Decorative Objects

Anfora Meissen porcelain material the handles are with snake motif the body is rotatable and has painted floral motifs Origin Germany circa 1900.

Pair of Sèvres porcelain and gilt bronze cassolettes in the Empire style, 19th century, Napoleon III period. Pair of 19th century cassolettes...

Dimensions - H: 1 3/4in W: 3 1/2in D: 2in This Mid 18th Century Porcelain and Bronze Box by Meissen is truly a spectacular piece and is of the highest quality! If you look at the p...

Rare pair of Sèvres golden vases, beginning 19th century, original without bronze - Hand painted - Also told "krater vases" - The manufacture of Sèvres is one of the most famous po...

This is a 20th century Meissen porcelain cookie/ginger lidded jar. It depicts a barrel shaped jar hand painted white in the background and cobalt blue in the lid and bottom area. Sma...

A beautiful stoneware bowl with amazing glaze. Made by Tyra Lundgren. Executed during the artist's time spent at Sèvres, between 1934-1939. Excellent condition. Impressed with artist's name and maker's marks. Tyra Lundgren (1897-1979) was one of the most multifaceted artists and modernists of the twentieth century. She was a painter, drawer, sculptor, ceramist, glass- and textile designer, as well as an author and an art critic. She was the first woman who designed glass for Paolo Venini at Murano in Venice and she also served as the artistic leader at Arabia in Helsinki at a time when men tended to hold those kinds of positions. Tyra Lundgren grew up in Djursholm, near Stockholm. Her parents were John Petter Lundgren, professor at Veterinärinstitutet (institute of veterinary sciences) in Stockholm, and Edith Lundgren née Åberg, who was a housewife and raised their six children. The bourgeois home also comprised a nanny and a female cook. The family were very socially active, travelled often, and enjoyed the outdoor lifestyle. Tyra Lundgren’s schooling began at Djursholm coeducational school, where her teachers included Natanael and Elsa Beskow and Alice Tegnér. Her school friends included Greta Knutson-Tzara, Stellan Mörner, and Ingrid Rydbeck-Zuhr. Tyra Lundgren knew from the time she was five years old that she wanted to be an artist. She first became aware of the profession through Axel Fahlcrantz, who rented a studio on the plot of land where she lived with her family. In 1913 she began to attend Högre konstindustriella skolan (HKS, now known as Konstfack, college of arts, crafts and design) where she studied decorative art as well as handicrafts in various forms until 1917. One of her fellow students and friends there was Estrid Ericson, who later founded Svenskt Tenn AB in 1924. Whilst attending HKS Tyra Lundgren also took painting lessons at the Althin school of painting. In 1917 she was accepted as a candidate at the Royal Swedish Academy of Fine Arts where, apart from breaks during which she undertook studies abroad, she remained until 1922. She spent a couple of months taking lessons from Anton Hanak in Vienna and from 1920–1923 she was a student of André Lhote in Paris. Tyra Lundgren was primarily active in four countries: Sweden, Finland, France, and Italy. She spent much of her professional life travelling and considered herself to be a European. Greece and Mexico also formed important centres in her artistic life, as did the USA. She had an extensive social network which included focal individuals within twentieth century-European and American artistic and cultural circles. Tyra Lundgren’s main artistic motifs were birds, fish, and people which she depicted through different techniques and materials. Her artistic expression involved a variety of different directions and styles. She was a pioneer of the 1920s Swedish Grace style, the name of which had been coined by the art critic Morton Shand at the Stockholm Exhibition of 1930. This was a Swedish Art Deco style, characterised by elegance and traditional art which contrasted with the current artistic ideals of functionalism. Tyra Lundgren made her debut at a group exhibition held at Kungliga Akademien för de fria konsterna in 1921. She went on to show her work at various exhibitions throughout the 1920s. After that period she only very rarely exhibited her paintings. Tyra Lundgren’s painted output can be divided into different periods or stylistic directions. The first of these, and the most extensive, was her post-Cubist period which began in 1920 on her arrival in Paris. Her paintings from this time and right up to the mid-1930s typically comprise portraits, self-portraits, live-model painting, still-lifes, interiors, and landscapes in the Cubist style. Many of the great number of self-portraits she painted were produced in the New Objective style, displaying broad variation in terms of clothes, poses and techniques. Two of these – Huvud med vit duk and Självporträtt both from 1921 – can be seen at Moderna Museet in Stockholm, although the majority of these works are at Gotlands Museum. Tyra Lundgren’s second artistic period comprises the years of 1927 to 1929 and is characterised by the New Objective style inspired by medieval techniques and materials (Giotto, Piero della Francesca). Her motifs were still-lifes and landscapes. At this point she was living in Rome and was close to the circle involved in the Valori plastici: rivista d’arte art journal. This period saw a breakthrough in her development as a painter. From the 1950s through the 1970s her work can almost be described as belonging to the Concrete style. Using light pastel colours her paintings sought light in a sometimes non-figurative expression, but often depicting abstract bird-shapes or other nature-inspired imagery. Her paintings from this period are outsized and display powerful colours, in yellows, reds, and blues. Tyra Lundgren maintained a constant production of drawings, both in terms of individual artworks and sketches for patterns and designs. She also produced the illustrations for her book Fagert i Fide. Årstiderna på en gammal gotlandsgård, published in 1961. During her early years she also produced advertising illustrations. She spent the final years of her life primarily working with lithographs which were printed at Galleri Prisma and depicted images of doves, swallows, magpies and crows. Tyra Lundgren is meanwhile best known for her work as a ceramist and in this sphere she was one of Sweden’s leading exponents. She worked in the porcelain industry as a designer and as an artisan and ceramic sculptor. Her first job was at St Eriks Lervarufabrik in Uppsala from 1922–1924, she then worked at Arabia from 1924–1937, and at Rörstrand and Lidköping Porslinsfabrik. She was the artistic leader at Arabia ahead of the 1930 Stockholm Exhibition and she exhibited her work at the World’s Fairs. During the 1934–1938 period she was connected to the Manufacture nationale de Sèvres porcelain factory in Paris. Tyra Lundgren was a pioneer when it came to giving ceramic art a public space in Sweden. She produced around 20 outsized reliefs in stoneware, so-called monumental reliefs. One of these is Märkeskvinnor, from 1947, for the former girls’ school at Bohusgatan in Stockholm. From the 1940s onwards Tyra Lundgren produced sculptural objects in Chamotte clay and stoneware, with various glazings. Her small birds are well-known and popular with many. When her ceramic efforts became too much for her during the 1970s she then produced models for sculptures in bronze. There are six of these in various places around the globe, including Solfågel in Almedalen, Visby. Tyra Lundgren began to work as a glassware designer at Moser in Karlsbad in 1922 where she designed new table services and modernised older ones. She also worked freelance for Riihimäki factory in Finland during the 1924–1929 period. From 1934 to 1938 she was employed by Kosta glass factory where she mainly designed thick-walled bowls and vases, engraved with classical motifs. She was introduced to the glassmaker Paolo Venini at Murano during the Triennale di Milano of 1936 and they began a collaboration that lasted into the 1950s. As part of this collaboration Tyra Lundgren became the first woman to design glassware and, in conjunction with the glassblower Arturo Biasutto, she developed new techniques of glass production. Her motifs at this point were birds, fish, snail-shaped designs and leaf-patterned bowls using traditional techniques as well as in new designs. It was during this time that she created the so-called tissue-shaped bowls and it remains unclear as to who specifically came up with the design but Tyra Lundgren claimed it was of her making. Tyra Lundgren was active as textile designer for Licium (now HV Licium), the sacred textiles...

