Surrealist Art

"Disappearing" Photography 31" x 31" in Edition 1/7 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Comes with COA issues by the artist Not ...

"Picador" 1966 Experimental Surrealist Composition Intriguing mixed-media piece by prominent California artist Morris Broderson (b. 1928 d. 2011.) A picador sits upon his horse, hol...

Salvador Dali (1904-1989) – The Two Nikes, Lilith, The Double Victory of Samothrace, Homage to Raymond Roussel Literature: Descharnes, Robert, Salvador Dalí, and Nicolas Descharnes....

Savage Beasts in the Desert  or Little Animal Kingdom ( Les Betes Sauvages sans Le Desert ) is an original signed lithograph (+ original etched remarque)  by Salvador Dali . L...

The artwork is print on silk and it is limited edition. "Fountain" – Where Mermaids Reign In the heart of the city, a grand fountain became more than just a landmark—it became home ...

ARTIST: Salvador Dali TITLE: Don Quixote MEDIUM: Etching SIGNED: Hand Signed by Salvador Dali EDITION NUMBER: 80/100 MEASUREMENTS: 30" x 22" YEAR: 1966 FRAMED: No CONDITION:...

Appareil et Main is an artwork realized after a painting by the Surrealist Catalan artist Salvador Dalí (Figueres, 1904-1989). This is a color lithograph on wove paper, properly e...

Gamez de Francisco paints and photographs very passionately, making statements filled with symbolism. He frequently includes insects in his artwork. He says: Flying insects represent...

JOAN MIRÓ (1893–1983) – “ITALIA 1969” Color Lithograph ⚜ Hand Signed and Numbered ⚜ Gilt Wood Frame PUBLISHED FOR ONE OF ITALY’S MOST IMPORTANT MODERNIST GALLERIES “Italia 1969” is...

Artist: Salvador Dali Title: Iseult of the White Hands Portfolio: Tristan and Iseult Medium: Color engraving Year: 1970 Edition: XII/XXV Frame Size: 25 1/4" x 20 3/4" Sheet Size: 17 ...

A Visually Striking, early 1950s Abstract, Surrealist Mid-Century Modern Still Life Painting by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). Depicting a colorful interior ...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Derrière le miroir, N° 155, 1965. Published by Aimé Maeght, Éditeu...

Christian Zervos. Pablo Picasso. Œuvres de 1895 à [1972]. Paris: Éditions Cahiers d'Art, 1949-1986. 33 volumes in 34 (volume 2 in two parts), small folio (325 x 252 mm.), numerous p...

Artist: Leonor Fini (Buenos Aires, 1907 – Paris, 1996) Title: Sorcière Bleue (Blue Witch) Date: ca. 1970–1972 Technique: Color lithograph on Arches paper Edition: E.A. 4/35 (Épreuve ...

Tristan Fabris 1970's, French Surrealist artist Abstract Surrealist Figurative study signed & dated oil on canvas, unframed inscribed verso canvas: 32 x 25.5 inches private collectio...

Federico Castellon, 'By the Arks', 1941, lithograph, edition 250, Freundlich 10D. Signed in pencil. Signed in the stone, lower left. A fine, atmospheric impression on cream, wove pap...

Exhibition Poster Galerie Gerald Cramer is a contemporary artwork realized by Joan Mirò. Mixed colored lithograph. The poster was realized in occasion of the exhibition of the arti...

Aracne -  "The Divine Comedy" - Song 12 -  Purgatory  is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Not s...

Salvador Dali - Don Quixote Overwhelmed - Original Lithograph Joseph FORET, Paris, 1957 PRINTER : Manequin SIGNATURE : plate signed by Dali. LIMITED : Total edition of 233 SIZE : 41...

