Ormolu Vases and Vessels

A Very Fine French 19th Century Royal Louis XVI Style Three-Piece Sèvres Gilt and Cobalt-Blue Ground Ormolu-Mounted Porcelain Urn and Clock Garniture Set. The finely decorated figura...

Cobalt blue ground beaded with raised gold decoration urn with fabulous hand painting. Origin: Austrian Date: 19th century Dimension: 39 in. x 12 in.

Monumental Sèvres style ormolu mounted porcelain vase of the Four Seasons French, c.1895 Height 152cm, diameter 45cm Set on a polychrome ground, dominated by a rare and fitting beige ground, which is accentuated and banded with strips in green, this beautiful and monumental porcelain vase...

A beautiful antique French ormolu and cut crystal trumpet. Finely detailed, this piece transitions from classical to modern interiors.

Exquisite Pair of Ormolu Mounted Crystal Scroll Form Handled Vases With Covers Attributed to Baccarat  Date: Early 20th century  Dimensions: Height 26 inches, depth 9 inches, width...

This is a beautiful antique pair of French Louis Revival Sèvres "Bleu Celeste" porcelain and ormolu mounted twin handled vases, circa 1880 in date. They are superbly decorated in ...

The large central circular form cloisonne enamel jardinière decorated with vari colored plum flowers and butterflies on a blue ground, with a pierced ormolu rim featuring a pineapple motif resting on a finely cast ormolu base with four legs in the form of winged Foo lions. The ormolu French, the enamel Chinese. This impressive jardinie`re is very much in the manner of objects in enamel produced by Ferdinand Barbedienne in Paris in the last quarter of the 19th century which proved universally popular. Often these pieces were designed by Edouard Lievre (d. 1886) in the Oriental taste. Ferdinand Barbedienne was a famous French metal worker and manufacturer. He presided over one of the most renowned and prolific foundries of Belle Époque Paris. His atelier created sculptures, clocks and bronze mounts of the highest quality, and his works were shown at numerous international exhibitions of the period, where he was rewarded with many medals. Among them the Grande Me´daille d'Honneur, in Paris in 1855 is particularly noteworthy. In 1838 he associated with the engineer Achille Collas (1795-1859) who had just invented a process to reproduce statues at a smaller scale. Together they founded in 1839 the company "Collas et Barbedienne" to reproduce casts of both contemporary artists and Greek and Roman antiquities. While working with Collas, Barbedienne actively pursued contracts with many sculptors of Paris contracting with David D'Angers, Jean-Baptiste Clesinger, and even producing some casts for Antoine Louis Barye as well as others. From 1860 to the years 1890, Barbedienne, eager to research new processes, experimented new techniques in champleve´ and cloisonne´-enamels, to compete with Japanese importations, very fashionable then. When Collas died in 1859, the business was left to Barbedienne as sole owner. The company who had over 300 employees was prosperous as well in the field of reproductions as in its department specialized in the casting of monumental bronzes. In 1865, he was appointed President of the Reunion of Bronze Makers until 1885. After the 1870 war...

A Monumental and Fine Pair of French 19th, 20th Century Empire Style Red Porphyry-Like Granite and Gilt-Bronze (Ormolu) Mounted Obelisks on Four Gilt-Bronze Lion Paws both resting on...

An important pair of ormolu-mounted cobalt blue Sèvres Porcelain vases with hand painted portrait and scenes to the front and back. Date...

An elegant and high quality pair of French 19th century Louis XVI st. Onyx and Ormolu urns. Each exceptional lidded urn is raised by a solid square Onyx base over an Ormolu bottom su...

A Monumental and Exceptionally High Quality 19th Century French Ormolu Mounted and Rouge Marble Jardiniere, attributed to ROBERT FRÈRES. The urn is of baluster form with ormolu saty...

A fine quality Sèvres style porcelain and gilt bronze-mounted vase and Cover. Hand painted continuous allegorical figural scene, signed Maxant Origin: French Date: circa 1860 Dimens...

This magnificent pair of vases is wrought from gilt bronze and champlevé enamel in the distinctive, visually striking Renaissance Revival style. The cylindrical body of each vase is ...

Pair of Roman Grand Tour Bronze and Ormolu Serpent Motif Vases/ Ewers/Urns  Italy, circa 1880s A beautiful pair of Roman Grand Tour Bronze and Ormolu Serpent Motif Vases, Ewers, and...

The circular stepped bases of vase form this unusually surmounted with an ormolu twin branch these supporting drip pans and thistle shaped candle nozzles these cut with fine strawber...

Large 19th-century Russian Neoclassical Ormolu and Amethyst Cut Glass Vase St. Petersburg, mid-19th century  Offering a magnificent glimpse into 19th-century Russian Neoclassicism, ...

