Ivo Parisi

Domenico “Ico” Parisi was one half of a prolific postwar design duo he comprised with his wife, Luisa. Their furniture designs are known for running the stylistic gamut, with celebrated mid-century modern pieces ranging from elegantly skeletal — like dramatic ebonized dining chairs — to plush and shapely, like the iconic 1951 Egg chair, in a plethora of materials.

The son of an art teacher father, Ico Parisi was exposed to art at an early age. Born in 1916 in the Sicilian capital of Palermo, he and his family moved to Como in 1925. There, the young Parisi would begin to develop his interest in architecture and design. After earning a degree as a building inspector in 1936 and working as a civil engineer, Parisi took on an apprenticeship in the studio of Giuseppe Terragni, the modernist, fascist Italian architect, pioneer of the Rationalist movement and creator of the iconic Casa del Fascio.

While working for Terragni, Parisi crossed paths with such contemporary design talents as Lucio Fontana, Bruno Munari and Pietro Lingeri, though he briefly moved away from design and architecture to explore photography and film. His artistic work would soon be interrupted, however, by the outbreak of World War II, during which he served at the front before returning to Como in 1943. There, he resumed work as a designer and architect, founding two architecture groups: the Alta Quota and the Gruppo Como.

Through his creative circles, Parisi met Luisa Aiani, a former student of the prolific architect and furniture designer Gio Ponti, who was affiliated with the Alta Quota. They married in 1947 and founded the studio La Ruota — a cross between a design firm and an intellectual salon — in Como shortly thereafter. In 1950, Parisi finally completed his architectural schooling, studying under the nationalist architect Alberto Sartoris at the Athenaeum Architecture School in Lausanne, Switzerland. He and Aiani began several decades of sophisticated output, designing curved sofas upholstered in yellow velvet and armchairs with slender mahogany frames for enduring Italian manufacturers such as Cassina and others.

Much like Charles and Ray Eames in America, the Parisis worked as a team and relied on experimentation in style and material for many of their designs. Ico Parisi died in Como in 1996.

Find a collection of vintage Ico Parisi coffee tables, dining chairs and more on 1stDibs.

Antique, new and vintage bentwood furniture has become very popular in interiors over the years. Today bentwood chairs, tables, sofas and pendants are receiving striking modern interpretations from makers like Thonet, which are being carried on by the next generation.

Bentwood furniture dates as far back as the Middle Ages, but it is the 19th-century German-Austrian cabinetmaker Michael Thonet who is most often associated with this now-classic technique. Thonet in 1856 patented a method for bending solid wood through the use of steam, and from there the bentwood look skyrocketed to furniture fame. Bentwood was embraced by design greats ranging from Josef Hoffmann to Gio Ponti, and Adolf Loos to Alvar Aalto for its versatility, timelessness and simple elegance.

In the Czech Republic — home to a range of talented but unsung mid-century modern and Art Deco designers — the company TON held a bentwood furniture exhibition in Ludwig Mies van der Rohe’s Villa Tugendhat in recent years. TON manufactures their bentwood furniture in the same workshops where Michael Thonet set up his operations in the 1800s.

Sophisticated bentwood furniture designs include Alvar Aalto’s cantilever lounge chairs, Italian designer Luigi Crassevig’s 1970s rocking chairs — which feature cane seats — curvaceous hanging lamps and other lighting by Spanish architect José Antonio Coderch and lots more.

Find a collection of antique, new and vintage bentwood furniture on 1stDibs.

Forever a sleek and elegant furnishing that evokes luxury and sophistication, a vintage bar cart will prove both functional and fabulous in your living room.

Bar carts as we know them were originally conceived as tea trolleys — a modest-sized table on wheels, sometimes featuring both an upper and lower shelf — to help facilitate tea service during the Victorian era in England. Modern bar carts weren’t really a common fixture in American interiors until after the end of Prohibition in the 1930s, when they were rolled onto the sets of Hollywood films. There, they suggested wealth and status in the dining rooms of affluent characters.

As tough as the 1930s had been on the average working American, the postwar era yielded economic stability and growth in homeownership. Increasingly, bar carts designed by the likes of Edward Wormley and other furniture makers became an integral part of sunken living rooms across the United States in the 1950s.

Bar carts were a must-have addition to the sensuous and sleek low-profile furnishings that we now call mid-century modern, each outfitted with the finest spirits and savory snacks that people had to offer. And partially owing to critical darlings like Mad Men, vintage cocktail carts have since seen a resurgence and have even become a selling point in restaurants.

Bar carts not only boast tremendous utilitarian value but also introduce a fun, nostalgic dynamic to the layout of your space, be it in the bar area or elsewhere. In addition to showcasing your favorite bottles of rye and local small-batch gin — or juices and mocktail ingredients — there is an undeniable allure to stacking statement glassware, vintage martini cocktail shakers and Art Deco decanter sets atop your fully stocked mid-century modern bar cart. And one size or style doesn’t fit all — an evolution of cocktail cart design throughout history has yielded all manner of metal bar carts, rattan carts and more.

We invite you to add a few more dashes of class to cocktail hour — peruse the vast collection of antique and vintage carts and bar carts on 1stDibs today.