Large Museum Scale Surrealist Composition Dalí Circle Catalan Painting 1987 Artist: Antoni Pitxot Birth–death: Figueres, 1934–2015 Title: Battle of Constantine Series Date: 1987 Technique: Oil on canvas Dimensions: 100 × 100 cm (39.4 × 39.4 in) Signature: Signed and dated “pitxot 87” lower right Condition: Excellent overall condition Frame: Unframed Provenance: Private collection, Barcelona DESCRIPTION Important large-scale surrealist oil painting executed in 1987 by Antoni Pitxot, one of the closest artistic collaborators of Salvador Dalí and a central figure within the visual universe of the Dalí Theatre-Museum in Figueres. This powerful 100 × 100 cm composition belongs to Pitxot’s Battle of Constantine series, one of the artist’s most ambitious narrative cycles. In this work, his unmistakable geological figuration becomes a theatrical surrealist battlefield, where mineral forms, latent human presences, fossil memory and Mediterranean landscape merge into a monumental symbolic construction. Pitxot’s mature paintings are instantly recognizable for their transformation of stones into anthropomorphic figures and metaphysical architectures. Rather than depicting a conventional landscape, the artist creates a stage of petrified forms, suspended between archaeology, sculpture, mythology and dream imagery. The work is especially strong for its museum-scale square format, its dramatic vertical construction and its direct connection with the Dalí circle. Large paintings by Pitxot with this level of compositional complexity are considerably less common than his smaller cabinet-format works and are particularly attractive for collectors of Spanish surrealism, Catalan modernism, European surrealism and artists connected to Salvador Dalí. A major statement piece with exceptional wall presence, ideal for an important private collection, curated interior or collector focused on late twentieth-century European surrealism. ARTIST BIO Antoni Pitxot (Figueres, 1934 – Cadaqués, 2015) was a Catalan painter and one of the most significant artists associated with Salvador Dalí’s late artistic environment. Born into the historic Pichot family, closely linked to the artistic life of Cadaqués, Pitxot studied drawing in San Sebastián under Juan Núñez, who had also been Dalí’s teacher. During the 1950s and early 1960s he exhibited in Barcelona, Madrid, Bilbao and Lisbon before settling permanently in Cadaqués in 1966. From that moment, he developed his mature and highly distinctive pictorial language based on the rock formations of Cap de Creus. Pitxot collected stones from the coast, arranged them in his studio as sculptural constructions, and then transformed them into oil paintings populated by anthropomorphic mineral figures. His friendship and artistic collaboration with Salvador Dalí became central to his career. Dalí dedicated a permanent gallery to Pitxot’s work inside the Dalí Theatre-Museum in Figueres. After Dalí’s death...

The Rainbow French School, signed with monogram and dated 1985 oil painting on canvas, unframed: 77 x 31 inches condition: overall very good, a few very small indents to the giant canvas but no holes, rips or damage. provenance: from a collection in France One of the largest paintings we have available at the moment, this staggering painting is very beautiful with the deep blue sky, the rainbow arching through the landscape, set against the backdrop of a fantasy Greek/ Romanesque landscape with ancient columns...

Jules Agard ( 1905 - 1986 ) " Tête de femme " Sculpture surréaliste réalisée en terre rouge de Salernes et montée au tour . le corps est bombé et creusé alternativement . le col se...

"Le Retour (Return)" is a color lithograph after the original 1940 painting by Rene Magritte. A bird which is really just the sky in the day and clouds. A nest bellow the bird has th...

ARTIST: Salvador Dali TITLE: 8 Mortal Sins Suite Anger Avarice Dalinean Envy Gluttony Lust Pride Sloth MEDIUM: 8 Etchings SIGNED: Each piece is Hand Signed PUBLISHER: Jean Schne...

Artist: Salvador Dali Title: The Three Bad Barons Portfolio: Tristan and Iseult Medium: Color engraving Year: 1970 Edition: 12/125 Frame Size: 25 1/4" x 20 3/4" Sheet Size: 17 3/4" x...

The painting describes a real story from the life of the artist. Harmony of colors and shapes give hope for a successful outcome of events. The gallery guarantees the uniqueness and ...

This exquisite lithograph by Salvador Dali (1904–1989), titled Don Quichotte accable (Don Quixote Overwhelmed), from the folio Pages choisies de Don Quichotte de la Manche (Selected ...

This piece titled "Flight Risk" is a limited edition photographic print by Andrew Pinkham and is made from archival pigment on cotton rag. This piece measures 20"h x 20"w unframed an...

This exquisite heliogravure, titled Sans titre (Untitled), after Leonor Fini, from the album Fruits de la passion, trente-deux variations sur un theme de Leonor Fini (Fruits of Passi...

This artwork titled, "La Deesse de Cythere" from the suite, "l'Art d'Aimer d'Ovide" 1976. is an original wood engraving on Japan nacre paper by artist Salvador Dali 1904-1989. It i...

Paul KLEE (after) Portrait of a Yellow Lithograph and stencil (Jacomet process), on canson paper Printed signature in the plate 50 x 38.2 cm (19.6 x 14.9 in) INFORMATION : This lit...

Artist: Hans Bellmer, German (1902 - 1975) Title: untitled 3 Year: circa 1972 Medium: Etching, signed and numbered in pencil Edition: EA 12/20 Image Size: 12 x 10.5 inches Size: 26 i...

ARTIST: Salvador Dali TITLE: Visions Surrealiste Coronation of Gala MEDIUM: Lithograph SIGNED: Hand Signed by Salvador Dali EDITION NUMBER: EA MEASUREMENTS: 21.37" x 29.75" YEA...

