Surrealist Art

Original artwork, acrylic paints on canvas by Joseph Gilgun With a mixture of street, abstract and fine art influences, most of Joe's work is created using a blend of acrylics, spra...

The migrant Many people are run away from civil wars, looking for peaceful new home and new life, they left their home without knowing if they would arrive safe to the new home or ...

"Scarecrow" is a beautiful collaboration between fantasy masters Babs Webb and Timothy Von Rueden, done with graphite on mixed media paper, and measuring at 14 x 11 in. in its frame,...

Artist: Le Corbusier (Charles-Édouard Jeanneret) (Swiss-French, 1887-1965) Title: "Untitled, Planche 3 (Plate 3)" [Set of 2] Portfolio: Unité *Signed by Le Corbusier in pencil lower ...

Max Ernst, German (1891 - 1976) - Les Chiens Ont Soif I, Portfolio: Les Chiens Ont Soif, Year: 1964, Medium: Lithograph, Edition: 165/320, Size: 17 x 24.5 in. (43.18 x 62.23 cm)...

A study of human behaviour today Inspired by the dramatic artworks of the famous spanish master Francisco Goya. :: Painting :: Surrealism :: This piece comes with an official cert...

Hank Laventhol, American (1927 - 2001) - Pear, Year: Circa 1980, Medium: Aquatint Etching, signed and numbered in pencil, Edition: 300, AP XXXV, Image Size: 24 x 16 inches, Size:...

David Newman (American, b. 1956) Musicians Floating Amongst a City Landscape Scene, Oil on Canvas, wood frame. Image: 70" H x 80.5" W; frame: 71.25" H x 81" W x 1.75" D. Provenance: ...

Salvador Dali - Original Handsigned Etching From La Quête du Graal Dimensions: 45 x 33 cm Handsigned Edition: 38/100 From the rare additional suite of 100 aside from the edition of ...

Leonor Fini was born in Argentina in 1907 but travelled and lived in Europe with her mother from a young age. By 1931, she was in Paris, in the full swing of the Surrealist movement....

Andre Masson, French (1896 - 1987) - Dragon vert, Medium: Etching and aquatint, signed and numbered in pecnil, Edition: 14/50, Image Size: 10.5 x 8 inches, Size: 16.25 x 13 in. (41....

Leonor Fini was born in Argentina in 1907 but travelled and lived in Europe with her mother from a young age. By 1931, she was in Paris, in the full swing of the Surrealist movement....

Maria C. Bernhardsson is a colorful artist who lives and paints in Sweden. Most of her works are influenced by the architecture and geometry of houses. Bernhardsson travels the world...

Glass sculpture Merkuce from the series The Italians 2008, glass, 37, 5x11x10 cm

This painting features hues of green, red, yellow, purple and blue. Guy Robinson is inspired by the work of Paul Klee, Albrecht Durer and Giuseppe Arcimboldo. Guy Robinson is an At...

This surreal landscape painting by Henryk was done in 2014. It will ship from the artists studio in Poland. More about Henryk Laskowska: Henryk Laskowski...

Artist: Dali, Salvador Title: The Curse Conquered Series: After 50 Years of Surrealism Date: 1974 Medium: drypoint engraving with hand coloring on Arches Unframed Dimensions: 2...

David Cheifetz's "Melon" (2025) is an original, handmade oil painting on aluminum panel that depicts a lush still-life featuring a brightly lit watermelon, apple and assorted fruits,...

Original painting by artist Airom

This original etching and aquatint is hand signed in white pencil by the artist "Miró" in the lower right image. It is also hand numbered in pencil 35 from the edition of 50, at the ...

Joan Miro (1893-1983) - Règne végétal (Plant Kingdom) Aquatint with carborundum from 1981. The edition of 64/75 on Arches paper. Dimensions of work: 74.3 x 57.7 cm. Hand signed. ...

