Ormolu Furniture

A Fine Late 19th Century Gilt Bronze Mounted Empire Style Two Tier Pedestal The Vert marble with a reticulated bronze gallery top leading to a tripod of legs headed by Egyptian bron...

An Important Napoleon III Exhibition-Quality Ormolu-Mounted Carved Cabinet By Maison Guéret of Paris A tour-de-force glazed boxwood cabinet celebrating the art of woodcarving, the monumental vitrine of slight breakfront proportions, with rounded corners, all surfaces carved with the most exquisite designs and refined detail with ormolu banding, the base of tripartite design, the central cupboard door with a carved roundel depicting a triumphant muse, flanked by two doors with carved musical trophies enclosing a single adjustable-shelved interior, the frieze incorporating a further three drawers with slides above; the superstructure with three glazed casements separated by carved and fluted pilasters with ionic capitals; enclosing a red velvet-lined and shelved interior; the tripartite pediment each with rounded cornices, the central tympanum carved with laurel leaves and instruments of the arts & wisdom topped with a carved finial and a draped lambrequin below, the flanking entablatures with cartouches depicting Bacchus and Ariadne below urn finials with carved Vitruvian scrolls and ribbon-tied cascading bunches of laurel leaves, the symbol of triumph. Signed on the cartouche "Guéret Frères...

A 21st Century German Franz Hermle Mantel Clock in DeArt Italian Fine Marquetry and Ormolu Case in new open box condition. Clock made in Germany by the historic, very famous Franz Hermle clock...

A good quality French, 19th century, kingwood marquetry inlaid corner cabinet, having its original Breccia marble top, the inlaid decoration of flowers and gilded ormolu mounts. The ...

An elegant pair of French 19th century Louis XVI st. ormolu and marble urns mounted into lamps. Each lamp is raised on a square gilt wood and marble base with concave corners. The ri...

Very stylish patinated bronze desk inkwell modelled as a bust of a Chinese or Japanese figure wearing a straw hat, together with a pair French ormolu Inkwells. Both items are late 19...

A sensational French Louis XV period, circa 1740, tall case clock with an extremely rare mechanism movement signed Jean Charost. The original case in kingwood, ebony and rosewood ven...

An impressive 20th century large hanging frosted glass and ormolu lantern. Each panel is etched with star burst and bowed panels. Excellent for home use.

A Unique and Palatial Late 19th Century Gilt Bronze Mounted Louis XIV Style Cabinet By François Linke François Linke – Index Number 490 The rare Baixas Breccia marble top above a b...

A very good quality French 19th Century Louis XVI style gilded ormolu and 'Severs' style pink porcelain mantel clock. In the form of a vase with an inset clock face, an eight day dur...

A sensational and extremely high quality French 18th century Louis XV period ormolu and crystal chandelier. The chandelier is centered by a charming and finely cut hand blown crystal ball below a tier of cut crystal pendants. Each of the fifteen elegantly scrolled arms are adorned with clear and amethyst color cut crystals...

A Wonderful Pair Of French Regency Style Faceted Cut Crystal & Ormolu Gilt Bronze Column Form Table Lamps, Completely Rewired With New Sockets

Elegant Louis XV Style Flat Desk – Black Lacquered with Gilded Bronze Decoration This exceptional Louis XV-style Flat Desk is a refined example of classic craftsmanship and French e...

Both are modelled as robed female figures holding aloft thirteen scrolled candlearms, on marbleized bronze plinths hung with ribbons and fruiting garlands, on pawfeet. After Albert-E...

Antique 19th Century French Empire style ormolu bronze mantle clock. The foliate surround gilt dial, Inside with eight day movement with strike on bell. The top mounted with a figure...

An impressive and large scale pair of French 19th century Louis XVI st. Sèvres Porcelain and Ormolu candelabras. The richly decorated pair of seven arm candelabras are supported by f...

An extraordinary and high quality French 19th century Louis XIV st. ormolu three piece clock and candelabras garniture set. Each raised by square tapered fluted feet with fine acanth...

An Empire style gilt-bronze mounted marquetry buffet cabinet, by François Linke, Paris. This handsome buffet or side cabinet has its original Swedish green marble top. The veneers are of the finest figured acajou flammé. The frieze is fitted with a long drawer with citronnier and ebonised marquetry panel depicting a Etruscan chariot...

