Ormolu Furniture

This magnificent 19th Century Louis XV Style Mantel Clock Set, crafted in the style of Sèvres, embodies the opulence and elegance of French decorative arts. The set includes an intri...

A large Russian neoclassical malachite, Campana shaped urn or Vase, the ormolu twin handles modeled with acorns, on a circular spreading foot with square stepped plinth, 19th centu...

Dimensions - H: 7 1/2in W: 10 1/2in D: 7 3/4in This Late 19th Century French Louis XVI Style Champlevé and bronze Ormolu Inkwell is truly a sight to be seen! If we take a look at t...

Pair of Louis XV ormolu candlesticks with porcelain flowers. Elegant tulip-form candle nozzles and varied puce and white and period soft ...

Superb quality antique Victorian burr walnut inlaid credenza having a quality burr walnut shaped top with an ebonies moulded edge above a shaped burr walnut inlaid frieze, single bur...

Pair of antique Louis XV style ormolu mounted marquetry pedestals French, Late 19th Century Height 130cm, width 47cm, depth 46cm This stunning pair of pedestals epitomizes the gran...

A stunning and ornate Sévres Bleu Celeste jewelry casket with gold ormolu details. Delicately hand painted with flowers, this iconic style of Sévres ...

19th Century French Bronze Figure of Cupid, Attributed to Auguste Moreau France, circa 1890 Unsigned A captivating 19th-century French bronze figure of Cupid, attributed to the reno...

Ferdinand Barbedienne, A French Ormolu and Champleve Enamel Jardiniere, C. 1870, The Design Attributed to Louis Constant Sevin. An exceptional qualit...

A fine French Louis XVI Style gilt and patinated bronze and white marble figural mantel clock with a figure of a drummer cherub. The brown patina cupid, seated on gilt-bronze clouds ...

Roman Grand Tour Bronze Sculpture of 'Olympic Pan with Torch' Italy, Circa Late 19th Century Early 20th Century, Stamped 'Italy' A Roman Grand Tour bronze sculpture of 'Olympic Pa...

Antique French cartel clock of Venus with cherubs French, Late 19th Century Height 120cm, width 55cm, depth 20cm This remarkable cartel clock is inspired by an 18th-century desi...

Anything but demure, this handsome and beautifully-crafted neoclassical sofa from Philadelphia is very likely the work of prominent cabinetmaker Joseph B. Barry (1757-1839). With wor...

This is a beautiful large Vintage Russian Revival porcelain and ormolu mounted jewellery casket in rose pink, dating from the last quarter of the 20th century. This highly decorat...

Pair of Neoclassical gilt bronze & silver ribbon mirrors. Pair Louis XVI antique ormolu graduated round Empire mirrors with acanthus and bead border enclosing original mercury glass...

A fine, early antique French clock by André Hoffmann of Paris, the movement by Vincenti et Cie, circa 1850. It is beautifully made in ormolu (fir...

Dimensions- H: 38 1/4in W: 32 1/2in D: 18in This extremely rare and Important 18th Century Louis XV Red Chinoiserie Bureau de Dame Desk By Pierre Migeon is absolutely breathe taking! If you look at the photos provided you will see the attention to detail within the intricately done hand painted Chinoiserie gold and scarlet lacquered decorations as well as the extremely fine and crisp bronze ormolu mounts. The piece is also signed underneath of the desk. Pierre Migeon (1696-1758) Was one of the most prominent furniture makers of the 18th century and was known for for his impeccable quality as well as his ability to work with a variety of other extremely well known cabinet makers of the 18th C. Throughout his career a few very important people took a liking to his works and commissioned pieces from him such as Madame de pompadour and the Master of the Revels! The piece is equipped with a drop front writing area and 6 drawers and a secret compartment on the inside of the desk as well as two lockable drawers on the outside front of the desk. This piece was at one point a part of the inventory of the Hartman Galleries...

An Important Pair of Patinated & Gilt bronze Figural Candelabra By Denière of Paris & Henri Picard Modelled by Carrier-Belleuse (1824-1887) Constructed from patinated and gilt bron...

