Mid-20th Century Sculptures

Numbered and limited to 8 copies Artwork signed Authenticity: Sold with certificate of Authenticity Invoice from the gallery Sculpture: bronze, metal, bronze patina Display: The s...

PABLO PICASSO (1881-1973) Profil de Jacqueline (A. R. 457) Terre de faïence plate, painted colors and partially glazed, 1962, numbered 83/100 and inscribed Edition Picasso, with t...

Jean Arp Château des Oiseaux Bronze Signed "Arp" Edition 5/5 Provenance: Sidney Janis Gallery, New York Conceived in 1963, cast in bronze in an edition of 5 between 1967 and 1969. J...

Mid 20th Century sgraffito work on plaster by Jean Pierre de Cayeux. The work is signed and dated on the skirt of the card player, bottom right, and on the stretcher of the chair, bo...

Yayoi Kusama Set of 3 Pumpkins: Yellow and Black, Red & White and Red & Black Naoshima: An iconic, vibrantly colored pop art set - these small Kusama pumpkin sculptures feature the universal polka dot patterns and bold colors for which the artist is perhaps best known. Kusama first used the pumpkin at the 1993 Venice Biennale for the Japanese pavilion and since then it has appeared worldwide in various iterations, to ever rising acclaim and popularity. Medium: Painted cast resin. Red/White, Yellow/Black c. 2015. Red & Black Naoshima pumpkin...

Presenting an original carved wood sculpture by American WPA artist Avis Zeidler Nemkoff. "Isabella", is a hand carved wood sculpture measuring 18.5 inches tall, exceptional original condition, originally acquired from the estate of the artist who resided in Northern California. This is a magnificent one of a kind hand carved wood sculpture, c.1938. Please contact the gallery for additional information •Avis Zeidler was born in Madison, Wisconsin, in 1908. •It is not known when Zeidler moved to California. However, in the 1930s she majored in art at the University of California. •Later, she enrolled at the California School of Fine Arts after receiving a scholarship for her studies there. She studied with Ray Boynton, Lucien Labaudt, Karl Eugen Neuhaus, and Ralph Stackpole...

A stunning French Art Deco figural group depicting a Huntress and her Borzoi. The bronze has a beautiful warm patina and the base is two types of marble. It is signed on the base and...

William King (1925-2015). Reclining figure, ca. 1965. Cast and welded bronze, 7 x 9.5 x 5 inches. Unsigned. William King, a sculptor in a variety of materials whose human figures traced social attitudes through the last half of the 20th century, often poking sly and poignant fun at human follies and foibles, died on March 4 at his home in East Hampton, N.Y. He was 90. His death was confirmed by Scott Chaskey, who is married to Mr. King's stepdaughter, Megan Chaskey. Mr. King worked in clay, wood, bronze, vinyl, burlap and aluminum. He worked both big and small, from busts and toylike figures to large public art pieces depicting familiar human poses -- a seated, cross-legged man reading; a Western couple (he in a cowboy hat, she in a long dress) holding hands; a tall man reaching down to tug along a recalcitrant little boy; a crowd of robotic-looking men walking in lock step. But for all its variation, what unified his work was a wry observer's arched eyebrow, the pointed humor and witty rue of a fatalist. His figurative sculptures, often with long, spidery legs and an outlandishly skewed ratio of torso to appendages, use gestures and posture to suggest attitude and illustrate his own amusement with the unwieldiness of human physical equipment. His subjects included tennis players and gymnasts, dancers and musicians, and he managed to show appreciation of their physical gifts and comic delight at their contortions and costumery. His suit-wearing businessmen often appeared haughty or pompous; his other men could seem timid or perplexed or awkward. Oddly, or perhaps tellingly, he tended to depict women more reverentially, though in his portrayals of couples the fragility and tender comedy inherent in couplehood settled equally on both partners. Mr. King's work is in the collections of the Metropolitan Museum of Art and the Museum of Modern Art in New York and the Smithsonian American Art Museum in Washington, among other places, and he had dozens of solo gallery shows in New York and elsewhere. But the comic element of his work probably caused his reputation to suffer. Reviews of his exhibitions frequently began with the caveat that even though the work was funny, it was also serious, displaying superior technical skills, imaginative vision and the bolstering weight of a range of influences, from the ancient Etruscans to American folk art to 20th-century artists including Giacometti, Calder. and Elie Nadelman. The critic Hilton Kramer, one of Mr. King's most ardent advocates, wrote in a 1970 essay accompanying a New York gallery exhibit that he was, "among other things, an amusing artist, and nowadays this can, at times, be almost as much a liability as an asset." A "preoccupation with gesture is the focus of King's sculptural imagination," Mr. Kramer wrote. "Everything that one admires in his work - the virtuoso carving, the deft handling of a wide variety of materials, the shrewd observation and resourceful invention - all this is secondary to the concentration on gesture. The physical stance of the human animal as it negotiates the social arena, the unconscious gait that the body assumes in making its way in the social medium, the emotion traced by the course of a limb, a torso, a head, the features of a face, a coiffure or a costume - from a keen observation of these materials King has garnered a large stock of sculptural images notable for their wit, empathy, simplicity and psychological precision." William Dickey King...

