East Asian Sculptures and Carvings

A fine antique/vintage Chinese carved tigers eye stone libation cup supported by a dragon and dating from the early 20th century or possibly earlier. The hard stone cup...

A set of Japanese bronze animal sculptures mouse, ram and rabbit with artist sign. Age: Japan, Showa Period, 20th Century Size: Height 10.3 - 11.7 C.M. / Width 8 - 8.5 C.M. / Length...

One of a kind wall hanging made of solid wood with beautifully inlaid of mother of perl , Chinese garden ,animals and birds motifs imbedded in the wood . This panel originally was a ...

This is an old Japanese wood carving figurine. It is thought to have been made around the Taisho period to the early Showa period (1912-1950). This is an ornament made using a tree l...

Antique Pair of Chinese Carved Aventurine Quanyin Figures Standing in flowing robes and holding a lotus blossom. Dimensions Heights 9" With open-carved wood bases.

Gorgeous vintage Chinese hand carved hardstone centerpiece composed of carnelian, jade, & quartz with a cast bronze base. Beautiful condition, keeping in mind that this is vintage an...

This is a wooden doll which was made in Japan around 1950 in Showa era. This kind of dolls are called Kokeshi in Japanese. This kokeshi's style is Naruko from Miyagi prefecture. This kokeshi was made by a kokeshi artist Takumi KUMAGAYA. You can find his signature on the bottom of this doll. Kokeshi are wheel-carved wooden dolls. Characterized by a big head and a stable silhouette with a chrysanthemum pattern, Naruko kokeshi dolls...

Tibetan Bronze and Polychromed White Tara Statue 20thC Measures - 5.5"H x 3.75"W x 2.75"D

Bamboo Flower vase by Suigetsu Buseki . Suigetsu Buseki (1930–2013) He is the second generation of "Bamboo Craft Midoriya". He studied under Koka...

Japanese Double-cut (Niju-giri) Flower Container (Hanaire) for ikebana tea ceremony. 1st half of 20th century. Cut from a single piece of bamboo with root section and openings for two tier flower arrangement, Niju-ike, copper cups...

Rare find Impressive wall display of two (2) Chinese dream stone "Landscape Paintings" with original period frames these wonderful round natura...

This curious carving dates to the late Qing dynasty (1644-1911), chiseled from solid limestone to an abstract, zoomorphic form. Possibly originating as an architectural finial, the s...

Chinese, framed in the mid 20th century, carving is earlier. An antique Chinese carved and gilt wood bonsai planter with floral arrangement stemming from ...

Another Gem Japan, a fine substantial 11" tall antique monumental green and blue gourd shaped vase with unusual blue egg plant decoration glazed in rich deep green, blue, and brown colored crackled drip glazes. It was crafted by the master artisans of the Japanese southern Awaji Kiln, from the late Meiji to Taisho period (1910s-1920s). The impressive porcelain vase crafted in a classic wabi sabi modernist form with an original multi glazed finish. It is unsigned as many normally were from that period and is in original condition with normal kiln origination surface creation imperfections on bottom. Dimensions: 11 inches tall and 5.5 inches diameter.. Provenance: private north west coast collection. Undoubtedly influenced by the modernist movement and more likely by the visit to the Awaji kilns by the noted English designer Christopher Dresser of Linthorpe Art Pottery...

Featured a beautiful bronze sculpture of Tibetan Tara. This Tara is decorated with flowers, lariats, ankle bracelets. She wears an elaborate crown and is seated on a lotus throne. Up...

Manjushri is the Bodhisattva of keen awareness in Buddhism. A disciple of the historical Buddha Shakyamuni, he represents wisdom, intelligence and realization, and is one of the most popular Bodhisattvas following Avalokitesvara. Look at this statue, it shows very detailed bronze carving works on it. You can see from the pictures that they are in many years history with some age wears. Now you can have them on your collection shelf. They are not only a great adornment but also a wonderful gift! Size: 11.25in H x 9.5in W x 5in D Origin: Tibet Circa: 1900 - 1940 Material: Bronze Condition: Original condition, hand made, normal age wear. Disclaimer: Due to differences in monitor/screen settings, product colors may differ slightly between product photos...

A fantastic wood and gilt decorated hand carved Chinese ancestral temple shrine Emperor figure with a tiger. From a collection of Chinese and Asian artifacts...

This captivating sculpture depicts a Buddha with a frog resting on his shoulder, crafted from jade root. The Buddha, with his serene smile and relaxed posture, exudes a sense of peac...