Leonor Fini (1907-1996) Portrait with flowers, 1960 Lithograph 25 1/4 x 19 in (64 x 48 cm) With frame: 33 x 26 1/2 in (83,5 x 67,5 cm) Leonor Fini was born in 1907 in Buenos Aires a...

Salvador Dali (Spanish, 1904-1989), "Iris Germanica cum Ocellis Italicis" [German Iris with Italian Eyes], Etching and Heliogravure in Colors on Arches Paper, 1972, from the "Florals...

One of seven allegorical plates on the arts. Made by the company Porcelanas Bidasoa (Spain) in 1980 in fine white porcelain, with 24-carat gold edge. Limited edition of 5,000 example...

Salvador Dali (Spanish, 1904-1989), "Gladiolus Cun Aurium Corymbo Expectantium" [Gladiolus with Golden Clusters Expected], Etching and Heliogravure in Colors on Arches Paper, 1972, f...

Medium: lithograph and pochoir. Catalogue reference: Dupin 1310, Benhoura 396. This lithograph was printed in 1938 at the atelier Mourlot and published in Paris by Teriade for the ar...

Artist: Salvador Dali Title: Jude (Excalibur) Portfolio: 1972 The Twelve Apostles (Knights of the Round Table) Medium: Lithograph Year: 1972 Edition: 38/350 Frame Size: 29 7/8" x 26 ...

Oil on canvas realized by Fabrizio Clerici in 1975 ca. and inspired by Bocklin's Isle of the Dead. Hand signed by the Artist lower left.  Published on "Annuario d'Arte Moderna 2001...

Medium: pochoir (after the lithograph). Printed by the atelier of Daniel Jacomet, and published in Paris in 1955 by Heinz Berggruen. The image measures 5 1/4 x 3 3/4 inches (135 x 10...

This exquisite heliogravure after Man Ray (1890–1976), titled Untitled, originates from the 1980 folio Man Ray, Electa Editrice Portfolios. Published by Gruppo Editoriale Electra, Mi...

This exquisite lithograph by Joan Miro (1893–1983), titled Le Soleil Noir (The Black Sun), from the folio Derriere le miroir, No. 151–152, originates from the 1965 edition published ...

This exquisite lithograph after Joan Miro (1893–1983), titled Sans titre (Untitled), from the album Trace sur l'eau (Trace on the Water), originates from the 1963 edition published b...

This exquisite lithograph by Joan Miro (1893–1983), titled Miro a l'encre I (Miro in Ink I), originates from the 1972 album Indelible Miro. Published by Societe Internationale d'Art ...

Figurative Surrealism Original Painting Artist: Ashot Yan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Linen, Year: 2023 Style: Portrait Surrealism, T...

Patrick Maxcy's "The Trove" is an original, handmade acrylic painting that depicts a tropical bird perched on a pile of buoys and miscellaneous seafaring...

Jules Agard ( 1905 - 1986 ) " la petite chouette " circa 1960 - 1970 " Pièce unique " Sculpture en terre rouge de Salernes montée au tour représentant une petite chouette ( d...

LUVE is a painterly work that uses the landscape of Volyn (Ukraine) as a point of departure for a much deeper exploration of inner space. Lutsk is not depicted literally; instead, it...

Salvador Dali 1971 L'Académie de Paris Etching 19x25 inches Image 27x33 inches with frame overall good condition Pencil Signed lower right Pencil Edition Size EA This Large piece is pencil signed and has lots of light Colors "Academy of Paris - Dali" refers to the etching L'Académie de Paris (1971) by Salvador Dalí, created to commemorate his admission to the French Academy of Fine Arts. It also refers to the Dali Paris...

"St Sebastian", acrylic on canvas, 20in, round Inspired by the St Sebastian religious paintings, this double portrait is a dreamlike superimposed view of an expressive and sensual fi...

Jean Allemand Space Time Original lithograph Handsigned in pencil Limited /275 copies On vellum 76 x 56 cm (c. 29.9 x 22 in) Excellent condition

Giclee limited edition print by worldwidely established Polish artist Rafal Olbinski. Figurative surrealistic print presentic an intricate scene on a lake with swans, pegasuses, ball...

-Pedro Friedeberg signed print featuring a fantastical surrealistic scene. Includes whimsical figures, optical art elements, and surreal details. framed in a hand-painted black and g...

American Trotting Horses No. 2 by Salvador Dali has dynamic movement in the two trotting horses with an added giant Dalian insect head in coll...

A woman with flowing gold hair kneels before a unicorn. The horse theme was frequently used by Dali throughout his career. The horse is seen as a symbol of beauty and elegance as wel...

