People Sculptures

Khalid (2017) by Wolfgang Shott Wooden sculpture hand carved with chainsaw and chisel Signed by the artist with engraving 74 cm (29 inches) height including base, 25.4 x 20 cm (9 ½ x...

JEAN-BAPTISTE CLÉSINGER (French, 1814-1883) SAPPHO AND HÉLÈNE 19th Century A Fine Quality Pair of Patinated Bronze Statues Depicting Sappho and Hélène Inscribed ‘J. CLESINGER.; F...

Wonderful Italian sculpture representing a seated maiden. The artwork rests on a square marble base Signed on the base “Gaetano Martinez Roma” According a written opinion by Prof. Al...

Michael O’Keefe’s sculptures, drawings, and paintings depict figurative narratives born from unpredictable processes. He couples innovative methods with unconventional tools to creat...

"Nothing Ventured" is a digital print on 5 acrylic panels by Michelle Jader.

I first realized my love for visual storytelling when I began producing and directing television shows. Starting with the writer’s script, my palette was everything seen through the ...

Dan Super "SAM HOUSTON" (1873-1953) Houston Artist Image Size: 3 3/4 inches tall Medium: Carved Horn of Sam Houston to celebrate the Texas Centennial. Texas Centennial 1936 "Sam Houston Pin Cushion Holder" Biography Dan Super (1873-1953) Dan E. Super, Jr. (1873 – 1953) Dan Super had the eye of a sculptor, envisioning and then creating hundreds of objects from the elongated form of a Texas Longhorn’s tusk. At the age of six, Dan Super carved his first drawing into a piece of the horn of a Texas Longhorn. Over the next 56 years, he made utilitarian pieces like pencil cups, pin cushions, and backscratchers, realistic replicas of animals and birds, and imaginative carvings of elegant nudes. While these carvings resemble the traditional art of scrimshaw, carvings from whale bone, we’ve not been able to identify another carver who used the Texas Longhorn as his material. “My work is done with an ordinary pocketknife, hacksaw file and rasp,” Super wrote in 1937. He used the horn in every way conceivable; whole, allowing the shape to define the object he was making, flattened to make mosaic or inlay work. He incised and pierced it and carved in the round. His own hands polished the horn to a sheen. Daniel Super, Jr. was born in Houston on August 22, 1873. His father owned stock years, D. Super and Brothers Co., providing the young Super with ready access to his raw material. Throughout his life, he worked in the businesses key to the identity and success of young, booming Houston, cattle, oil, real estate and rail. In 1896 he married Lula, and took over the family business, expanding it to include a grocery. He closed the company in 1912 and got into the oil business...

This thoughtful, female, nude figure is patinated in a dark blue and black tone. Available by commission in an edition of 8, this piece is 1/8. Please allow 4-5 weeks for completion...

Jean Garnier (French, 1853-1910) Orientalist Bronze Sculpture rouge griotte marble base Original signed sculpture . 7” high Weighs over 2 pounds

Discover the serene touch of this Marilyn Andrews studio pottery sculpture, a fine art piece that captures the essence of a loving family dynamic. The meticulously crafted father and...

Transhumance is a bronze sculpture by French contemporary artist Marine de Soos, dimensions are 61 × 51 × 36 cm (24 × 20 × 14.2 in). The sculpture is signed and numbered, it is part...

Great Arms Raised Standing Figure I is a bronze sculpture by French contemporary artist Pierre Yermia, dimensions are 132 × 27 × 25 cm (52 × 10.6 × 9.8 in). The sculpture is signed ...

Ernest Rancoulet (1842-1918), Allegory of Progress, around 1890. Bronze-plated metal cast with cast terrain plinth mounted on a wooden base (6 cm high). 64.5 cm (total height) x 28 c...

Young Flute Player is a bronze sculpture by French contemporary artist Marine de Soos, dimensions are 51 × 12.5 × 37 cm (20.1 × 4.9 × 14.6 in). The sculpture is signed and numbered,...

Sous le soleil exactement is a bronze sculpture by French contemporary artist Marine de Soos, dimensions are 36 × 24 × 25 cm (14.2 × 9.4 × 9.8 in). The sculpture is signed and numbe...

"Crossing the Road (C-48)" is an original black serpentine stone sculpture by Colleen Madamombe. The artist signed the piece. This artwork features two women in large, textured dresses walking side by side. 6" x 5 1/2" x 3" art Colleen Madamombe was born in 1964 in Harare, Zimbabwe. Considered to be among the finest new talents from Zimbabwe, she has won the award of Best Female Artist of Zimbabwe for the past three consecutive years, and is quickly becoming an established figure of the Second Generation of Zimbabwean stone...