One of a kind wall hanging made of solid wood with beautifully inlaid of mother of perl , Chinese garden ,animals and birds motifs imbedded in the wood . This panel originally was a ...

An antique Chinese abstract sculpture offers carved butterscotch jade in foliate form, drilled for hanging as photographed, damage as listed, 19th ce...

A unique and enchanting pair of 19th Century Tibetan carved wood & polychromed foo/guardian/temple dogs. These mythical Buddhist temple dogs, also known as "foo dogs" or "lion dogs,"...

A nice hand-carved antique, Chinese Hetain White with a light celadon Jade of Two Rams from the 19th Century. The color is presented in white with a very light celadon and the contex...

A fine garniture pair of Chinese moss agate carved cups, sides flanked with Qilin handles, relief carved raised grain patterns to exterior of body, thin...

Chinese extraordinary natural stone painting "Restless Sea and Waves" #6 unique painting This Chinese extraordinary natural stone "painting" of sea and waves in action in white and gray colors is called a dream stone Shih-hua. They are cut from historic Dali marble found in the Cangshan mountains of western China. These mysterious mountains, unique in the world, are known for yielding incredible and fantastic natural landscaped works of art created over tens of millions of years from mineral inclusions that affected the process of ancient organic material which transformed into limestone and finally resulted in marble- a metamorphic hard stone. This art form is centuries of years old since the Ming dynasty. Dream stones became favored art in the west particularly since the 19th century when French collectors named them Pierres de reve. This thin marble stone "painting" is approximately 1/4" thick and is cut from a large slab of rough material revealing incredible patterns in soft white and gray colors. Its weight is surprisingly modest- easily hung with standard hardware. On occasion, private collectors would invite an artisan to inscribe a poetic description onto their more important dream stones and in this case the artists' seal mark and calligraphy translation reads: Beautiful Action of sea and waves Framed under glass Dimensions: Frame: 13 inches high and 17.5 inches wide. Site: 6.5 inches high and 11 inches wide. Provenance: Private Chinese collection, Yunnan, China. History of "White and Gray" dream stone paintings: “White and Gray” dream stone paintings known in China as Shui Mo or Chinese painting stone, were cut from stone found on Shuang Yang mountain in Dali mountains Captivating compositions, they might remind us of a long string of rugged mountain caps from a distance. These dream stones are cut from a scarce regional stone yielding notoriously “fuzzy” detailed paintings. To find examples possessing clear, contrasting detail like this one is indeed a rare find. Fine stone paintings like this example are rare as access to and availability of resource material diminishes. After a thin coating of wax is carefully applied to its surface to protect and reveal its beautiful subtle colors, this stone painting is signed upper right position with poetic verse and seal of an artisan who describes its majestic beauty. Reference: Dreaming of Dreamstones China’s Extraordinary Natural Stone Paintings, Schneible Fine Arts. Dreaming of Dreamstones – World’s first comprehensive English text publication covers China’s extraordinary natural Stone Paintings, by author and dream stone lecturer Douglas Schneible, 35 pages, softcover, ISBN 978-0-578. See photos. We have have been dealing in authentic Chinese natural stone paintings...

An integral part of traditional Chinese home life, ancestor worship before a domestic altar often featured painted ancestral portraits or tabletop ance...

A rare and interesting Chinese Dehua porcelain (blanc de chine) figure of Kui Xing, one of the five emanations of the Daoist God of Literature (Wu Wenchang), Qing Dynasty, 19th centu...

An excellent example of early 20th century Japanese craftsmanship. This piece captures the energy of the horse as it rears up for battle. The saddle and the battle are emaculately ca...

China, a carved antique stone Penjing or painting form garden table, late ming to middle Qing dynasty (1500-1900), limestone, three pieces Dimensions: 34 inches high and 55 inches l...

Chinese Rosewood brush holder (pen pot) circa late Qing dynasty. Finely carved on surface with a sitting Buddha on lotus throne holding his hands in Vitarka mu...

Large and impressive patinated bronze sculpture of a bear. As part of our Japanese works of art collection we are delighted to offer this magnificent high quality Meiji period Okimon...

Antique Chinese Carved Hardstone Foo Dogs C1920 Measures - 4.25"H x 6.5"W x 3.25"D

This large original bronze figure of Guanyin, depicting the bodhisattva with a sea dragon, is an exquisite example from the Qing dynasty, likely refl...

Vintage Buddhist 'nine peaches' hard stone carving - symbolizing immortality and long life - peaches are one of the three 'blessed fruits' in Buddhism...

