Surrealist Art

This contemporary surrealist painting depicts a blue bird perched atop a silver and blue round teapot. The reflection of a room in a round steel teapot offers a highly curved, disto...

Edition of 625 copies, including reproductions of drawings by J. Cocteau, in which are portrayed for example I. Strawinsky, J. Hugo, P. Picasso, F. Poulenc and many others. Book dedi...

Roland Ayers (1932-2014). Pleasure Function, 1972. Ink on paper, 7 × 7 inches (image). Sheet measures an irregular 10 × 10 inches. Signed and dated. Acid-free matting measuring ...

Maria C. Bernhardsson is a colorful artist who lives and paints in Sweden. Most of her works are influenced by the architecture and geometry of houses. Bernhardsson travels the world...

A study of human behaviour today Inspired by the dramatic artworks of the famous spanish master Francisco Goya. :: Painting :: Surrealism :: This piece comes with an official cert...

Edition of 816 copies on vélin simili curve des papeteries Navarre, including a portrait of the author by Foujita. Very good conditions, uncut. 

Artist: Ashot Yan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Linen, Year: 2018 Style: Portrait, Surrealism, Subject: The Dream a Marcos, Size: 19" x...

Pierre Alechinsky (1927) - Paysage déplié Lithograph from 1995. The edition 24 of 35. Dimensions of work: 160 x 120 cm. Hand signed. The work is in Excellent condition.

This exquisite lithograph after Rene Magritte (1898–1967), titled Pierreries (Gemstones), from the folio Les Enfants Trouves de Magritte (The Found Children of Magritte), 1968, origi...

This artwork "Angels" 1984 is a embossed paper bas-relief sculpture by Chilean artist Lucia Waiser, b. 1940. it is hand signed and inscribed A/P (Artist Proof) in white pencil by the artist. The size of the subject is 12.75 x 15 inches, over all size is 15 x 22 inches. It is in excellent condition. About the artist: Lucia Waiser Palombo was born in Santiago on September 30, 1940. She studied Design at the Art School of the University of Chile, from which he graduated in 1966. Later he moved to the United States to study drawing at Foothill College in California. In 1976 he traveled to England where he completed a Master in Art Theory and History at the University of Sussex. The following year he studied lithography at the Brighton Polytechnic Institute. In 1980 he returned to the United States and entered Stanford University to study sculpture with Richad Randell. In 1984, he completed his artistic apprenticeship at the University of Berkeley, California, conducting a paper workshop dictated by Joan Rhine. Selected museums and public collections: COLLECTION IBM, SANTIAGO, CHILE CEMENTO MELON SA, LA CALERA, CHILE WINTHERTUR MUSEUM, SWITZERLAND SOUTH MUSEUM, CHILOE, CHILE VALDIVIA MUSEUM, VALDIVIA, CHILE SALVADOR ALLENDE MUSEUM, SANTIAGO, CHILE CONSULATE OF CHILE IN NEW YORK, NEW YORK, UNITED STATES NORGLAS, SANTIAGO, CHILE PAPELES BIO-BIO SA, CONCEPCION, CHILE SCULPTURE PARK, PROVIDENCIA, SANTIAGO, CHILE Selected exhibitions 1981 Selected in Sculpture, Seventh National Securities Placement Contest, Chile. 