People Figurative Sculptures

Monumental Lying Figure is a bronze sculpture by French contemporary artist Pierre Yermia, dimensions are 110 × 310 × 60 cm (43.3 × 122 × 23.6 in). The sculpture is signed and numb...

Large Standing Figure VI (Grande figure debout VI), large-scale sculpture by French contemporary artist Pierre Yermia. Bronze, 148 cm × 31 cm × 27 cm. Limited edition of 8 + 4 A.P. He has been developing for thirty years a singular work, filled with human and animal characters...

Lladró launched this special commemorative piece coinciding with the 60th anniversary of the death of Mahatma Gandhi (1869-1948). The sculpture is an excellent likeness of the great ...

Born december 19 1958, De Keyzer studied at the Koninklijke Academie voor Schone Kunsten, Eeklo, lead by professional sculptor Leo De Buysere. In a time and environment where creati...

Anna Kara is a designer who does everything with hands. She uses resin and marble powder for her creations, and we find on each skull more than 150 details. Born in Armenia in 1980, ...

French Art Deco Diana the Huntress Bronze by S. Melanie 1930s, crafted in the 1930s, stands as a testament to the artistic brilliance of the era. This extraordinary sculpture exudes ...

"Hombre Colorado II" is a papier-mâché sculpture made by Manuel Neri in 1958. The total dimensions of the piece are 65.5 x 27 x 10 inches. This work is a good representation of the ...

Jim Rennert Biography American, b. 1958 National Sculpture Society Fellow Jim Rennert was born in 1958, and grew up in Las Vegas, Nevada, and Salt Lake City, Utah. After ten trying...

One-off smoke-fired stoneware sculpture, pigment, copper, steel. 2017-2018. Dimensions: 45 x 30 x 25 cm. This sculpture has been exhibited in the Arts et Métiers museum in Paris, fro...

Additional Information: Provenance: Private Collection, Palm Beach, Florida. Marking(s); notes: no marking(s) apparent Country of origin; materials: USA; blown and hot-sculpted gl...

Additional Information: Provenance: Private Collection, Palm Beach, Florida. Marking(s); notes: no marking(s) apparent Country of origin; materials: USA; blown and hot-sculpted gl...

Additional Information: Provenance: Private Collection, Palm Beach, Florida. Marking(s); notes: signed; 2008 Country of origin; materials: USA; blown and hot-sculpted glass, metal...

| About the work This particular artwork is part of the serie dans le bonheur, started in 2009 with a special request from Elysee Palace in Paris that was acquired by the National M...

Jacopo Scassellati was born in Sassari (Sardinia) in 1989 where he still resides today. His family is originally from Umbria. Very early on, he displayed a strong predisposition for ...

Ford William is a self-taught folk/outsider artist, who began making art after coming to terms with chronic mental health issues that had plagued him all his life. The piece was made...

Cast and handbuilt porcelain, gold lustre

Coade Studio decorative roundel depicting 'Autumn' cherub floating on cloud formation. 'Autumn' is decorated with abundance of fruits. Modelled in delicate low relief. The four seaso...

Giuseppe Bergomi was born in Brescia in 1953. After attending the Brera Academy of Fine Arts, he held his first solo exhibition as a painter in his ho...

Coade Studio decorative roundel depicting 'Summer' cherub floating on cloud formation. 'Summer' is holding wheat. Modelled in delicate low relief. The four seasons roundels are influ...

J. OSCAR MOLINA Salvadoran, born 1971 J. Oscar Molina is a painter and sculptor as well as Founder of Oscar Molina Gallery in Southampton, NY. He is most well-known for his “...

Babyfoot 85 is an original work of art by the French artist Idan Zareski. "Our feet are our roots, our roots are our heritage. They ground and anchor us to this small and fragile planet, reminding us that we all share the common ground...

This terracotta represents a mythological scene, in which we can see a centaur kissing with passion a lady, while a man is playing the Pan flute. On the back...

Coolfoot 75 is an original work of art by the French artist Idan Zareski. "Our feet are our roots, our roots are our heritage. They ground and anchor us...