Antique French Empire patinated and gilt bronze mantel clock French, early 19th century Measures: Height 55cm, width 43cm, depth 13cm This fine Empire period mantel clock is wro...

A Fine Pair of French 19th-Century Louis XV-style Marquetry and Gilt-Bronze Mounted Meuble d'Appui Side-Cabinets with marble tops. Each single-door satinwood veneer side cabinet is c...

Ormolu mounted celadon porcelain and pâte-sur-pâte vase-form lamp French, Late 19th Century Measures: height 52cm, width 23cm, depth 17cm Consisting of gilt-bronze handles and m...

This is a stunning antique French Gonçalo Alves Louis Revival commode, circa 1880 in date. This gorgeous commode features a serpentine Rouge Griotte marble top above three full wi...

A handsome and high quality French 19th century Louis XVI st. Ormolu and black Belgian marble centerpiece, signed F. Barbedienne. This stunning centerpiece/tazza is raised on a circu...

A handsome and most impressive French 19th century Empire st. Mahogany, giltwood, ormolu, and Alabastro marble center table. The circular table is raised by elegant ball feet below t...

A fine Regence style gilt-bronze mounted parquetry bureau plat, in the manner of Charles Cressent. This fine parquetry inlaid bureau plat has a too...

This fine and small Enconignure (corner cabinet) is constructed of book-matched and quarter paneled Tulip-wood veneer bordered by marquetry line inlays and marquetry stop fluting at ...

Austrian Ormolu dog motif letter opener, Circa 1900, With subtle art nouveau influences, the well cast ormolu letter opener, rests on either side or upright...

A stunning and high quality pair of French 19th century Louis XVI st. cobalt blue Sévres Porcelain and Ormolu lamps. Each beautiful lamp is raised on a fine square Ormolu base with concave corners and a socle pedestal above which displays draping acanthus leaves, fluted designs around the neck, and a band of foliate decorations above. Supporting the cobalt blue Sévres Porcelain body is a dentil patterned Ormolu bottom mount. The porcelain body is adorned with scrolling foliate Ormolu handles on either side. The socle shaped Ormolu top cap is decorated by a laurel vine band...

Antique French Louis XVI Mahogany and ormolu longcase clock, circa 1890.

A late 19th century floral marquetry two-door cabinet with Carrera marble top and gilt bronze mounts, French, circa 1880.

A stunning French mid 19th century Louis XV st. ormolu clock and candelabra garniture set, signed Barrand & Vignon Horlogerie, Paris. The clock is raised by an elegant scrolled Rocai...

This exceptional French 19th century Empire mahogany dressing table is complete with its original mercury glass mirror and white Carrara marble top. The oval mirror is framed with be...

A charming and most elegant pair of French 19th century Louis XVI st. white Carrara marble and ormolu two arm candelabras. Each candelabra is raised by fine topie shaped feet below t...

A Set of Four Late 19th / Early 20th Century Gilt Bronze and Crystal Four Light Sconces Multi-faceted and shaped crystals, three exterior lights and one downward facing interior lig...

A stunning large antique pair of Italian ormolu mounted campana urns raised on polished granite plinths, Circa 1920 in date. These stunning urns have been superbly cast with emblema...

This elegant gilt bronze (ormolu) fireplace fender was created in France in the late 19th century. The item will add splendour and beauty to a fireplace, making it the focal point of a room. The fender features a pierced rail which is decorated with a central cartouche, flanked by stylized acanthus leaves. The ends of the fender are topped by full-length, semi-nude figures. These include a beautiful young woman and a bearded male, holding a blacksmith’s hammer. The latter can be identified as Hephaestus (or Vulcan), the classical god...

French Empire style (19th Century) ormolu mounted mahogany open swivel base arm chair with black leather seat and back. Antique condition.

A stunning pair of ormolu mounted Sèvres style porcelain vases and covers, made in France in the late nineteenth century in superb Sèvres style. With gilt pinecone finials and covers...

An important Garniture de Cheminée in the manner of Henry Dasson Constructed in well cast and chased gilt bronze, with 'Sevres' type 'jewelled...