1991 Honorable Mention, Parque Arauco Es-Cultura Contest, Santiago. 1966 University of Chile, School of Design, Santiago, Chile. 1968 Vidal, Zurich, Switzerland. 1978 Bell, Book and Candle, San Juan, Puerto Rico. 1978 Lou Henry Hoover House, Standford University, Standford, California, United States. 1981 For being a Woman, South Gallery, Santiago, Chile. 1982 San Francisco Museum Gallery, California, United States. 1983 Época Gallery, Santiago, Chile. 1984 Chilean-French Institute. 1987 Carmen Waugh Gallery, Santiago, Chile. 1988 Del Cerro Gallery, Santiago, Chile. 1990 Sculpture Park, Santiago, Chile. 1991 British Chilean Institute of Culture, Santiago, Chile. 1992 National Painting Competition El Color del Sur, Puerto Varas, Chile. 1995 Arte Actual Gallery, Santiago, Chile. 2009 Accomplices, sculptures 2009, Artespacio Gallery, Santiago, Chile. 1967 IL Principe, Florence, Italy. 1967 Bottega di Fulgenzi, Florence, Italy. 1979 Los Robles Gallery, Palo Alto, California, United States. 1980 Lou Henry Hoover House, Stanford University, Stanford, California, United States. 1980 Printers Inc., Palo Alto, California, United States. 1980 Palo Alto Cultural Center, Palo Alto, California, United States. 1981 VII National Securities Placement Contest, National Museum of Fine Arts, Santiago, Chile. 1982 Los Robles Gallery, Palo Alto, California, United States. 1982 Adam and Eve, Época Gallery, Santiago, Chile. 1982 Innate Harmony, London, England. 1982 Christie's Contemporary Art, London, England. 1983 Five Women Artists, Espacio Arte Gallery, Santiago, Chile. 1983 Contemporary Textile, Goethe Institut, Santiago, Chile. 1983 Third Anniversary Exhibition, The Moss Gallery, San Francisco, California, United States. 1983 Center Culturel de L'Amérique Latine, Paris, France. 1984 Bread in Art, South Gallery, Santiago, Chile. 1984 Small Format, South Gallery, Santiago, Chile. 1984 The Art and Survival of the Planet, National Museum of Natural History, Santiago, Chile. 1986 Nuestro Mundo Andino, Galería Arte Actual, Santiago, Chile. 1986 La Tertulia, Museum of Modern Art, Cali, Colombia. 1987 Carmen Waugh Gallery, Casa Larga, Santiago, Chile. 1987 The Couple, Época Gallery, Santiago, Chile. 1988 Exhibition and auction of works by national artists, Dutch Embassy, ​​Santiago, Chile. 1988 Painting the Painting, El Cerro Gallery, Santiago, Chile. 1988 Sculptors' Meeting, Plaza Mulato Gil de Castro...

