Post-Modern Abstract Sculptures
Postmodern design was a short-lived movement that manifested itself chiefly in Italy and the United States in the early 1980s. The characteristics of vintage postmodern furniture and other postmodern objects and decor for the home included loud-patterned, usually plastic surfaces; strange proportions, vibrant colors and weird angles; and a vague-at-best relationship between form and function.
ORIGINS OF POSTMODERN FURNITURE DESIGN
- Emerges during the 1960s; popularity explodes during the ’80s
- A reaction to prevailing conventions of modernism by mainly American architects
- Architect Robert Venturi critiques modern architecture in his Complexity and Contradiction in Architecture (1966)
- Theorist Charles Jencks, who championed architecture filled with allusions and cultural references, writes The Language of Post-Modern Architecture (1977)
- Italian design collective the Memphis Group, also known as Memphis Milano, meets for the first time (1980)
- Memphis collective debuts more than 50 objects and furnishings at Salone del Milano (1981)
- Interest in style declines, minimalism gains steam
CHARACTERISTICS OF POSTMODERN FURNITURE DESIGN
- Dizzying graphic patterns and an emphasis on loud, off-the-wall colors
- Use of plastic and laminates, glass, metal and marble; lacquered and painted wood
- Unconventional proportions and abundant ornamentation
- Playful nods to Art Deco and Pop art
POSTMODERN FURNITURE DESIGNERS TO KNOW
- Ettore Sottsass
- Robert Venturi
- Alessandro Mendini
- Michele de Lucchi
- Michael Graves
- Nathalie du Pasquier
VINTAGE POSTMODERN FURNITURE ON 1STDIBS
Critics derided postmodern design as a grandstanding bid for attention and nothing of consequence. Decades later, the fact that postmodernism still has the power to provoke thoughts, along with other reactions, proves they were not entirely correct.
Postmodern design began as an architectural critique. Starting in the 1960s, a small cadre of mainly American architects began to argue that modernism, once high-minded and even noble in its goals, had become stale, stagnant and blandly corporate. Later, in Milan, a cohort of creators led by Ettore Sottsass and Alessandro Mendini — a onetime mentor to Sottsass and a key figure in the Italian Radical movement — brought the discussion to bear on design.
Sottsass, an industrial designer, philosopher and provocateur, gathered a core group of young designers into a collective in 1980 they called Memphis. Members of the Memphis Group, which would come to include Martine Bedin, Michael Graves, Marco Zanini, Shiro Kuramata, Michele de Lucchi and Matteo Thun, saw design as a means of communication, and they wanted it to shout. That it did: The first Memphis collection appeared in 1981 in Milan and broke all the modernist taboos, embracing irony, kitsch, wild ornamentation and bad taste.
Memphis works remain icons of postmodernism: the Sottsass Casablanca bookcase, with its leopard-print plastic veneer; de Lucchi’s First chair, which has been described as having the look of an electronics component; Martine Bedin’s Super lamp: a pull-toy puppy on a power-cord leash. Even though it preceded the Memphis Group’s formal launch, Sottsass’s iconic Ultrafragola mirror — in its conspicuously curved plastic shell with radical pops of pink neon — proves striking in any space and embodies many of the collective’s postmodern ideals.
After the initial Memphis show caused an uproar, the postmodern movement within furniture and interior design quickly took off in America. (Memphis fell out of fashion when the Reagan era gave way to cool 1990’s minimalism.) The architect Robert Venturi had by then already begun a series of plywood chairs for Knoll Inc., with beefy, exaggerated silhouettes of traditional styles such as Queen Anne and Chippendale. In 1982, the new firm Swid Powell enlisted a group of top American architects, including Frank Gehry, Richard Meier, Stanley Tigerman and Venturi to create postmodern tableware in silver, ceramic and glass.
On 1stDibs, the vintage postmodern furniture collection includes chairs, coffee tables, sofas, decorative objects, table lamps and more.
