Bronze Asian Art and Furniture

A Tiger's eye tripod incense burner and cover Chinese, 20th century of compressed globular form raised on three cabriole legs issuing from lion masks, flanked by two horned mythica...

Chinese Ormolu and Cloisonné enamel vase for the Islamic Market Chinese, early 20th century Dimensions: Height 19cm, diameter 23cm Crafted in China...

In the shape of kaede leaves. Used on top of a large festival cart carried through the streets.

19th Century (Meiji Period) Japanese bronze vase. It is realistically cast as a gnarled pine tree trunk with vines growing around it.  

Material: bronze 5,3 cm high 3,1 cm wide and 4 cm deep Weight: 0.148 kgs Originating from Burma 18th century.

Material: bronze 4,8 cm high 3 cm wide and 3,5 cm deep Weight: 0.139 kgs Originating from Burma 18th century.  

Material: bronze 4,5 cm high 3,5 cm wide and 4 cm deep Weight: 0.154 kgs Originating from Burma 18th century

Material: bronze 5,3 cm high 3,4 cm wide and 3,5 cm deep Weight: 0.134 kgs Originating from Burma 18th century

Material: bronze Measures: 5,6 cm high 3 cm wide and 4 cm deep Weight: 0.153 kgs Originating from Burma 18th century.   

Material: bronze 6 cm high 4,9 cm wide and 4,9 cm deep Weight: 0.308 kgs Originating from Burma 19th century.  

Material: bronze 4,9 cm high 4,3 cm wide and 4,5 cm deep Weight: 0.286 kgs Originating from Burma 18th century

Material: bronze 5,2 cm high 3 cm wide and 3,8 cm deep Weight: 0.147 kgs Originating from Burma 18th century.

A Meiji period bronze vase with two frogs against a rough textured ground, signed ‘Hyakusei’, Japanese, circa 1880.    

Material: bronze 1,5 cm high 1,2 cm wide and 1,2 cm deep Weight: 0.026 kgs The given sizes are measured from the largest weight Originating from Burma 19th century The mentioned wei...

This extremely rare lamp consists of Kangxi porcelain panels with an Charles X gilt bronze frame. The classical Chinese panels are finely framed and are decorated on the inside with delicate floral and foliage compositions. The finely decorated bronze frame is decorated at the bottom with a large rosette of leaves. The chain is attached on three sides to looped eyelets. A strictly structured ceiling...

Chinese bronze door pulls.

Raised Detailing of Dragons and Flowers with Vibrant Colors in Reds, Blues, Greens. Hibachi is Bronze,

Pair of Bronze Chinese Wine Pitchers, with Leopard Handles

A Monumental Gilt-Lacquered Bronze Ornamental Buddha Sculpture of Vajravidarana: A Masterpiece of Sino-Tibetan Craftsmanship, Late 19th Century, Qing Dynasty This monumental gilt-lacquered bronze ornamental sculpture of Vajravidarana is an extraordinary and commanding piece of art, showcasing the pinnacle of Sino-Tibetan craftsmanship from the late 19th century. The figure of Vajravidarana, a powerful purification deity in Tibetan Buddhism, is meticulously sculpted to embody both spiritual authority and artistic excellence. Vajravidarana is primarily known for his role in removing spiritual impurities and negativities. Unlike other deities associated with wisdom or compassion, Vajravidarana’s function is centered on purification and healing. He is typically depicted holding a vajra and a bell, symbolizing the cutting away of delusions and the resonance of divine truth. In this striking sculpture, Vajravidarana is shown holding a vishva vajra (the double vajra), a unique and powerful variation of the traditional iconography, which signifies ultimate protection and the dispelling of negative karma. Vajravidarana: The Supreme Purifier and Protector Vajravidarana is revered in Tibetan Buddhism as the deity of spiritual purification, called upon to cleanse practitioners of defilements and negative influences. His vajra represents the indestructibility of truth, while his bell signifies the wisdom that resonates through purification rituals. In this sculpture, the presence of the vishva vajra, or double vajra, enhances his association with supreme protection, ensuring the destruction of all spiritual obstacles and afflictions. The figure’s powerful yet composed expression conveys a sense of unwavering resolve and divine authority. His posture, along with the carefully sculpted details of his robes and ornaments, highlights his function as a guardian against impurity. The inclusion of the vishva vajra rather than the usual single vajra reinforces his role as a supreme protector, capable of dispelling all forms of negativity and restoring balance. Symbolism of the Mantras and Aureole: Unlike deities that embody wisdom through duality, Vajravidarana’s iconography is centered on purification and exorcism. The aureole surrounding him is inscribed with sacred purification mantras rather than depictions of a consort. These mantras emphasize his function as a remover of obstacles and impurities, reinforcing his role in Buddhist healing rituals. The presence of the sacred inscriptions elevates the sculpture’s spiritual significance, making it a focal point for meditation and ritual purification. Practitioners often visualize Vajravidarana radiating purifying light, dissolving afflictions and negative karma. This theme is mirrored in the sculptural repetition of the purification symbols on the aureole, reinforcing the deity’s role as a divine cleanser. Gilt-Lacquered Bronze: The Artistry of Sino-Tibetan Metalwork: The craftsmanship of this monumental figure reflects the expertise of late 19th-century Sino-Tibetan metalwork, where traditional Tibetan themes were infused with Chinese artistic sensibilities. Cast in bronze and finished with a rich gilt lacquer, the statue has an otherworldly glow, giving it an ethereal, almost divine presence. The gilding process—applied with exceptional skill—gives the sculpture a striking luminosity that enhances the fine details of the facial features, flowing robes, jewelry, and other elements of the deity’s attire. The technique employed to create this figure speaks to the high level of craftsmanship that flourished during the late Qing Dynasty and early modern Tibetan art. The ornate details of the robes and the fine texture of the sculpture highlight the exceptional skill of the artisans who brought this work to life. The use of gold and lacquer not only reflects the preciousness of the sculpture but also its spiritual significance as an object meant to inspire reverence and meditation. An Ornamental Sculpture of Monumental Scale: Unlike smaller devotional objects, this sculpture is designed as an ornamental masterpiece, intended to make a grand visual and spiritual statement. Its monumental size allows it to dominate any space, offering a commanding presence that is both physically and symbolically impressive. In Buddhist practice, large sculptures of this nature are often placed in temples or meditation halls, where their imposing size and serene presence would encourage contemplation and devotion. The grand scale of the statue further amplifies the spiritual power it is meant to convey. As a representation of Vajravidarana, it is not only a physical object of beauty but also a conduit for meditation, purification, and enlightenment. The scale of the sculpture also emphasizes the divine stature of the deity, highlighting his importance in the Buddhist tradition as the ultimate force for spiritual cleansing and protection. Provenance: Acquired in China in circa 1900 1905 Private Buddhist Temple, Northeast, USA Private Sale Solomon Treasure...

A scene from the 12th century Heike wars. Ruler Taira Shigehira ordered an attack on those who opposed his rule. During the battle, Nanto Temple, in Nara, was burned to the ground. T...