and Academie Julian of Paris. His personal mission was to follow that tradition, so he established his own Studio working with a handful of students at a time. His book ‘Twilight of Painting’ would help define a way back to those lofty goals for future artists, reflecting the uncompromising levels of quality that he embraced, and maintained. Robert Hale Ives Gammell was born to wealth in Providence, Rhode Island and spent the majority of his artistic life in Boston at the Fenway Studios and in Williamstown, MA, where he died in 1981. In 1910, Gammell studied briefly with William C. Loring and Wm. Sergeant Kendall before training in 1913 at Boston's Museum School with Philip Hale, F.W. Benson and Edmund C. Tarbell for a few months. Gammell then went to Provincetown, MA to study with Charles Hawthorn and then to the Academie Julian in Paris and the Academie Baschet until the end of 1914. He was tremendously influenced by the teachings of Tarbell and the work of Joseph DeCamp and William M. Paxton. He was so influenced by the Boston School he vowed to hand down their teaching traditions to generations of students and he did exactly that. Some of the painters who are "Gammellites" are Samuel Rose, Thomas R. Dunlay, Robert Cormier, Richard Lack, Gary Hoffman, Stephen Gjerston, Robert Douglas Hunter, David Lowrey, David Curtis...

Striking mid century tiger sculpture crafted in terra cotta, hand decorated in vivid colors and glazed. Stamped Italy on the bottom.

Vintage pair of Chinese cloisonné horses with a Tang dynasty form decorated with colorful symbolic references on an alluring blue back...

Pablo Picasso A.R. 172 Bird With Worm 1952 6” round Edition of 500 White earthenware clay, oxidized paraffin decoration, white enamel. Ramie 172 is a Madoura...

Pair of bookends with Elephants by Ary BITTER (1883-1973) Pair of bronze sculptures with a nuanced greenish light brown patina Raised on their original veneered amaranth burl bases ...

Zuniga bronze, edition: 3. #472 catalog raisonne: "Madre Reclinada con Rebozo". Measures: 5 3/4" H x 12" L x 8" W not including the wood plinth. Signed Zuniga and dated 1964. "Letter of Authenticity", issued by the Zuniga foundation (and son Ariel Zuniga...

Bushbuck by Charles DELHOMMEAU (1883-1970) Sculpture with a nuanced reddish-brown patina Signed on the base "Delhommeau" Sand cast France circa 1938 height 27,5 cm base 20,5 x 7,5 ...

Bronze sculpture Polished and patinated bronze sculpture. "Furnace Flowers" by mid century modern Italian sculptor Francesco Somaini (Italy 1926-...

Artist: Alan Siegel, American (1938 - ) Title: The Throne Year: 1967 Medium: Enamel On Laminated Wood, signed on bottom Size: 40 x 23.5 x 20 in. (101.6 x 59.69 x 50.8 cm)

This exceptional 1960s ceramic pot by acclaimed 20th-century artist Claude Conover (1907-1994) features striking white parallel lines and intricate abstract etchings, making it a sta...

This 18 x 9 x 4 inch carved wood sculpture is unsigned and comes directly from the artist's family. Louis 'Lou' Bunin (28 March 1904 – 17 February 1994) was an American puppeteer, artist, and pioneer of stop-motion animation in the latter half of the twentieth century. While working as a mural artist under Diego Rivera in Mexico City in 1926, Bunin created political puppet shows using marionettes...

Margaret VIII, flax, sisal and wool, 57" x 39", 1977. This Mid-Century Modern abstract woven tapestry was done by Postwar and Contemporary Polish textile...

PABLO PICASSO (1881-1973) Tête de faune (Unique) Wax crayon on ceramic; tomette (floor tile). This work is unique. Claude Picasso has confirmed the authenticity of this work. Prov...

This half-shield from New Guinea is carved wood, embellished with vegetable pigment. It features an abstracted face with other designs. The shield is 31" x 9" x 4".

Nude woman figure knelling on the pillow. Signed illegibly with initials, dated '64 edition 1/3. Bronze on marble base.

Initialed and dated: "DVT 61". From the estate of the artist. In fine condition.

Brutalist Abstract Nail sculpture comprised of hundreds of hand welded flat nails with a rusticated patina. Would be great as a fireplace scree...

Bronze fountain sculpture of Cupid hold a fish. This beautiful bronze sculpture features intricate details and has a nice natural patina.

This carving is of a large head with three horns. This piece is made of wood and skin by the Ekoi people of Nigeria. Ekoi people, also known as Ejagham, are an ethnic group in the ex...

Sculpture of male head, silvered plated brass. Inscribed on the bottom, "Werkstätte Hagenauer Wien" Austria, c. 1930s 16"h x 10.5"w x 3.5"d

Horse "Symbole" by René PARIS (1881-1970) Animal sculpture in bronze with a nuanced light brown patina signed on the base "René Paris" and dated "1942" Cast by "A. Valsuani" (with f...

