Surrealist Art

Joan MIRO Red Composition, Preface to 52 Affiches, 1963 Original lithograph in colors (Atelier Mourlot, Paris) Signed in pencil by Fernand Mourlot Dated in pencil Numbered on / 125 ...

-Pedro Friedeberg signed print featuring a fantastical architectural scene inspired by “Mickey”. Includes whimsical figures, optical art elements, and surreal details. framed in a ha...

Our House, limited edition color print, signed and numbered Maggie Taylor's digital creations are emblematic, afterimages that invite, transport, and are unforgettable. Taylor's im...

Etching with pochoir and gold overlay. Edition of 121/250. Hand signed and numbered in pencil. Ref. Michler-Lopsinger 477c. Very good condition. The artwork is from the series So...

Artist Comments
A surrealist painting captures the tension between prey and predator. In the foreground, a rabbit stands wary while a fox snarls nearby. Others of their kind sc...

THE HORN PLAYER!!!!!! ALTERATION ART . . . is a collaboration process between CHROMA aka Rick Wolfryd, fine artist and art dealer with over 40 years experience, and various Mexican ...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Aka...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Aka...

THE GREATEST!!!!!! ALTERATION ART . . . is a collaboration process between CHROMA aka Rick Wolfryd, fine artist and art dealer with over 40 years experience, and various Mexican Hui...

Artist: Salvador Dali Title: Tourbillon-spirale from rose Portfolio: Neuf Paysages Medium: Etching Year: 1980 Edition: 3/49 Sheet Size: 14 7/8" x 14 7/8" Signature: Initialed (S.D.) ...

Contemporary colorful figurative surrealistic print on paper by Polish artist Rafal Olbinski. This print shows woman with dress shaped like an umbrella from under which it rains. The...

Salvador DALI (1904-1969) Casanova : Birdy on the Tongue, 1967 Original etching Printed signature in the plate On Rives vellum 38 x 28 cm (c. 14.9 x 11 inch) REFERENCES : - Catalog...

Salvador Dali, Spanish (1904 - 1989) - Look Not Upon Me..., Portfolio: The Song of Songs of King Solomon, Year: 1972, Medium: Color Etching with Gold Dust on Arches Paper, signed ...

Maria C Bernhardsson's original artworks are influenced by the architecture and geometry of houses. Born in Sweden, Bernhardsson travels the world photographing and sketching houses ...

This exquisite lithograph by Joan Miro (1893–1983), titled Les Trois Bleus (The Three Blues), from the folio Derriere le miroir, Sur Quatre Murs (Behind the Mirror, On Four Walls), N...

Pierre-Yves Tremois Thésis and Pelée Original etching, 1970 Handsigned by the artist Numbered / XXIV copies (total edition of 90 + XXIV) Size 57 x 45 cm (c. 22,4 x 17,7 in) Very goo...

Pierre-Yves Tremois A loving couple Original etching, 1970 Handsigned by the artist Numbered / XXIV copies (total edition of 90 + XXIV) Size 57 x 45 cm ...

