Ormolu Furniture

Extraordinary French D-shaped console dessert with white statuary marble top adorned with a pierced ormolu gallery. The central drawer, with original finely chiseled ormolu decorati...

A TIFFANY & CO. EGYPTIAN REVIVAL MANTLE CLOCK, AMERICAN, 1880s, a bronze ormolu and marble clock made by L. Marti et Cie for Tiffany & Company, marked on clock face, "Tiffany & Co." ...

Dating from around 1850, this is a wonderful antique French Rococo Revival Secretaire a Abattant featuring ormolu mounted mahogany, gonzalo alves and marquetry. A Secretaire a abatt...

This is a fabulous, larger than usual, monumental antique French Sevres porcelain and ormolu mounted casket, Circa 1860 in date. The serpentine shaped ormolu hinged lid is decorated...

A stunning Late Victorian Neo-Gothic gilt bronze altar stick pricket candlestick. Late 19th to early 20th century, the Continental European antique features an exceptionally executed...

French Louis XVI Style Crested Gilt-Silver Assembled Flat Table Service in a Louis XV Style Ormolu Mounted Kingwood Fitted Vitrine cabinet. Enjoy one the greatest combination of top ...

Ebonized Italian Empire style side chair featuring brass ormolu, claw feet, and a lattice-work back. This piece has a newly upholstered feather down seat cushion. 20" Seat height inc...

Elegant sophistication at its finest, an outstanding, very fine quality, monumental sized, early 19th century English Sheraton two piece bookcase cabinet. The exquisitely handcrafted...

An extraordinary period Empire gilded gold dore bronze rolling floor candelabrum. Born in France, the stunning Neo-classical style architectural antique...

An elegant and finely cast Large French late 19th century Louis XVI style ormolu grape chandelier, beautifully blending grapes and grapevines with the classical symmetry of Louis XVI...

A wonderful 17th century Spanish cabinet on stand, all inlaid with ivory and tortoiseshell and ormolu mounted. The drawer fronts with ebony ripple moulds are all inlaid and engraved ...

A stately pair of 19th Century Italian Empire white marble top mahogany consoles supported by ebonized caryatid columns.

An Exceptionally Fine Pair of Chinese Cantonese Hand Decorated Porcelain Mantle Vases with ornate Ormolu bases now converted to Electric Table Lamps, of compact size proportions, (se...

This is a fine pair of antique French Neo-classical twin branch ormolu wall lights, dating from circa 1880.   The wall lights feature tapering fluted column backplates with ram head ...

An elegant and refined pair of French Louis XVI style ormolu-mounted biscuit porcelain lamps. This exquisite pair of French lamps is crafted in the Louis XVI style, showcasing the ha...

A stunning and highly refined French Belle Époque Louis XV bombé commode of exceptional craftsmanship, richly adorned with finely chased ormolu mounts and exquisite kingwood parquetr...

A refined Napoleon III period decorative box, made of ormolu gilt casted bronze. Richly ornate floral motifs. It has an illegible signature. The liner inside has been renewed. Includ...

An Exquisite and Fantastic Quality Pair of Mid 19th Century Gilt Bronze Mounted Louis XVI Style Kingwood and Fruitwood Marquetry and Parquetry Cabinets – Béfort Jeune Mathieu Béfort...

An elegant and richly detailed set of French ormolu wall sconces dating from the 19th century, Napoleon III period. Executed in finely chased...

A Very Fine French Napoleon III Figural Ormolu and Porcelain (Probably Sevres) Mounted Tulipwood Meuble A Hauteur D'Appui, by Mathieu Befort, dit Befort Jeune. The rectangular shaped...

A fine French 19th-20th century Louis XV style gilt bronze mounted satinwood and tulipwood Bois Satiné and Bois de Bout floral Marquetry two-drawer commode of bombé serpentine form, ...

1900s Italian Empire mahogany chest of drawers with gilt bronze ormolu, keys and black marble top.

Antique Art Nouveau French Bronze Gilt Thistle Letter Opener Albert Marionnet France Bronze c. 1900 Dimensions: Length 31.5cm Of notably large size, this letter opener is a...