This exquisite collotype after Max Ernst (1891–1976), titled L’Evade (The Fugitive), from the album Max Ernst, Histoire Naturelle (Natural History), originates from the 1972 edition ...

ARTIST: Salvador Dali TITLE: Symphony Bicyclette MEDIUM: Lithograph SIGNED: Hand Signed by Salvador Dali EDITION NUMBER: 52/200 MEASUREMENTS: 35.25" x 25.5" YEAR: 1970 FRAMED:...

Salvador Dali - Original Etching Stamp signed by Dali Edition of 294 copies. Paper : Arches vellum. Dimensions : 16x12". Catalogue Raisonné : Field 68-6 (p. 40-41).

Hand-colored drypoint etching on extremely fine Japanese paper, edited in 1975. Limited edition, numbered in lower left corner as HC (horse commerce). Signed in pencil by artist in l...

Marc Chagall Original Lithograph 1969 From the revue XXe Siecle, edition of 12,000 Unsigned, as issued Dimensions: 32 x 24 Condition : Excellent Reference: Mourlot 572 Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater, where he would paint a series of murals titled Introduction to the Jewish Theater as well. In 1921, Chagall also found work as a teacher at a school for war orphans. By 1922, however, Chagall found that his art had fallen out of favor, and seeking new horizons he left Russia for good. Flight After a brief stay in Berlin, where he unsuccessfully sought to recover the work exhibited at Der Sturm before the war, Chagall moved his family to Paris in September 1923. Shortly after their arrival, he was commissioned by art dealer and publisher Ambroise Vollard to produce a series of etchings for a new edition of Nikolai Gogol's 1842 novel Dead Souls. Two years later Chagall began work on an illustrated edition of Jean de la Fontaine’s Fables, and in 1930 he created etchings for an illustrated edition of the Old Testament, for which he traveled to Palestine to conduct research. Chagall’s work during this period brought him new success as an artist and enabled him to travel throughout Europe in the 1930s. He also published his autobiography, My Life (1931), and in 1933 received a retrospective at the Kunsthalle in Basel, Switzerland. But at the same time that Chagall’s popularity was spreading, so, too, was the threat of Fascism and Nazism. Singled out during the cultural "cleansing" undertaken by the Nazis in Germany, Chagall’s work was ordered removed from museums throughout the country. Several pieces were subsequently burned, and others were featured in a 1937 exhibition of “degenerate art” held in Munich. Chagall’s angst regarding these troubling events and the persecution of Jews in general can be seen in his 1938 painting White Crucifixion. With the eruption of World War II, Chagall and his family moved to the Loire region before moving farther south to Marseilles following the invasion of France. They found a more certain refuge when, in 1941, Chagall’s name was added by the director of the Museum of Modern Art (MOMA) in New York City to a list of artists and intellectuals deemed most at risk from the Nazis’ anti-Jewish campaign. Chagall and his family would be among the more than 2,000 who received visas and escaped this way. Haunted Harbors Arriving in New York City in June 1941, Chagall discovered that he was already a well-known artist there and, despite a language barrier, soon became a part of the exiled European artist community. The following year he was commissioned by choreographer Léonide Massine to design sets and costumes for the ballet Aleko, based on Alexander Pushkin’s “The Gypsies” and set to the music of Pyotr Ilyich Tchaikovsky. But even as he settled into the safety of his temporary home, Chagall’s thoughts were frequently consumed by the fate befalling the Jews of Europe and the destruction of Russia, as paintings such as The Yellow Crucifixion...

The painting describes a real story from the life of the artist. Harmony of colors and shapes give hope for a successful outcome of events. The gallery guarantees the uniqueness and ...

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A koala peeks out from a turquoise arch against a soft orange background. Across the composition, a coral reef sits within a smaller pink arch. Artist Heejin Su...

Pierre Alechinsky (1927) - Autour de chute Etching and aquatint from 1979. The edition of 23/60. Dimensions of work: 60 x 98 cm. Hand signed. Another example of this etching wit...

Artist: Nile Jade Title: Guitar, Year: 1998 Lithograph on Arches Archival Paper Paper Size 28.5" x 38.5" inches Signed in pencil and marked 192/299 Printed by Mourlot Paris Nile Ja...

-Pedro Friedeberg signed print featuring a fantastical architectural scene. Includes whimsical figures, optical art elements, and surreal details. framed in a hand-painted black and ...

Artist: Salvador Dali, Spanish (1904 - 1989) Title: Le cercle visceral du Cosmos from La Conquete du Cosmos Year: 1974 Medium: Etching with Litho...

¨Shaman¨, inspired by Leonardo da Vinci's Salvator Mundi, recreates the theme of ancient automatic machines that told the future. The extraordinary image of Leonardo da Vinci's Salva...

Lanfranco Finocchioli (Italian, b. 20th century) Sognando Capri (Dreaming of Capri), 2003 Oil on canvas 13 3/4 x 19 5/8 in. Framed: 19 1/4 x 23 1/4 x 1 1/8 in. Signed and dated lower...

Vintage original poster for an exhibition of original lithographs by Joan Miró, titled Les Fauves, held at Le Vallauris in Paris from April 5 through May 1, 1966. This poster reflects Miró’s distinctive visual language—playful abstraction, bold forms, and a vibrant sense of movement—capturing the spirit of his graphic work during a highly creative period of his career. Produced in the pre-digital poster era, it exemplifies the authenticity and craftsmanship of mid-20th-century exhibition materials. A collectible and visually engaging piece, ideal for collectors of modern art, Miró’s lithographic work, and vintage French exhibition posters...

John Baker's "Extensive Park in Springtime" is an acrylic painting on canvas with collage 20 x 16 inches in saturated light and mid-range greens and tans with pale pink accents. The ...