Signed/dated 1984 on bottom.

A Rare 19th Century Meissen Porcelain ‘Schneeballen’ (Snowball) Covered Bowl and Underplate with Encrusted Flowers, Vines, Leaves, and Birds. This piece is very rare and extremely hi...

A magnificent and quite large, Baroque style, Museum quality, antique Meissen Porcelain grouping of Apollo, the Sun God's, Sun Chariot with his Putti Servant, originally designed by Johann Joachim Kändler in 1772-1773 for Czarina Katharina, Better known as Catherine the great...

Antique Rococo style porcelain centrepiece by Sèvres French, 1876 Height 24cm, diameter 33.5cm Crafted in 1876 by Sèvres, this exceptional centrepiece is adorned with brilliant hand...

This beautiful vase was created by the world-famous Meissen porcelain factory. Meissen was established in the early 18th century, making it the first producer of hard-paste porcelain...

Art Nouveau Meissen porcelain figure from the time the model was created: Child with brunette hair, dressed in typical children's clothing from around 1900 - apron and long-sleeved s...

Pair of 18th century or early 19th century Meissen porcelain groups. A pair of 18th century or early 19th century Meissen porcelain sculpture groups representing the 4 continents. H...

An enchanting late 19th Century Meissen porcelain group depicting three figures playing cards seated around a table. Signed blue crossed swords to the base. Batch 81 DLYNE

Meissen porcelain box with red dragons Beautiful hand-painted Meissen porcelain box, both on the lid and around it there are dragons represented in red with gold details, making it a...

A Large & Important French 19th C. Louis XVI Style Sevres Porcelain Ormolu Mounted Jardiniere. This magnificent piece is of a baluster form wi...

A Large 19th Century Meissen Porcelain Figure of a White Pug Mother and Child with Gilt Bells on a Blue Collar. This large model is very rare to find in this quality, condition, and...