18th century inlaid walnut bombe commode circa 1790. Fine quality Swedish rococo revival commode with the typical bombe shape of bulging out in the middle and curving in at the base...

19th Century French bureau plat featuring a high-gloss black" lacquer like" painted finish, bronze ormolu, black leather top and two drawers.

‘Grand Psyche’, monumental Art Nouveau mirror by Maison Millet French, c. 1900 Height 270cm, width 170cm, depth 57cm This exquisite antique mirror was crafted around 1900 by the e...

A 19th Century French Empire burl wood chair featuring stylized ormolu to include swans, lyre, acanthus and ribbons with lion's paw sabots. Seat newly...

A large and fine pair of French restauration ormolu and patinated bronze four-light candelabra, with Marly Horses, after Guillaume Coustou, circa 1820. Very fine, elegant and chic...

This is an impressive and highly decorative Regency Period ormolu, malachite and Blue John tazza, Circa 1820 in date. It features an ormolu winged cherub holding a Blue John tazza...

A most unique and charming true pair of French 19th century Belle Epoque Period Louis XVI st. Ormolu and patinated Bronze cherub wall decor. Each stunning wall mounted statue of a se...

Stunning 19th Century Empire bookcase. With ormolu mounts featuring winged eagles and bronze ball and claw feet. This is in wonderful condition and is a superb example.

This is a beautiful antique French Limoges ormolu mounted rectangular bombe' shaped table casket, circa 1870 in date and bearing the Limoges marks on the underside. The Royal Blue c...

A wonderful French faceted cut crystal bronze ormolu-mounted eight sided casket jewelry box with fine detail bronze key hole. In the manner...

Exquisite Suite of Four Theodore Deck Ormolu-Mounted Celadon Green Porcelain Lamps – In the Chinese Taste This rare suite of four Theodore Deck ormolu-mounted celadon green porcelai...

Dimensions - H: 21 1/4 in W: 5 1/2 in D: 5 in This Antique 19th Century Sèvres Royal Blue Porcelain Vase Made in France is an exquisite representation of the unparalleled craftsman...

The unusual model bronze dating to the late 19th century cast as a patinated bronze cherub holding two large strawberries with the vine looping over the back of the cherubs neck as i...

A French Garniture de Cheminée in the Chinoiserie Taste Constructed in blue turquoise porcelain with gilt highlights, Algerian onyx and bronze, ...

A Monumental and Exceptional French Ormolu and Turquoise Sevres Porcelain Clock, circa 1875 Immerse yourself in the splendor of 19th-century French artistry with this monumental and...

An extremely rare, museum quality pair of Ferdinand Barbedienne ormolu and champlevé enamel vases, circa 1870, certainly designed by Louis Constant Sevin...

A beautiful Louis XVI style classical cartel wall clock, superbly made in gilded bronze. Of elegant design, with draped laurel swags, rams heads and a glazed aperture below the dial ...

Petite Italian bombe nightstand, circa 1940s. A serpentine form made from walnut a with lattice inlaid geometric parquetry design. The commode features two drawers, long cabriole leg...

A very fine and Palatial French Louis XVI style figural gilt bronze mantel clock. The vase shaped case surmounted with a pomegranate-cast finial and flanked by large satyr mask handles fitted with intertwined gilt-bronze snakes, amongst floral wreaths, ribbons and acanthus. The rectangular acanthus decorated base flanked on each side with a figure of a cherub holding a globe and a Putti writing a poem, both above a plinth decorated with fruit and floral garlands surmounted with lion-mask-legs. The circular white enamel dial with wreaths of flowers with Roman and Arabic numerals, Signed: Étienne Le Noir...

A pair of circa 1940's French gilt and painted bronze Empire-style chandelier with 12 lights each, foliage motif decoration on body, original chain and canopy. Sold individually. Me...

A fine & stylish antique French Empire Napoleonic parcel gilt and ormolu mounted French Fauteuil de bureau (desk chair), circa 1815. The chair back and armrest of hooped shaped form,...