David Hare Dancer, circa 1955 Bronze with integral stand 68 high x 17 wide x 13 1/2 deep inches “Freedom is what we want,” David Hare boldly stated in 1965, but then he added the caveat, “and what we are most afraid of.” No one could accuse David Hare of possessing such fear. Blithely unconcerned with the critics’ judgments, Hare flitted through most of the major art developments of the mid-twentieth century in the United States. He changed mediums several times; just when his fame as a sculptor had reached its apogee about 1960, he switched over to painting. Yet he remained attached to surrealism long after it had fallen out of official favor. “I can’t change what I do in order to fit what would make me popular,” he said. “Not because of moral reasons, but just because I can’t do it; I’m not interested in it.” Hare was born in New York City in 1917; his family was both wealthy and familiar with the world of modern art. Meredith (1870-1932), his father, was a prominent corporate attorney. His mother, Elizabeth Sage Goodwin (1878-1948) was an art collector, a financial backer of the 1913 Armory Show, and a friend of artists such as Constantin Brancusi, Walt Kuhn, and Marcel Duchamp. In the 1920s, the entire family moved to Santa Fe, New Mexico and later to Colorado Springs, in the hope that the change in altitude and climate would help to heal Meredith’s tuberculosis. In Colorado Springs, Elizabeth founded the Fountain Valley School where David attended high school after his father died in 1932. In the western United States, Hare developed a fascination for kachina dolls and other aspects of Native American culture that would become a recurring source of inspiration in his career. After high school, Hare briefly attended Bard College (1936-37) in Annandale-on-Hudson. At a loss as to what to do next, he parlayed his mother’s contacts into opening a commercial photography studio and began dabbling in color photography, still a rarity at the time [Kodachrome was introduced in 1935]. At age 22, Hare had his first solo exhibition at Walker Gallery in New York City; his 30 color photographs included one of President Franklin Roosevelt. As a photographer, Hare experimented with an automatist technique called “heatage” (or “melted negatives”) in which he heated the negative in order to distort the image. Hare described them as “antagonisms of matter.” The final products were usually abstractions tending towards surrealism and similar to processes used by Man Ray, Raoul Ubac, and Wolfgang Paalen. In 1940, Hare moved to Roxbury, CT, where he fraternized with neighboring artists such as Alexander Calder and Arshile Gorky, as well as Yves Tanguy who was married to Hare’s cousin Kay Sage, and the art dealer Julian Levy. The same year, Hare received a commission from the American Museum of Natural History to document the Pueblo Indians. He traveled to Santa Fe and, for several months, he took portrait photographs of members of the Hopi, Navajo, and Zuni tribes that were published in book form in 1941. World War II turned Hare’s life upside down. He became a conduit in the exchange of artistic and intellectual ideas between U.S. artists and the surrealist émigrés fleeing Europe. In 1942, Hare befriended Andre Breton, the principal theorist of surrealism. When Breton wanted to publish a magazine to promote the movement in the United States, he could not serve as an editor because he was a foreign national. Instead, Breton selected Hare to edit the journal, entitled VVV [shorth for “Victory, Victory, Victory”], which ran for four issues (the second and third issues were printed as a single volume) from June 1942 to February 1944. Each edition of VVV focused on “poetry, plastic arts, anthropology, sociology, (and) psychology,” and was extensively illustrated by surrealist artists including Giorgio de Chirico, Roberto Matta, and Yves Tanguy; Max Ernst and Marcel Duchamp served as editorial advisors. At the suggestion of Jacqueline Lamba...

Oriental sculpture from the mid-20th century. Finely carved and crafted exotic wooden object depicting a warrior on horseback and a character (behind him), of good quality. Sculpture...

Clemente Spampinato, born in 1912 in Calabria, Italy, was a versatile artist and sports enthusiast. He created Bronze Trophies and Medallions for the Olympics and Italian sporting events in the 1930s and '40s. After becoming a U.S. citizen in 1947, he moved to New York, where he channeled his artistic passion into capturing the essence of the American West, specializing in sports and Western-themed sculptures. His work, celebrated for its realism and dynamic portrayal of athletic movements, is exhibited in museums, galleries, and private collections across the United States, Canada, and Europe. Selected sculptures can be seen in various locations, including Washington DC, Cooperstown, NY, Canton, OH, New Orleans, LA, and the complete collection is on display in Sea Cliff, New York. Large Bronze Nude Of Male Athlete During A Shot Put...

Yayoi Kusama Red & White Pumpkin (plush): An iconic, vibrantly colored pop art piece - this large Kusama plush pumpkin features the universal polka dot patterns and bold colors for w...

Elephant running with coiled trunk by Roger GODCHAUX (1878-1958) Sculpture in bronze with a very nuanced brown patina Signed on the base "Roger Godchaux" Cast by "Susse Frs Edts Par...

Anna Hyatt Huntington Fillies Playing 13/75 Created 1955
 Cast 2010
 Bronze with black-Red patina
 16.5 x 17 x 10 inches Conceived in the smaller version, 1955, Redding, CT Exec...

The Three Graces by Alfred JANNIOT (1889-1969) A bronze group with a nuanced brownish green patina Signed on the side of the base "A. Janniot" Cast by "Susse fondeur Paris" (inscrib...

"Bambara Queen, Rep. Mali" is a carved wood sculpture with abstracted human and animal figures. 20" x 6" x 3" The Bambara are a Mande ethnic group native to West Africa, primarily ...

Pablo Picasso A.R. 161 Toros 1952, July 29 8” round Edition of 500 White earthenware clay, decoration in engobes and oxidized paraffin. Ramie 161 is a Madour...

Ballet Dancer. Rosenthal Selb Porcelain Manufactory. Model 1772 Porcelain figurine representing the ballet dancer Sybille Spalinger, made by the Rosenthal Art Department (Kunstabtei...

Jean Cocteau ( 1889 - 1963 ) Vé and Astrology ceramic's pendant : Vé : signed underneath White 1ere variant ( Terre blanche en relief ). page 212 Size: 7 x5.5 cm catalogue rai...

Takako Saito Secret Santa , 1965 Stamped inscribed in pen recipients name Wood construction 1 1/2 x 1 1/4 x 1 1/4 inches Takako Saito is a Japanese artist closely associated with F...

Striking mid century tiger sculpture crafted in terra cotta, hand decorated in vivid colors and glazed. Stamped Italy on the bottom.

Painted Terracotta sculture realized by Sirio Pellegrini in 1960s. Good condition. Sirio Pellegrini, born in Rome on March 1, 1922, of Abruzzo origins (Capestrano), spent his child...