Ormolu Furniture

A fabulous pair of ormolu mounted cut glass candelabra of Sunburst form attributed to Apsley Pellatt. The round stepped bases with diamond cut column...

A stunning antique French ormolu clock set, circa 1870, mounted with exquisite Sèvres style porcelain with Rose Pompadour pink ground. Pan...

A very nice quality French Japonisme Style inkwell Attributed to l'Escalier de Cristal, circa 1880 Resting on a diamond-shaped polychromed hand-painted porcelain tray representing l...

Exceptional very large ormolu and silvered bronze jardinière by Christofle French, 19th Century Height 44cm, width 93cm, depth 59cm This superb jardinière centrepiece was crafted by...

A pair of French Vernis Martin style painted commodes, each having marble tops over single doors with pained scenes framed by bronze mounts. Painting signed A Mancini and Kaufman. Su...

Antique French gilt bronze and Boulle marquetry jardinière French, Late 19th Century Height 38cm, width 78cm, depth 45cm This superb jardinière is crafted using several complex tec...

Antique late-19th century French palatial ormolu bronze twenty-seven light chandelier by the renowned designer and bronzier Maison Mottheau et Fils. This chandelier is in superb cond...

A very fine quality antique French Louis XV rosewood, marquetry, ormolu and marble topped secretaire abattant, circa 1880. The serpentine shaped secretary is modeled as a semainier (...

A gorgeous ladies hand wall or desk letter / paper clip. Made of Ormolu, by Erhard & Sohne, Germany. Beautiful color and patina. This was made by Erhard & Sohne in the early 1890s-19...

This is a fabulous French antique ormolu mounted bureau plat which features fine quality floral marquetry and which dates from around 1860. This beautiful piece of furniture has been made with artistic marquetry requiring the highest level of craftsmanship. The surface of the table top of this antique ormolu mounted bureau plat features very intricate floral marquetry decoration. Using a number of different and exotic veneers which include walnut, goncalo alves, satinwood, burr walnut, and purpleheart, the level of detail present here can only be described as extraordinary. The central panel is worthy of particular attention, it being inlaid with a representation of an urn on a flower filled satinwood background together with a decorative border of foliage which has been rendered in mahogany and burr walnut. As you can see from the images provided the imposing table top is completed with a highly decorative ormolu border which adds an additional level of elegance to this antique bureau plat...

French Ormolu Mantel Clock French mantel clock housed in an ormolu case with stepped base and decorated feet, floral, wreath and cherub decoration. To the side of the dial is a class...

This is a superb quality antique Victorian burr walnut casket, sewing box, with elaborate decorative brass and bronze mounts, circa 1860 in date. The rectangular lid is beautifully decorated with cut brass mounts centred with a striking bronze sphynx...

Exceptional Louis XVI style gilt bronze and malachite grandfather clock French, late 19th century Measures: Height 250cm, width 54cm, depth 33cm This superb longcase clock is a wonderful example of the Belle Époque impetus to draw inspiration from the styles of the past. The clock, crafted during the late nineteenth century—though the malachite finish is later—is inspired by a famous eighteenth-century original. The clock is of traditional form, which a cubic clock case inset with an enamel dial and a gilt bronze bezel cast with signs of the zodiac. The central section of the clock includes a window, which reveals the pendulum inside, while the lower section is in the form of a plinth. The malachite veneer is wonderfully varied, with lighter and darker shades of the stone utilised to add visual interest. The clock is surmounted by a sculpture in gilt bronze of Apollo in his chariot, pulled by a quadriga of horses. The dial is signed for Rosel Bruxelles...

An elegant and most attractive pair of French 19th century Louis XVI st. Ormolu candelabras. Each three arm candelabra is raised on a circular Ormolu base with finely chased acanthus...

Pair of early 19th century Empire Trajan's column ormolu candlesticks in the manner of P.-P. Thomire (1751-1843): Pair of large Empire ormolu candlesticks, the stem ressembling th...

This stunning vitrine is dripping with antique elegance and character! Made in the style of Louis XVI in France circa early 1900’s. The incredible bookmatched veneer has gained a vib...

Antique gilt bronze and malachite casket by Monbro Fils Ainé French, mid 19th Century Measures: Height 68cm, width 92cm, depth 52cm This marriag...