A breast remembered, re-formed -not in nostalgia but in voltage. The figure holds itself in swells and dissonances, ripples of line as if the skin remembers sound. In this work, ana...

Andrés Barajas (Spain, 1941) 'Homenaje a Goya II', ca.1990-1999 engraving on paper 15 x 20.9 in. (38 x 53 cm.) Edition of 225 ID: BAR1017-015-225 Hand-s...

Abstract Surrealist Photo collage with painting. Mixed Media with or about Amos Keinan the Israeli Playwright and journalist. Yigal Tumarkin (also Igael Tumarkin) (born 1933) is an ...

Highly dramatic illustration capturing an unexpected fantasy moment of a mid-century jet about to crash into a busy middle American main street, signed lower left "For a horrible in...

Jules Agard ( 1905 - 1986 ) " Tête de femme " Sculpture surréaliste réalisée en terre rouge de Salernes et montée au tour . le corps est bombé et creusé alternativement . le col se...

Original oil painting on canvas. Hand signed lower front by Ferjo. Canvas image size 40 x 60 inches. Canvas is not stretched. Artwork is in excellent condition. Certificate of au...

James Kearns, American (1924 - ) - Acrobat, Year: circa 1975, Medium: Etching on Rives, signed, titled and numbered, Edition: 44/50, Image Size: 14.5 x 8.75 inches, Size: 22 x 15 i...

Globe and glove. 2020. Canvas, cardboard, oil, 60x42 cm Juris Dimiters (1947) Education: 1958-1965 Janis Rozentals Art High School of Riga 1965-1973 ...

Contemporary surreal landscape painting by Texas based artist Wood Fancher Anthony. The work features trompe l'oeil, or "trick of the eye," cut paper figures of native Texas horse an...

Israel Rubinstein (1944 - ) Date: 1980 Screenprint on Arches, signed and numbered in pencil Edition of 350 Image Size: 38.5 x 25.5 inches Size: 47 x 38 in. (119.38 x 96.52 cm)"

Moix, Santi (Spanish, b. 1960), Figural Abstraction, hybrid print with etching and aquatint, 23.5 x 16.75 inches, pencil signed and numbered 2/3. Santi Moix (Barcelona, 1960) lives ...

Ted Lownik, American - Sailboats at Sunset, Year: circa 1980, Medium: Oil on Canvas, Image Size: 17 x 26 inches, Size: 22 x 31 in. (55.88 x 78.74 cm), Frame Size: 23 x 32 inches

Artist: Salvador Dali Title: Brother Ogrin, the Hermit Portfolio: Tristan and Iseult Medium: Color engraving Year: 1970 Edition: XII/XXV Frame Size: 25 1/4" x 20 3/4" Sheet Size: 17 ...

Giorgio de CHIRICO Horses in a Mythological Landscape, c. 1955 Lithograph and stencil (Jacomet workshop) Printed signature in the plate On light vellum 48 x 38 cm (c. 19 x 15 in) V...

Numbered: 193/300 Color lithograph after the 1959 oil on canvas by René Magritte, printed signature of Magritte and numbered from the edition of 300. The lithograph features the dry...

This piece is an original etching by Salvador Dali from the "After 50 Years of Surrealism" portfolio, which consists of 12 original etchin...

Marc Sterling (1895-1976) - Lovers Gouache on cardboard from 1940-1950. Dimensions of work: 23 x 20 cm The work is in Excellent condition. Fast and secure shipment.

Douglas C. Backhaus - Air, Year: 1978, Medium: Hand colored Etching, signed, dated, titled and numbered in pencil, Edition: AP, Image Size: 9.25 x 7 inches, Size: 13.25 x 11 in. (33....

Jane Dickson New York 1988: A rare 1980s announcement card published on the occasion of Dickson's exhibition at Brooke Alexander, Inc. from January 9 - February 3, 1988; 59 Wooster S...