Japan, a rare large 22" art deco sake vessel fashioned in hand hammered bronze from the Art Deco period, two pieces. Handcrafted in a marvelous minimalist egg shape form. This hand-hammered and wrought bronze vessel was discovered in Kyoto and was created by specialized Samurai craftsmen with dimpled construction. Opening at top and a tap inserted into its side base. Total Height with the bronze base stand is 22" high. Includes two (2) pieces: the bronze egg...

Chinese wood carving with stand Age: China, 19th Century Size: Height 22.5 / Width 50.8 C.M. / Thickness 5.7 C.M. Size including stand: Height...

A tall Chinese scholar stone (also known as Gong Shi in Chinese; meditation stone and spirit rock in the West) of significant weight and volume is gracefully balanced on the wood dis...

An excellent example of early 20th century Japanese craftsmanship. This piece captures the energy of the horse as it rears up for battle. The saddle and the battle are emaculately ca...

Foo dogs normally travel in pairs, but this fellow is a lone wolf or dog and no less charming for it. This is beautiful Chinese hardstone in the deepest rose or pink tone with gray a...

Bamboo vase by Chikuyu Uematsu. With original box. Chikuyu Uematsu (1947-) He was born in Tokyo. He graduated from Beppu Higher Vocational Training School in 1975. From the same yea...

Very old solid wood statue depicts the Taoist Zen Master. He wears typical Tao robe and hat, with two fingers pointing up, and the left hand on his knee. Su...

Japan, a rare paper scroll hand painted by renown Rengetsu Otagaki (1791-1875). She was a very famous nun in old Japan and being familiar with poetry, her Waka poems on paper, and e...

A fine and beautiful Carved Agate Animal Group depicts trees, a Tiger, and a Baffulor resting on a fitted wooden base. A large and heavy piece. Dimension: 4.5" W x 4.25" Dx 2.5" H (4...

This 18th-century carved wooden figure likely depicts the Jade Emperor, the supreme monarch of heaven and earth in Chinese folklore and Taoist mythology. Ruler of all deities and ben...

Rare Japanese antique statue of a Chinese child performing Tai chi capturing the pose in motion. Middle Edo period, circa 1750. Made from polychrome on carved ...

An oversized antique carved wooden frame with intricate details such as birds, flowers and tree limbs. Immerse yourself in the intricate beauty and grandeur...

A Chinese Ming Dynasty period stucco head of a court lady from the 15th or 16th century, mounted on a wooden stand. Crafted in China during the Ming Dynasty, this stucco head is moun...

A pair of Japanese bronze standing birds on the stand with artist sign. Artist signature is on the last photo. Age: Japan, Showa Period, Early 20th Century Size of birds only: Heigh...

A 19th century Chinese wall plaque hand-carved in lacquered rosewood. This large rectangular wall plaque displays a lobed medallion on its centre. The hand carved frame showcases an enjoyable flower and bird scene, a common and auspicious pattern in Chinese tradition. Here a bird lands among cherry tree flowers and bamboo. The entire plaque is made of rosewood, a luxurious and soft Chinese redwood...