Victorian Kingwood and Gilt Metal Mounted Planter Jardinière Table, late 19th century, with removable cover opening to reveal a metal void, the waisted sides above a shaped apron, ra...

A handsome pair of French 19th century Louis XVI st. ormolu and white Carrara marble lidded urns. Each urn is raised by a circular white Carrara marble base with an elegant lightly c...

A wonderful and extremely decorative pair of French 19th century Charles X st. Sienna Marble and Ormolu tazzas/urns. Each stunning tazza is raised by a two tiered square Sienna marbl...

Rare Pair Early 19th Century Gilt Bronze Mounted Alabastro Fiorito Lidded Vases. These fabulous masterpieces are designed and made in the most exquisite form, the superbly cast & cha...

Pair of 19th Century French, quite stunning, blue ceramic vases. Decorated with ormolu and brass decoration that make this beautiful pair of vases stand out from the crowd. Circa 1860.

A French Empire Style Cut-Glass and Bronze d’Oré Urn, 19th Century Provenance: Private Australian Collection. Description: The cut glass urn flaring to an everted ormolu lip with ...

A stunning large antique pair of Italian ormolu mounted campana urns raised on polished granite plinths, Circa 1920 in date. These stunning urns have been superbly cast with emblema...

Monumental Royal Vienna classical porcelain vase Austria, 19th Century Height 152cm, diameter 41cm This magnificent vase was made by the renowned Royal Vienna Porcelain Manufactory ...

An elegant and most decorative pair of Japanese 19th century Imari Porcelain and French Louis XV st. Ormolu mounted vases. Each colorful vase is raised by a pierced Ormolu base with ...

Presenting a magnificent pair of French Maurin green marble urns and covers exuding opulence and grandeur in the Louis XVI style, dating from the late 19th to early 20th century. Ea...

A fine quality Pair of Sevres ormolu-mounted Gilt Bronze, hand painted with extensive gilt highlights, cobalt blue porcelain vases. Signed Bertren of Balluster form painted with an a...

A magnificent and monumentally scaled Italian early 19th century solid Porphyry and ormolu urn, circa 1810. The most impressive urn is raised by a circular base with a fine stepped and mottled border. At the center is an impressive and most decorative reeded design below the smooth elegantly curved body with richly sculpted scrolled handles at each side. Above the curved neck is the removable lid also decorated with a beautiful reeded design, mottled band, and centered by a striking ormolu acorn finial. All original gilt. Porphyry was Imperial Rome’s most prestigious stone for columns, vases, and other objects. The word “porphyry” comes from the Latin word for purple, which was the color of nobility to the Romans. Porphyry is considered the Imperial Stone of the Roman Empire. In the year 18 AD, the Roman Legionnaire Caius Cominius discovered a beautiful purple stone in the eastern desert of Egypt. It was a deep purple color with flecks of larger white crystals and was perfect for carving. This porphyry quickly became the most prestigious stone for the elite of Rome and Byzantium. For centuries the Romans quarried this treasured stone...

A stunning pair of ormolu mounted Sèvres style porcelain vases and covers, made in France in the late nineteenth century in superb Sèvres style. With gilt pinecone finials and covers...

Pair of Napoleon III Opaline Glass and Ormolu Tassel Vases Paris, circa 1870s Enhance your collection or interior with this exquisite pair of Napoleon III...

1930's French art glass vase with ormolu mounts circa 1930. Elegant hand blown art glass of reds and whites, profusely decorated with ormolu mounts to the rim, top and base.   Decor...

A Magnificent, Rare, and Large Pair of Chinese Kangxi (18th Century) Famille Vert Porcelain French Louis XVI Style (19th Century) Ormolu Mounted Solider Vases. These monumental vase...

Large antique French Sèvres style porcelain and gilt bronze vase French, 19th Century Overall dimensions: Height 157cm, width 60cm, depth 44cm Vase: Height 141cm, width 60cm, depth...

A wonderful and high quality French 19th century Belle Epoque Period Onyx, Ormolu and Cloisonné urn. The most decorative urn is raised by four Ormolu scrolled foliate feet supporting...

Pair of ormolu-mounted sevres style porcelain iridescent-polychrome vases and covers with two female figures relaxing in a lush garden, each vase depicting a different moment in the ...

Beautifully hand painted with lovers to the front and a bouquet to the reverse with handles Date: 19th century Origin: French Dimension: 28 x 15 inches.

The mounts are similar to those by Gouthière. The one vase having more speckling of white in the porphyry than the other.