The Dancer is a sculpture realized by Giacomo Manzù in 1957. Unique piece. Exhibitions:  Manzù. L’Uomo e l’Artista, Palazzo Venezia, Roma 2002-2003 Manzù-Marino. Gli ultimi moderni,...

An elegant African sculpture from the West African Baoulé or Baule people, depicting a young woman wearing a loincloth. Smooth black lightly worn patina.

Panther sniffing by Georges GUYOT (1885-1972) Rare sculpture in bronze with a nuanced dark brown patina Signed on the base " Guyot " Cast by " Susse Frères Editeurs Paris " (with the foundry mark) France circa 1935 height 33,5 cm length 49 cm depth 12 cm Biography : Georges Lucien Guyot (1885-1973) known as Georges Guyot was a French animal artist. From an early age, he showed artistic abilities, but the modest conditions of his parents did not allow him to study art. He was doing his apprenticeship with a woodcarver. Guyot then excelled at copying works of the fifteenth, sixteenth and seventeenth centuries, but soon he showed a special attraction for nature. This attraction led him to the Jardin des Plantes in Paris where he could study wild animals and translated his observations into sculpture and painting. As a famous figure of Montmartre, he was the host of the Bateau-Lavoir from the time of Cubism. In 1931, Georges Guyot joined the group of "The Twelve", created by François Pompon and Jane Poupelet, gathering sculptors like Marcel Lémar, Paul Jouve, André Margat, Jean-Claude de Saint-Marceaux, Georges Hilbert, or even the painter Adrienne Jouclard...

Tete de Femme after Modigliani, produced by Austin Productions in 1961. Austin Productions started in Brooklyn in 1952 and began manufacturing reprodu...

A rare sculpture by Daniel Albert Harris (aka: Zev- the Wolf) (1914-1986) c. 1968 A substantial and stunning bronze sculpture of Poseidon (or Neptune) riding on a shell driven by hor...

Yayoi Kusama Yellow & Black Pumpkin (plush): An iconic, vibrantly colored pop art piece - this large Kusama plush pumpkin features the universal polka dot patterns and bold colors fo...

PABLO PICASSO (1881-1973) Visage No. 130 (A. R. 479) Terre de faïence plate, painted in colors and glazed, 1963, numbered 124/500 and inscribed 'No. 130', 'Edition Picasso' and 'M...

Bust of a young man with green bronze patina.

This beautiful wooden figurine depicts a woman in a long robe with a hood covering her head and carrying a sack over her shoulder. The woman in the sculpture could be viewed as a wo...

Conceived in 1962, Cast in bronze in 1964 Bronze relief sculpture cast from a linocut Stamped with the foundry mark ‘E. GodArd Fondr Paris’ Unnumbered edition of 2 Pablo Picasso’...

A fine patinated plaster sculpture Albert Einstein mounted to a painted wooden base. The sculpture is signed illegibly and dated on the re...