A Unique, Unusual and Striking Abstract Surrealist Painting Completed in the Chicago Imagist Tradition by Notable Artist, Stanley Dean Edwards (Am. Born 1941). Titled "The Last Living Face in Pompeii", the painting is oil and acrylic on canvas presented in its original frame. The artwork shows a unique synthesis of Post-War Surrealist influences, including the avant-garde Italian artist Enrico Baj and the vibrant palette of the Chicago Imagist school, namely Ed Paschke and his contemporaries. The collage-like references in the composition recall the artwork of sculptor H.C. Westermann and others experimenting with assemblage, found objects and the integration of inanimate objects. Artwork size: 38 1/2 x 32 inches; Framed size: 39 1/4 x 33 1/4 inches. Signed "Edwards", lower right; signed, titled and dated on reverse. Provenance: The Artist; Private Collection, Chicago, IL (circa 2010). Born 1941 in Joliet, Illinois, Stanley Dean Edwards moved to Chicago early in life to pursue his life as an artist. His mother was a Chicago public school teacher, and his father was a Methodist minister. He studied painting and design at the School of the Art Institute of Chicago (SAIC), receiving a BFA in 1967. While at SAIC, Edwards was influenced by Vera Berdich's printmaking classes and Daniel Massen's design classes. After a brief stay in New York (1967-1970), where he was profoundly shaken by urban rioting and general upheaval of this time, Edwards returned to Chicago and later set up a studio in the Pilsen Neighborhood. Edwards is primarily a figurative painter whose work is informed by both Surrealism and Constructivism. Early hard-edge paintings from the mid-1960's feature a series of screaming babies set in brightly colored environments. These works offer religious suggestions, as the infants are paired with ecclesiastical figures presented atop an altar. Other protagonists of his series include dogs and faceless men. (1) In the early 1960's, Stan Edwards was part of a diverse group of artists that included George Kokines, Ray Siemanowski, Michael Hurson and Peter Holbrook among others. These artists and Edwards were part of that decade's vanguard and their work was included in an exhibition titled, "Twelve Chicago Artists" at the Walker Art Center. The curator was Jan Van der Marck. Edwards called his paintings of babies, dogs and erotic torsos from that period "image painting" because they were taken not from the model stand but cast off photo images. One painting from this period, Infant in Altar IV, is a 60" x 60" an oil and acrylic painting and was loaned by the National Museum of American Art at the Smithsonian to the Museum of Contemporary Art for its fifty year retrospective titled, "Art in Chicago, 1945 to 1995." The painting is part of the Martha Jackson memorial collection at the National Museum of American Art. (2.) Recent paintings, which Edwards calls "Icons for a New Era: Assembled Art Imagery," feature iconic images composed of items from popular culture; witty titles often allude to the materials from which they were made. The found objects, vibrant colors, and slick presentations of his works indicate their relationship to and a continuation of Pop art. Both humorous and sinister, Edwards' paintings reflect the psychological uneasiness associated with the close of the twentieth century. (3.) One painting of this series titled Surveyor is a 66" x 60" oil and acrylic painting and appears in the book Humor in Art by Nicholas Roukes, published by Davis Inc. The book is widely used as a text for art and design projects. (4.) In October of 2002 Edwards presented a retrospective exhibition of his work at the Illinois Institute of Art where he taught art and design in the foundation program. His lecture and exhibition were presented as part of "Chicago Artist's Month" sponsored by the Department of Cultural Affairs for the City of Chicago. In 2004 Edwards completed a major commission for the new Veterans' Administration building in Chicago. The commission centered on patriotic themes and one large 6 and 1/2' x 10' painting is dedicated to prisoners of war. Five others are 48" x 48" and depict the military branch seals, and four paintings 32" x 32" are based on 19th century patriotic engravings. Stan Edwards, who retired from the Illinois Institute of Art in 2009, lives and works in Chicago, Illinois. Sources: (2. & 4.) Press release (1. & 3.) "Art in Chicago 1945 1995, MCA.) COLLECTIONS: Selected corporate & institutional collections National Museum of American Art/Smithsonian Corcoran Gallery of Art Ceco Corporation Crain Communications Thrall Railcar Company American Hospital Association Plyzynski & Associates, Inc. NYC North American Jet Corporation Ball State University Illinois Institute of Art at Chicago State University of New York Harris Bank & Trust Dallas Theater Center Electronic Media Magazine Johnson Controls Central National Bank of Cleveland Associates Commercial Corporation Corporate Art Source Veterans' Administration Commission, Chicago, 2004 Ten site specific paintings Siemens Corporation COLLECTIONS: Selected private collections Walter & Dawn Clark Netsch Beatrice "Buddy" Mayer Douglas Ross Larry Aronson Marc & Ilana Platt Phil & Joan Krone Craig & Janet Duchossois Sally Fairweather Shirley Hardin Brian Boyer Pritzker collection James Speyer collection Michael Greany Ed & Lindy Bergman Collection Leigh Block Collection Professor Harold Platt Professors Lew Erenberg & Susan Hirsch Dr. David Gross Professor Mihaly Csiksentmihalyi Dr. Paula Young Dr. & Mrs. Imre Hidvegi EXHIBITIONS: Selected exhibitions Biennial Drawing Exhibition, Art Institute of Chicago, 1962 Momentum II, Lexington Hall, University of Chicago, 1964 The Sunken City Rises, Hermann Hall, Illinois Institute of Technology,1964 Eye on Chicago, Hermann Hall, Illinois Institute of Technology, 1964 29th Corcoran Biennial, 1965, Washington, D.C. Inaugural exhibition, Fairweather-Hardin, 1965 Society for Contemporary Art, Art Institute of Chicago, 1965 12 Chicago Painters...