A good quality 19th century French gilded Ormolu comport, having scrolling and pierced Rococo influenced decoration. Batch 37 57015 CEKZ

A most elegant pair of French 19th century Louis XVI st. Vert de Patricia marble and ormolu lidded urns. Each urn is raised by a square base with a fine bottom ormolu fillet and a fi...

Magnificent pair of Royal Vienna-style porcelain urns each with a claret ground and a painted reserve depicting classical figures in allegorical theme. Date: 19th century Origin...

This exquisite three-piece alabaster clock garniture consists of a central clock with two flanking vases. The central clock is designed to resemble the shape of a neo-Gothic cathedra...

A remarkable pair of French 19th century Louis XVI st. onyx and ormolu lidded urns. Each urn is raised by a square ormolu base with concave corners and a delicate Coeur de Rai wrap a...

Pair neoclassical Paris Porcelain gilt vases. Exceptional pair of large white and gilt painted campana form urns with strigilated patterning on body dow...

Each cobalt ground with gilding, trumpet-form neck over baluster form body decorated with a figural scene in the garden, reverse with a garden folly, gilt...

An impressive and finely detailed French 19th century Napoleon III Period Louis XVI st. Ormolu planter. This impressive planter is raised on three slender acanthus leaf decorated 'C'...

Decorated with Insects From our Decorative collection, we are delighted to offer a pair of French Aesthetic Movement Bronze Vases. The Frenc...

With its delightful painted representations of the four seasons and bacchanalian scenes, this ‘bleu celeste’ garniture demonstrates the technical excellence of Sevres factory porcelain. On top of this, the porcelain vases are beautifully decorated with gilt bronze (ormolu) mounts, expertly cast by Henri Picard, the manufacturer and gilder to Emperor Napoleon III. This garniture is comprised of a central jardinière and a pair of flanking vases. The jardinière features a wide porcelain body, which is topped by a gilt bronze guilloche-patterned neck. This is fitted with two geometric handles, which terminate in cherubs masks. The jardinière body is finely decorated with a continuous painting of putti playing together in a woodland setting. One putti holds the pinecone-tipped staff carried by followers of Bacchus (or Dionysus), the god of wine and ecstasy. Several putti ride on a goat, led on a harness by other putti. This painting is edged with jewelled and parcel gilt decoration, set against a bright ‘bleu celeste’ ground. The jardinière stands on a shaped gilt bronze stem, its top encircled by a band of stiff leaves, its middle by a laurel wreath, and its foot by beading. The jardinière is placed on a square gilt bronze plinth, which is decorated with grape-form finials, hung draperies and foliate motifs, and is set on four beaded toupie feet. The pair of vases are similar to the jardinière in their design. They feature ovoid ‘bleu celeste’ porcelain bodies, which are decorated with continuous paintings of the four seasons, within gilt and jewelled frames. Winter is depicted in a scene showing putti huddled together on a sleigh in a snowy landscape, and autumn by cherubs reaping crops with a sickle. Spring is shown by cherubs wearing flower wreaths and dancing while holding garlands, and summer by putti picking grapes and drinking wine. The vases’ bodies are topped by pointed gilt and jewelled ‘bleu celeste’ porcelain lids, crowned by gilt bronze grape finials. Like the jardinière, the vases are fitted with gilt bronze cherub...

A good quality late 19th Century French Sevres style porcelain comport, having gilded ormolu classical female mounted handles on either s...