Edition of 9 Jim Rennert was born in 1958, and grew up in Las Vegas, Nevada, and Salt Lake City, Utah. After ten trying years of working in business, Rennert was inspired to explore ...

Szymon Oltarzewski was born in 1977 in Poland. Graduated in Environmental Engineering from the University of Opole, in 2003 he moved to Pietrasanta where he enrolled at the Academy o...

Bronze sculpture from Tauno Kangro's dance selection. Dance tango bronze.

John William Mills (born 4 March 1933, London) is an English sculptor. He studied at Hammersmith School of Art, 1947–54, and at the Royal College of Art, 1956–60. He was a resident ...

Stainless Steel Sculpture by Chen Zhiguang Title: Tree is not Wood #1 Material: Stainless Steel Dimension: 218 x 118 x 70 cm Date: 2021 About the artwork: Bonsai (Potted landscap...

Born in Byblos lebanon, in 1946, is a contemporary plastician artist franco-canadian. Artistic journey Early days (1970-1975) Paris (1976-2001) Quebec (2002 - present) China (2011-...

This reproduction of a classical Hellenistic sculpture of Hercules . A timeless piece for interior and a garden decoration. We can raise with a base on request .

“Making sculpture is a very complex matter. A word added to a form, ultimately helping to better define it. And ultimately helping to understand the whole.” Ugo Riva is probably the...

As a child, I had dirt under my fingernails. I continue to allow the earth to feed me information for my art and for daily living. My expression is basic yet intrigues me to continue...

In life, every time you do or make something you have the opportunity to make something creative and original. Take something, add to it and pass it on; that’s the creative process. ...

Edition of 17

Edition of 9 + APs

One of a series of sculpted dancers created by the incomparable Edgar Degas, this exceptional bronze exudes all of the expressivity one expects from this 20th-century great. Degas captures the essence of his model in the graceful work, as she strikes a particularly difficult pose of the arabesque. The dancer's features have been manipulated and simplified, executed in a manner that seems almost as if one of Degas' Impressionist canvases has come to life. Degas was obsessed with capturing the dancer in motion throughout his career. He rendered their grace and movement in oil, pastel, pencil, chalk and wax - in fact, of the seventy-four wax sculptures created by Degas during his lifetime, forty of them depicted dancers. Seven of these belong to his series that capture the various forms of the arabesque, and the present work is included among them. It details one of the most difficult and animated poses of the ballet. Degas’ dancer is precariously posed in a study of balance and motion, one leg gracefully thrust into the air as she tilts her body down towards the earth and extends her arm forward. The sense of her movement is perfectly captured in the extraordinary work, as well as the fluid lines of her body. The bronze is a sought-after rarity in terms of Degas’ sculptures. Not only are his dancers the most desirable of his work, but this bronze is also distinguished by the fact that it is a Valsuani bronze, meaning it faithfully records Degas’ wax version’s pose as it appeared at the time of its creation. Most Degas' bronzes that are found on the market were cast by Hébrard – these serialized bronzes are surmoulages, or “aftercasts,” that were cast from the modèle bronzes currently in the Norton Simon Museum (Pasadena). Because these bronzes are second generation, they are smaller and far less detailed that the current bronze. This example, however, was cast by Valsuani from a plaster that was taken directly from Degas’ waxes, according to scholarship by the art historian Dr. Gregory Hedberg. These plasters were created by Degas’ sculptor friend Albert Bartholomé shortly after Degas completed his wax figurines. Thus, they record the earliest versions of Degas’ wax sculptures, before they were damaged by time or handling, and before Degas himself altered the works. The Hébrard bronzes...

Edition of 31 Jane DeDecker’s energetic and dynamic bronze sculptures serve as a reflection of her own life experiences and those of her closely-knit family. Her twelve nieces and ne...

A sculpture by Micaela Amato. “Nidea” is a contemporary sculpture, green cast glass by American female artist Micaela Amato. The artwork is unsigned. Micaela Amato explores the depth...

A sculpture by Felipe Castaneda. Mujer con Guitarra"" is a figurative sculpture, white and gray marble by Mexican contemporary artist Felipe Castaneda. The artwork is unsigned. Felip...