Very large antique crystal glass and ormolu chandelier by Baccarat French, Late 19th Century Height 182cm, diameter 118cm This stunning chandelier from the Belle Époque era is a ma...

A huge, spectacular late 18th / early 19th German or English ormolu 10 - light chandelier. The chandelier can be used as a candelabra or can be electrified (on request). The height ...

A Large and Exceptional Late 19th Century Gilt Bronze and Cut Crystal Three Piece Garniture De Table By Baccarat Compagnie des Cristalleries de Baccarat Comprising of a large cente...

An extraordinary Louis XV period (1715-1774) French ormolu mounted tulipwood and kingwood marquetry bombé sauteuse commode by master Parisian ébéniste André-Antoine Lardin. circa late 1740s In our 40+ years we have not came across a chest of drawers that captures our attention like this one! Exquisitely hand-crafted in Paris in the mid-18th century, exceptionally executed in opulent and luxurious period King Louis 15th taste, featuring a curvacious serpentine-front bombe-form solid wood case fitted with two drawers, adorned with finely chased, chiseled and gilded bronze doré mounts, including rare and most distinctive sculptural fiolated scroll Rocaille handles, flanking ornate keyhole escutcheons with original key included. In absolutely stunning rare and exotic precious tulipwood and kingwood veneer work with striking warm rich highly figured grain patterns, elegant floral marquetry inlays and fascinating early sunburst panels. Topped with the original serpentine shaped Brèche de Médous marble-top with stepped molded edge. The Breccia de Médous is extracted in the towns of Médous and Asté, near Bagnères-de-Bigorre in the Hautes-Pyrénées. This dramatic breccia is composed of angular elements of contrasting colors ranging from black to yellow to gray creating a bold but subdued visual display. Signed, retaining the original LARDIN blind stamp to top proper-right rear post underneath marble. André-Antoine Lardin (1724-1790) is a celebrated Master Cabinetmaker, earning maître in 1750, and particularly respected for his extraordinary woodworking veneer - marquetry work. - PROVENANCE / ACQUISITION: From the important collection of Loyd-Paxton, Dallas, Texas. Property from the magnificent Estate of Mr. and Mrs. Robert Morris Graham Sr., El Paso, Texas, but also with homes in Dallas, Texas and Pebble Beach, California. Acquired from the highly reputable auction house Heritage Auctions, Dallas, Texas. 2024 Furniture & Decorative Art Featuring The Collection of Mrs. Henry Ford II Signature Auction Catalog #8167 Loyd Paxton Gallery, Dallas, Texas. With one of the finest collections in the world and prominent customers to match, including Sir Elton John, Truman Capote, Saudi Prince Faisal, and the Sultan of Brunei. Rare French antiques from Loyd-Paxton made their way into Versailles when it underwent renovations, and the Metropolitan Museum of Art in New York purchased furnishings, including a dazzling Louis XIV Boulle desk that had been owned by the Sun King himself. Betty Jo Graham might not hold celebrity status but her remarkable life and many contributions to American history and the arts community of El Paso, Texas, make her deserving of the limelight nonetheless. Affectionately known to her friends as BJ, led a remarkable life that intertwined a deep passion for music with significant contributions to her community and country. BJ embarked on her vocal journey at the age of 12, studying under the esteemed Mini Ferguson Owens at the University of Wichita. Her pursuit of musical excellence continued in the same institution, where she later attended college. BJ's life was not solely dedicated to music; she also played a vital role in American history. During the tumultuous times of World War II, she contributed her skills to the Cessna AT-17 training program, a crucial effort in preparing pilots for combat. She worked as an electrical wiring diagram analyst for Boeing Engineering Development on the iconic Enola Gay project in 1956. BJ's heart always remained with music. She continued to refine her vocal skills with notable figures such as Maude Douglas Tweedy in New York City and John Charles Thomas in Apple Valley, California. Her love story with Robert Morris Graham Sr., whom she married in 1975, was filled with shared adventures and travels across the globe, living in places from Dallas, Texas, to Pebble Beach, California, and El Paso, Texas. As a trustee of the El Paso Symphony Orchestra and a board member of the El Paso Symphony Youth Orchestra and El Paso Pro-Musica, she played a pivotal role in nurturing the musical landscape of her community. Her