A Very Fine French 19th century Louis XV Style Ormolu-Mounted Kingwood and Satinwood Parquetry Vernis Martin Decorated Meuble D'Appui Side-Cabinet by François Linke (1855-1946) - Index Number 204 - Paris. The serpentine Griotte de Campan Rouge marble top above a single bombé door painted with a scène of a couple running through the forest flanked by cupids and angels over a waterfall, the interior fitted with one wooden shelf, the front angles each with a scrolling foliate clasp, the bombé sides decorated with square parquetry fields, on cabriole legs and acanthus-cast sabots. The lockplate engraved 'Ct. LINKE - PARIS'. The ormolu cast stamped 'FL' on the back. Circa: Paris, 1890-1900. François Linke (1855-1946) was one of the most celebrated ébénistes of his time. Born in Pankraz, Bohemia, Linke moved to Paris in 1875 and six years later established independent ateliers at 170, rue de Faubourg St. Antoine. As was the practice among contemporaries and noteworthy predecessors, such as Alfred Beurdeley and Henry Dasson, Linke initially produced furniture derived from styles popular during the 18th century ancien régime. By 1900, his worldwide reputation as an individualistic master of high quality furniture was already established. However, with a huge display, placing his extravagant pieces in room settings and winning the Médaille d'Or for his Grand Bureau...

LOUIS XVI STYLE PARQUETRY-INLAID ORMOLU MOUNTED ONE-DOOR ARMOIRE Paris, France circa 1880 lock stamped "B & P Paris", back of one mount stamped "L.P." Item # 403BDA14P This exquisite Louis XVI style armoire is a picture of the high precision cabinetwork the French ébénistes of the 19th century were capable of producing. Crafted in Paris in the last years of the 19th century, the cabinet is finished on the top with an original marble top shaped to conform to the cabinet profile. This is raised by a thin crown of egg-and-dart molding over a repeating greek-key border executed in solid brass. The front door is a brilliant display of parquetry inlay work, an extraordinarily complicated arrangement that comes together flawlessly: the kingwood veneer ground is set diagonally while being bookmatched down the center to create symmetry - a form that is more fully developed in the sides of the case where these diagonal veneers are set into rectilinear and square panels for greater effect. This surrounds a rosewood and stringer-inlaid border encasing a latticework of rosewood astragals over squared lighter hue woods. The application of the veneers is so convincingly executed - note the curves of the rosewood inlays where the grain of the wood twists to create spirals that appear to layer upon one another. In the center of the door is a large ormolu mount of a Neoclassical urn with bacchus masks on either side raised over a pierced footer embellished by foliage. This door opens using only a key, as there is no knob or pull hardware to allow access to the space. The interior is a very spacious and simple arrangement that allows clothing to be hung while valuables and smalls are stored in the cupboard at the top. No keys are presently available for the door or the interior cupboard, but if locking the armoire is important than having keys fabricated is never terribly difficult and can be done by our shop upon request. The lock is marked on the inside by the fabricator "B & P Paris", while one fo the rosette mounts on the corners of the cabinet is marked "L.P." A magnificent example of Parisian craftsmanship from the late 19th century, this is a very fine armoire of ideal dimensions for both function and aesthetically. Unlike so many armoires and wardrobes...

Ferdinand Barbedienne, A French Ormolu and Champleve Enamel Jardiniere, C. 1870, The Design Attributed to Louis Constant Sevin. An exceptional qualit...

A fine quality pair of antique French Louis XVI-style ormolu (gilt bronze) and white marble two-arm candelabra by Maison Millet, Paris, circa 1880. Each candelabrum is finely cast, ...