French gilt bronze and malachite centre table French, 20th Century Height 79cm, diameter 69cm This very elegant 20th century French...

Antique French Cut Crystal Newel Post on Ormolu Base, Circa 1890's.

Pair of Dresden porcelain and gilt bronze vases. German, late 19th century. Measures: height 57cm, width 39cm, depth 33cm. This fine pai...

Set of three large Sèvres style porcelain vases with gilt bronze pedestals. French, Early 20th Century Large Vase: Height 162cm, width 63cm, depth 48cm. Large Vases Pedestal: Heig...

Nicholas I period Russian malachite side table with gilt bronze base Russian c. 1840 Measures: Height 77cm, diameter 89cm This is a truly excepti...

A rare pair of stunning French gilt-bronze and Chinoiserie top side tables with three tiers (attributed to Maison Baguès, mid-Century). Each table has three rectangular burgundy-lacq...

Pair of Late 19thC Gilt Brass & Porcelain Oil Lamps of aesthetic design with twin side handles enclosing Pate Sur Pate oak leaf and acorn ceramic globes fitted with brass burners ...

Gilt bronze and Sèvres style porcelain Louis XVI style casket on stand This magnificent Louis XVI style ormolu casket is supported by a mirror-topped table stand, which sits on four tapered, fluted legs connected by a curving X-form stretcher. In the centre of this stretcher is an ormolu urn decorated with rams heads, four hoof feet and birds on the top. The legs of the table are also ornately decorated with draped garlands and scrolled detailing. The apron is inset with Sèvres style porcelain plaques depicting scenes of cherubs and children in landscapes as well as decorative floral detailing, and is surmounted with laurel leaf mounts. The casket itself is of oval architectural form, and is set on fourteen small feet. It features further porcelain plaques depicting cherubs, musical instruments and a central oval portrait of Queen Marie Antoinette within a crowned gilt cartouche. Her portrait is flanked by two cherubs and is sat within a decorative royal blue border, matching the turquoise colored borders of the other plaques. The reverse of the casket is similarly decorated and features a painted plaque of her husband King Louis XVI. The plaques are separated by mounted ormolu columns decorated with crowns and draped laurel leaves, and each column is surmounted by floral crowns. Each curved side of the casket features an ormolu mask of a female figure, and the hinged lid is surmounted by two reclining female figures wearing draped dresses and holding a central crown. The casket opens at the lid to reveal a velvet interior. There is an inscription below the portrait of Marie Antoinette which spuriously reads ‘This casket formerly property of Marie Antoinette, presented to my beloved wife as souvenir of our European tour / Sept 8th 1886 / Louis L...

French 19th century Ormolu mother of pearl egg shaped perfume box on foot A beautiful egg shaped perfume bottle box, with interior of 2 perfume bottles wh...

A 19th century Sevres hand-painted, cobalt & gilt porcelain ormolu mounted two-handle Centerpiece signed by French Artist A Chapuis. Intricate ormolu designs and decorations with acanthus leaves, flowers and other decoration. Beautiful Large Antique French Sevres Porcelain and Gilt Bronze Centerpiece. Large Porcelain platter...

A Very fine French 19th century Louis XV Style Ormolu-Mounted Kingwood, Satinwood and Fruitwood Parquetry Kidney-Shaped secrétaire de dame (Lady's Desk) with an enamel dial clock and...

A French Antique Ormolu-Mounted mahogany envelope games card table, C. 1870, attributed to Henry Dasson. A very elegant and high quality, French Louis XVI style, mahogany and bro...

This is an elegant antique aesthetic period burr maple and ebonized writing table, stamped 'EDWARDS & ROBERTS'  Circa 1870 in date.   This elegant desk is crafted from the most beaut...

An Exceptionally Fine Pair French Ormolu and patinated Bronze early Victorian Single Light Candlesticks of tall slender form and fairly standard proportions, now converted to a Stunn...

This is a beautiful large antique French Grand Tour dark patinated bronze and ormolu jardiniere, Circa 1830 in date. This stunning bronze is superbly cast and has an elegant brown...

A very good quality French 19th Century Boulle mantle clock, having a gilded ormolu putti seated on the top, Red tortoiseshell and brass inlay to the serpentine shaped case, wonderfu...