A Rare and Palatial Pair of Mid 20th Century Gilt Bronze and Malachite Six Light Torcheres The body of baluster form above a gilt bronze mounted circular and square base, the neck mounted with flowers and foliage leading up to seven tiered bronze acanthus arms. Malachite is a semi-precious stone and also a valuable copper ore, hydrous copper carbonate. It is a beautiful green earth stone with irregular black banding. It is easily recognized by its color, green streak, and silky or velvety luster. It was used to make beautiful jewelry and to adorn only the finest pieces of furniture. In the 18th and 19th centuries malachite was popular with Russian Czars...

Fine French late 19th century three-piece clock garniture comprising of a pair of candle sticks and clock in a matching set. The garniture boldly cast with rococo influence in the Lo...

A Superb Quality French 19th Century Louis XVI Style Ormolu Mounted Mahogany and Kingwood Vitrine Table, Attributed to Henry Dasson (French, 1825-1896), with a beveled glass lift top...

A FRENCH ORMOLU-MOUNTED KINGWOOD, SATINE AND BOIS DE BOUT MARQUETRY TEA-TABLE BY JOSEPH-EMMANUEL ZWIENER (GERMAN-FRENCH, 1848-1925), PARIS, LAST QUARTER 19TH CENTURY. UNDERSIDE OF LO...

This exquisite gilt bronze-mounted pedestal clock is the creation of the famed French clockmaker Paul Garnier (1801-1861). Garnier worked in Paris during the first half of the 19th C...

A very fine and large French 19th-20th century Louis XV style mahogany and ormolu-mounted Vitrine cabinet with its original Veined Mint green marble top, attributed to Georges-François Alix...

Pair of petite French Louis XV commodes, which can also serve as side tables or nightstands. Each with three drawers, all with burled walnut inlay and beautiful pulls and ormolu acce...

Early 19th century biedermeier ebonised birch escritoire circa 1820. We are pleased to offer this stunning austrian biedermeier period escritoire...

Early 20th Century Louis XV Style Kingwood Parquetry and Marble Top Oval Table Ambulant Measures 22" in width, 13.5" in depth and 27" in height. Lower tier clearance is 16.5"

A drinks set of the Napoleon III Period The ormolu rectangular frame, rising from swept feet, with a running arcaded gallery, fitted with a mirror plate base houses a suite of four lead glass crystal stoppered decanters of square form, with floral gilt highlights, and a suite of eight stemmed spirit glasses...

A remarkable and most decorative true pair of French 19th century Louis XVI st. Belle Époque period ormolu and patinated bronze lamps. Each lamp is raised by an elegant scalloped sha...

This beautiful neoclassical style mantel clock, created from porphyry mounted with silvered and gilt bronze, is formed in the shape of a vase. The movement of the clock is of the cer...

A 19th Century French Louis XV Style kingwood and Walnut marquetry, ormolu mounted and galleried bonheur du jour, the top marquetry and galleried details. Two upper smaller drawers m...

An Interesting Pair of Late 19th Century Gilt Bronze Three Light Sconces The three candlearms attached on a ring, the backplate decorated with a male face, the base with a knights h...

A beautiful vintage cut glass and ormolu dish that would make a stunning centrepiece, late 20th Century in date. The craftsmanship is second to none throughout all aspects of this ...

A spectacular French 19th century Napoleon III Period Ebony, Ormolu and Hardstone cabinet vitrine. This impressive cabinet with Boulle inlays is raised on six bun feet with Ormolu ba...

A beautiful and high quality French 19th century Neo-Classical st. ormolu and Baccarat crystal urn. The urn is raised by a square base with elega...

Three-piece French porcelain and gilt bronze clock set French, late 19th Century Clock: Height 27cm, width 36.5cm, depth 12cm Candelabra: Height 33cm, width 20cm, depth 11.5cm This fine three-piece clock set is by Henri Picard, one of the leading producers of luxury bronze...

An Ingenious Mechanical Table 'à la Bourgogne' In the manner of Oeben Constructed in kingwood, tulipwood, amaranth, and specimen woods, with finely cast gilt bronze mounts, the tabl...

A Palatial Pair of Late 19th Century Gilt Bronze Mounted Six Light Malachite Candelabra Finely casted gilt bronze and rococo and foliate arms above a spiraled carved malachite body with bronze handles, supported on thick square bases. Malachite is a semi-precious stone and also a valuable copper ore, hydrous copper carbonate. It is a beautiful green earth stone...