Dimensions- H: 38 1/4in W: 32 1/2in D: 18in This extremely rare and Important 18th Century Louis XV Red Chinoiserie Bureau de Dame Desk By Pierre Migeon is absolutely breathe taking! If you look at the photos provided you will see the attention to detail within the intricately done hand painted Chinoiserie gold and scarlet lacquered decorations as well as the extremely fine and crisp bronze ormolu mounts. The piece is also signed underneath of the desk. Pierre Migeon (1696-1758) Was one of the most prominent furniture makers of the 18th century and was known for for his impeccable quality as well as his ability to work with a variety of other extremely well known cabinet makers of the 18th C. Throughout his career a few very important people took a liking to his works and commissioned pieces from him such as Madame de pompadour and the Master of the Revels! The piece is equipped with a drop front writing area and 6 drawers and a secret compartment on the inside of the desk as well as two lockable drawers on the outside front of the desk. This piece was at one point a part of the inventory of the Hartman Galleries...

French Empire-style (19th Century) ebonized and gilt bronze 6 arm chandelier suspended by 3 black and gilt bronze link extensions with a flame ...

A spectacular French early-to-mid 19th century mahogany and marble center table. The rectangular frame is crowned with a slab of Calacatta type marble in ethereal veining of green, g...

A wonderful neoclassical etched cut-crystal fern bowl with bronze ormolu housing chandelier, this fixture is currently 20" high but maybe adjusted by removing or adding chain.

Dimensions- H: 34in W: 50in D: 22 3/4in This Antique Turn of the Century Louis XV Style Bronze Mounted Marble Top Commode is made of the highest quality! If you take a look at the p...

Dimensions - H: 29 1/4 in W: 39 3/4 in D: 23 1/2 in An outstanding Antique French Louis XV style bronze-mounted leather top desk, dating to the turn of the 20th century and signed ...

Rare Large Antique Boulle Marquetry Centre Table Henry Dasson Wallace Collection French, 1878 Height 99cm, width 269cm, depth 134cm This outstanding centre table, dated 1878, is a r...

Gorgeous French Louis XV style ormolu tureen in the rococo style Very opulent piece, just crying out to be the centrepiece to any interiors scheme Very visceral piece with all the ro...

Antique French marquetry, ormolu and jasperware Bureau du Roi by Beurdeley French, c. 1890 Height 151cm, width 190cm, depth 100cm The Bureau du Roi, also known as the secrétaire à cylindre, is among the most celebrated masterpieces of 18th century furniture design—an unparalleled example of French craftsmanship and regal opulence. Originally commissioned by King Louis XV in 1760, the project was entrusted to ébéniste du roi Jean-François Oeben (1721–1763). However, Oeben passed away before its completion and his successor, Jean-Henri Riesener (1734-1806), finalised the desk in 1769. During the 19th century, several master cabinetmakers sought to replicate this extraordinary creation, including the esteemed Emmanuel Alfred Beurdeley (1847–1919). The present example, produced circa 1890, was exhibited at the 1893 Chicago World’s Fair, where it garnered admiration for its exceptional artistry. Following the exhibition, it was acquired by financier George Jay Gould I (1864–1923) and later photographed in the Lakewood, New Jersey residence of his wife, actress Edith Kingdon Gould (1864–1921). This magnificent desk is crowned with a decorative clock, draped in festoons and accompanied by two playful putti and a finely sculpted dog. Twin ormolu urns rest atop an openwork gallery, leading to additional flower-filled ormolu vases. Flanking the central roll-top panel are finely cast ormolu figures of Apollo and Calliope, each supporting a twin-light scrolling acanthus candelabrum. With a turn of a key, the roll-top slides open to reveal an exquisite arrangement of three pull-out shelves and three drawers, each front panel adorned with delicate ormolu banding and intricate floral trellis parquetry. A gilt-tooled leather writing surface unfolds, featuring a pop-up central panel that lifts to reveal a folding folio stand alongside three additional storage compartments. Below, a central kneehole drawer, embellished with an ormolu bow, is flanked by twin-divided drawers, all decorated with finely detailed floral marquetry. Every aspect of this Bureau du Roi is a testament to superior craftsmanship, featuring elaborate marquetry and parquetry designs. The upper section consists of three panels, with the tambour roll-top inlaid with intricate mythological motifs. Two side medallions bear Latin inscriptions drawn from Cesare Ripa’s Iconologia (1555–1622): NON. NISI. GRANDIA. CANTO. / IRRIDENS. CUSPIDE. FIGO. and BREVI. COMPLECTOR. SINGULA. CANO / PASTORUM. CARMINA. LUDO. These decorative elements, along with the marquetry on the roll-top and upper surfaces, celebrate the arts, literature, and architecture. The bombé sides of the desk are richly decorated with marquetry panels depicting symbols of both naval and terrestrial warfare, framed by elegant ormolu laurel swags. These ornamental details complement a series of exquisite blue and white Wedgwood Jasperware medallions...