support extended to various causes, including the El Paso Opera, Holocaust Museum, Museum of Art, and many more, showcasing her belief in the transformative power of art and culture. Betty Jo Graham's journey through life reflects a profound dedication to her passions, community, and the arts. Her legacy, marked by her music, history, and philanthropy contributions, inspires and impacts many, ensuring that her melodious spirit will be remembered and cherished for future generations. After traveling the globe and living in cities across the country, Graham and her husband, Robert Morris Graham Sr., eventually settled in El Paso, where she served as a trustee of the El Paso Symphony Orchestra and a board member of the El Paso Symphony Youth Orchestra and El Paso Pro-Musica. Though Graham had a lifelong passion for music and played a pivotal role in nurturing the musical landscape of her community, her philanthropy extended to various causes, including the El Paso Opera, El Paso Holocaust Museum and El Paso Museum of Art, showcasing her belief in the power of art and culture. A patron of the arts, Graham was also a collector of fine jewelry, with a particular fondness for eye-catching, statement-making rings, necklaces, earrings and more, and Heritage was honored to present Property from the Estate of Mrs. Betty Jo “B.J.” Graham as part of its Spring Fine Jewelry Signature Auction. Inscription to placard on reverse: FROM THE COLLECTION OF LOYD-PAXTON DALLAS, TEXAS Signatures: Original blind stamped LARDIN to top of rear post. Bronzes not removed to inspect for foundry marks. - DIMENSIONS: (approx) 33" High, 42" Wide, 20.75" Deep - CONDITION REPORT: Overall a superb example, especially considering its nearly 300 years old. Beautifully aged warm patina, antique wood glow and lustrous sheen. Strong, sturdy, stable, structurally sound. Evidence of restorations, likely by Loyd-Paxton, including high-quality bespoke upholstered drawer lining. Typical wear commensurate with age, use, handling and exposure, including minor nicks to edge, age splits scattered throughout body, expected antique character and charm. Marble top is in great shape. Accompanied by two working keys. Overall outstanding presence, delivered cleaned, waxed, with hand rubbed polished patina, ready for immediate use and generational enjoyment! - INTERESTING ADDITIONAL INFORMATION: This elegant commode typifies the fashion for furniture mounted with exotic and rare woods, exquisite marquetry-work, and decadent Rococo bronzes. Andre Antoine Lardin, also known as N.B. Lardin was born in 1724 and died on 10 August 1790. He held his master's title from 1 July 1750 and was particularly respected for the exceptional quality of his veneering / marquetry. A well known and regarded maître ébéniste, Lardin’s career is somewhat thinly documented, most likely due to the upheaval and record destruction during the Revolution, notably when the guilds in Paris and elsewhere were abolished in 1791. Lardin worked for various marchand-mercier (furniture dealers) and probably also for a private clientele. He ran his workshop first in the Rue de Charenton and from 1770 in the Rue Saint-Nicolas. His two sons, André Antoine II and Louis François, worked with him for some time and the second-named became his successor in the Rue Saint-Nicolas. Lardin is known to have worked for the marchands André-François Carré, this superb commode having almost most certainly been commissioned through the intervention of one of these fashionable dealers. The marchand-mercier André-François Carré, is recorded rue Froidmanteau, "Magasin de glaces, porcelaine ébénisterie et curiosités pour les cabinets d'histoire naturelle." Carré also worked with two vernisseurs (vernis Martin): Porchon and Prévost. All of Lardin's furniture is classic in form and decor, well crafted and mostly veneered in rosewoods or violet wood. Lardin worked in the taste of the time with geometric patterns, cartouche fields and simulated fluting. Furniture with elaborate inlays such as birds, trophies, urns, landscapes, or flowers and sunburts such as this stunning example appear more rarely. The stamp JME stands for Jures Menuisiers Ebeniste and notes the guild affiliation of the master. The Corporation des Menuisiers-Ébénistes was a French craft guild which was concerned with the profession of woodworking. Some JME stamps are worn down from the marble slab over the years and no longer apparent, but in this case lacking the JME stamp is likely indicative of work made prior to reaching maître ébéniste (master cabinetmaker), denoting an early and exceedingly scarce example. Eighteenth century French furniture...

