Ormolu Vases and Vessels

A Pair of Green Glazed Jardinieres with Ormolu Mounts, 19th Century Provenance: Private Australian Collection. Dimensions: Height: 18cm. Width: 21.5cm. Depth: 15.5cm.

A striking pair of French 19th century Louis XVI st. white Carrara marble, Ormolu, and Glass vases. Each most elegant cornucopia shaped Milk Glass vase is supported on a rectangular ...

A Fine Pair of Antique green marble and gilt-bronze mounted vases in Louis XVI Style . Date: circa 1880 Dimension: 22 in x 11 in.

Stunning Pair Traditional Japanese Imari Bulbous Form Porcelain Vases of medium to large proportions, now converted to a pair of electric Table Lamps, complete with ormolu stepped ci...

An important pair of ormolu-mounted cobalt blue Sèvres Porcelain vases with hand painted portrait and scenes to the front and back. Date...

A high quality pair of French 19th century Louis XVI st. Baccarat Crystal and Ormolu vases. Each stunning vase is raised by a circular Ormolu base with four rectangular shaped blocks...

Pair of French Neoclassical Style Ormolu Mounted Rouge Griotte Urn Forms, each with two swan head form handles. 20.75" H x 8.5" W x 7.5" D. Provenance: From an East 35th Street E...

Large Russian Nicholas I Period Porcelain Vase Imperial Porcelain Factory Russian, c. 1830 Height 78cm, width 34cm, depth 30cm This outstanding antique vase, created around 1830 by ...

Stunning Pair French Well Veined Sienna Marble and Ormolu Twin Handle Urns of exceptional quality, in the Regency style, last half of the Nineteenth Century of medium proportions. ...

Each cobalt ground with gilding, trumpet-form neck over baluster form body decorated with a figural scene in the garden, reverse with a garden folly, gilt...

A good quality 19th century French Sevres style gilded ormolu-mounted comport. Having a classical romantic scene to the central panel, with a light blue coloured ground, gilded decor...

Pair of 19th Century French, quite stunning, blue ceramic vases. Decorated with ormolu and brass decoration that make this beautiful pair of vases stand out from the crowd. Circa 1860.

These porcelain vases are exquisite pieces of antique Chinese decorative art. They were crafted in the late Qing dynasty, which lasted f...

Pair of important Russian gilt bronze and metal vases Russian, circa 1820 Dimensions: Height 98cm, width 43cm, depth 38cm This monumental pair of vases are exquisitely crafted in gilt bronze and metal. They both feature twin scrolled handles, which are decorated with leaves and foliate patterns, as well as classical profiles at the top. These touch the ormolu rims, which feature an egg and dart pattern. The body of each vase is of ovoid form and features further ormolu mounts, including a thick band underneath the waisted neck, twin dog heads at the base of the handles, flowers, stars and more Classical masks with foliate scrolls. The vases are supported by square plinths, with socle form bases and decorations of fluted ribbing and scrolled foliate forms. Heavily inspired by the neoclassical style, which was popular in Russia in the late 18th and 19th centuries, the vases are decorated with gilt bronze relief scenes which allude to motifs in classical mythology. On a rich burgundy ground, the metal body of the vases show figures flanked by palm trees. One vase shows a woman dressed in a classical draped fabric garment playing two flutes and leaning on a pedestal with twirling ivy, while a baby stands...

