Ormolu Furniture

Antique French Cut Crystal Newel Post on Ormolu Base, Circa 1890's.

French Empire style (late 19th Century) life size Parian bust of Napoleon on blue porcelain socle and square ormolu base (signed HOUDON, 1805)

Large antique French Louis XV style patinated and gilt bronze clock set French, 19th Century Clock: Height 99cm, width 83cm, depth 32cm Torchères: Height 113cm, width 33cm, depth 28...

A fine French 19th-20th century Louis XV style Kingwood and ormolu-mounted single-door Vitrine, the demilune shaped cabinet with and arched bonnet, molded trim above a bombé glazed d...

A very fine and attractive kidney-shaped mahogany table, supported on cabriole legs with lion's paw sabots and ormolu espagnolettes joined together by a shaped under-tier, the fluted...

An outstanding quality antique gilded bronze & Sevres porcelain French 3 piece, 8 day clock garniture with candelabra, by Brocot & Delettrez, Paris, circa 1870. The clock with an 'egg' shaped urn made of cobalt blue Sevres porcelain with a hand-painted panel with a neo-classical beauty and a cupid, the rear is painted with gilt birds & floral decoration. The urn with gilt bronze handles to the sides held in the mouths of lion's masks, the clock below also with sumptuously decorated with gilded cobalt porcelain panels, the clock dial with black Roman numerals & is finely painted with two horses and a chariot with a putti falling out of the chariot. The clock has two winding arbors one for the 8 day time wind the other for a chime, the clock chimes the hours on a soft delicate sounding bell, the clock is in full working order and was recently professionally cleaned. The clock is complemented with a pair of gilt bronze & cobalt blue Sevres porcelain four branch vasiform candelabras, decorated with oval panels to the front with putti & Neoclassical maidens, the back panels finely painted with birds, each candelabra is in two sections and raised on gilt bronze bases with corbel brackets & acanthus leaf feet. The bronze casting is very likely by the Barbedienne Foundry in Paris, as the quality is outstanding, the clock is stamped "BD" for Achille Brocot (1817-1878) and Jean-Baptiste Delettrez (1816-1887), they were two of the most important French clock makers of the mid to late 19th century, please see some biography below. The clock is mechanically & cosmetically in excellent condition, and was recently overhauled by a clock-smith, the porcelain & ormolu are also in excellent condition, one of the very best investment quality gilt-bronze & Sevres porcelain clock garnitures by the top French makers of the period, circa 1870. This garniture will be professionally crated for shipping. Delettrez and Achille Brocot, son of the respected clockmaker Louis-Gabriel Brocot, established the clockmaking company "Brocot et Delettrez" in Paris on 20 October 1851, with premises at 62 Rue Charlot Paris. Jean-Baptiste Delettrez worked alongside Achille Brocot for several years and their clock movements are considered to be the most effective made during the late 19th century. Their specialty was a range of clocks based on the innovations of Brocot père and his other son Antoine, but generally of Achille's greatly advanced original design, some having a unique single-arm double-wheel escapement, some having a temperature-compensated pendulum, some having two dials, one of which showed the time and the other which showed a calendar and often other information such as phases of the moon, times of sunrise & sunset in Paris, etc. The firm was awarded a 1st class prize at the Paris World Exposition of 1857 for a commercial clock...

FINE RESTAURATION PERIOD ORMOLU-MOUNTED FLAMED MAHOGANY BUREAU À CYLINDER France, circa 1830 Item # 403ZGP18C An exceedingly fine bureau à cylinder from the Restauration period in F...

A fine pair of tall ormolu (mercury gilt bronze) and patinated bronze candelabras, French Restauration production, early 19th century work circa 1815 - 1820. Spectacular 4-lights model held by winged putti standing on a finely chiseled column-shaped base. This pattern is a variant of the candelabras Claude Galle delivered to the Grand Trianon in 1809. This theme used to be very successful in early 19th century and were the subject of a number of imperial orders to Claude Galle, Thomire and Ravrio. Our candelabras were manufactured circa 1815 - 1820 : we attribute them to Gerard Jean Galle...