Christopher Clark's "Honfleur Street" is an original, handmade oil & acrylic painting that depicts an abstracted cityscape bustling with people and the sun brightly reflecting off of...

This exquisite lithograph after Rene Magritte (1898–1967), titled Ma Mere lOye (My Mother Goose), from the folio Les Enfants Trouves de Magritte (The Found Children of Magritte), 1968, originates from the edition published by A.C. Mazo et Cie, Paris, and printed by Mourlot Freres, Paris, on November 20, 1968. The work embodies Magrittes sustained inquiry into semiotics and visual epistemology, translating his characteristic strategies of displacement, symbolic inversion, and conceptual ambiguity into an image that operates as both a poetic metaphor and a philosophical proposition concerning the instability of meaning. Executed as a lithograph on grand velin dArches paper, this work measures 17.5 x 23.5 inches (44.5 x 59.7 cm). Signed in the plate by the artist; hand signed by Fernand Mourlot, Editeur. The edition exemplifies the technical mastery of the Mourlot atelier. Artwork Details: Artist: After Rene Magritte (1898–1967) Title: Ma Mere lOye (My Mother Goose), from the folio Les Enfants Trouves de Magritte (The Found Children of Magritte) Medium: Lithograph on grand velin dArches paper Dimensions: 17.5 x 23.5 inches (44.5 x 59.7 cm) Inscription: Signed in the plate by the artist; hand signed by Fernand Mourlot, Editeur Date: 1968 Publisher: A.C. Mazo et Cie, Paris Printer: Mourlot Freres, Paris Catalogue Raisonne: Magritte, Rene, et al. Rene Magritte: Catalogue Raisonne, Vol. 3. Menil Foundation; Philip Wilson Publishers; Distributed in the USA and Canada by Rizzoli International, 1992, nos. 791–792 and 1056; vol. 5, p. 218, Bibliography entry 68.28. Condition: Well preserved, consistent with age and medium Provenance: From the folio Les Enfants Trouves de Magritte, 1968 Notes: Excerpted from the folio (translated from French), Finished printing in Paris on November 20, 1968, on the presses of Mourlot, for the lithographs. The unpublished text by Louis Scutenaire was composed in Elzevir Casion corps 28 and printed by Fequet et Baudier, typographers. The unpublished compositions numbered from I to IV were specially made by Rene Magritte for this album. The compositions of the Enchanted Domain, are the renderings of the eight paintings of the mural of the Casino de Knokke. They were printed with the benevolent authorization of Mr. Gustave J. Nellens. Justification of the draw, this album was taken from CCCL examples on grand velin dArches numbered from I to CCCL, plus a few examples for collaborators and assistants. About the Publication: Les Enfants Trouves de Magritte (The Found Children of Magritte), published in 1968 by A.C. Mazo et Cie, Paris, represents one of the most significant late life print projects devoted to Rene Magrittes work. Conceived as both a literary and visual tribute, the folio pairs texts by the Belgian writer Louis Scutenaire, Magrittes close friend and fellow Surrealist, with lithographic interpretations produced at the Mourlot atelier, the premier lithographic workshop of twentieth century France. The album includes compositions by Magritte alongside lithographic renderings of the celebrated Enchanted Domain mural from the Casino de Knokke, printed with the authorization of Gustave J. Nellens, who commissioned the original mural. Issued in a single edition of CCCL examples on grand velin dArches, the folio stands as a testament to the collaboration between artist, writer, publisher, and master printer, and remains one of the most culturally important Surrealist print albums of the post war era. About the Artist: Rene Magritte (1898–1967) was a Belgian Surrealist painter whose visionary, intellectual, and poetic imagery redefined twentieth century art and forever changed how the world perceives reality and illusion. Celebrated for his calm precision and thought provoking juxtapositions of ordinary objects in extraordinary contexts, Magritte used painting as a philosophical tool, transforming the everyday into visual paradoxes that challenged the boundaries between what is seen and what is known. Born in Lessines, Belgium, and trained at the Academie Royale des Beaux Arts in Brussels, he absorbed early influences from Cubism, Futurism, and Symbolism before embracing Surrealism, where he found his true voice. In Paris, he became part of the avant garde circle that included Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—all artists whose radical ideas helped him forge his distinctive synthesis of logic and mystery. Unlike Dalis dream...