Medium: pochoir (after the lithograph). Printed by the atelier of Daniel Jacomet, and published in Paris in 1955 by Heinz Berggruen. The image measures 5 x 3 3/4 inches (130 x 97 mm)...

Robert Lebsack creates artworks using mixed media with ink, acrylic, and charcoal on archival copies of newspapers, textbooks, and sheet music. As a visionary artist, Lebsack weaves ...

The awakening of Boaz  is an artwork from the Series "The Bible", by Marc Chagall in 1960. Mixed colored lithograph on brown-toned paper, no signature. Edition of 6500 unsigned lit...

Drypoint etching with stencil on Arches paper, edited in 1975. Limited edition of 250 copies, numbered as 111/250 in lower left corner.
 Hand-signed by artist in pencil in the lower ...

Artist: Antoni Pitxot Title: Untitled (Cadaqués, 2001) Medium: Oil on cardboard Dimensions: 23 × 17 cm (9.05 × 6.69 in) Framing: Unframed Signature: Signed “Pitxot 01” upper right In...

"La Dulce Aqua Vita" means the "Sweet Water of Life". In this colorful print, Chilean Surrealist, Roberto Matta's surreal figure turns an urn upside-down to pour out the magical wate...

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A large white polar bear lies on a cliff with its eyes closed, while a dodo bird leans beside it. To their side, an easel holds a Rembrandt painting of a stormy...

Surreal lithograph with light lavender and blue colors, 1982. Titled and numbered on lower left and signed lower right in pencil. Displayed on a white mat with a gold border and fi...

-Pedro Friedeberg signed print featuring a fantastical architectural scene inspired by “Mickey”. Includes whimsical figures, optical art elements, and surreal details. framed in a ha...

Surrealist acrylic painting on cut paper and mounted panel, depicting fragmented sculptures across a dreamlike sunset terrain. This original work by Gozo Collective is part of the Fr...

This exquisite lithograph after Joan Miro (1893–1983), titled Sans titre (Untitled), originates from the 1967 folio Derriere le miroir, L'oiseau solaire, l'oiseau lunaire, etin-celle...

A Striking, 1930s Modern Surrealist Abstract Drawing, "Figure Abstract" by Notable New York Avant Garde Artist, Hannah Harari (Am. 1912-2000). Graphite on paper, dating from 1936....

Road Less Traveled Hawaii Surrealist Mid Century Figurative Abstract Landscape Symbolistic and romantic Surrealist 1940s figurative abstract landscape with a figure journeying down a path in an idyllic landscape by Marguerite Louis Blasingame circa 1940-45. Signed Blasingame lower right corner; from a collection of her work. Unframed. Condition: Excellent; professionally cleaned and UV varnished. Image, 30"H x 20"W. Marguerite and her husband Frank Blasingame...

Lithograph on vélin de Rives paper. Inscription: hand signed and unnumbered, as issued. Good condition. Notes: From the folio, Variations sur l'imaginaire, 1972. Published by Philipp...

This exquisite lithograph by Salvador Dali (1904–1989), titled Don Quichotte accable (Don Quixote Overwhelmed), from the folio Pages choisies de Don Quichotte de la Manche (Selected ...

Salvador Dali, Spanish (1904 - 1989) - Look Not Upon Me..., Portfolio: The Song of Songs of King Solomon, Year: 1972, Medium: Color Etching with Gold Dust on Arches Paper, signed ...

Tigran Hovumyan Figurative Surrealist Oil Painter Artwork Title: Triumph Medium: Original Oil on Linen Dimensions: 40" x 32" x 1" (101 x 81 x 3 cm) Year: 2024 Unframed, Stretched o...

Fleur Fenton Cowles 'Tryst' Acrylic on board 45 x 61 cm FRAMED DIMENSIONS: 66.8 x 81.7 cm Alongside being an artist Fleur Cowles was a socialite, writer, diplomat and fashion edit...

This exquisite lithograph by Joan Miro (1893–1983), titled Le Grand Personnage (The Great Figure), from the folio Derriere le miroir, No. 186, originates from the 1970 edition publis...