An Exquisite and Complete French Ormolu-Mounted Cave à Liqueur The frame of gilded bronze with well cast and hand-chased details; the sides and top set with bevelled glass panels; s...

A rare French Empire Gout d'Egypt mantle clock depiciting the Goddess Isis, in ormolu, red or rouge griotte marble and patinated bronze, known as the Thomas Hope Clock. This very rar...

A fine antique French Napoleon III burl inlaid with a marble top and ormolu mounted credenza/cabinet, inset with a Sevres porcelain portrait ...

A scarce period Charles X (1818-1834) French Restoration mahogany travailleuse sewing (thread stand - side table - jewelry dressing table) with light, warm, beautifully aged patina. Born in France in the early 19th century, almost certainly Parisian work, exquisitely hand-crafted, this exceptionally executed example features ornate gilt bronze ormolu mounts, escutcheons, and elaborate gilt metal trim. Having a highly figured light mahogany hinged lid top, lifting open to reveal a striking finished interior with divided compartments and original inset mirror plate. The conforming rectangular case fitted with a faux drawer front over a dovetailed drawer with sectioned interior. Elegantly rising on oval-shaped medial shelf stretcher-joined curvacious legs. Dimensions (approx): 27" High, 20" Wide, 13.5" Deep Stunning light almost blonde antique mahogany coloring and mellow warm tone, superb wood grain detail, and charming, beautifully aged patina over the whole. Great shape overall. Retaining original antique character marks, wear consistent with age and indicative of minimal use, nothing that detracts from the aesthetics or functionality, but only adds to the overall authenticity, refined elegant warmth, luxurious sophistication, and cozy unpretentious rustic elegance. Delivered cleaned, hand waxed, polished French patina finish, ready for immediate use and generational enjoyment! What is Charles X style: The comte d’Artois – or Charles X - was the son of the dauphin Louis-Ferdinand de Franc and Marie-Josèphe de Saxe. He succeeded his two brothers Louis XVI and Louis XVIII and became the King of France in 1824. Thirty years after the French Revolution, he wanted to embody the return of monarchy and became the leader of the catholic party . As the previous kings, he was crowned in 1825 but he was soon overthrown by the revolution in July, 1830, called "Trois Glorieuses". He left then for England, Scotland, Prague and Istria where he died in 1836. Charles X style lasted from 1818 to 1834 and happened during the Bourbon Restoration (French Restoration). This style did not replace totally the style of furniture from the French Empire but it was different from the formalism in the Napoleonic era, during which strictness and simplicity were inspired by Greco-Roman art. Indeed, artistic fields flourished. In terms of furniture, this renewal was suggested by the softening of shapes. Even though the simple aspect from the French Empire was still visible, shapes became curvier with volutes and arabesques. Another distinction is the loss of the massive aspect of furniture and the decrease of dimensions in order to decorate smaller appartments. Handling ability and comfort were key-words in the making of furniture. Apartments had essential elements such as chests of drawers, big rounded tables in the dining room, desks or secretaries, armoires and even dressing tables, comfortable fainting couches in the living room, small tables, pedestal tables, as well as gondola chairs. The wavy aspect of the latters certainly represent Charles X style the best.  One of the most emblematic features of this style is the use of bois clairs – light woods in warm blond tones - and indigenous woods that are varnished in order to highlight the grains. Bird's-eye maple, ash trees, plane trees, yew trees, beech trees, olive trees and cedar trees were most likely to be used. Indeed, at the beginning of the 19th century dark woods were hard to find. In 1806, the Napoleon’s Continental System was established in order to ruin the United Kingdom by preventing the country from any business with the rest of Europe. Therefore craftsmen had to find alternatives from mahogany which was the most commonly used material at this time. After 1815, the import of wood was even more difficult because of peace treaties and the European political situation, which contributed to the popularity of the bois clairs and indigenous woods. The furniture was often decorated with fine inlays made out of dark wood representing foliage, which contrasted with the veneer. Even though these patterns can look like bronze decorations from the Empire era,  they were far more simple and did not represent any military or mythological attributes. On the tables, trays were sometimes made out of marble as in the French Empire, but it was often put aside and inlaid veneer, Verre Eglomisé – a type of glass with a mirror finish –, mirror or porcelain from Sèvres or Paris were more likely to be used. Decorative elements from the Monarchy were highly appreciated again as they suggested luxury. Indeed, marquetry work was particularly fashionable - Boulle marquetry thrived around 1820 as the works of the Levasseur family can show. In the same way, draperies and trimmings referred to the monarchist splendour. Fabrics were often white – the traditional colour of the Bourbons – or light coloured as oppposed to the typical green from the Napoleonic era.  One of the most symbolic figures from this period of time might be Jean-Jacques Werner (1791-1849), a cabinetmaker who worked for prestigious clients such as the Duchesse de Berry who was Charles’s step-daughter. His works can be seen at the Musée des Arts Décoratifs and at the Grand Trianon in the Palace of Versailles. The duchess’s appartments situated at the pavillon de Marsan and at the Palais de Saint Cloud illustrate Charles X style the best with furniture made out of bois clairs and ornamented with dark wood patterns or fine gold decorations. Chales X style allows a transition between the sobriety of the Empire style and the abundant aspect of Louis-Philippe style. The gothic style started at this time through the "style à la cathédrale", inspired by religious architecture, which thrived from 1827 to 1830. Indeed, at the beginning of the 19th century, Romanticism put the spotlight on the Middle Ages. Cabinetmakers were not inspired by the medieval furniture but rather by architectural elements of churches and cathedrals. For instance the backs of chairs were decorated with arches shaped like rib and serration. In the same way, before Charles X abdicated, pieces of furniture were made out of dark woods – such as mahogany, which was used again in France – and were inlaid with light wood. Romanticism also influenced the layout of furniture in appartments to suggest movement through a mix of various styles, various shapes and various sizes, as opposed to the static aspect of Neoclassicism. The start of industrialisation and mechanisation also influenced this style as early technical developments led to the production of pieces of furniture in series. Credit: Marc Maison Bibliography: FANIEL Stéphane (Dir.), Le Dix-neuvième Siècle Français, Collection Connaissance des Arts, 1957, Hachette SASSONE, Adriana Boidi, Furniture from Rococo to Art Deco, 2000, Evergreen -- Extremely versatile: As warm and attractive as it is useful, this remarkable antique table having the ideal size and small proportions for a variety of different uses, including as a side table, accent or occasional table, tall sofa...

