Tiger's Eye Tripod Incense Burner and Cover

An antique Burmese set of sixteen double-sided Kammavaca or Buddhist manuscripts, written in Bali in red and black lacquer on a gold leaf ground. This set is accompanied by the original pair of gold leaf and red lacquer pictorial cover boards. Kammavaca are volumes consisting of extracts from the Theravadin Vinaya, that relates to the traditional ceremonies of monks. Together with a manuscript chest...

Fine sodalite burner and cover Chinese 20th Century Flanked by foo dog handles with loose rings resting upon four feet, the cover with foo-fog finial. The softly polished stone is...

A Satsuma Earthenware Incense Burner by Yabu Meizan, Osaka, 1853-1934, Of archaic Chinese form set on tripod feet and decorated in polychrome enamels and gilt over a clear, crackl...

Chinese Spinach Jade Covered Tripod Censor Depicting an archaic Bronze vessel, the circular body with projecting mask handles with loose rings, the body with make and scrolls in re...

A Chinese jade teapot and cover of variegated grey and black color, the surface highly polished and carved in very low relief on one side with a prunus t...

A Jade vase and cover, Chinese of rectangular section, the waisted neck flanked by a pair of mythical beast handles with loose rings, carved to the fro...

A remarkable 19th century Japanese Meiji cast bronze gourd incense burner with a pierced top with stem handle and supported on three legs, each being a branch with leaves and one with lotus pod.

A tri-pod ceramic incense burner (koro) by Japanese Imperial potter Makuzu Kozan (1842-1916) circa late Meiji to the start of Taisho period (1890-1910s). A fine example of the artist's work belonging to the late part of his underglaze paint phase (started around 1887 until his death), the surface of the koro was painted in beautiful shades of blue to depict a continuous landscape not unlike a traditional ink and watercolor hand scroll. The rise and fall mountains recede and fade into the horizon and are dotted with groves of pines. The sky is painted with a beautiful subtle shade of pink, suggesting a time of sunrise or sunset. The koro is fitted with an ensuite reticulated sterling silver hoya (incense cover), pierced with swirling cloud and marked with "pure silver' in Kanji. The base is signed in underglaze blue "Makuzu Kozan Sei" within a double ring. The piece is beautifully potted in form and the decoration was done with expertise using the novel technique developed by Kozan called Fuki-e (the blow painting), in order to achieve the striking landscape known as "Mountain and Water" with sense of dimensions and gradient, the poetic effects normally conveyed only by sumi ink staining on paper. The piece comes with an unsigned tomobako (wood storage box) of a recent age. Also known as Miyagawa Kozan (1842–1916), Makuzu Kozan was one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama around 1870s and later became one of the appointed artists to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes. Being one of the most creative ceramists, Kozan started experimenting with new chemical colors from the West in the format of his porcelain glaze around 1880s. New colors allowed him to create underglaze designs that appeared bright, smooth and glossy. He even invented his own receipt of cobalt blue to achieve a much brighter yet softer shade, as evident on this vase. To create landscape that is realistic and dimensional, more common in the western paintings, he was inspired by the native Japanese ink painting technique developed around 1900 by Yokoyama...

A good quality vintage, possibly antique, Chinese brass seven tier pagoda for incense dating from the early 20th century or earlier. The pagoda stands on ...

An antique Korean ritual incense burner circa 19th century, late Joseon dynasty. It was made in Bunwon Kiln in Gwangju, Gyeonggi Do, near Seoul. The ceramic container has a thickly b...

A lovely and luxurious Japanese silver incense burner of lobed melon form, akoda koro, marked jungin and signed Nomura, Meiji Period, circa 1900, Japan. The silver koro...

A fine antique/vintage Chinese carved tigers eye stone libation cup supported by a dragon and dating from the early 20th century or possibly earlier. The hard stone cup...