A Fantastic, Rare, and Large 19th Century French Baccarat Ormolu and Crystal Centerpiece. The piece consists of two thick and dense crystal...

A Very Fine and Large French 19th Century Louis XV Style Ormolu Mounted Tulipwood Three-Drawer Bureau Plat - After a model by Joseph Baumhauer (died 1772) - Attributed to Paul Sormani (French-Italian 1817-1877). The serpentine shaped rectangular top enclosing a gilt tooled burgundy leather writing surface (worn) within a molded border above a long central drawer flanked by two drawers, with scrolled ormolu drawer-pulls, ormolu floral encadrements and acanthus corners co-raised on elegant cabriolet legs. (Unsigned - Unmarked). Circa: Paris, 1880. Paul Sormani (1817-1877): Born in Venice, Paul Sormani set up in Paris in the middle of the 19th century. He specialized in creating furniture and works of art and was known for his high quality reproductions of Louis XV and XVI furniture...

Pair Louis XVI Style Cobalt Sevres Style Ormolu Mounted Vases France, circa 1900s This elegant pair of Louis XVI-style cobalt Sevres-style ormolu-...

A very fine and substantial ormolu clock by the clockmaker Vincenti. Stunning Rococo balloon form of sweeping acanthus swags, scrolls and floral flourishes. To the top of a beautiful...

A pedestal desk in the French Empire manner of freestanding breakfront form with everted angles, constructed in birchwood, and burr birchwood, having bronze accents drawn from the...

19th Century French Bouillotte Lamp.

An unusual, delicate and rare set of two mid century Italian side tables with outstanding hand painted scenes of Italian gardens with flowing fountains on each of the table tops. The top four corners of each table having ormolu busts of women...