Presenting a gorgeous French 19th century Samson Paris Porcelain Trinket Box probably by Edme Samson. Marked on the base with “Made in France” and unmistakably in the style and manner of Samson. The lid features hand painted floral bouquets on an ivory porcelain background with gold edging, surrounded by a sky blue lid with gold web or crackling effect.. The lid is hinged and the lid and base are edged in floral gilt metal mounts with Fleur De Lis clasp. It sits on 4 gilt metal or ormolu feet. The sides are likewise hand decorated. This wonderful antique hand painted box is just bursting with History. Inspired by Edme Samson of Samson & Co., Paris. we believe (based upon the markings and natural aging) that it was made between 1880– 1890 in France and was meant to resemble an antique of a much earlier period. It is very similar to Sevres pieces with it’s color, decoration and design. Samson specialized in reproducing antiques from the 1600 and 1700s. One of his most interesting works was his Heraldic or Armorial pieces. With this medium sized box, he was not only copying the larger porcelain caskets or coffin boxes...

Antique seven-piece crystal and ormolu centrepiece garniture by Baccarat French, Early 20th Century Large bowl: Height 32cm, width 54cm, depth 27cm Candelabra: Height 52cm, width 30...

Very stylish patinated bronze desk inkwell modelled as a bust of a Chinese or Japanese figure wearing a straw hat, together with a pair French ormolu Inkwells. Both items are late 19...

This is a stunning large antique French Sevres hand-painted porcelain and ormolu mounted vase circa 1870 in date, later converted into a lamp. The ovoid porcelain body is painted...

These magnificent gilt bronze (ormolu) mounted malachite urns were created in c.1830 to a design by Ivan Ivanovich Galberg (Russian, 1782-1863). Galberg was an important figure, who ...

***Reduced In-House Delivery Rates - Click on “Ask Seller” to Request a Quote*** Antique French Ebonized, Ormolu & Inlay Card Table Unsigned C1880. 29"h x 34"w x 18"d (closed). ...

A Very Rare and Highly Unique Pair of French Ormolu Mounted Blue Porcelain Candelabras, Att. Henry Dasson. Presenting a truly exquisite pair of French Porcelain Ormolu Mounted Cande...