Artist Comments
Mr. and Mrs. Anderson commissioned a formal family portrait, insisting their beloved pet elephant, Elbert, be included. Elbert is family, after all. When the co...

"Thirst" Black & White Photography 49" x 39" in Edition 1/3 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Comes with COA issued by the...

ARTIST: Salvador Dali TITLE: Triumph of The Sea MEDIUM: Lithograph SIGNED: Hand Signed PUBLISHER: Sidney Lucas, New York EDITION NUMBER: 12...

Vintage Surrealist Figurative -- At the Hop Vibrant, dreamy abstract expressionist painting by California artist Molly E. Brubaker (American, 1922-2000). Unframed. Image, 30"H x 24"...

Color etching and aquatint on Arches paper, edited in 1973. Limited edition of 100 copies, numbered as 31/100 in lower left corner. Paper size: 43x32 cm Very good conditions with de...

L'EMPIRE DES LUMIÈRES, 1964 (THE EMPIRE OF LIGHTS, 1964) Date of creation: 2010 Medium: Lithograph on BFK Rives Paper Edition: 275 Size: 60 x 45 cm Observations: Lithograph on BFK Ri...

Roland Ayers (1932-2014). Ancestor Worship, 1971. Pen and ink drawing. 4 w. x 6 h. inches, Signed and dated lower right. Artist and art educator, Roland Ayers was born on Jul...

This exquisite heliogravure, titled Sans titre (Untitled), after Leonor Fini, from the album Fruits de la passion, trente-deux variations sur un theme de Leonor Fini (Fruits of Passi...

Joerg Reme Untitled IV from "von den Stunden" Folio Color Lithograph on handmade paper with deckled edges 1972 Size: 11.75 x 8.325 inches (29.8 × 21.1 cm) Edition: 31 of 250 Signed i...

Eugene Berman Interieur Nocturne, 1929-1930 Signed and dated lower right, inscribed on verso Oil on canvas 21 1/2 x 25 3/4 inches From Russia, Eugene Berman became a painter known ...

Hans BELLMER Unicorn Woman Original etching Handsigned in pencil Numbered on 150 copies On Arches vellum 65 x 50 cm (c. 26 c 20in) Excellent condition

ARTIST: Salvador Dali TITLE: The Woman in The Cosmos Dominating The World MEDIUM: Lithograph SIGNED: Hand Signed PUBLISHER: Jean-Paul Lorriaux EDITION NUMBER: 115/150 MEASURE...

This exquisite engraving by Salvador Dali (1904–1989), titled Sans titre (Untitled), from the folio Le Tricorne (The Three-Cornered Hat), originates from the 1958 edition published b...

Artist Comments
This painting is a modern reinterpretation of the English nursery rhyme "Rub-a-dub-dub, Three Men in a Tub," first published in Mother Goose's Melody in 1798. I...

Jiri Kolar (Jiří Kolář) Analphabetogramme - Signatur Objekt Nr. 23 (Collages, Assemblages, Poetry, Surrealism) Analphabétogramme (hand-pressed copper print) with matte Year: 1995 Size: 12×11.6×0.6in Edition: 756 of 990 Signed, numbered by hand Publisher: First Edition, Verlag Rommerskirchen, Rolandseck - Germany COA provided Ref.: 924802-1933 White original cardboard in a Plexiglas slipcase, signed and numbered, number 756 of 990. 28 pages in block book form, texts and colored illustrations of collaged sculpture photographs, 1 loosely enclosed hand-signed original hand-pressed copper print ("Analphabétograms") under passepartout. The cardboard cover is cut out like a passe-partout so that the title illustration is visible when the book is hung on the wall as an art object using the acrylic glass frame provided. Tags: Czech artist,Poet,Visual artist,Political activist,Collages,Assemblages,Poetry,Surrealism,Dada...

Roland Ayers (1932-2014). Family Tree, 1968 Ink on paper. 10.5 × 8 inches; 14 × 18 inches in acid-free matting. Signed and dated. Artist and art educator, Roland Ayers was bor...