A scarce period Charles X (1818-1834) French Restoration mahogany travailleuse sewing (thread stand - side table - jewelry dressing table) with light, warm, beautifully aged patina. Born in France in the early 19th century, almost certainly Parisian work, exquisitely hand-crafted, this exceptionally executed example features ornate gilt bronze ormolu mounts, escutcheons, and elaborate gilt metal trim. Having a highly figured light mahogany hinged lid top, lifting open to reveal a striking finished interior with divided compartments and original inset mirror plate. The conforming rectangular case fitted with a faux drawer front over a dovetailed drawer with sectioned interior. Elegantly rising on oval-shaped medial shelf stretcher-joined curvacious legs. Dimensions (approx): 27" High, 20" Wide, 13.5" Deep Stunning light almost blonde antique mahogany coloring and mellow warm tone, superb wood grain detail, and charming, beautifully aged patina over the whole. Great shape overall. Retaining original antique character marks, wear consistent with age and indicative of minimal use, nothing that detracts from the aesthetics or functionality, but only adds to the overall authenticity, refined elegant warmth, luxurious sophistication, and cozy unpretentious rustic elegance. Delivered cleaned, hand waxed, polished French patina finish, ready for immediate use and generational enjoyment! What is Charles X style: The comte d’Artois – or Charles X - was the son of the dauphin Louis-Ferdinand de Franc and Marie-Josèphe de Saxe. He succeeded his two brothers Louis XVI and Louis XVIII and became the King of France in 1824. Thirty years after the French Revolution, he wanted to embody the return of monarchy and became the leader of the catholic party . As the previous kings, he was crowned in 1825 but he was soon overthrown by the revolution in July, 1830, called "Trois Glorieuses". He left then for England, Scotland, Prague and Istria where he died in 1836. Charles X style lasted from 1818 to 1834 and happened during the Bourbon Restoration (French Restoration). This style did not replace totally the style of furniture from the French Empire but it was different from the formalism in the Napoleonic era, during which strictness and simplicity were inspired by Greco-Roman art. Indeed, artistic fields flourished. In terms of furniture, this renewal was suggested by the softening of shapes. Even though the simple aspect from the French Empire was still visible, shapes became curvier with volutes and arabesques. Another distinction is the loss of the massive aspect of furniture and the decrease of dimensions in order to decorate smaller appartments. Handling ability and comfort were key-words in the making of furniture. Apartments had essential elements such as chests of drawers, big rounded tables in the dining room, desks or secretaries, armoires and even dressing tables, comfortable fainting couches in the living room, small tables, pedestal tables, as well as gondola chairs. The wavy aspect of the latters certainly represent Charles X style the best.  One of the most emblematic features of this style is the use of bois clairs – light woods in warm blond tones - and indigenous woods that are varnished in order to highlight the grains. Bird's-eye maple, ash trees, plane trees, yew trees, beech trees, olive trees and cedar trees were most likely to be used. Indeed, at the beginning of the 19th century dark woods were hard to find. In 1806, the Napoleon’s Continental System was established in order to ruin the United Kingdom by preventing the country from any business with the rest of Europe. Therefore craftsmen had to find alternatives from mahogany which was the most commonly used material at this time. After 1815, the import of wood was even more difficult because of peace treaties and the European political situation, which contributed to the popularity of the bois clairs and indigenous woods. The furniture was often decorated with fine inlays made out of dark wood representing foliage, which contrasted with the veneer. Even though these patterns can look like bronze decorations from the Empire era,  they were far more simple and did not represent any military or mythological attributes. On the tables, trays were sometimes made out of marble as in the French Empire, but it was often put aside and inlaid veneer, Verre Eglomisé – a type of glass with a mirror finish –, mirror or porcelain from Sèvres or Paris were more likely to be used. Decorative elements from the Monarchy were highly appreciated again as they suggested luxury. Indeed, marquetry work was particularly fashionable - Boulle marquetry thrived around 1820 as the works of the Levasseur family can show. In the same way, draperies and trimmings referred to the monarchist splendour. Fabrics were often white – the traditional colour of the Bourbons – or light coloured as oppposed to the typical green from the Napoleonic era.  One of the most symbolic figures from this period of time might be Jean-Jacques Werner (1791-1849), a cabinetmaker who worked for prestigious clients such as the Duchesse de Berry who was Charles’s step-daughter. His works can be seen at the Musée des Arts Décoratifs and at the Grand Trianon in the Palace of Versailles. The duchess’s appartments situated at the pavillon de Marsan and at the Palais de Saint Cloud illustrate Charles X style the best with furniture made out of bois clairs and ornamented with dark wood patterns or fine gold decorations. Chales X style allows a transition between the sobriety of the Empire style and the abundant aspect of Louis-Philippe style. The gothic style started at this time through the "style à la cathédrale", inspired by religious architecture, which thrived from 1827 to 1830. Indeed, at the beginning of the 19th century, Romanticism put the spotlight on the Middle Ages. Cabinetmakers were not inspired by the medieval furniture but rather by architectural elements of churches and cathedrals. For instance the backs of chairs were decorated with arches shaped like rib and serration. In the same way, before Charles X abdicated, pieces of furniture were made out of dark woods – such as mahogany, which was used again in France – and were inlaid with light wood. Romanticism also influenced the layout of furniture in appartments to suggest movement through a mix of various styles, various shapes and various sizes, as opposed to the static aspect of Neoclassicism. The start of industrialisation and mechanisation also influenced this style as early technical developments led to the production of pieces of furniture in series. Credit: Marc Maison Bibliography: FANIEL Stéphane (Dir.), Le Dix-neuvième Siècle Français, Collection Connaissance des Arts, 1957, Hachette SASSONE, Adriana Boidi, Furniture from Rococo to Art Deco, 2000, Evergreen -- Extremely versatile: As warm and attractive as it is useful, this remarkable antique table having the ideal size and small proportions for a variety of different uses, including as a side table, accent or occasional table, tall sofa...

A fine French 19th-20th century Louis XV style gilt bronze-mounted mahogany and tulipwood marquetry gueridon side-table. The circular top inlaid with a floral design marquetry and sy...