A Very Fine French or Russian 19th Century Empire Style Mahogany, Ormolu Mounted and Parcel-Gildwood Carved Crib & Bedding. The egg-shaped oblong rocking cradle supported at each end by columnar standards.The cradle base conforms to the rocking cradle and is adorned with laurel wreath gild bronze corner crests, all supported on cabriole legs with finely cast gild bronze acanthus leaf mounts. Turned gilded bedding and drapery support having a cast gilt bronze terminal of an eagle holding a ring in its beak. It also includes mattresses, bedding, Irish hand embroidered linens and matching draperies. One pair of Irish linen draperies measures 25" X 124". One pair measures 20" (10" with curtain rod hooks) x 124". Some ormolu bear the letters "P.R."; "N.H"; ":E.J" and other mounts bear what appear to be a name in cyrillic. Circa: 1860-1870. (Maybe earlier). Another possibility is that this fantastic quality crib is actually an earlier piece, plausible by either Pierre...

A breathtaking example of French artistry, this Antique Sèvres Bleu Céleste Porcelain Jewelry Casket epitomizes opulence and refinement. Crafted in...

An elegant and high quality French mid 18th century Louis XV Period Ormolu and stained Horn Cartel clock, signed Faucheur à Paris, circa 1750. This stunning clock is comprised of a g...

Ferdinand Barbedienne, An Exquisite Suite of Three French Ormolu and Champleve Enamel Jardinieres / Garniture C. 1870, The Design Attributed to Louis Constant Sevin. Comprising of t...

Very Large Antique French Louis XIV Ormolu Gilt Bronze Gold Chandelier French, 19th Century Height 250cm, diameter 160cm A truly remarkable example of 19th century French craftsma...

Fine quality antique Victorian French freestanding ormolu mounted display cabinet having a fine quality serpentine shaped mahogany and ormolu mounted freestanding display cabinet wit...

FRENCH RESTAURATION ORMOLU & PATINATED BRONZE FIGURAL MANTEL CLOCK OF ROMAN PHILOSOPHER HORATIUS Paris, circa 1820; silk-suspension movement signed "Etablissement Barbot de Paris" 2...

PRESENTING an OUTSTANDING, IMPORTANT and UNIQUE 19C French Empire Style Buffet/Vitrine by AME Fournier. Pieces by A.M.E. Fournier are EXTREMELY RARE and ...

Dimensions - H: 34 3/4 in W: 16 1/2 In D: 14 in This magnificent palatial pair of cobalt blue porcelain vases, attributed to the celebrated Sèvres manufactory, represents the height...

Magnificent large French 19 century pair of Louis XV style ormolu mounted and cut crystal Five light sconces. Meticulous attention has been given to every details, the sconces are b...

A quarter striking bracket clock in a fine figured burr walnut case with ormolu mounts and sound frets backed in sage green silk. A gilded dial with s...

19th Century French Carved Giltwood & Ormolu Swan Bed Corona or Ciel de Lit France, Circle of Workshops of Jacob-Desmalter or Maison Krieger Dimensions: 14....