A fine Pair of 19th century Japanese Imari Porcelain and French Gilt-Bronze Mounted Thirteen-Light Celadon Torchere Candelabra. The bottle-shaped Japonisme vases with a Royal red background, decorated with parcel-gilt and black soaring eagles in the hunt within a forestall scene. Each Vase fitted and surmounted with a French 19th century Louis XV Style 13-Light scrolled candelabrum and all raised on a circular pierced gilt-bronze plinth. circa: 1880. Imari Porcelain (????) is the name for Japanese porcelain wares made in the town of Arita, in the former Hizen Province, northwestern Kyushu. They were exported to Europe extensively from the port of Imari, Saga, between the second half of the 17th century and the first half of the 18th century. The Japanese as well as Europeans called them Imari. In Japanese, these porcelains are also known as Arita-yaki (???). Imari or Arita porcelain has been continously produced up through the present day. Characteristics Though there are many types of Imari, Westerners' conception of Imari in the popular sense is associated only with a type of Imari produced and exported in large quantity in mid-17th century. This type is called Kinrande. Kinrande Imari is colored porcelain with cobalt blue underglaze and red and gold overglaze. The color combination was not seen in China at that time. Traditional Ming dynasty color porcelain used dominantly red and green, probably due to scarcity of gold in China, whereas gold was abundant in Japan in those days. The subject matter of Imari is diverse, ranging from foliage and flowers to people, scenery and abstractions. Some Imari design structures such as kraak style were adopted from China, but most designs were uniquely Japanese owing to the rich Japanese tradition of paintings and costume design. The porcelain has a gritty texture on the bases, where it is not covered by glaze. There is also blue and white Imari. Kakiemon style Imari is another type of Imari, but it tends to be categorized separately in Europe. History "Imari" was simply the trans-shipment port for Arita wares. It was the kilns at Arita which formed the heart of the Japanese porcelain industry. Arita's kilns were set up in the 17th century, when kaolin was discovered in 1616 by the immigrant Korean potter, Yi Sam-pyeong (1579–1655). (He may also be known by the name, "Kanage Sambei".) Yi Sam-Pyeong, along with his extended family of 180 persons, left Korea on the offer of a privileged position in Japan. This decision was made after the occurrence of certain Japanese invasions of Korea. After Yi Sam-Pyeong's discovery, his kilns began to produce revised Korean-style blue and white porcelains, known as "Shoki-Imari". In the mid-17th century there were also a lot of Chinese refugees in Northern Kyushu due to the turmoil on Chinese continent, and it is said one of them brought coloring technique to Arita. Thus Shoki-Imari developed into Ko-KutaniImari. Ko-Kutani was produced around 1650 for both export and domestic market. Blue and white porcelain continued to be produced and they are called Ai-Kutani. Ko-Kutani Imari for the export market usually adopted Chinese design structure such as kraak style, whereas Ai-Kutani for the domestic market were highly unique in design and are accordingly valued very much among collectors. Ko-Kutani style evolved into Kakiemon style Imari, which was produced for about 50 years around 1700. Imari achieved its technical and aesthetic peak in Kakiemon style, and it dominated European market. Blue and white Kakiemon is called Ai-Kakiemon. Kakiemon style transformed into Kinrande in the 18th century. Kinrande used blue underglaze and red and gold overglaze, and later some other colors. Imari began to be exported to Europe because the Chinese kilns at Ching-te-Chen were damaged in the political chaos and the new Qing dynasty government stopped trade in 1656–1684. Exports to Europe were made through the Dutch East India Company, but the designation "Imari Porcelain" in Europe connotes Arita wares of mostly Kinrande Imari. Export of Imari to Europe stopped in mid-18th century when China began export to Europe again, since Imari was not able to compete against China due to high labor cost. By that time, however, both Imari and Kakiemon style were already so popular among Europeans, Chinese export porcelain copied both Imari and Kakiemon style, which is called Chinese Imari. At the same time, European kilns, such as Meisen also tried to copy Imari and Kakiemon. Export of Imari surged again in late 19th century (Meiji era) when Japonism flourished in Europe. Thus in western world today, two kinds of Imari can...