Raoh Schorr (1901-1991) Bronze "Cheval" Signed on the base circa 1950 h20 x l 13 x 4,5 cms

Reaching, ca. 1980. Cast bronze. Signed in lower region on wrist. A rare example from the artist's later period influenced by figurative abstraction with expressionist tendencies. James Edward Lewis (August 4, 1923 – August 9, 1997) was an African-American artist, art collector, professor, and curator in the city of Baltimore. He is best known for his role as the leading force for the creation of the James E. Lewis Museum of Art, an institution of the HBCU Morgan State University. His work as the chairman of the Morgan Art Department from 1950 to 1986 allowed for the museum to amass a large collection of more than 3,000 works, predominantly of African and African diasporan art.[1] In addition, he is also well known for his role as an interdisciplinary artist, primarily focused on sculpture, though also having notable examples of lithography and illustration. His artistic style throughout the years has developed from an earlier focus on African-American history and historical figures, for which he is most notable as an artist, to a more contemporary style of African-inspired abstract expressionism. Early and personal life James E. Lewis was born in rural Phenix, Virginia on August 4, 1923 to James T. Lewis and Pearline (Pearlean) Harvey.[5] Lewis' parents were both sharecroppers. Shortly after his birth, his father moved to Baltimore for increased job opportunity; James E. was subsequently raised by his mother until the family was reunited in 1925. They lived for a short time with distant relatives until moving to a four-bedroom house on 1024 North Durham Street in East Baltimore, a predominantly African-American lower-class neighborhood close to Johns Hopkins Hospital. Lewis' primary school, PS 101, was the only public school in East Baltimore that served black children. Lewis grew up in a church-going family, his parents both active members of the Faith Baptist Church, devoting the entirety of their Sundays to church activities. His parents worked a variety of different jobs throughout his youth:[6] his father working as a stevedore for a shipping company, a mechanic, a custodian, a mailroom handler,[6] and an elevator operator.] His mother worked as both a clerk at a drugstore[7] and a laundress for a private family.[4] Lewis' primary exposure to the arts came from Dr. Leon Winslow, a faculty member at PS 101 who Lewis saw as "providing encouragement and art materials to those who wanted and needed it." In fifth grade, Lewis transferred to PS 102. Here, he was able to receive specialized Art Education in Ms. William's class under the guidance of Winslow. He was considered a standout pupil at PS 102 as a result of his introduction to the connection between the arts and the other studies. His time spent in Ms. Pauline Wharton's class allowed for him to experiment with singing, to which he was considered a talented singer. His involvement in this class challenged his earlier belief that singing was not a masculine artistic pursuit. He was able to study both European classics and negro spirituals, which was one of his earliest introductions to arts specific to American black culture. Under Ms. Wharton's direction, he was also involved in many different musical performances,[6] including some works of the Works Progress Administration's Federal Theatre Project.[8] Lewis attended Paul Laurence Dunbar High School, where his love of the arts was heightened through his industrial art class with Lee Davis...

Curtis Jere Copper Toned Metal Tree Sculpture c.1970s Tall and elegant tree sculpture by listed American artist Curtis Jere. The tree is made from...

This hexagonal tile, created by Pablo Picasso in 1956, is made of chamotted red earthenware clay and has decoration in engobes in black and white. It is from the edition of 350, num...

This sculpture is a small replica of Wilhelm Lehmbuck's Kneeling Woman. The original sculpture is much larger at around 69.5 x 56 x 27", currently at th...

PABLO PICASSO (1881-1973) Corrida aux personnages (A. R. 104) Terre de faïence dish, 1950, from the edition of 50, glazed and painted, with the Empreinte Originale de Picasso and M...

Impressive Bronze Relief by Käthe Kollwitz ( 1867-1945, Germany ). Created 1938 in memory of her friend Ernst Barlach. Bronze brown patinated. On the left side signed: Kollwitz. He...

Mid century modern original terracotta sculpture by the Hungarian artist, Anna Berkovits of a young woman with her two children. Circa 1955. Signed in the inside of the base. Condition is excellent. Parts of the sculpture have been deliberately not been glazed by the artist. Her work rarely becomes available. Provenance: Sarasota, Florida estate. Anna Berkovits was born in Hungary in 1911 and lived and worked in Budapest. She trained under the art teacher Almos Jaschik in Budapest. Later she was trained in ceramics by the artist Gador Istvan...

Walter Sinz (American, 1881-1966) Seated Female, c. 1940 Ceramic 6 x 3.5 x 3.5 inches Walter A. Sinz was an American sculptor born in Cleveland, Ohio on July 13, 1881. Sinz’s fathe...