A fantastic 19th century Meissen Porcelain orientalist/Turkish figure of a Malabar Man seated on a rhinoceros. This is a rare and beautiful group made by...

A Saxony art piece, large polychrome porcelain of a figurine of a male violinist and a women`s percussionist musicians decorated in the pierrot. A dreamlike motif of youth playing mu...

Meissen 19th Century Porcelain Figure "Gentleman" Beautiful porcelain figure representing a man of the time, in white and blue with gold details with a bo...

Meissen porcelain sculpture, 19th century style, 20th century. A Meissen porcelain sculpture of a Chinese man in traditional dress, 20th century, 19th century style. H: 17cm, D: 6cm

Sculpture, Meissen porcelain group, the 5 senses, 19th century, Napoleon III period. A Meissen porcelain sculpture, Germany, representing the 5 senses, taste, hearing, sight, touch,...

A beautiful antique decorative pink porcelain Sèvres Style urn with a hand-painted background of a guitar musician and his lady. A Serenata scene. In the back a lake scene with a ca...

18th Century Meissen Porcelain Figurines, Pair of Gardeners. Model 1584. A couple of gardeners, designed by Johann Joachim Kaendler, with flowers and vegetable basket, sitting / s...

An 18th century Meissen porcelain sculpture of an elegant woman, Louis XV period. An 18th century Meissen porcelain sculpture of an elegant woman, Louis XV period, mythological figu...

Art Nouveau Meissen porcelain figure from the time the model was created: Boy with brunette hair, dressed in typical children's clothing from around 1900 - dress with white apron, in...

A group of children in 18th century Meissen porcelain, Louis XVI period. An 18th century Meissen porcelain sculpture of a group of children, Louis XVI period. H: 22cm, D: 14cm

Excellent Meissen porcelain figure: Young gentleman in elaborate rococo clothing of the upper classes: noble white frock coat with golden hems, gold and flower embroidered vest and sleeve cuffs, large black bow on the wig hair, sitting at a magnificent desk with curved...

Oval porcelain vessel on a flat stand with slightly bulging walls, with two rocaille handles with asparagus bundles, the slightly outward-turned opening edge serving as a support for...

Pair of Porcelain Candelabra in the taste of Meissen, 19th Century. Pair of porcelain candelabras, 19th century, Napoleon III period, very fine quality. h:48cm, d: 29cm

Fine German Meissen porcelain beveled wall mirror with a pair of figural cherubs. Finely modelled as an elegant 18th century piece of art, hand painted white porcelain china with cob...

This exquisite 18th-century Meissen porcelain figurine depicts a touching scene of motherhood, showcasing the exceptional craftsmanship of one of the oldest and most revered European porcelain manufacturers. The finely detailed figure is mounted in luxurious French Louis XV-style gilt bronze, enhancing the elegance and rarity of the piece. The combination of Meissen's delicate porcelain artistry with the opulence of French gilt bronze mounts exemplifies the refinement and beauty of 18th-century decorative arts. The scene features a tender moment of a mother with her child, rendered with meticulous attention to detail, from the soft expressions to the intricately modeled folds of fabric. The gilded bronze mounts, in the ornate Louis XV style, complement the figurine’s refined design and add a regal touch, making this piece a remarkable example of Rococo elegance. This rare and beautifully crafted Meissen porcelain figurine, adorned with French Louis XV gilt bronze mounts, captures a tender motherhood scene in the Rococo style. An outstanding piece for collectors of fine European porcelain...

White round Sèvres box rococo style perfect condition origin France, circa 1900.

With its delightful painted representations of the four seasons and bacchanalian scenes, this ‘bleu celeste’ garniture demonstrates the technical excellence of Sevres factory porcelain. On top of this, the porcelain vases are beautifully decorated with gilt bronze (ormolu) mounts, expertly cast by Henri Picard, the manufacturer and gilder to Emperor Napoleon III. This garniture is comprised of a central jardinière and a pair of flanking vases. The jardinière features a wide porcelain body, which is topped by a gilt bronze guilloche-patterned neck. This is fitted with two geometric handles, which terminate in cherubs masks. The jardinière body is finely decorated with a continuous painting of putti playing together in a woodland setting. One putti holds the pinecone-tipped staff carried by followers of Bacchus (or Dionysus), the god of wine and ecstasy. Several putti ride on a goat, led on a harness by other putti. This painting is edged with jewelled and parcel gilt decoration, set against a bright ‘bleu celeste’ ground. The jardinière stands on a shaped gilt bronze stem, its top encircled by a band of stiff leaves, its middle by a laurel wreath, and its foot by beading. The jardinière is placed on a square gilt bronze plinth, which is decorated with grape-form finials, hung draperies and foliate motifs, and is set on four beaded toupie feet. The pair of vases are similar to the jardinière in their design. They feature ovoid ‘bleu celeste’ porcelain bodies, which are decorated with continuous paintings of the four seasons, within gilt and jewelled frames. Winter is depicted in a scene showing putti huddled together on a sleigh in a snowy landscape, and autumn by cherubs reaping crops with a sickle. Spring is shown by cherubs wearing flower wreaths and dancing while holding garlands, and summer by putti picking grapes and drinking wine. The vases’ bodies are topped by pointed gilt and jewelled ‘bleu celeste’ porcelain lids, crowned by gilt bronze grape finials. Like the jardinière, the vases are fitted with gilt bronze cherub...