An Exquisite and Rare French Louis XVI Style Ormolu-Mounted Bloodstone Inkwell, circa 1875. A truly exceptional and jewel like quality inkwell encrier, made with the finest ormolu, mounted on bloodstone. A true collectors and one of a kind piece. Revival of the ancient régime in the late 19th century was paramount to the French furniture and bronze casting firms of the Belle Epoque. Imitation in the highest regard and replication of those tastes and styles was prevalent throughout the Paris Faubourg, where the most talented bronziers and ébénistes established their workshops. The present inkwell encrier recalls the late 18th century's obsession with hardstones - a taste expounded above all by the duc d'Aumont and, subsequently Marie-Antoinette. Such hardstone-mounted pieces, reminiscent of Renaissance schatzkammer objects, enjoyed a revived popularity at the end of the 18th century through the impetus of both the marchands-mercier and, more importantly, the hôtel des Menus-Plaisirs, where the duc d'Aumont himself established a workshop in 1770 specializing in the cutting and polishing of precious hardstones. This exceptional inkwell encrier, sumptuously-mounted with finely chased gilt-bronzes, incorporates a highly-prized material such as bloodstone. Sometimes called the Sunstone, the meaning of Bloodstone comes entangled in fascinating history. The Ancient Greeks held the Bloodstone as a gem with glorious powers. They referred to it as Heliotrope, which directly translates to Sunstone. It was believed to have heavenly healing powers gifted by the gods and most certainly when it came to healing all things related to the blood. Even as we move forward into the Middle Ages, the Bloodstone takes another mystical story under its wing. It was believed to be formed from Christ's blood. It was said that during the Crucifixion, a few red spots of his blood dripped...

Louis XV style ormolu mounted Vernis Martin and parquetry vitrine French, c.1880 Height 197cm, width 102cm, depth 49cm This remarkable work is a Louis XV style, Vernis Martin, parqu...

Large early 20th Century English Edwardian period three-seat Mahogany Country house Settee. Richly carved with fine detailing standing on lion paw feet with anklets offered in great ...

Late 19th century gilt metal mounted table lamp, the burgundy porcelain body of tapering form with applied gilt metal acanthus feet leading to cherub masks - 14" diam x 26"h - The la...

A beautiful and monumental Paris porcelain ormolu mounted three piece garniture set with hand-painted scenes and delicate gilt decoration, Circa...

A Fantastic Pair of 18th-Century Russian Dore Bronze Mounted, Rock Crystal, and Marble Three-Arm Candelabra with Dog’s Heads. Each candelabrum is set on a circular white marble base ...

Belle Époque Baccarat (Attributed) four-leaf clover ormolu mounted vase, with typical gilt 'chipped ice' crystal mounted in a continuous frame of clo...

A fine French palatial 19th-20th century Louis XVI style mahogany and ormolu-mounted "Marie Antoinette Style" medallion commode with a Fleur de Pêche marble top, after a model by Ben...

The “ancestor” of this piece, a guéridon, was a small and typically round table that originated in mid-17th century France for holding a candelabrum to light the room or a vase. Even...

This is a superb antique Victorian burr walnut and ebonized Sèvres Porcelain and ormolu-mounted line inlaid breakfront credenza, circa 1860 in date. It has a striking central panele...

‘Grand Psyche’, monumental Art Nouveau mirror by Maison Millet French, c. 1900 Height 270cm, width 170cm, depth 57cm This exquisite antique mirror was crafted around 1900 by the e...

Antique Italian Naples Gold Gilt Bronze Ormolu Keys Tray Decorative Vide-Poche Italy Bronze c. 1900 Dimensions: H x W x D: 3cm x 14.5cm x 13.5cm Depicting the side profile of a bearded man, this tray dates to around 1900 and was crafted in Naples, Italy. Its function is both decorative and practical, with the potential to be used as a key or trinket tray, also known as a vide-poche, or simply as a purely decorative feature. Vide-poches emerged in the 18th century as small catch-all trays placed in hallways, parlours, and dressing rooms, reflecting the period’s growing attention to domestic order and personal accessories. By the early 20th century, they had become both practical and decorative objects, and this tray is a fine example of that tradition. Cast in bronze and gilded, the tray presents a side profile of a man. The casting is superb, with clearly defined anatomical features that give the piece depth and texture, enhancing its visual interest. Particularly impressive is the treatment of the hair, where the braids, moustache, and beard are distinctly rendered. The reverse is stamped with an indistinct maker’s mark “C. CARM […] / NAPOLI”, indicating that the piece was crafted in Italy. The tray is supported by four circular feet, which give it a slight elevation. Of a highly interesting design, this tray reflects the contemporary fashion for small trinket dishes...