This sculpture is part of our exhibition America Coast to Coast: Artists of the 1940s. Two Figures, 1949, ebony wood, 24 x 7 x 5 inches, unsigned, but comes from Thomas' daughters and includes a copy of a 1949 photo of this work listing the artist's name, title of work and date Robert Chester Thomas was a California sculptor. A native of Wichita, Kansas, Thomas moved with his family to Southern California as a child. During World War II, he joined the army and served for a time in the European theater. When he returned to California, he studied sculpture with David Green in Pasadena in 1946 and 1947, before taking advantage of the GI Bill in 1948 to study with Ossip Zadkine in Paris. He first exhibited at Galerie St. Placide as part of an exhibition of American artists working in late 1940s Paris...

PABLO PICASSO (1881-1973) Visage (A.R. 288) stamped and marked 'Edition Picasso / Madoura Plein Feu / Edition Picasso / Madoura' (underneath) white earthenware ceramic pitcher with c...

PABLO PICASSO (1881-1973) Tête de faune (A. R. 51) Terre de faïence dish, 1948, numbered 132/300, with the workshop numbering, glazed and painted, with Edition Picasso and Madoura ...

Pristine decorative white porcelain 'Apart' coffee demitasse set from Hutschenreuther Selb, with 6 cups, 6 saucers, coffee pot, creamer/milk jug, sugar bowl (15 piece set). Germain porcelain maker Hutschenreuther (est.1814) commissioned sculptor Hans Achtziger...

Stunning original mirror made by the artist, with 144 uniquely handmade terracotta tiles. Signed by the artist in one of the tiles. This large, striking mirror has a great Brutalist and Modernist feel. Another slightly smaller mirror of the same style is available on our page. Year: unknown (Ron was active from the mid 1960s to the early 2000s) Colour: Tuscan red...

Chouette 1969 Ed. 127/250 pcs Earth of white faience, decoration with engobe engraved with the mirette under partial cover with the brush H. 27 cm Numbered and stamped underside : Ma...

Sèvres terracotta Bust Sculpture of Moliere after Jean Antoine Houdon Bearing the Sèvres mark underneath the base Additional information about the work: Title: Bust of Moliere Med...

A fine cast patinated bronze sculpture with impressionist figures by American sculptor Stanley Bleifeld (1924-2011). Bleifeld was born and raised in Brooklyn, New York, and was an ar...

The Three Graces by Alfred JANNIOT (1889-1969) A bronze group with a nuanced brownish green patina Signed on the side of the base "A. Janniot" Cast by "Susse fondeur Paris" (inscrib...

Hermann Volz (1847 Karlsruhe - 1914 ibid.), Naked warrior with short sword, c. 1935. Partially (?) patinated bronze with cast plinth mounted on a black marble base (6.8 cm high). 32....

Pablo Picasso At the Sea, Beach Scene : Bathers, 1956 Original ceramic of Pablo Picasso, white faience earth, black covered bath and enamel Annotated on the Back : Empreinte origina...

Large, midcentury, cast bronze bust of a man mounted on a chic, veined, polished marble base of the same period.

Artist: Claus Oldenburg (1929) Title: Fire Plug Souvenir - "Chicago August 1968" (P. 10) Year: 1968 Medium: Cast plaster multiple with acrylic paint Ed...

Jean Cocteau ( 1889 -1963 ) Vé : (& Astrology ) ( Blue variant ) . 1958 . 4éme variante : terre incrustée blanche et bleue Size : 7 cm . Signed underneath . Astrology : Pendentif ...

Modern surrealist abstract wooden sculpture by Texas artist Roy Fridge. The work features a prominent spade shape with two open recesses. The top opening exposes a teardrop shape and the bottom shows more machine-like forms. Currently mounted onto a stable, black base. Artist Biography: A native of Beeville, Fridge was an only child who made his own toys. After serving in the U.S. Navy, he graduated from Baylor University in Waco with a degree in filmmaking. In the 1960s, he and his best friends, sculptors Jim Love and Dave McManaway, became known as the "unholy trio" of Texas contemporary art. In 1963, Fridge left a career in television advertising and "ran away to the beach." He settled in the sleepy town of Port Aransas...

PABLO PICASSO (1881-1973) Jacqueline au chevalet (A.R. 333) stamped, marked and numbered 'Madoura Plein Feu / Empreinte Originale de Picasso / F 219 / 199/200' (underneath) white ear...