A fine Pair of 19th century Japanese Imari Porcelain and French Gilt-Bronze Mounted Thirteen-Light Celadon Torchere Candelabra. The bottle-shaped Japonisme vases with a Royal red background, decorated with parcel-gilt and black soaring eagles in the hunt within a forestall scene. Each Vase fitted and surmounted with a French 19th century Louis XV Style 13-Light scrolled candelabrum and all raised on a circular pierced gilt-bronze plinth. circa: 1880. Imari Porcelain (????) is the name for Japanese porcelain wares made in the town of Arita, in the former Hizen Province, northwestern Kyushu. They were exported to Europe extensively from the port of Imari, Saga, between the second half of the 17th century and the first half of the 18th century. The Japanese as well as Europeans called them Imari. In Japanese, these porcelains are also known as Arita-yaki (???). Imari or Arita porcelain has been continously produced up through the present day. Characteristics Though there are many types of Imari, Westerners' conception of Imari in the popular sense is associated only with a type of Imari produced and exported in large quantity in mid-17th century. This type is called Kinrande. Kinrande Imari is colored porcelain with cobalt blue underglaze and red and gold overglaze. The color combination was not seen in China at that time. Traditional Ming dynasty color porcelain used dominantly red and green, probably due to scarcity of gold in China, whereas gold was abundant in Japan in those days. The subject matter of Imari is diverse, ranging from foliage and flowers to people, scenery and abstractions. Some Imari design structures such as kraak style were adopted from China, but most designs were uniquely Japanese owing to the rich Japanese tradition of paintings and costume design. The porcelain has a gritty texture on the bases, where it is not covered by glaze. There is also blue and white Imari. Kakiemon style Imari is another type of Imari, but it tends to be categorized separately in Europe. History "Imari" was simply the trans-shipment port for Arita wares. It was the kilns at Arita which formed the heart of the Japanese porcelain industry. Arita's kilns were set up in the 17th century, when kaolin was discovered in 1616 by the immigrant Korean potter, Yi Sam-pyeong (1579–1655). (He may also be known by the name, "Kanage Sambei".) Yi Sam-Pyeong, along with his extended family of 180 persons, left Korea on the offer of a privileged position in Japan. This decision was made after the occurrence of certain Japanese invasions of Korea. After Yi Sam-Pyeong's discovery, his kilns began to produce revised Korean-style blue and white porcelains, known as "Shoki-Imari". In the mid-17th century there were also a lot of Chinese refugees in Northern Kyushu due to the turmoil on Chinese continent, and it is said one of them brought coloring technique to Arita. Thus Shoki-Imari developed into Ko-KutaniImari. Ko-Kutani was produced around 1650 for both export and domestic market. Blue and white porcelain continued to be produced and they are called Ai-Kutani. Ko-Kutani Imari for the export market usually adopted Chinese design structure such as kraak style, whereas Ai-Kutani for the domestic market were highly unique in design and are accordingly valued very much among collectors. Ko-Kutani style evolved into Kakiemon style Imari, which was produced for about 50 years around 1700. Imari achieved its technical and aesthetic peak in Kakiemon style, and it dominated European market. Blue and white Kakiemon is called Ai-Kakiemon. Kakiemon style transformed into Kinrande in the 18th century. Kinrande used blue underglaze and red and gold overglaze, and later some other colors. Imari began to be exported to Europe because the Chinese kilns at Ching-te-Chen were damaged in the political chaos and the new Qing dynasty government stopped trade in 1656–1684. Exports to Europe were made through the Dutch East India Company, but the designation "Imari Porcelain" in Europe connotes Arita wares of mostly Kinrande Imari. Export of Imari to Europe stopped in mid-18th century when China began export to Europe again, since Imari was not able to compete against China due to high labor cost. By that time, however, both Imari and Kakiemon style were already so popular among Europeans, Chinese export porcelain copied both Imari and Kakiemon style, which is called Chinese Imari. At the same time, European kilns, such as Meisen also tried to copy Imari and Kakiemon. Export of Imari surged again in late 19th century (Meiji era) when Japonism flourished in Europe. Thus in western world today, two kinds of Imari can...

A pair Napoleon III Egyptian imperial porphyry urns and covers, each with a shaped cover and baluster body on a concave support and square b...

A fine and important monumental pair of Sevres gilt bronze mounted, hand painted with extensive gilt highlights, cobalt blue porcelain vases and cover with lovers and landscapes on o...

A Highly Important Pair of French Japonisme Ormolu, Patinated Bronze & Cloisonné Vases, by Christofle & Cie. Christofle & Cie is a renowned French silver and metalwork manufacturer f...

A fine and important Sèvres style bronze mounted and cobalt porcelain with hand painted courting figures in landscapes. Origin: French Date: 19th century Dimension: Centerpiece:...

A pair of ormolu mounted malachite Ekaterinburg vases after a design by I.I. Galberg French, 20th century Height 51cm, diameter 32cm Crafted to a design by the prestigious architect...

This handsome pair of urns feature neoclassical motifs, including acanthus leaves, egg and dart borders, and Bacchus mask handles. The Verde antico marble plinth bases are mounted wi...

An elegant and high quality French 19th century Renaissance st. patinated Bronze and Ormolu centerpiece/urn. This beautifully detailed urn is raised by a circular mottled and stepped...

A fine quality pair of Sèvres style ormolu-mounted porcelain urns with cherubs and flowers. Origin: French Late 19th-early 20th century Measure: H...

An exquisite pair of Sèvres style ormolu-mounted, cobalt blue, porcelain vases with lion mask handles, hand painted mythological scenes to the front. Date: circa 1880 Origin: Fre...

Antique Three-piece Louis XV and Sèvres style clock and ewer set French, late 19th century Dimensions: Height 36cm, width 34cm, depth 12cm Consisting of a central mantel clock a...

A pair of large ormolu mounted Sèvres style porcelain vases. French, late 19th century. Measures: height 130cm, width 45cm, dept...