This antique covered jar or pot was made by the well known Meissen factory of Germany in approximately 1750 in the period Louis XV style. This lidd...

French porcelain, Sevres, and bronze planter from the 19th century Sevres porcelain planter in an off-white tone with bronze base, handles and details. Hand painted with the artist's...

This is a set of Meissen hand painted porcelain bowl/plate. It depicts in the center a couple of cherubs holding a garland of flowers and also a wreath of green leaves while they are...

Statuina raffigurante il Putto dell'Amore in porcellana di Meissen, realizzato nel 1800. La statuina potrebbe aver subito dei restauri. Ø cm 10 Ø cm 6 h cm 13 La porcellana di Meis...

Meissen Porcelain snakes handle vase. 1st quality. Cobalt and gold painting.  

An enchanting Meissen porcelain group of lovers under a tree. Blue crossed swords to the reverse. Batch 81 N/H

Blanc de chine panther. Signed Erich Oehme.

Sevres Blue Ground Baluster Vase and Cover, late 19th century, painted with a courting couple and cupid within a romantic landscape, signed "Maxant", with elaborate gilded borders. 2...

A monumental palace size Sèvres Porcelain blue lapis painted vase. Beautifully hand-painted to imitate natural Lapis Lazuli stone. Hand-painted in R...

A very good quality pair of 19th century German Meissen porcelain three branch candelabra, each with two children representing 'Summer' and 'Fall' holding the harvest and grapes. Bl...

Boy in a white shirt with a newspaper cap riding on a wooden horse with wheels. Modeling and painting of the finest quality, excellent lifelike and loving details. Modeller: JULIUS ...

A Gorgeous and large Meissen double handle vase with Watteau lovers panel and flower panel scenes. The panels are completed after the works by Jean-Antoine Watteau, the most famous F...

This antique Meissen porcelain figurine depicts two dancing figures and dates back to approximately 1815. The piece is crafted from high-quality porcelain and features intricate deta...

Finest Meissen Porcelain Figurine: Dancer balancing on her toes, turning her head to the right and bringing her right hand indecisively to her chin, while with her left hand she per...

Pair of antique Meissen porcelain figures of Malabar musicians German, Late 19th Century Woman: Height 33cm, width 13cm, depth 11cm Man: Height 32cm, width 20cm, depth 11cm Expertly crafted in the late 19th century by the artists at Meissen, the figures depict a charming pair of Malabar musicians. The design of this pair is after models by Friedrich Elias Meyer (German 1723–1785), an artist at Meissen. The figure of a lady is playing the hurdy-gurdy and the moustached man the guitar. Both figures are wearing a pale straw hat, their bodies covered by a maroon-coloured and fur lined jacket...

Very beautiful porcelain vase by Manufacture Nationale de Sèvres Most famous porcelain factory in the world. Vase signed by Andre Plantard Dated 1963 This is a rare piece located in...

An exceptional and quite large pair of 19th century antique Meissen porcelain hunting groups with "The Prince" and "The Princess" each riding a horse followed by a bunch of hunting d...

An enchanting late 19th Century Meissen porcelain group depicting cherubs staying astronomy. Blue crossed swords to the base. batch 81 61275 UNKZZ

An enchanting German Meissen porcelain figurine, depicting a seated young lady sleeping. Signed with blue crossed swords to the base. Batch 81 61214. CNYZ

Very beautiful porcelain vase by Manufacture Nationale de Sèvres Most famous porcelain factory in the world. Vase signed by Marcel Prunier Dated 1955 This is a rare piece located in...

A late 19th century Sèvres style parcel-gilt porcelain jardinière Finely painted with numerous colored flowers with green and gold trim, gilt ram heads on either side. In late ...

A monumental and important 19th century French sevres porcelain ormolu-mounted two-handle campana form centerpiece/vase. This is a truly Sevres...

The girl in a white dress and with a blue bow in her long hair bends over the wicker doll's pram and places the doll into the deep pillow. Modeling and painting of the finest quality...

Pair of porcelain parrots signed Meissen. Germany, early 20th century.