Wood Asian Art and Furniture

Rare Qing dynasty cabinet with original well preserved decorations. Red base lacquer with polychrome decorations, black lacquer on the sides. Top...

A superb Meiji Era (1867-1912) intricately hand carved Japanese hardwood writing table with beautifully aged patina, warm wood coloring, richly figured grain patterns, and interestin...

Weathered Japanese late 18th century Edo period two-panel byobu screen depicting a meandering stream with sparrows in flight. Crafted with natural ink and color pigments on mulberry ...

19th Century carved wood panel with lotus bud motive. An Architectural Element from a Buddhist Monastery in Northen Thailand. A Lotus Bud representi...

This Antique Chinese Carved Altar/Buddha Shine is 100% hand made and hand carved from Cypress wood. It has over 100 years history and made in imitation of a real Buddhist temple, eve...

A beautiful and quite engaging original large mixed media wall sculpture by contemporary/modern internationally recognized Japanese artist/sculptor Minoru Ohira (born 1950 in Niigat...

Japan, a fine set of two shoji "Birds and Dragonfly" bamboo doors or screens recently acquired from a Japanese private collector. The hand carved boards are artistically cut and ins...

Beautiful 20th century oval Chinese cork diorama. Finely carved decoration in a glass case and black lacquered base. Chinese landscape view, a pagoda in a traditional garden featur...

It has a soft, rounded top and potter's wheel legs with a dignified appearance. This flower stand was made in the Taisho period. The lines that taper slightly towards the end of the ...

From Tochigi pref., Kanto area, Japan. This vintage, open square display case was manufactured in circa 1950s to 70s, estimate from the style & material. Can be used as tabletop or ...

Antique Japanese Kokeshi Dolls – Early 20th Century Handcrafted Set of 2 from Northern Japan Discover the beauty of traditional Japanese craftsmanship with this exquisite set of two...

Our calligraphy brush stands are made of solid wengé wood, a prized, sustainable, exotic wood with beautiful grains. Top of the stands are deco...

This is an antique low table from the Taisho period. The table top is made of five pieces of Shurizakura wood with beautiful grain, and its rich expression captivates the viewer. In...

A Chinese vintage waterfall scroll coffee table from the Mid-20th Century, with golden lacquer and reserved décor depicting musical scenes, boat riding and foliage. Created in China during the Midcentury period, this vintage waterfall coffee table...

Japanese antique low dining table / Kotatsu (heated table) for 4 people. Tabletop material is made of single solid hardwood, original paint remains on the backside, which gives anoth...

A highly decorative early 20th Century Chinese folding screen / divider consisting of seven panels, with each panel incorporating five individual panels, depicting various countrysid...

This is a wooden bucket used by Japanese lacquerware craftsmen to store lacquer. It is believed to have been used from the Meiji period to the first half of the Showa era (1868-1940)...

Beautifully weathered Japanese Showa period four-panel byobu screen depicting a persimmon tree in the fall. Ink and natural color pigments on light gold silk background. Made in the ...

Grand Chinese export post republic period eight panel coromandel screen featuring a waterscape decorated with blossoming lotus and birds....