This fine antique harp dates from the second half of the 19th century and was made in France by Pleyel, Wolff, Lyon and Cie. The renowned Parisian firm ma...

This three-piece set—composed of a clock and a pair of flanking candelabra—is a truly unique and delightful piece of decorative art. The clock is modelled in the image of an 18th century sedan chair – that is, a covered chair sat in by a member of the social elite, which was carried on poles by two people. This chair-shaped clock case is crafted from gilt bronze (ormolu) and decorated with festoons and a flower finial. At its centre, there is a circular white enamel dial, which features Arabic Numbers, colorful swag paintings, and the manufacturer’s name, 'Fd Gervais / Ft du Bronzes / A Paris'. The lower part of the case is glazed, allowing one to see the clock’s sun-burst pendulum. Like a sedan chair, the clock case is carried by two patinated bronze putti...

A beautiful antique French ormolu and cut crystal trumpet. Finely detailed, this piece transitions from classical to modern interiors.

Pair of exquisite George III style wall sconces. Cut English crystal. Ormolu mounts.

A FINE GEORGE III BOIS SATINE AND ROSEWOOD BOMBE COMMODE ATTRIBUTED TO PIERRE LANGLOIS, CIRCA 1760. With a quarter-veneered top above three drawers. Retains all its original gilt-br...

Dimensions - H: 16 in W: 7 1/2 in D: 4 1/4 in This exceptional 19th-century French Empire-style bronze ormolu clock, crafted by the renowned Parisian clockmaker Etienne Maxant and r...

A striking an high quality French 19th century Louis XVI st. Crystal and Ormolu chandelier, attributed to Baccarat. The twelve light chandelier displays a bottom Crystal bell s...

A lovely showpiece of a box with exquisite details down to it's ormolu surround and clasp. Lovely hand painted florals all over including its main painting on the top of the box as w...

This large clock set, which is comprised of a mantel clock and pair of flanking candelabra, is designed in the style of Sèvres Porcelain manufactory goods. In the manner of Sèvres Po...

KPM porcelain and gilt bronze Rococo style clock set German, late 19th century Measures; Clock on base: Height 51cm, width 36cm, depth 17cm Candelabra: Height 47cm, width 27cm, de...

An Exceptionally Stylish Pair of Grand Tour French Pate-sur-Pate Jasperware and Ormolu mounted French Urns of Museum quality and of French origin, now converted to a Pair of Electric...

A very fine French 19th century Louis XV style gilt bronze and white marble figural mantel clock. The finely chased ormolu body, with its original two-tone mercury gilt, centered with a circular enameled porcelain clock face with Roman and Arabic numeral dials and inscribed 'A. Thomas - Fabt de Bronze - 56, Rue de Turenne - Paris', surmounted with a pair of playful seated cherubs amidst clouds and wreaths, the case crowned with a figure of a Gallic Rooster (Coq Gaulois...

The overhanging foliate cornice above a frieze with reliefs of female and male figures surmounted by ribbon ties and flanked by foliage and laurel leaves, above two pairs of glazed doors divided...

A fine French 19th-20th century Louis XV style gilt bronze mounted satinwood and tulipwood Bois Satiné and Bois de Bout floral Marquetry two-drawer commode of bombé serpentine form, ...

Palatial French 19th-Century Louis XV style figural gilt bronze mounted tulipwood marquetry three-drawer bureau-plat cartonnier with Dual clock-works by Lenoir, Paris, surmounted wit...

This colorful pedestal clock has been crafted from fine red marble and green onyx, and beautifully decorated with gilt bronze (ormolu) and champlevé enamel. While a popular crafts material in ancient times, onyx was largely forgotten about until its rediscovery in the mid-19th century in Algeria by a French marble-worker called Delmonte. Onyx became highly fashionable in France following this discovery, and it was used to create a variety of decorative art objects. The clock features a green onyx cube-shaped case, which is surmounted by a slightly projecting red marble top. This top is fringed with champlevé enamel drapery-like motifs, with gilt bronze drop-finials. The case is mounted on its front with a circular dial, which features a central floral champlevé enamel motif, encircled by black Arabic Numerals. This dial is set within a gilt bronze egg-and-dart and champlevé enamel bezel. The sides of the case are mounted with circular gilt bronze barometers...