A very fine and large 19th century Chinese export famille verte porcelain and French figural ormolu-mounted Chinoiserie style centerpiece jardinière, in the manner of Edward Holmes Baldock (1777-1845). The circular-ovoid porcelain bowl or cachepot, maybe 18th century Jiaqing period (unverified), decorated with a blue and purple ground background with parcel gilt depicting pagodas, trees, mountains and landscape scenes, flanking scrolled handles issuing from the base and ending with a finely chased ormolu pierced acanthus rim. The two ends with a projected mask of Chinese Imperial lions or foo dogs, surmounted and raised on six finely chased ormolu masks of Bacchus satyrs flanked by seashell-like mounts. The Ormolu, circa Paris, 1880. The Porcelain circa 1800 (Maybe 18th century.) Measures: Height: 15 3/4 inches (40 cm.) Overall width: 21 inches (53.4 cm.) Depth: 17 inches (43.2 cm.) Edward Holmes Baldock (1777-1845) was a prominent London furniture dealer to the Royal Family, father of Edward Holmes Baldock. He was first listed in the London trade directories in 1805. That listing had him operating out of No.7 Hanway Street in London, where he was described as selling "china and glass". An updated listing in 1821 described his business as "an antique furniture and ornamental furniture dealer", and in 1826 as a buyer and seller of "china, cabinets, screens, bronzes etc". Between 1832 and 1837 he sold earthenware and glass products to William IV, and upon the ascendancy of Queen Victoria in 1837, sold china until his death in 1845. Baldock was one of the first antique dealers and is similar to the 18th century marchands-merciers Dominique Daguerre and Simon-Philippe. He was the father of Edward Holmes Baldock (1812-1875), a British Conservative Party politician, and of Mary Frances Baldock, wife of the philatelist W. A. S. Westoby. Famille Verte Famille verte (????, Kangxi wucai...

A Rare and Palatial Pair of Mid 20th Century Gilt Bronze and Malachite Six Light Torcheres The body of baluster form above a gilt bronze mounted circular and square base, the neck mounted with flowers and foliage leading up to seven tiered bronze acanthus arms. Malachite is a semi-precious stone and also a valuable copper ore, hydrous copper carbonate. It is a beautiful green earth stone with irregular black banding. It is easily recognized by its color, green streak, and silky or velvety luster. It was used to make beautiful jewelry and to adorn only the finest pieces of furniture. In the 18th and 19th centuries malachite was popular with Russian Czars...

A wonderful pair of French ormolu pierced bronze swags and crystal / glass neoclassical vases with elongated fluted necks over a cylindrical waist on a knopped...

This magnificent pair of vases is wrought from gilt bronze and champlevé enamel in the distinctive, visually striking Renaissance Revival style. The cylindrical body of each vase is ...

An exquisite pair of Sèvres style ormolu-mounted, cobalt blue, porcelain vases with lion mask handles, hand painted mythological scenes to the front. Date: circa 1880 Origin: Fre...

Dimensions - H: 34 3/4 in W: 16 1/2 In D: 14 in This magnificent palatial pair of cobalt blue porcelain vases, attributed to the celebrated Sèvres manufactory, represents the height...

Large antique French ormolu mounted porcelain vase French, Late 19th century Height 138cm, width 59cm, depth 46cm This exceptional 19th-century porcelain vase, in a rare white colou...

A high quality French 19th century Charles X Period Baccarat Crystal and Ormolu vase. This stunning vase is raised by a square Baccarat Crystal base accented with a stunning star sha...

A beautiful pair of patinated bronze Bacchanal vases. The vases are modeled with masks depicting chimeric ibexes, flanked by laurel garlands, above which are finely carved reliefs of...

French Louis XVI style ormolu mounted parian porcelain vase with cover cast with a winged goddess & putti & with female masks to each handle (2nd ½ 19th Cent)

A large ormolu mounted Chinese porcelain jardinière French and Chinese, Late 19th Century Height 102cm, width 80cm, depth 63cm Combining Ch...

An elegant and high quality pair of French 19th century Louis XVI st. Verde Antico Marble and Ormolu urns, in the manner of Maison Boudet. Each urn is ra...

A striking pair of French 19th century Louis XVI st. Onyx, Ormolu, and Glass vases. Each most elegant cornucopia shaped vase is supported on a rectangular cream colored Onyx base wit...

A pair of Louis XV period Meissen porcelain vases, formed in openwork lattice and mounted with original gilt bronze ormolu. Each vase rises from a pierced rocaille ormolu base into a...

A Pair of 19th Century Chinese Turquoise Porcelain Ormolu Mounted Covered Vases with Dragon Decoration. The vases feature a turquoise glaz...

Impressive Pair of Grand Tour Twin Handle Patinated Bronze Medici Urns of Campagne outline, of compact and heavy proportions. Second quarter of the Nineteenth Century. Firmly attribu...