This exquisite lithograph by Joan Miro (1893–1983), titled Japan, from Miro escultor (Miro as Sculptor), originates from the 1974 edition published by Bijutsu Shupan Sha, Tokyo, and printed by La Poligrafa, Barcelona, 1974. The work reflects Miro’s lyrical mastery of biomorphic form, symbolic purity, and gestural spontaneity, embodying the visionary abstraction that made him a defining figure of twentieth century modernism. Executed as a lithograph on Guarro velin paper, this work measures 7.87 x 15.47 inches (20 x 39.3 cm). Signed in the plate and unnumbered, as issued. The edition exemplifies the refined craftsmanship of La Poligrafa, Barcelona. Artwork Details: Artist: Joan Miro (1893–1983) Title: Japan Medium: Lithograph on Guarro velin paper Dimensions: 7.87 x 15.47 inches (20 x 39.3 cm) Inscription: Signed in the plate and unnumbered, as issued Date: 1974 Publisher: Bijutsu Shupan Sha, Tokyo Printer: La Poligrafa, Barcelona Catalogue Raisonne References: Cramer, Patrick, and Joan Miro. Joan Miro, Catalogue Raisonne des Livres Illustres. P. Cramer, 1989, illustration 194 Miro, Joan, et al. Joan Miro : Lithographs. Tudor, 1972-1992, illustration 937. Condition: Well preserved, consistent with age and medium Provenance: Published by Bijutsu Shupan Sha, Tokyo; printed by La Poligrafa, Barcelona, 1974, in an edition of MD About the Publication: Miro escultor (Miro as Sculptor), published in 1974 by Bijutsu Shupan Sha in Tokyo, is a richly produced lithographic edition created to accompany and celebrate Joan Miro’s expanding work in sculpture during the late 1960s and early 1970s. Printed by the renowned La Poligrafa workshop in Barcelona one of the most important printers of modernist and postwar graphic art the publication formed part of a larger project intended to document and disseminate Miro’s sculptural innovations to an international audience. During this period, Miro turned increasingly toward three dimensional form, collaborating with foundries and experimental workshops to transform his biomorphic vocabulary into bronze, painted wood, ceramics, and mixed media assemblages. The publication Miro escultor functioned both as an artistic portfolio and as an interpretive document, presenting lithographic translations of sculptural ideas that were simultaneously graphic works in their own right. The edition of MD examples reflected Bijutsu Shupan Sha’s commitment to high quality multiples and the broader 1970s movement to democratize access to contemporary art through carefully produced prints. Today, the publication stands as a testament to the intersection of Miro’s painterly gesture, his graphic discipline, and his growing fascination with spatial and sculptural expression. About the Artist: Joan Miro (1893–1983) was a Catalan painter, sculptor, printmaker, and ceramicist whose visionary imagination and lyrical abstraction made him one of the most influential and beloved artists of the 20th century. Born in Barcelona, Miro drew inspiration from Catalan folk art, Romanesque frescoes, and the luminous landscapes of Mont roig del Camp, developing a deep connection to nature that infused his work with vitality and symbolism. After formal training at the Escola dArt in Barcelona, he absorbed the lessons of Post Impressionism and Cubism before moving to Paris in the early 1920s, where he became a leading figure in the Surrealist movement. There, Miro forged a personal visual language of biomorphic shapes, floating symbols, and radiant color harmonies that reflected both spontaneity and spiritual depth. In creative dialogue with peers such as Alexander Calder, Alberto Giacometti, Salvador Dali, Wassily Kandinsky, Marcel Duchamp, and Man Ray, he helped revolutionize modern art by dissolving the boundaries between abstraction and dream imagery. Miro’s inventive approach extended far beyond painting, embracing sculpture, ceramics, and monumental public commissions that redefined how art could interact with space and emotion. His expressive freedom and gestural abstraction profoundly influenced later artists including Jackson Pollock, Mark Rothko, Alexander Calder, Jean Dubuffet, Antoni Tapies, and Joan Mitchell, inspiring generations who sought to merge instinct, color, and imagination. Today, Miro’s work remains a cornerstone of modernism, prized by collectors and celebrated in major museums worldwide. His highest auction record was achieved by Peinture (Etoile Bleue) (1927), which sold for 23,561,250 GBP (approximately 37 million USD) at Sotheby’s, London, on June 19, 2012. Joan Miro Japan...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), originates from the 1953 album Miro Recent Paintings. Published by the Pierre Matisse Gallery, New Y...