Tlaloc and the Tiger (1939) Oil on panel 16" x 12" 23 ¾" x 18 ¾"x 2 ½" framed Signed and dated (and inscribed) "de Diego 39" lower left. Provenance: The artist; private collection Ch...

ARTIST: Salvador Dali TITLE: Currier & Ives Fire! Fire! Fire! MEDIUM: Lithograph + Collage SIGNED: Hand Signed PUBLISHER: Phyllis Lucas, New York EDITION NUMBER: 106/250 MEASU...

Marc Chagall (1887-1985) - Poèmes, Planche IV Woodcut print from 1968. An unnumbered and unsigned copy from a limited edition of 238. Dimensions of sheet: 32.5 x 25 cm Dimensions...

Artist: Joan Miro (1893–1983) Title: Overweavings (Sobreteixims) Year: April 1973 Medium: Lithograph on velin paper Paper Size: 15 x 22 inches (38.1 x 55.88 cm), with centerfold, as issued Condition: Well preserved, consistent with age and medium Inscription: Unsigned and unnumbered, as issued Publisher: Maeght Editeur, Paris Printer: Imprimerie Arte, Paris Catalogue raisonne reference: Miro, Joan, et al. Joan Miro Lithographe. Maeght, 1972–1992, illustration 889-891; Cramer, Patrick. Joan Miro: The Illustrated Books: Catalogue Raisonne. Patrick Cramer, 1989, illustration 167 Notes: This exquisite lithograph by Joan Miro (1893–1983), titled Sobreteixims (Overweavings), originates from the April 1973 folio Derriere le Miroir, No. 203, published by Maeght Editeur, Paris, under the direction of Aime Maeght, and printed by Imprimerie Arte, Paris, 1973. The composition reflects Miro’s late exploration of materiality, sign, and gesture, where dense textures and symbolic forms converge into a powerful synthesis of abstraction, surface, and poetic invention. Derriere le Miroir (translated as "Behind the Mirror") was an iconic French art periodical published from 1946 to 1982 by Maeght Editeur, one of the most influential art publishers of the twentieth century. Founded by Aime Maeght in Paris, the publication was conceived as a visual and literary collaboration between leading modern artists, poets, and critics. Each issue functioned simultaneously as an exhibition catalogue and as an autonomous work of art, featuring original lithographs printed directly from the artists stones or plates alongside essays, poems, and critical texts. Over more than three decades, Derriere le Miroir produced over 250 issues and presented an extraordinary range of artists including Henri Matisse, Marc Chagall, Georges Braque, Alexander Calder, Fernand Leger, Pierre Bonnard, Alberto Giacometti, Eduardo Chillida, Ellsworth Kelly, Francis Bacon, Antoni Tapies, Pierre Alechinsky, Pol Bury, Bram van Velde, and many others. Printed by master ateliers such as Mourlot and Arte, the series established new standards of excellence in modern lithography and graphic design. Closely linked to exhibitions at Galerie Maeght, each issue served as a lasting document of postwar modernism, uniting image, text, and philosophy into a uniquely influential publication that remains among the most important and collectible achievements in twentieth century art publishing. JOAN MIRO (1893–1983) was a Catalan painter, sculptor, printmaker, and ceramicist whose visionary imagination and lyrical abstraction made him one of the most influential and beloved artists of the twentieth century. Born in Barcelona, Miro drew inspiration from Catalan folk art, Romanesque frescoes, and the luminous landscapes of Mont-roig del Camp, developing a deep connection to nature that infused his work with vitality and symbolism. After formal training at the Escola d'Art in Barcelona, he absorbed the lessons of Post-Impressionism and Cubism before moving to Paris in the early 1920s, where he became a leading figure in the Surrealist movement. There, Miro forged a personal visual language of biomorphic shapes, floating symbols, and radiant color harmonies that reflected both spontaneity and spiritual depth. In creative dialogue with peers such as Alexander Calder, Alberto Giacometti, Salvador Dali, Wassily Kandinsky, Marcel Duchamp, and Man Ray, he helped revolutionize modern art by dissolving the boundaries between abstraction and dream imagery. Miro's inventive approach extended far beyond painting, embracing sculpture, ceramics, and monumental public commissions that redefined how art could interact with space and emotion. His expressive freedom and gestural abstraction profoundly influenced later artists including Jackson Pollock, Mark Rothko, Alexander Calder, Jean Dubuffet, Antoni Tapies, and Joan Mitchell, inspiring generations who sought to merge instinct, color, and imagination. Today, Miro's work remains a cornerstone of modernism, prized by collectors and celebrated in major museums worldwide. His highest auction record was achieved by Peinture (Etoile Bleue) (1927), which sold for approximately 37 million USD at Sothebys London on June 19, 2012. Joan Miro Sobreteixims...