These splendid malachite and ormolu mounted vases are executed in the French Empire style, and are emblazoned with gilt decoration that has an unmistakable air of confidence, pride, ...

Pair of Late 19th Century Gilt Bronze Mounted Sèvres Style Porcelain Planters Each urn mounted with bow tied ribbons connected in the front and back with a foliate swags. In late 1...

1876 Centennial Exhibition, J & L. Lobmeyr Exceptional Ormolu Mounted Bohemian Ruby Glass Centerpiece This exceptional Bohemian ruby red glass centerpiece, by he renowned Viennese glass manufacturer J. & L. Lobmeyr, exemplifies the firm's mastery in combining classical aesthetics with innovative design. Created circa 1876, this piece was showcased at the Centennial International Exhibition in Philadelphia, reflecting the era's fascination with classical motifs and superior craftsmanship. The centerpiece adopts a form inspired by admired Greek patterns, characterized by its elegant proportions and harmonious contours. The exquisite ormolu handles, reminiscent of Urbino vase designs, are artfully crafted as serpents with their heads pressed flat upon the rim in a vigilant posture, while their sinuous bodies attach gracefully to the bowl, culminating in finely detailed finials. This serpentine motif not only enhances the visual allure but also imbues the piece with symbolic significance, as snakes often represent protection and eternal life in classical iconography.​ Encircling the vessel is an expansive frieze featuring intricate scrollwork and figural representations. At the center of this decorative band stands a winged female figure, flanked by conventionally stylized lions, a composition that evokes themes of strength and guardianship prevalent in ancient art. The engraving is executed with extraordinary precision, with each leaf and tendril rendered in minute detail, showcasing the unparalleled skill of the artisans. The Centennial International Exhibition of 1876 in Philadelphia was a seminal event, marking the first World's Fair held in the United States. It celebrated the nation's centennial and served as a global stage for artistic and industrial achievements. J. & L. Lobmeyr's participation in this exhibition underscored their commitment to excellence and innovation in glassmaking. Pieces such as this centerpiece would have captivated audiences with their blend of historical inspiration and contemporary artistry, reflecting the 19th-century penchant for reviving classical forms through modern techniques. Founded in 1823 by Josef Lobmeyr, the company quickly established itself as a purveyor of fine glassware, earning the distinction of becoming the Imperial Court Supplier. Under the stewardship of Josef's sons, Josef and Ludwig, the firm expanded its artistic horizons, collaborating with eminent designers and embracing diverse stylistic influences, including Islamic and Persian motifs. Their innovative approach and dedication to quality garnered international acclaim, with their works featured in prestigious institutions such as the Museum of Modern Art in New York, and most importantly The Corning Museum of Glass. This Bohemian ruby red glass centerpiece with ormolu...

Very Large Pair Antique French Sèvres Style Porcelain Ormolu Vases French, Late 19th Century Height 164cm, width 58cm, depth 46cm This remarkable pair of large vases is created in ...

Pair of very large malachite and ormolu vases French, 20th Century Height 140cm, diameter 91cm Of impressive size and quality, the vases are ma...

A 19th-century pair of French Sèvres-style porcelain cabinet vases executed in the Louis XVI taste, circa 1880, with rose Pompadour ground and finely cast ormolu mounts. Petite in ...

Chinese enamel and French gilt bronze Chinoiserie jardinière The enamel Chinese and the gilt bronze French, 19th century Measures: Height 40cm, width 53cm, depth 30cm. This Chin...

A striking and high quality pair of French 19th century Empire style cornucopia vases. Each vase features a gracefully fluted cut crystal horn rising from a finely chased ormolu moun...

19th C. Sevres Louis XVI Style Ormolu Mounted Blanc Background Vase France, Circa 1890, Sevres Style A beautiful 19th-century Sevres Louis XVI style vase, made in France circa 1...

These bronze-mounted Sèvres porcelain urns are monumental in both size and quality and feature the renowned manufactory’s signature deep cobalt blue glaz...