This Sculpture is made by Jos de Wit. The wood, and al other material he uses for his sculptures he also uses for building instruments. Violins, double bass, guitars, you all can fin...

This statue was carved by an unknown Pende artist from Zaire. It depicts a walking man with a disc-shape on his head and large eyes. 25 3/4" x 7" sculpture The Pende people are an...

Andries Velting is a new artist at Gallerie Bonnard. His moving sculptures of dancers are a special addition tot our existing collection. Velting say...

EMILE PINÉDO French, 1840-1916 Guerrier Arabe Sur un Dromadaire - Warrior On a Camel Signed Pinédo with the bronze Garanti au Titre seal, titled Patinated bronze, brown patin...

Artist: Chaim Gross, Austrian (1904 - 1991) Title: Acrobats Year: 1948 Medium: Hand-carved wood sculpture, signature and date inscribed Size: 21 in. (53.34 cm) tall

FREE SHIPPING TO WORLDWIDE! Artisan: Jose Antonio Martinez Velazquez FONART 1st. Place Metalwork  FONART 1st. Edition National Award "De Principio a Fin Tradiciones Populares Me...

Mid Century carved marble flute player by Rodney Marshall Winfield (American, b. 1925). Presented in a rustic wooden frame. Unsigned. Image size: 14"H x 10"W. Framed: 20"H x 16"W. Wear to frame and age wear to marble. A painter in acrylic, designer in stain glass and silver, sculptor and long-time teacher, Rodney Winfield has had a diverse career. He was born in New York City. As a young man, he was artistically inclined and composed music, drew and painted, danced, wrote poetry and created sculpture. Choosing to focus on art, he enrolled in Cooper Union School in New York City. From 1953 to 1970, he was a stain-glass designer for Emil Frei...

"The Ties that Bind" by Jane DeDecker Cast bronze depiction of a father taking a time out from playing ball to help tie his child's shoe. 36" x 44" x 31" limited edition of 17, sign...

Mauro Corda’s figurative sculptures maintain a reverence for classical and modernist traditions, while also expressing the artist’s voice. Though born in France, the artist hails fro...

William Zorach (American 1891-1966) First Steps, 1918 Bronze 8.5 x 5 x 4 inches, including base Born in 1887 in Lithuania, William Zorach immigrated with his family to the United States when he was just four years old, settling in Cleveland, Ohio. Zorach displayed an exceptional artistic talent at a young age and, at the recommendation of his seventh-grade teacher, began studying lithography at night at the Cleveland School of Art. It was not long before he was apprenticing at a lithography company in Cleveland. It was there that he realized he wanted to become an artist - to escape the commercial end of the field in which he was suddenly immersed. In 1907, Zorach saved enough money to move to New York and study art at the National Academy of Design, where he received several awards for his paintings and drawings. He continued his studies in Paris in 1910 at La Palette. This year abroad would turn out to be quite fruitful because in Paris he was greatly influenced by the Cubist and Fauvist movements and had several paintings exhibited at the Salon d'Automme. This influence and subsequent success fueled his career back in the states where he was honored with his first one-man exhibition. Due to this new-found stability, he married a young woman he met at school in Paris, and they moved to New York and set up a studio. Shortly after, their work was accepted into the famous 1913 Armory Show. For the next nine years, Zorach continued to think of himself as a painter, although he had already begun to experiment in sculpting. He was experiencing modest success with his painting and was therefore reluctant to abandon it completely. However, he was impelled toward sculpting, and in 1922, he painted his last oil. Zorach's involvement with sculpture began largely be accident. While he was working on a series of wood-block prints, Zorach suddenly became more interested in the butternut panel than the print and turned the panel into a carved relief. With no formal training as a sculptor, Zorach's first sculptures were of wood and his carving tools were primitive, such as a jack-knife. I n fact, his early works have a certain stylized look, suggesting the influence of various primitive arts such as African and American folk. Zorach found his sculptural direction by instinct, but was not unaware of what other sculptors were doing, both here and abroad. He soon allied himself with a growing number of modern sculptors who believed in the esthetic necessity of carving their own designs directly in the block of stone or wood rather than modeling them in clay. From the beginning he found a deep satisfaction in the slow and patient process of freeing the image from its imprisoning block, watching the forms emerge and appear. "The actual resistance of tough material is a wonderful guide," Zorach said in a lecture on direct sculpture in 1930. The sculptor "cannot make changes easily, there is no putting back tomorrow what was cut away today. His senses are constantly alert. If something goes wrong there is the struggle to right the rhythm. And slowly the vision grows as the work progresses." Zorach also found that the material itself had a constantly modifying effect on the artist's vision. The grain of the wood, the markings in the stone, the shape of the log or boulder all set limits and suggested possibilities. He was always sensitive to the characteristic qualities of his material and occasionally let them play a major role in determining his forms. In works such as these, the feel of the original material is preserved in the finished piece and is often heightened by leaving parts of the original surface untouched and other areas roughly marked by the sculptors tools...