Figurative sculpture of a woman standing like Leonardo da Vinci's "Vitruvian Man". Edition of 21

Attr. Bertel Thorvalsden (1770-1844) WINGED CUPID, Italy, 19th Century Provenance: Private Collection, Vienna

Red Girl with Pearls, 2021 Black Parian, Porcelain and Freshwater Pearls 30 x 16 x 13 cm 11 3/4 x 6 1/4 x 5 1/8 in. Girl in red dress with pearls made...

Finely carved mythological subject in limestone with Cornucopia associated with the harvest, prosperity, or spiritual abundance. Excellent condition. Measurements: Statue cm 160, ba...

Signed on base. This was exhibited at the Goldscheider Pavilion at the 1925 Paris Exhibition Marble base has loss to right edge and very small lose to center edge. , Bronze is in ve...

Sculpture, ballerina by Folkert de Jong

“Making sculpture is a very complex matter. A word added to a form, ultimately helping to better define it. And ultimately helping to understand the whole.” Ugo Riva is probably the...

PIETRO BARZANTI Italian, 1825-1895 Allegory Of Spring Signed ‘P. Milanes/Galleria/P.Bazzanti/Florence.’ Carved White Italian marble circa 19TH C...

Mauro Corda’s figurative sculptures maintain a reverence for classical and modernist traditions, while also expressing the artist’s voice. Though born in France, the artist hails fro...

A sculpture by Tom Wesselmann. "Bedroom Brunette with Irises" is a contemporary wall sculpture, oil on cut-out aluminum by Blue Chip, Pop artist Tom Wesselmann. The work is unsigned. This piece was conceived in 1988 and frabricated by Lippincott Sculpture studio in 2004. Tom Wesselmann was born in Cincinnati Ohio on February 23 1931. He attended college from 1945-1951, first at the Hiram College in Ohio and then the University of Cincinnati, where he majored in psychology. He was drafted during the Korean War in 1952, and it was during this time that Wesselmann did his first cartoons. After he was discharged and had finished in degree in psychology, Wesselmann began to study drawing at the Art Academy of Cincinnati. He sold his first cartoon strips to two magazines, 1000 Jokes and True. In 1956, he was accepted to Cooper Union in New York and he continued his studies there. It was while he was studying in New York, specifically on a trip to the MoMA that Wesselmann became inspired by Robert Motherwell and Willem de Kooning. In 1958, a landscape painting trip to Cooper Union’s Green Camp in New Jersey brought him to the realization that he could make his career in painting, rather than cartooning. After graduation, Wesselmann became one of the founding members of the Judson Gallery, along with Marc Ratliff and Jim Dine. Wesselmann also began to teach art at a public school in Brooklyn and later at the High School of Art and Design. In 1961, Wesselmann began the series that would bring him to the attention of the art world, Great American Nude. After a dream concerning the phrase “red, white and blue”, Wesselmann decided to limit himself to a palette of only those colors (including colors like gold and khaki that are associated with patriotic motifs). This series incorporated representational images along the same patriotic theme, including American landscape photographs and portraits of the founding fathers. Wesselmann often collaged these images from magazines and discarded posters which required him to work in a much larger format than he was used to. As his works became larger and larger he approached advertisers directly to acquire billboards. Wesselmann’s first solo show was held in 1961 at Tanager Gallery. In 1962, Richard Bellamy gave him a one man exhibition at the Green Gallery. In 1962, Wesselmann participated in the group exhibition “New Realists” at the Sidney Janis Gallery and kicked off his international career. In that same year his first pieces with the title of Still Life, came about. In these works, Wesselmann concentrated on the juxtaposition of different elements, i.e. a cigarette ad...

He refers to the history of art, particularly to pop culture and the social circumstances of its local environment as well as its universal confrontation. Humor and irony with a crit...