Continental ormolu-mounted marble urn. Onyx stone urn in browns, beige and grey cream with foliate ormolu outward scrolling handles and richly chased lid all on incurving square base...

A fine quality Pair of Sevres ormolu-mounted Gilt Bronze, hand painted with extensive gilt highlights, cobalt blue porcelain vases. Signed Bertren of Balluster form painted with an a...

Pair of large gilt-bronze mounted Sèvres-style porcelain vases with pedestals French, Early 20th century Measures: Vases: height 141cm, width 60cm, depth 44cm Stands: height 66cm,...

An exquisite a Royal Vienna porcelain vase depicting a fortune teller. Marbled blue and green with gold gilt floral design. Image in window of three women with fortune teller on stai...

Empire Style Ormolu and Cut Crystal Compote/Tazza  Made in Austria, circa 1920s An elegant Empire Style Ormolu and Cut Crystal Compote/Tazza made in Austria during the 1920s, present...

A fine and most elegant French 19th century Louis XVI st. Ormolu and Onyx urn. This wonderful lidded urn is raised on a tripod shaped pink Onyx base supported on Ormolu bun feet belo...

An elegant and most impressive Japanese 19th century Imari Porcelain and French Belle Epoque Period Ormolu mounted urn. This stunning lidded urn is raised by a square Ormolu base wit...

A fine Pair of 19th century Japanese Imari Porcelain and French Gilt-Bronze Mounted Thirteen-Light Celadon Torchere Candelabra. The bottle-shaped Japonisme vases with a Royal red background, decorated with parcel-gilt and black soaring eagles in the hunt within a forestall scene. Each Vase fitted and surmounted with a French 19th century Louis XV Style 13-Light scrolled candelabrum and all raised on a circular pierced gilt-bronze plinth. circa: 1880. Imari Porcelain (????) is the name for Japanese porcelain wares made in the town of Arita, in the former Hizen Province, northwestern Kyushu. They were exported to Europe extensively from the port of Imari, Saga, between the second half of the 17th century and the first half of the 18th century. The Japanese as well as Europeans called them Imari. In Japanese, these porcelains are also known as Arita-yaki (???). Imari or Arita porcelain has been continously produced up through the present day. Characteristics Though there are many types of Imari, Westerners' conception of Imari in the popular sense is associated only with a type of Imari produced and exported in large quantity in mid-17th century. This type is called Kinrande. Kinrande Imari is colored porcelain with cobalt blue underglaze and red and gold overglaze. The color combination was not seen in China at that time. Traditional Ming dynasty color porcelain used dominantly red and green, probably due to scarcity of gold in China, whereas gold was abundant in Japan in those days. The subject matter of Imari is diverse, ranging from foliage and flowers to people, scenery and abstractions. Some Imari design structures such as kraak style were adopted from China, but most designs were uniquely Japanese owing to the rich Japanese tradition of paintings and costume design. The porcelain has a gritty texture on the bases, where it is not covered by glaze. There is also blue and white Imari. Kakiemon style Imari is another type of Imari, but it tends to be categorized separately in Europe. History "Imari" was simply the trans-shipment port for Arita wares. It was the kilns at Arita which formed the heart of the Japanese porcelain industry. Arita's kilns were set up in the 17th century, when kaolin was discovered in 1616 by the immigrant Korean potter, Yi Sam-pyeong (1579–1655). (He may also be known by the name, "Kanage Sambei".) Yi Sam-Pyeong, along with his extended family of 180 persons, left Korea on the offer of a privileged position in Japan. This decision was made after the occurrence of certain Japanese invasions of Korea. After Yi Sam-Pyeong's discovery, his kilns began to produce revised Korean-style blue and white porcelains, known as "Shoki-Imari". In the mid-17th century there were also a lot of Chinese refugees in Northern Kyushu due to the turmoil on Chinese continent, and it is said one of them brought coloring technique to Arita. Thus Shoki-Imari developed into Ko-KutaniImari. Ko-Kutani was produced around 1650 for both export and domestic market. Blue and white porcelain continued to be produced and they are called Ai-Kutani. Ko-Kutani Imari for the export market usually adopted Chinese design structure such as kraak style, whereas Ai-Kutani for the domestic market were highly unique in design and are accordingly valued very much among collectors. Ko-Kutani style evolved into Kakiemon style Imari, which was produced for about 50 years around 1700. Imari achieved its technical and aesthetic peak in Kakiemon style, and it dominated European market. Blue and white Kakiemon is called Ai-Kakiemon. Kakiemon style transformed into Kinrande in the 18th century. Kinrande used blue underglaze and red and gold overglaze, and later some other colors. Imari began to be exported to Europe because the Chinese kilns at Ching-te-Chen were damaged in the political chaos and the new Qing dynasty government stopped trade in 1656–1684. Exports to Europe were made through the Dutch East India Company, but the designation "Imari Porcelain" in Europe connotes Arita wares of mostly Kinrande Imari. Export of Imari to Europe stopped in mid-18th century when China began export to Europe again, since Imari was not able to compete against China due to high labor cost. By that time, however, both Imari and Kakiemon style were already so popular among Europeans, Chinese export porcelain copied both Imari and Kakiemon style, which is called Chinese Imari. At the same time, European kilns, such as Meisen also tried to copy Imari and Kakiemon. Export of Imari surged again in late 19th century (Meiji era) when Japonism flourished in Europe. Thus in western world today, two kinds of Imari can...