This exquisite lithograph by Salvador Dali (1904–1989), titled Gala, ma Madonna sistine (Gala, My Sistine Madonna), from the folio Pages choisies de Don Quichotte de la Manche (Selec...

Very large scale late 20th century oil on canvas of Noah's Ark and the Animals by British artist Derek Carruthers. Signed to the bottom right. A magical, highly colourful and energe...

-Pedro Friedeberg signed print featuring a fantastical architectural scene. Includes whimsical figures, optical art elements, and surreal details. framed in a hand-painted black and ...

Surrealist composition French School, dated 1975 verso oil on canvas, framed framed: 33.5 x 27 inches canvas: 32 x 25.5 inches inscribed verso provenance: private collection, France ...

This exquisite engraving by Salvador Dali (1904–1989), titled Sans titre (Untitled), from the folio Le Tricorne (The Three-Cornered Hat), originates from the 1958 edition published b...

This reproduction of the Magritte painting is the only authorized and approved copy in its current format. It has been sanctioned by the appropriate authorities managing Magritte’s e...

Artist: Salvador Dali Title: Paysage fossile imaginaire from moon Portfolio: Neuf Paysages Medium: Etching Year: 1980 Edition: 3/49 Frame Size: 22" X 22" Sheet Size: 14 7/8" x 14 7/8...

LE MAÎTRE D'ÉCOLE, 1955 (THE SCHOOLMASTER) Date of creation: 2010 Medium: Lithograph on BFK Rives Paper Edition: 275 Size: 60 x 45 cm Observations: Lithograph on BFK Rives paper plat...

Leonora Carrington (British-Mexican 1917 - 2011) was a painter, writer, and key figure in Surrealism whose work explored the sacred, the mystical, and the magical in everyday life. B...

Nadezda's beautiful new oil on panel painting "Smoking Lady" (2024) is an abstract portrait of a woman wearing a black dress smoking inside of her brightly colored house, she is stan...

Color lithograph realized by Marc Chagall in 1960 to illustrate "The Bible".  Edition of 6500, published by Tériade in no. 33 and 34 of the Art Magazine Verve. Printed by Mourlot a...

-Pedro Friedeberg signed print featuring a fantastical surrealistic scene. Includes whimsical figures, optical art elements, and surreal details. framed in a hand-painted black and g...

Joan Miró Litografia Original VI Color Lithograph Year: 1975 Size: 13.25 × 10 inches (33.65 x 25.4 cm) Catalogue Raisonné: Queneau, Miro Lithographe II, 1952-1963, p.35 Publisher: Ma...

Color lithograph after the 1952 oil on canvas by René Magritte, printed signature of Magritte and numbered from the edition of 275. The lithograph features the dry stamps of the Mag...

Artist and designer Pedro Friedeberg is known for his surrealist paintings, prints, and sculptural furniture. He was the subject of a 2009 retrospective at the Museo del Palacio de B...

In 1981 Maggie Taylor (b. 1961) began to photograph while she was a student at Yale University majoring in philosophy. She primarily took photographs of suburban landscapes and stran...

Paul Riba (American, 1912-1977) Untitled Oil on panel Signed lower right 30 x 18 inches 39.25 x 27.25 inches, framed Paul Riba was a painter of Magic Realism. He explored the unrea...