An impressive depiction of Guanyin, the Bodhisattva of compassion, whose name bears the meaning ‘One who hears the cries of the world.’ The rather androgynous figure is adorned with beaded jewellery and the princely regalia of a dhoti, draped across her body and spilling out over to partially obscure what she is resting upon. The goddess’ profile exhibits idealised features of Asian artistic convention; her face is soft and rounded, with full lips and relaxed eyes that provide a serene quality of youthfulness to the figure. Adhering to Chinese iconography of Guanyin, the figure is marked by an urna on her forehead, denoting her own enlightenment, as well as a diadem displaying Buddha Amitabha, the spiritual teacher of Guanyin. Seated in the Lalit asana pose, translated as ‘royal ease’, the figure exudes a fine example of the relaxed majesty typical in the characterisation of Guanyin. Whilst the figure’s left hand is placed restfully upon the left leg pendant, the right is raised in the gesture shuni mudra, the second finger held gently against the thumb. Otherwise known as the seal of patience, this gesture indicates the figure as one intended to bestow this virtue, along with compassion and understanding, upon the beholder. Notes on the item: Guanyin is the Chinese interpretation of Avalokiteshvara, the Indian Bodhisattva of compassion. The term “Bodhisattva” is derived from the Sanskrit “Bodhi”, meaning ‘awakening’ or ‘enlightenment’, combined with “Sattva”, meaning ‘spirit’ or ‘being’, referring to one on the path to achieving enlightenment. Bodhisattvas in Mayahana Buddhism are recognised as figures who have effectively achieved enlightenment yet relinquish their accension to nirvana in order to remain amongst mankind in the ultimate act of compassion to aid as spiritual guides. As such, the Bodhisattva inhabit a liminal space between samsara and nirvana; enlightened beings that maintain a relationship with humanity that buddhas cannot, as attaining Buddhahood necessitates the abandonment of all worldly attachments, including mankind. Guanyin’s very name, ‘One who hears the cries of the world’ highlights this role as a compassionate figure who acknowledges the suffering and strife of man. Along with Mahāsthāmaprāpta, a fellow bodhisattva, Guanyin serves as an attendant to Buddha Amitabha, with these three deities recognised as the Three Sages of Western Pure Land Buddhism, a sect of Mayahana Buddhism popular in East Asia. Avalokiteshvara is commonly posited to have been adopted from Indian Buddhism into China as Guanyin around 200-400 CE, however it was the Tang dynasty (618-907) which saw the popularisation of the deity. By the Ming (1358–1644) and Qing (1644–1911) dynasties, Guanyin held the position as the most popular female deity in China. The unique state of religion in China held no monolithic canon regarding Buddhism and saw the assimilation of several belief systems, primarily Daoism, Buddhism and Confucianism. Consequently, Guanyin became a deity to be revered beyond Buddhism alone, appointed as both an official imperial deity and Daoist deity in the 12th century. Guanyin may also be seen to fulfil the role of idealised femininity as prescribed by Confucianism, with the scarcity of female Chinese deities perhaps accounting for the gradual gender shift Guanyin underwent. The Indian Avalokiteshvara is unequivocally recognised as male, whilst the supposed gender of Guanyin remains contentious. Although there is a clear shift from the masculine Avalokiteshvara towards a more feminine representation, it is unclear if Guanyin is understood to be entirely feminine, to inhabit qualities of both genders or to be elevated beyond gender entirely, embodying neither. Depictions of Guanyin are highly androgynous, which some believe lends credence towards Guanyin symbolising the unity of dualistic forces as recognised in Daoism, displaying the anthropomorphism of yin and yang. Comparative Analysis: Market comparisons of similar Qing Dynasty polychrome figures of Guanyin include lot 767 (no.2) From Christies ‘Important Chinese Ceramics and Works of Art,’ New York, 25 March 2022, with the price realised USD 52,920 (Estimate USD 20,000 – USD 30,000). Christies also auctioned a comparable polychrome Guanyin...

A fine antique Chinese hand carved jade brush wash, in ruyi head form, sides flanked by 2 climbing hydras, and bottom carved with three raised circles fee...

This a well-preserved lion mask that dates to the 18th century (possibly earlier). Lion masks were used in the traditional Gion Matsuri festival lion dances...

Here's one of the most beautiful Chinese antiques we have ever found in our travels in China over the past three decades. This is a one-of-a-kind antique sandstone lintel which when installed and displayed could be a handsome addition to your decor. It dates to the 18th century of the Qing dynasty. It still retains remnants of its original poly chrome surfaces. The carving and detail is deep and very fine. Depicted are a pair of writhing dragons competing for the fabled -wish granting jewel- and possibly water waves beneath- all auspicious signs. Dimensions: 13 inches high and 71 inches wide and 14 inches deep Photographs taken in natural light in our garden. Rare work of art. Provenance: originally found in Chengdu Province and has been part of family collection since its acquisition in 2004. Lifetime guarantee of authenticity. We are members of NAJGA- North American Japanese Garden...

This is truly a wonderful piece with clear age and a nice patina to it. Very unique. We have not seen another quite like it. The monk appears to have glass eyes which gives his expression a very humanistic feel. The head is removable (please see the last image). From a collection of Japanese arts and artifacts. Most likely dates back to the Edo period. Would make for a nice addition to any Japanese or Asian artifacts...

Extraordinary natural stone work of art, one of a kind. This Chinese extraordinary natural stone "painting" suggestive of a wavy mountain landscape features light and dark colors...

Over four hundred years ago, these rare stone finials once adorned the garden or courtyard of a traditional Qing-dynasty home. Hand-carved in Shanxi province, they offer a rare glimp...

Antique Chinese ROC period early 20th Century hand carved serpentine stone covered bottle vase, finely plotted and carved with a high relief stylized dragon wrapped around the should...

A wonderful set of four 19th century wood carvings each featuring two scholars in a garden pavilion. A combination of relief carving and pierced carving techniques are used in these ...

A Chinese vintage carved stone bust of Guanyin from the mid 20th century, with ornate headdress. Created in China during the midcentury period, this carved stone bust captivates us w...