A very fine & large pair of 19th century antique French Sevres Porcelain, ormolu and champleve enamel, handpainted ewers, signed "C. Rochette", circa 1890. Each ewer having a finely cast & gilded bronze rococo handle, each neck is decorated with exquisite champleve enamel. Each ewer having a dark blue porcelain baluster shaped body, with two oval hand-painted reserves each with a courting couple signed "C. Rochette", both reserves are surrounded with lavish gilding & at the base of each painted panel are the Sevres interlaced L's. To the rear are corresponding panels also finely handpainted with landscape scenes, the ewers are raised on champleve socle bases and with onyx plinths below. Condition of both ewers is excellent, a very beautiful pair of exqusite late 19th century Sevres ewers...

A fine French 19th century Napoleon III Sèvres style porcelain and ormolu-mounted covered urn, the 360 degree painted urn centered with an 18th century romantic scene of two ladies a...

Pair of Late 19thC Onyx Neoclassical Columns with gilt brass Corinthian capital and base mounts, with square tops and bases - 36"h x 8" square

Charming French gilt bronze mounted urns with covers. late 20th century. Each hand carved and hand polished Rock crystal,they make a grate home accessories. Size H. 15 inches x 5"x 5"

Large Antique Ormolu Mounted Sevres Style Porcelain Vases French Mythological France, Late 19th Century Height 104cm, width 40cm, depth 32cm This grand pair of 19th century French o...

A very fine and impressive pair of French 19th century Louis XVI style ormolu-mounted blue-glazed enamel over bronze vases with allegorical masks, rings and wreaths. The porcelain is...

A Pair of Large Gilt-Bronze Mounted Sèvres Style Turquoise Ground Porcelain Vases. Each of baluster form with gilt-bronze collar above an inverted pear-shaped body flanked by acanth...

Belle Époque Baccarat (Attributed) four-leaf clover ormolu mounted vase, with typical gilt 'chipped ice' crystal mounted in a continuous frame of clo...

Very Large Pair Antique Rococo Style Painted Sèvres Style Porcelain Ormolu Vases French, Late 19th Century Height 163cm, width 53cm, depth 48cm Crafted in the style of the celebrat...

Pair of very large French Sèvres style porcelain and ormolu vases French, Late 19th Century Height 151cm, width 45cm, depth 39cm Executed in the style of Sèvres, one of the bes...

Elegant pair of ormolu-mounted brèche violette marble covered urns. Each of baluster shape. The dome cover with foliate ribbon finial with cast mounts handles and berry swags above a...

A Wonderful Murano Italian Green Art Glass Vase With A Sterling Ormolu Palm Tree Leaf Mounted Reading "Daniel Made In Italy Laminato Ag"