Evocative and rare 17th-century carved marble skull from Lombardy, Italy. The work bears an engraved inscription on the back that reads "Carestia grandissima II2 LVIO 1630," a clear ...

Volodymyr Mykytenko - Paradise tree (2013) Paradise tree - a biblical image from the Book of Genesis, a tree in the middle of the Garden of Eden, the fruits of which give eternal li...

Signed and numbered, Edition only 9, Bold, energetic, and playfully powerful, Celebration by Irina Daylene captures a striking moment of dynamic balance and human connection. Sculp...

D. BRUCCIANI & CO (19th Century) St Cecilia Polychrome painted plaster bust with mould lines visible (probably later painting) 47 cm., 18 ½ in. high Dom...

Jos de Wit Baby 40 x 27 x 29 cm eucalyptus wood Painted with acrylic paint Dutch artist Jos de Wit can be seen exclusively in our gallery with his very spe...

Tree Athena by Troy Williams female nude blonde wood sculpture Santa Fe artist Sculptor Troy Williams unites the timeless and the contemporary in scul...

Bronze life-size male head with a dark brown patina. Rushton sculpts all of his busts using live models over the course of multiple sittings. While realistic and classical in charac...

Mauro Corda’s figurative sculptures maintain a reverence for classical and modernist traditions, while also expressing the artist’s voice. Though born in France, the artist hails fro...

"The Bacchante," an imposing terracotta group bearing the signature of Domien van den Bossche. Late 19th century. Probably inspired by Carrier Belleuse's "The Bacchante" group of ...

Little Diver is a bronze sculpture by contemporary artist Yann Guillon, dimensions are 38 × 18 × 20 cm (15 × 7.1 × 7.9 in). Height of the sculpture with the metal base: 63 cm (24.8 i...

Artists Arsham, Daniel Manufacturer Arsham Studio Edition Details Year: 2021 Class: Sculpture Status: Official Released: 06/18...

A Room of One's Own is a bronze sculpture with dark patina, it is connected to a steel base. The edition size is 25. This sculpture stands on shelf as well as be hung on wall. Joan...

Book Sculpture, signed Alexander Korzer-Robinson Robert Robinson is an American artist born in 1960 who lives and works in London, UK. He creates 3-D media artworks using comic bo...

My series of Gathering sculptures are table-top pieces made from laminated plywood and rusted steel, combining organic elements with industrial elements. The wood is varied in color ...

Pride is a bronze sculpture with dark patina, it is connected to a steel base. The edition size is 25. This sculpture stands on shelf as well as be hung on wall. Joan’s latest scul...

Mistery is a bronze sculpture with dark patina, it is connected to a steel base. The edition size is 25. This sculpture stands on shelf as well as be hung on wall. Joan’s latest sc...

Madam Bovary is a bronze sculpture with dark patina, it is connected to a steel base. The edition size is 25. This sculpture stands on shelf as well as be hung on wall. Joan’s late...

Artist: (Garo) Karapet Balakeseryan Medium: Cream Alabaster, Natural Stone, All one piece of work, One of a Kind Year: 2024 Style: Classic, Impressionism, Subject: Roses, Size: ...

In the shadow of being loved is a bronze sculpture by French contemporary artist Marine de Soos, dimensions are 32.5 × 25.5 × 39.5 cm (12.8 × 10 × 15.6 in). The sculpture is signed ...

This piece titled "CD-ROM" is a one-of-a-kind original piece by Nicole Nikolich (Lace in the Moon) and is made from crochet acrylic on plexiglass. Thi...

Contemporary Ceramic Sculpture, Bust, Steel Base, Porcelain Shard Surface Since graduating from the University of Colorado in 2010, Pichaske has risen to attention in the art world....

Toronto artist Roch Smith often uses toy figures in clever and fun ways to convey cultural statements that go beyond child’s play. This tabletop figure is bending over, arms extended...