Artist Statement: My paintings are channeled, Visual Dreamscapes in connection with Unseen Frequencies of the Universe. My exploration of the surreal investigates the mysteries of t...

"Cabinet of Curiosities" Oil on canvas Large original, one-of-a-kind, painting 39x27in Shipped stretched and framed. In this new series artist explores and brings together the old an...

Ian Hugo, 'Early Marshes', from the portfolio 'Ten Engravings'. engraving, 1943, edition 50. Signed, dated, titled, and numbered '37/50' in pencil. A fine impression, with delicate overall plate tone, on cream wove paper, the full sheet with margins (2 5/8 to 7 inches), in excellent condition. With the blind stamp 'madeleine-claude jobrack EDITIONS', in the bottom right margin. Matted to museum standards, unframed. Image size 5 x 5 7/8 inches (127 x 149 mm); sheet size 15 x 11 inches (381 x 279 mm). Ian Hugo originally created "Ten Engravings" in 1945 and the portfolio included a foreword by his partner and collaborator, Anais Nin. In 1978, Hugo republished the portfolio with Madeleine-Claude Jobrack, an American master printmaker who studied under Stanley William Hayter at Atelier 17, Paris, and with Johnny Friedlaender. When Jobrack returned to the States she managed the Robert Blackburn Printmaking Studio in New York before opening her own printing studio, Madeleine-Claude Jobrak Editions. “The sign of the true artist is one who creates a complete universe, invents new plants, new animals, new figures to transfer to us a new vision of the universe in which dream and reality fuse. Ian Hugo's plants have eyes, the birds have the delicacy of dragonflies, their feathers have the shape of fans. Humor is apparent in every gesture. He uses a fine spider web to give a feeling of flight, speed, lightness. The body of a woman reveals the structure of a leaf, a plant. Wings are moving in a world unified by mythological themes. This is an animated world, humorous and levitating, elusive and decorative, which by its unique forms and shapes gives us the sensation of a rebirth, a liberation from the usual, the familiar, a visit to a new planet.” —Anais Nin, from the forward to the portfolio ‘Ten Engravings’ ABOUT THE ARTIST Ian Hugo was born Hugh Parker Guiler in Boston, Massachusetts, on February 15, 1898. His childhood was spent in Puerto Rico—a "tropical paradise," the memory of which stayed with him and surfaced in both his engravings and his films. He attended school in Scotland and graduated from Columbia University where he studied economics and literature. Hugo was working with the National City Bank when he met and married author Anais Nin in 1923. The couple moved to Paris the following year, where Nin's diary and Guiler's artistic aspirations flowered. Guiler feared his business associates would not understand his interests in art and music, let alone those of his wife, so he began a second, creative life as Ian Hugo. Ian and Anais moved to New York in 1939. The following year he took up engraving and etching, working at Stanley William Hayter’s experimental printmaking workshop Atelier 17, established at the New School for Social Research. Hugo began producing surreal images often used to illustrate Nin's books. For Nin, his unwavering love and financial support were indispensable—Hugo was the "fixed center, core... my home, my refuge" (Sept. 16, 1937, Nearer the Moon, The Unexpurgated Diary of Anais Nin, 1937-!939). Fictionalized portraits of Higo and Nin appear in Philip Kaufman's 1990 film drama of a literary love triangle, Henry & June. Inspired by comments that viewers saw motion in his engravings, Hugo took up filmmaking. He asked the avant-garde filmmaker Sasha Hammid for instruction but was told, "Use the camera yourself, make your own mistakes, make your own style." Hugo embarked on an exploration of the film medium as a vehicle to delve into his dreams, his unconscious, and his memories. Without a specific plan, He would collect resonant images, then reorder or superimpose them, seeking a sense of self-connection through the poetic juxtapositions he created. These intuitive explorations resembled the mystical evocations of his engravings, which he described in 1946 as "hieroglyphs of a language in which our unconscious is trying to convey important, urgent messages." In the underwater world of his film ‘Bells of Atlantis,’ the light originates from the world above the surface; it is otherworldly, out of place, yet essential. In ‘Jazz of Lights,’ the street lights of Times Square become in Nin's words, "an ephemeral flow of sensations." This flow that she also calls "phantasmagorical" had a crucial impact on Stan Brakhage, who said that without Jazz of Lights (1954), "there would have been no Anticipation of the Night" his autobiographical film which ushered in a new era of experimental modernist filmmaking. Hugo lived the last two decades of his life in a New York apartment high above street level. In the evenings, surrounded by an electrically illuminated man...

Title: Picasso: Un Billet Pur la Glorie Year: 1974 Medium: Engraving on Arches paper Edition: F.122/195, plus proofs Size: 25.75 x 19.75 inches Condition: Good Inscription: Signed an...