Salvador Dali (Spanish, 1904-1989) Alma del Quijote Bronze with marble base Edition: AB 52/100 Signed by Dalí This Surrealist sculpture depicts a dynamic and fragmented Don Quixote...

This exquisite lithograph by Leonor Fini (1907–1996), titled Sans titre (Untitled), from the album Satiricon, originates from the 1970 edition published by Ariane Lancell, Editeur, P...

This exquisite lithograph after Rene Magritte (1898–1967), titled Pierreries (Gemstones), from the folio Les Enfants Trouves de Magritte (The Found Children of Magritte), 1968, origi...

Title: Moonlight Signed Date: 1963 Leonardo Nierman Mendelejis (Mexico City, November 1, 1932 – June 7, 2023) was a Mexican artist known primarily for his painting and sculpture....

This piece titled "Flight Risk" is a limited edition photographic print by Andrew Pinkham and is made from archival pigment on cotton rag. This piece measures 20"h x 20"w unframed an...

René Magritte Magritte at Galerie Alexandre Iolas, Milan, Italy, ca. 1980 Offset lithograph lettering and silkscreen poster on thin wove paper ...

Vintage Oil Painting of Fantasy Cottage in the Woods with Flowers & Gardens Art measures 36 x 24 inches Frame measures 40 x 28 inches

Salvador Dali (1904-1989) Hell 24 - The Thieves Original woodcut Printed signature in the plate 1960/63 Printed on paper Vélin BFK Rives Size 32,8 x 26,4 cm (c. 13 x 10") REFERENCE...

Mary Spain (American, 1934-1983) The Happy Couple Oil on canvas Signed middle right, signed and titled verso 22 x 26 inches Set in a realm of fantasy, Mary Spain’s work exhibits oddly distorted figures in a child-like manner with an underlying sense of absurdity. Through her toylike and primitive style, Spain created surrealistic dramas that puzzle and entrance the viewer. Born in Raleigh, North Carolina, Mary Spain studied art at Syracuse University and moved to Ohio in the 1960s to teach art at Chagrin Falls...

For Alberti, For Spain!  is a contemporary artwork realized by Joan Mirò in 1975. Mixed colored etching. Hand signed and numbered on the lower margin. Edition of XXVIII/LX. There ...

John Baker’s “The Post-Truth Era V “ is an acrylic painting on canvas with collage 20 x 16 inches in blues, whites, tans and browns. In our post-truth era it is next to impossible to...

This exquisite lithograph by Joan Miro (1893–1983), titled Lithograph XI, from the album Joan Miro Lithographs, Volume I, originates from the 1972 edition published by Tudor Publishi...

-Pedro Friedeberg signed print featuring a fantastical surrealistic scene. Includes whimsical figures, optical art elements, and surreal details. framed in a hand-painted black and g...

Nude study by Andy Smith (American, 20th Century). A woman is seated, slightly leaning to the left of the composition. The background fades from a rusty red to a dark blue, changing ...

Strategy (series “1000 and 1 Night”) In this work, the theme of falling in love shifts into the realm of power and control. The space is constructed like a game board, where movement...

ARTIST: Salvador Dali TITLE: Flora Dalinae Lilium Musicum MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: 26/200 MEASUREMENTS: 30.25" x 22" YEAR: 1968 FRAMED: No CONDITI...

Franz Graw Bull Color Offset Lithograph Year: 2023 Size: 11.81 x 15.74 inches (30 x 40 cm) Edition: 100 Signed and numbered in pencil COA provided Franz Graw (b. 1964) is a Düsseld...

Bronze, dark and brown patina, realized in 1973. Dali's printed signature in on the plinth. Edition 616/1000 on the side. Foundry stamp "Fonderia Venturi". Published by Euro Art. ...

The figurative surrealistic paintings of Carlos Gamez de Francisco are heavily influenced by his Cuban upbringing in a Russian-governed academic setting. This presence exposed Franci...

Figurative Surrealism Original Painting Artist: Ashot Yan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Linen, Year: 2023 Style: Portrait Surrealism, T...

This exquisite lithograph by Joan Miro (1893–1983), titled Lithograph I, from the album Joan Miro Lithographs, Volume I, originates from the 1972 edition published by Tudor Publishin...