An impressive depiction of Guanyin, the Bodhisattva of compassion, whose name bears the meaning ‘One who hears the cries of the world.’ The rather androgynous figure is adorned with beaded jewellery and the princely regalia of a dhoti, draped across her body and spilling out over to partially obscure what she is resting upon. The goddess’ profile exhibits idealised features of Asian artistic convention; her face is soft and rounded, with full lips and relaxed eyes that provide a serene quality of youthfulness to the figure. Adhering to Chinese iconography of Guanyin, the figure is marked by an urna on her forehead, denoting her own enlightenment, as well as a diadem displaying Buddha Amitabha, the spiritual teacher of Guanyin. Seated in the Lalit asana pose, translated as ‘royal ease’, the figure exudes a fine example of the relaxed majesty typical in the characterisation of Guanyin. Whilst the figure’s left hand is placed restfully upon the left leg pendant, the right is raised in the gesture shuni mudra, the second finger held gently against the thumb. Otherwise known as the seal of patience, this gesture indicates the figure as one intended to bestow this virtue, along with compassion and understanding, upon the beholder. Notes on the item: Guanyin is the Chinese interpretation of Avalokiteshvara, the Indian Bodhisattva of compassion. The term “Bodhisattva” is derived from the Sanskrit “Bodhi”, meaning ‘awakening’ or ‘enlightenment’, combined with “Sattva”, meaning ‘spirit’ or ‘being’, referring to one on the path to achieving enlightenment. Bodhisattvas in Mayahana Buddhism are recognised as figures who have effectively achieved enlightenment yet relinquish their accension to nirvana in order to remain amongst mankind in the ultimate act of compassion to aid as spiritual guides. As such, the Bodhisattva inhabit a liminal space between samsara and nirvana; enlightened beings that maintain a relationship with humanity that buddhas cannot, as attaining Buddhahood necessitates the abandonment of all worldly attachments, including mankind. Guanyin’s very name, ‘One who hears the cries of the world’ highlights this role as a compassionate figure who acknowledges the suffering and strife of man. Along with Mahāsthāmaprāpta, a fellow bodhisattva, Guanyin serves as an attendant to Buddha Amitabha, with these three deities recognised as the Three Sages of Western Pure Land Buddhism, a sect of Mayahana Buddhism popular in East Asia. Avalokiteshvara is commonly posited to have been adopted from Indian Buddhism into China as Guanyin around 200-400 CE, however it was the Tang dynasty (618-907) which saw the popularisation of the deity. By the Ming (1358–1644) and Qing (1644–1911) dynasties, Guanyin held the position as the most popular female deity in China. The unique state of religion in China held no monolithic canon regarding Buddhism and saw the assimilation of several belief systems, primarily Daoism, Buddhism and Confucianism. Consequently, Guanyin became a deity to be revered beyond Buddhism alone, appointed as both an official imperial deity and Daoist deity in the 12th century. Guanyin may also be seen to fulfil the role of idealised femininity as prescribed by Confucianism, with the scarcity of female Chinese deities perhaps accounting for the gradual gender shift Guanyin underwent. The Indian Avalokiteshvara is unequivocally recognised as male, whilst the supposed gender of Guanyin remains contentious. Although there is a clear shift from the masculine Avalokiteshvara towards a more feminine representation, it is unclear if Guanyin is understood to be entirely feminine, to inhabit qualities of both genders or to be elevated beyond gender entirely, embodying neither. Depictions of Guanyin are highly androgynous, which some believe lends credence towards Guanyin symbolising the unity of dualistic forces as recognised in Daoism, displaying the anthropomorphism of yin and yang. Comparative Analysis: Market comparisons of similar Qing Dynasty polychrome figures of Guanyin include lot 767 (no.2) From Christies ‘Important Chinese Ceramics and Works of Art,’ New York, 25 March 2022, with the price realised USD 52,920 (Estimate USD 20,000 – USD 30,000). Christies also auctioned a comparable polychrome Guanyin...

Amazing Chinese export four panel coromandel screen featuring beauties in a pagoda pavilion landscape. Beautifully crafted from intricately carved soapstone in vivid colors and fasci...

China antique monumental Wooden Pagoda, total height is 70 inches, hand carved and hand painted wood, seven hexagonal sections plus finial, late Qin...

This is a wooden carved buffalo that has weathered naturally over the years. It was used in a private home in the Tohoku region and is thought to have undergone gradual changes due ...

An antique Dutch Colonial Indonesian cane and wood plantation chair from the 20th century with extending arms and turned baluster legs. This antique Dutch Colonial Indonesian plantation chair from the 20th century is an exquisite blend of form and function, showcasing the artistry of the Dutch Colonial era in Indonesia. Crafted from sturdy wood and adorned with traditional cane weaving, this chair boasts extending arms and elegant turned baluster legs that elevate its timeless design. The plantation chair features a generously sized, curved seat and a sloping backrest, both expertly crafted with caning to provide comfort and breathability in tropical climates. The caning adds a sense of airiness and lightness to the chair, making it an inviting spot to relax and unwind. A standout feature of this Dutch Colonial Indonesian chair...

This wooden board was made in the Taisho era. The dense and beautiful grain of the wood, unique to time-honored zelkova, is eye-catching. The color that has deepened over the years,...

Late 18th century cabinet from Shanxi, China. Original red and black lacquer with a light clear surface finish, which highlights the lovely natural patina. Pair of bi-fold doors wi...

It is easy to imagine someone, long ago, gathering a harvest from their garden or strolling to the market with this beautiful basket tucked under their arm. Hand-woven of young willo...

Antique Indian Hindu Bronze Sculpture – Krishna with Flute (18th Century) A captivating and finely crafted antique bronze figure depicting Lord Krishna, rendered in the distinctive ...

Unusually large size sideboard with beautiful original 'cayenne' color lacquer. Black lacquer on the sides. 3 pairs of doors and 6 drawers. From the Shanxi province, China. Dating ...

A vintage Burmese woven rattan and wood loveseat from the mid 20th century, with curving back, shaped skirt and side stretchers. Created in Burma during the Midcentury period, this c...

Fantastic large Chinese export eight-panel coromandel screen featuring a colorful pagoda courtyard with figures engaged in leisurely activities. The large screen measures 7 feet high...

Japanese Kuruma-dansu, a wheeled storage chest traditionally kept in the Kura (storeroom) for the specific purpose of containing valuables, thus the wheeled carriage for a quick exit...

A vintage bronze Buddha head sculpture on custom base, with verdigris patina, made with the lost wax casting process. Experience serenity and grace with this vintage bronze Buddha he...