Joan MIRO (after) Louisiana Museum, 1974 Original lithograph in colors (atelier Arte, Maeght) Signed in the plate On thin paper 66 x 49 cm (c. 25,9 x 19,2 in) REFERENCES : - Catalo...

Artist: Rene Magritte (after), Belgian (1898 - 1967) Title: Les Claires-Voies d'un Jeune Regard Embaument La Fête d'un Vieil Arbre Year of Original: 1952 Year of Printing: 1968 Medi...

Artist: John Hultberg, American (1922 - 2005) Title: Actors Year: 1977 Medium: Silkscreen, signed and numbered in pencil Edition: 200, AP 30 Image Size: 24 x 36 inches Paper Size: 2...

"Portrait of a Lady" by Geneviève Zondervan (French 1922-2013) monogrammed oil painting on board board: 14 x 10.5 inches Mid 20th century oil painting on board by the French artist...

In this surrealist painting, a couple dressed in vintage clothing rests atop a giant pink inflatable flamingo, drifting through an undefined space. The sky behind them is an emotiona...

Original oil painting on canvas. Hand signed lower front by Ferjo. Canvas image size 70 x 50 inches. Canvas is not stretched. Artwork is in excellent condition. Certificate of au...

Bension Rabinowicz dit Benn né à Bialystok (Poland ) en 1905 - Paris 1989 ) " La Cage " .circa 1943. " en Hommage à Jean Paulhan ." dessin au crayon de couleur sur papier ...

Jim McCormick, American - Parget in Chaos, Year: 1969, Medium: Etching on Arches, signed, titled, numbered and dated in pencil, Edition: 20, Image Size: 17.75 x 14.75 inches, Size:...

A one of a kind 18" x 24" Surreal Watercolor on Cyanotype executed by artist Annalise Neil. A certificate of authenticity will be provided upon its...

Pierre Alechinsky (1927) - S aspiré Etching from 1988. The edition of 12/70. Dimensions of work: 70 x 70 cm. Hand signed. The work is in Excellent condition.

A play on the famous Rene Magritte painting “The Son of Man” but set inside the New York City subway system by Mark Kostabi. A surreal pop artwo...

Sybiline's (CAN based) "Hemerocallis III" is an original, handmade oil painting that depicts a portrait of a pink and white day lily. About the Artist: Sybiline is a Canadian artis...

Sybiline's (CAN based) "Sanguis Maledictum" is an original, handmade oil painting that depicts several purple blooms with tiny fangs and dripping blood. About the Artist: Sybiline ...

Marc Chagall Original Lithograph 1963 Dimensions: 32 x 24 cm Reference: Chagall Lithographe 1957-1962. VOLUME II. Unsigned edition of over 5,000 Condition : Excellent Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish...

Artist: Salvador Dali (1904-1989) Title: Le Singe et le Léopard Year: 1975 Medium: Engraving with pochoir on Arches paper Edition: E.A.; 682, plus proofs Size: 30 x 22.25 inches Cond...

Sometimes I try so hard to hold onto the good things inside me that I start using them as a shield. I gather memories, little joys, beauty, closeness—everything that once helped me f...