Louis Durot was born in Paris on April 22, 1939. He was something of an enfant terrible, and managed to be expelled from various schools for bad conduct. His ambition, as stated to his parents, was to earn money without having to work, and for a time, he was an “escort-boy” for a Parisian Grande Dame. He did, however, manage to get a good education in spite of himself, and received his Baccalaureate degree from Lycee Louis Pasteur in 1956. In 1960, he enrolled in the Facultie de Sciences, where he studied mathematics. He terminated his math studies in 1963, and turned his attention to engineering, working for Equipel, where he was responsible for calculating and measuring resistance for prototype nuclear generators. Equipel became a research facility, and offered Durot the opportunity to study organic chemistry. Durot directed numerous research projects for Equipel between 1966 and 1972. During this time, in fact, starting in 1964, he made many friends in the art world, gathering together artists from a variety of disciplines to form an artists commune — the Freelane Studio. Among the members were jazz journalist Gilles Brinnon, and a young painter, Jean Ihallero — a friend of the painter Maxime Defert. Through them, he met the artist Francois Arnal, who was interested in Durots’ engineering expertise for his sculptures. They got on well, and worked together for two years. Also in this circle were the actress Micheline Presle and the actor Daniel Gelin. In 1968, Arnal and Presle created Le Festival de Theatre de Chateauvallon, and through this, Durot became friends with the noted film director Ulysse Reynaud. In 1966, Francois Arnal introduced Durot to the artist Cesar, with the idea that Durot’s talents as a chemical engineer would be useful. Durot spent a year helping Cesar to master the techniques of working with polyurethane foam, with Durot searching for ways to make this fragile and ephemeral substance more stable and permanent, and more amenable to control. Cesars’ first works in this medium were flat, due to the difficulty of controlling the foam, but he went on to create his famous “expansions”. In 1968, Durot conceived a project to create more three-dimensional sculptures following a simple and precise design. It was during this time that Durot made his first polyurethane sculptures — the Champignons and Plantes Carnivores. Also in 1968, he He opened his first technical studio at 35, rue Leon. In order to support this new endeavor,( he needed more space, equipment, time and money), he created La Societe Durgalith. 1971 saw the Durat’s first works exhibited at the Salon Batimat in Paris. With this exhibition, Durot was hoping to attract the attention of architects with whom he could collaborate. Between 1971 and 1974, Durot created sixty sculptures inspired by fantastical “alien” life, mushrooms, and carnivorous plants. In 1974, Durot”s Societie Durgalith ran into problems with the Italian firm that owned Batimat. Credit Lyonnaise seized his studio and many of his sculptures, and quite a number of them were destroyed. This same year, Durot worked with the architects Sloan and Lecouter on an inflatable structure for the Pavillion Franaise in Osaka. Unfortunately, the project was never realized. Durot continued to pursue his research on polyurethanes, and gained world-wide recognition for his developments in this field. In 1977, a “student prank” had un-expectedly bad consequences. Durot was employed as an engineer at L’Usine Francaise de la Monnaie (the French mint) in Pessac. He took three kilos of “blanks”, and used them for playing slot-machines. For this, he spent seven weeks in jail, which was ended by an amnesty granted by Mitterand in 1981. During Durot’s time in prison, he took up weight-lifting, and also designed his next generation of sculptures. The spirals, feet, lips, and a series of erotic chairs...

JEAN-BAPTISTE AUGUSTE CLÉSINGER French, 1814-1883 Dancer Zingara Inscribed F. BARBEDIENNE.FONDEUR with the reduction mecanique A. Collas Brevete seal Patinated bronze, brown ...

Béatrice Bissara was born in 1972; the visit of museums and the atmosphere of the auction houses marked her childhood. After her studies in history of...

Ruth Bloch was born in Israel in 1951 to artist parents. Her father was a musician, while her mother worked in ceramics, Ruth's family were members of a Kibbutz called Alonim, a plac...

CHARLES GEORGES FERVILLE-SUAN French, 1847-1925 Bronze group of a winter scene A winter scene of a man on skates, pushing the woman’s sled ...

Guido Oakley is a modern imaginative artist that directs design concepts, computerised innovation and uses exotic materials such as precious metals, gemstones and crystal clear resin...

Kyoko SASAÏ Vénus 2021 Acrylic painting on canvas with interior trim 15 x 5 x 1 in, 38 x 14 x 2.5 cm Unique Piece

A sculpture in wood depicting a woman holding an umbrella. "Woman with Square Umbrella" by Post War artist Alexander Calder is signed underneath, "Calder." "Woman with a Square Umbre...