This sculpture is part of our exhibition America Coast to Coast: Artists of the 1930s Kossack, c. late 1930s, polychromed cedar and walnut relief sculpture, carved signature under the base of the figure, 15 x 8 x 3 1/2 inches (figure), 10 x 19 inches (board), exhibited at Zeidler's solo exhibition at the San Francisco Museum of Art, November - December, 1942 (label verso), label verso reads "Kossack / cedar & walnut / Avis Zeidler" About the Sculpture Kossack is typical of Aviz Zeidler’s direct carved wood sculptures of the 1930s. The subject looks directly at the viewer, unfeeling behind a polychromed stare. Seemingly influenced by two of her major teachers, California’s Ralph Stackpole and New York’s William Zorach, Zeidler drew on primitive traditions to create what one critic described as her “gruesome wood sculptures.” Rigid, solid, and unmoving are other words that characterize Zeidler’s statues which often seem to have the deeply rooted ancient power of a totem. Zeidler’s “grimacing artificiality does, indeed, manage to hold a sense of force,” is how The San Francisco Examiner art critic put it in 1938 when describing the artist’s award-winning entry at the San Francisco Art Museum. The same words could have applied to Kossack when it was exhibited at the museum four years later. Perhaps the artist was trying to contain the power of the fearsome Kossacks, the enemy of so many Eastern European peasants, by freezing the image in wood. About the Artist Avis Zeidler (Nemkoff) was a California-based artist who is principally known for her sculpture and drawings. She was born in Madison, Wisconsin, but moved to Northern California by the late 1920s where she majored in art at Berkely and studied with Lucien Labaudt, Ray Boynton...

This sculpture is part of our exhibition Charles Goeller: A Wistful Loneliness. Carved and painted wood and gesso, 23 x 15 3/4 x 3 inches, Signed verso "Carved by Charles L. Goeller...

“A silent medium within a silent medium.” These are the words contemporary master Richard MacDonald uses in describing his world renowned Mime Series. MacDonald’s trademark skill at ...

Arms Raised Standing Figure VIII is a bronze sculpture by French contemporary artist Pierre Yermia, dimensions are 60 × 11 × 9 cm (23.6 × 4.3 × 3.5 in). The sculpture is signed and ...

PABLO PICASSO Tête de femme couronnée de fleurs (A.R. 236), March 20th, 1954 Ed. 37/50 pcs White earthenware clay 23 x 15 x 18 cm I 9 1/8 x 5 7/8 x 7 1/8 in Signed by the artist on ...

Movement in bronze You can rightly call Romee Kanis an old acquaintance of the gallery, her work was regularly seen at the gallery until a few years ago. We restore this tradition in...

Maeve Eichelberger is a Colorado native, capturing both urban and rural lifestyles in her artwork. Passionate about collage, Maeve specializes in a new form of 3 dimensional collage....

In this new series of wall plaques, titled ""Behind Closed Doors,"" the artist reimagines original images from a book titled In Praise of the Backside. The book's collection features...

Max Kalish (American, 1891-1945) Nude Walking, 1930 Bronze Signed and dated on base 17 x 9 x 4 inches Born in Poland March 1, 1891, figurative sculptor Max Kalish came to the United States in 1894, his family settling in Ohio. A talented youth, Kalish enrolled at the Cleveland Institute of Art as a fifteen-year-old, receiving a first-place award for modeling the figure during studies with Herman Matzen. Kalish went to New York City following graduation, studying with Isidore Konti and Herbert Adams...

In this new series of wall plaques, titled "Behind Closed Doors," the artist reimagines original images from a book titled In Praise of the Backside. The book's collection features w...

For Benson Landes, sculpture was most definitely a passion. His oeuvre of cast bronzes is populated with ‘off duty’ ballet dancers, rather wistful women, often caught in moments of solitary repose. Such an obvious appreciation of the grace and elegance of the female form was, no doubt, heightened by 25 years spent in the couture business, which Benson entered at the age of 14. The sculptor admitted that his time as an apprentice at his father’s clothing workroom and factory was given rather reluctantly, as he always harbored desires to become an artist. The young boy’s sense of responsibility was clearly equal to his creativity, though, as Benson knuckled down and learned the family trade. At the age of 18, however, a 2 year conscription to the RAF provided one of the few opportunities for Benson to experience artistic freedom. The possibilities of otherwise unobtainable materials such as pastels, paper, perspex and plaster of paris fuelled his ingenuity at the base’s well-stocked workshop. On completion of his RAF service, Benson briefly returned to the clothing factory...

JOAQUÍN ANGLÉS CAÑÉ (Tortosa, 1859 - Paris, 1911). Joaquin Anglès Cañé (born 1859 Tortosa - c. 1925) Idyll. Original title: Bronze, dark brown patinated. Sign. 'Idyll', a bronze sta...