2010s Spanish Post-Modern Abstract Sculptures
Cotton
2010s Belgian Post-Modern Abstract Sculptures
Clay
21st Century and Contemporary Italian Post-Modern Abstract Sculptures
Silk
2010s American Post-Modern Abstract Sculptures
Crystal, Brass
2010s Mexican Post-Modern Abstract Sculptures
Oak
2010s Mexican Post-Modern Abstract Sculptures
Metal
2010s French Post-Modern Abstract Sculptures
Walnut
2010s Colombian Post-Modern Abstract Sculptures
Stone
2010s American Post-Modern Abstract Sculptures
Limestone
2010s German Post-Modern Abstract Sculptures
Concrete, Aluminum
2010s Belgian Post-Modern Abstract Sculptures
Clay
2010s American Post-Modern Abstract Sculptures
Resin, Plaster
2010s American Post-Modern Abstract Sculptures
Resin, Plaster
2010s American Post-Modern Abstract Sculptures
Stoneware
2010s American Post-Modern Abstract Sculptures
Resin, Plaster
2010s American Post-Modern Abstract Sculptures
Resin, Plaster
2010s American Post-Modern Abstract Sculptures
Resin, Plaster
2010s Colombian Post-Modern Abstract Sculptures
Stone
2010s American Post-Modern Abstract Sculptures
Resin, Plaster
2010s American Post-Modern Abstract Sculptures
Limestone
2010s Italian Post-Modern Abstract Sculptures
Marble
20th Century American Post-Modern Abstract Sculptures
Marble
1990s American Post-Modern Abstract Sculptures
Ceramic
Late 20th Century American Post-Modern Abstract Sculptures
Maple
20th Century Post-Modern Abstract Sculptures
Marble, Bronze
Late 20th Century Italian Post-Modern Abstract Sculptures
Quartz, Alabaster, Granite, Marble
Late 20th Century Italian Post-Modern Abstract Sculptures
Quartz, Alabaster, Granite, Marble
20th Century American Post-Modern Abstract Sculptures
Wood
20th Century North American Post-Modern Abstract Sculptures
Lucite
2010s American Post-Modern Abstract Sculptures
Ceramic
1980s American Vintage Post-Modern Abstract Sculptures
Metal
2010s Japanese Post-Modern Abstract Sculptures
Ceramic
Late 20th Century American Post-Modern Abstract Sculptures
Lucite, Acrylic
1970s French Vintage Post-Modern Abstract Sculptures
1990s Post-Modern Abstract Sculptures
Acrylic
1970s Italian Vintage Post-Modern Abstract Sculptures
Ceramic
2010s Japanese Post-Modern Abstract Sculptures
Ceramic
1960s American Vintage Post-Modern Abstract Sculptures
Acrylic, Wood
Late 20th Century American Post-Modern Abstract Sculptures
Marble
20th Century American Post-Modern Abstract Sculptures
Marble, Iron
21st Century and Contemporary American Post-Modern Abstract Sculptures
Resin, Ceramic
Late 20th Century American Post-Modern Abstract Sculptures
Steel, Cut Steel
20th Century American Post-Modern Abstract Sculptures
Bronze
21st Century and Contemporary American Post-Modern Abstract Sculptures
Marble, Bronze
1980s North American Vintage Post-Modern Abstract Sculptures
Aluminum
1980s American Vintage Post-Modern Abstract Sculptures
Steel
1990s Italian Post-Modern Abstract Sculptures
Stoneware
1980s American Vintage Post-Modern Abstract Sculptures
Steel
1980s American Vintage Post-Modern Abstract Sculptures
Marble
1990s Italian Post-Modern Abstract Sculptures
Brass
1980s American Vintage Post-Modern Abstract Sculptures
Acrylic, Lucite
21st Century and Contemporary Post-Modern Abstract Sculptures
Brass
Late 20th Century Italian Post-Modern Abstract Sculptures
Aluminum
Late 20th Century Post-Modern Abstract Sculptures
Bronze
1980s American Vintage Post-Modern Abstract Sculptures
Aluminum
1980s American Vintage Post-Modern Abstract Sculptures
Ceramic, Pottery
Late 20th Century Italian Post-Modern Abstract Sculptures
Bronze
1990s American Post-Modern Abstract Sculptures
Clay