A Very Fine french 19th century Louis XVI style gilt bronze-mounted tulipwood, kingwood and fruitwood marquetry round side or center table. Attributed to Théodore Millet. The circula...

French Perfection! A most impressive and very fine quality vintage Louis XV style ormolu mounted marquetry inlaid bureau plat. Exquisitely hand-crafted in the manner of important...

Pair of thirteen-flame candelabra France or Russia Second quarter of 19th century Cast, chiseled and gilt bronze Height 40.95 in (cm 104), diameter 17,7 in (cm 45) 97 lb (44 kg) Sta...

An elegant Empire Swedish Karl Johan sofa with graceful lines in mahogany with satinwood line inlay, ormolu and ebonized details. Offers scrolled arms and saber feet with upholstered...

A magnificent and very large original antique French Rococo cartel wall clock. Asymmetrically modelled in the Louis XV style, the dial bursting through the swirling clouds as the sun...

Dimensions (Clock) - H: 16 1/2 in W: 7 1/2 in D: 4 1/4 in Dimensions (Candelabras) - H: 14 3/4 in W: 8 1/2 in D: 8 1/2 in This exquisite 19th-century clock set, crafted by the ren...

A scarce fine quality neoclassical Empire style vasiform gilt bronze ormolu church religious relic altar monstrance reliquary. Exquisitely hand-crafted in Continental Europe in the second half of the 19th century, most likely French Napoleon III Period (1852-1870), having a fanned cross crest, above winged angel mask, central oval display...

French Louis XV style (19th Century) kingwood table desk with parquetry inlay and floral marquetry border and a single drawer with gilt bronze trim (signed: LINKE)

A scarce very fine quality Napoleon III Period (1852-1870) gilt bronze ormolu mounted inlaid glove box by important Parisian ébéniste Paul Sormani (1817-1877) Exquisitely hand-cra...

Very Fine French 19th Century Pair of Candlesticks In ormolu, very finely chiseled and decorated with knotted garlands, branches of leafy flowers, spokes of hearts, leaves of water...

A pair of antique French transitional ormolu-mounted rouge griotte marble covered vases or urns Last quarter of the 19th century attributed to Henry Dasson Each with domed lid with...

A Very Fine Pair of 19th Century Regence Style Chiseled and Gilt Bronze Candlesticks. base with doucine, drum with cut sides and knots, designed with waves, shells, lambrequins, flor...

An Exceptionally Stylish Pair of Patinated Ormolu Bronze Dore Electric Table or Mantle single light Lamps of French origin, professionally re-wired for electricity, mid Nineteenth Ce...

Large antique porcelain and ormolu vase painted with a genre scene French, Late 19th Century Height 158cm, width 65cm, depth 46cm This remarkable antique vase, inspired by the icon...

A Louis XV Style Satinwood Inlaid Mahogany Parquetry and Marquetry Corner Cabinet. Lock and key present and functional. Measures 28" in width, 23" in depth and 57" in height.

Mirror from France in the Napoleon III style. This piece is made of finely cast bronze ormolu with intricate décor throughout. The frame features stylized acanthus leaves, “godrons”,...

A fine and large French late 19th century Louis XVI style mahogany, kingwood bandings and fruitwood marquetry armorial commode with Sycamore Marquetry...

A Stunning Quality 19th Century, Victorian, Burr Walnut Kidney Shaped Writing Table, Having Attractive Old Leather, With Blind Tooled Decoration, Inset To Crossbanded Top, Over Highl...

A Regal pair of Louis XV style French ormolu-mounted marble top Bibliotheques with rosewood, Kingwood, Tulipwood, and mahogany veneers. These elegant French bookcases showcase the re...

This extraordinary Art Nouveau vase attibuted to Wilhelm Kralik Sohn is a stunning example of Bohemian craftsmanship from the late 19th century. Crafted from iridescent green glass...

Signed ‘Louis Majorelle’ Art Nouveau desk with the sinuous lines and curves typical of the style. Four curved-front drawers retaining their original ormolu Art Nouveau pulls...