Mesmerizing pair of late 18th/early 19th century Japanese Edo period byobu screens by Shibata Gito (Japanese 1780-1819). The paintings depict Chinese immortals in a dreamy landscape....

With a wood coloured base this signboard (crafted entirely from wood) highlights two large red coloured Chinese Characters. The signboard dates to the early 20th Century and has aged...

An exceptionally beautiful, serene, delicately crafted Buddha head/bust - hand-made using the ancient Thayo technique which entails using a lacquer paste made by mixing lacquer with ...

This is an antique Japanese bamboo door. It is from the Meiji period (1860s-1900s). It is made mainly of cedar and bamboo. It has a simple design that conveys the charm of the mater...

A Tibetan Thangka Buddhist painting hand-painted on canvas, created for the veneration of the Three Great Bodhisattvas. Embrace the rich tradition of Tibetan Buddhism with this vibra...

A hallmark of Qing-dynasty domestic architecture, tall lattice panels such as these were used in provincial courtyard homes to allow light and air into a room whilst maintaining privacy. Crafted in the 19th century, this set of four lattice door panels...

This is an old Japanese brazier. It is made of zelkova wood and is thought to date back to the Meiji period. It features the strong grain of zelkova...

Unique pair of Chinese yoke back slipper chairs.

A Dutch Colonial period Indonesian wooden plantation lounge chair from the early 20th century with leather upholstery and nailhead trim. Created in I...

This charming antique Japanese writing chest, known as a fudebako, features a compact rectangular body with multiple drawers for storing writing implements and small personal items. ...

A striking Bandaji from Nothern part of the Korean peninsula circa 19th century of late Joseon Dynasty. Bandaji is known as drop front half-opening chest that was used in traditional...

Medicine chest in original red lacquer with 40 drawers. with Chinese calligraphy in lacquer. These were used to store and organise Chinese herbs and the...

A wonderful and rare circa 1830 Chinese export reverse glass portrait painting of unusually large size of a lady in traditional robes holding a closed fan shown sat in front of black...

A Chinese Qing Dynasty period Shanxi cabinet from the 19th century, with original lacquer and hand-painted décor. Created in the North-Eastern province ...

Beautifully weathered Chinese export four-panel coromandel screen decorated on both sides. The screen features a pavilion landscape on one side and a floral and fauna landscape on th...

A two-fold Japanese screen by the Rimpa school artist Sakai Hoitsu (1761-1828), Japan, 19th century, Edo period. This small Japanese folding screen pai...

Incredibly detailed Ryohei Tanaka etching of a structure on the Japan countryside c1989. Beautifully framed and matted in a custom rounded edge teak frame. Signed in pencil by artist...

Italian four panel screen/room divider. Folder size 72x 16x 5"

A Japanese Taisho period Mizuya Dansu two toned kitchen cabinet from the early 20th century, with sliding doors, drawers and brass hardware. Created in Japan during the Taisho period...

Incredibly detailed Ryohei Tanaka etching of a temple in Japan c1995. Beautifully framed and matted in a custom rounded edge teak frame. Ryohei Tanaka (1933-2019) was world renowned...

Celestial Chinese export coromandel four-panel screen depicting figures in colorful robes in a heavenly landscape among the white clouds. Eac...

A Chinese Qing Dynasty period elmwood coffee table from the 19th century, with chow legs and carved apron. Created in China during the Qing Dynasty (1636–1912), this low table, which...

Timor Island sculpted wooden traditional mask (circa 1970s) on contemporary metal stand. This is a traditional mask of a figure with male facial features and two holes as eyes and another for the mouth with a handle below the face. The island of Timor gave rise to a distinctive practice of creating traditional masks whose precise origins and significance remain uncertain. Portraying both male and female ancestors, they were held by men during dances and other ceremonies, including celebrations of victory in war. Carved sculptures and masks are specific to rural villages. Here the practice of animism, or nature-worship, is incorporated with the carving of ancestral statues and masks, which have a ritualistic function. Some occasions that call for these ceremonies may include asking for successful crop planting, for prosperity, for good weather...

An unusually large vintage Chinese carved and pierced gilt wood story panel, early to mid 20th century, Southern China. The intricately carved panel depicts images from "The Romance...

Set of two Mystic Seaport whaling woodblock prints, titled “The Ship Joseph Conrad”, and “Whaleship Chas. W. Morgan” featuring the two famous Victorian whaleships the Charles Morgan and Joseph Conrad docked in the Mystic Seaport Connecticut. Each comes in its original black wood frame signed “Arnold” (for James Arnold...

Fantastic diminutive Japanese Edo period table top screen depicting a lively water landscape with flora and fauna. The screen is beautifully painted o...

Pair of Asian window panels with geometric shapes design. All constructed with joinery techniques.