Madoura round dish of white earthenware clay. From the edition of 100. Dish size 16.5 inches (diameter). Frame size approx 22 x 22 inches. Ramie 332. Inscribed 'C.100' and with ...

Cruchon Hibou 1955 Ed. 500 pcs White clay with blue, black and brown engobe painting, glazed with knife engraving H. 27.2 cm Inscribed and stamped underside : Edition Picasso, D'aprè...

5146 Antique Italian Hand painted ceramic tile of two sisters Hanging hardware on back

Large Scale Mahogany Wood Relief Sculpture of Prometheus, The Giver of Fire In the Style of WPA artist Peterpaul Ott Wonderfully executed wood r...

Rendered in bronze, this bas-relief portrait of the 16th president of the United States is from a limited run of only two editions. The wall-mounted artwork is signed in the metal ve...

PABLO PICASSO (Spanish, 1881-1973) Petit visage barbu (A.R. 557) Verso impressed "Madoura Plein Feu" and "Empreinte Originale de Picasso" Hand-numbered "J139A 9/100" Size 17.2 X 17...

This piece is a unique variation round plate by Pablo Picasso, created in 1949. It is made with white earthenware clay plate, decoration in engobes and enamel under glaze in white an...

Vintage stylized figural sculpture by J James Akston (1898-1983 Poland/New York/Florida) Crafted of cast bronze with a rich dark brown patina. A sports figure, depicting a snow skii...

Untitled, 1967 Donald Judd From Ten From Leo Castelli Folded stainless steel multiple Signed in black felt-tip pen and numbered from the edition 186 of 200 on a paper label affix...

PABLO PICASSO (1881-1973) Visage No. 111 (A. R. 476) Terre de faïence plate, 1963, numbered 422/500, with the workshop numbering, inscribed 'Edition Picasso' and 'Madoura', glazed...

Horse "Symbole" by René PARIS (1881-1970) Animal sculpture in bronze with a nuanced light brown patina signed on the base "René Paris" and dated "1942" Cast by "A. Valsuani" (with f...

A VERY EARLY UNTITLED YELLOW CLOSED FORM (INV# NP5476)! Toshiko Takaezu porcelain and glaze 5.5 × 6 × 6” 1968 signed Toshiko Takaezu (June 17, 1922 – March 9, 2011) was an American...

Large Whimsical mid-century Italian object of art crafted in porcelain depicting a rooster with vegetable body parts. Signed indistinctly on the bottom.

Pablo Picasso A.R. 542 Wood Owl 1968 11.8” x 8.8” Edition of 500 White earthenware clay, decoration in engobes under partial brushed glaze, black patina Ramie 542 is a Madoura ceramic that one rarely sees come on the market. The photo you see here is the actual piece that you will receive. Most sellers online post using stock photos that don’t necessarily match exactly to the piece you receive. This particular piece is pristine: there are no nicks, bruises or scratches of any kind. Be careful when buying from others – the pieces sometimes have nicks or scratches. The Certificate of Authenticity comes with this piece. We have sold over 3300 pieces with all positive reviews. We are located in the USA. When you buy from a foreign seller on 1stdibs, you have to consider the problems of getting the piece through Customs. There are often delays and considerable fees to pay in order to import the item. When purchasing from us, we ship the same day and you receive it via FedEx the next day, no problems or hassles. When you purchase from an auction house, you pay a buyer’s premium of anywhere from 23% to 28% over the “hammer price”. So when you “win” an auction for $20,000, the actual price paid is more like $25,000. By contrast, when purchasing from us, the price agreed to is the price paid by the buyer, no hidden fees. When you purchase from an auction house, you pay the packing and shipping fees, which are usually exorbitant. By contrast, when purchasing from us, the price includes packing and shipping. When you purchase from an auction house, the sale is final. If you receive the piece and are not 100% satisfied with it, there is nothing you can do about it. You are stuck with it. By contrast, when purchasing from us, the buyer can determine if they want to keep it. If not, the buyer returns to piece to us for full refund, and we pay the shipping both ways! The prices of Picasso Madoura Ceramics have been on fire lately (no pun intended). The major auction houses – Sotheby’s, Christie’s and Phillips – have now been regularly holding Picasso Madoura Ceramic auctions...