This lovely stylish pendant or hanger was made to hang on a chain. Made in Germany, circa 1900. A very pretty piece of antique jewellery which would make a fine addition to any coll...

Pair of French neoclassical style malachite and gilt bronze side tables French, 20th century Dimensions: Height 85cm, diameter 50cm These striking octagonal guéridons are crafte...

Meissen Porcelain Figurines, Pair of seated Musician figures. 14cm high figures, Crossed swords mark to rear of base, c1745. Both figures mounted in an 18th Century ormolu arbour ...

A fine Pair of 19th century Japanese Imari Porcelain and French Gilt-Bronze Mounted Thirteen-Light Celadon Torchere Candelabra. The bottle-shaped Japonisme vases with a Royal red background, decorated with parcel-gilt and black soaring eagles in the hunt within a forestall scene. Each Vase fitted and surmounted with a French 19th century Louis XV Style 13-Light scrolled candelabrum and all raised on a circular pierced gilt-bronze plinth. circa: 1880. Imari Porcelain (????) is the name for Japanese porcelain wares made in the town of Arita, in the former Hizen Province, northwestern Kyushu. They were exported to Europe extensively from the port of Imari, Saga, between the second half of the 17th century and the first half of the 18th century. The Japanese as well as Europeans called them Imari. In Japanese, these porcelains are also known as Arita-yaki (???). Imari or Arita porcelain has been continously produced up through the present day. Characteristics Though there are many types of Imari, Westerners' conception of Imari in the popular sense is associated only with a type of Imari produced and exported in large quantity in mid-17th century. This type is called Kinrande. Kinrande Imari is colored porcelain with cobalt blue underglaze and red and gold overglaze. The color combination was not seen in China at that time. Traditional Ming dynasty color porcelain used dominantly red and green, probably due to scarcity of gold in China, whereas gold was abundant in Japan in those days. The subject matter of Imari is diverse, ranging from foliage and flowers to people, scenery and abstractions. Some Imari design structures such as kraak style were adopted from China, but most designs were uniquely Japanese owing to the rich Japanese tradition of paintings and costume design. The porcelain has a gritty texture on the bases, where it is not covered by glaze. There is also blue and white Imari. Kakiemon style Imari is another type of Imari, but it tends to be categorized separately in Europe. History "Imari" was simply the trans-shipment port for Arita wares. It was the kilns at Arita which formed the heart of the Japanese porcelain industry. Arita's kilns were set up in the 17th century, when kaolin was discovered in 1616 by the immigrant Korean potter, Yi Sam-pyeong (1579–1655). (He may also be known by the name, "Kanage Sambei".) Yi Sam-Pyeong, along with his extended family of 180 persons, left Korea on the offer of a privileged position in Japan. This decision was made after the occurrence of certain Japanese invasions of Korea. After Yi Sam-Pyeong's discovery, his kilns began to produce revised Korean-style blue and white porcelains, known as "Shoki-Imari". In the mid-17th century there were also a lot of Chinese refugees in Northern Kyushu due to the turmoil on Chinese continent, and it is said one of them brought coloring technique to Arita. Thus Shoki-Imari developed into Ko-KutaniImari. Ko-Kutani was produced around 1650 for both export and domestic market. Blue and white porcelain continued to be produced and they are called Ai-Kutani. Ko-Kutani Imari for the export market usually adopted Chinese design structure such as kraak style, whereas Ai-Kutani for the domestic market were highly unique in design and are accordingly valued very much among collectors. Ko-Kutani style evolved into Kakiemon style Imari, which was produced for about 50 years around 1700. Imari achieved its technical and aesthetic peak in Kakiemon style, and it dominated European market. Blue and white Kakiemon is called Ai-Kakiemon. Kakiemon style transformed into Kinrande in the 18th century. Kinrande used blue underglaze and red and gold overglaze, and later some other colors. Imari began to be exported to Europe because the Chinese kilns at Ching-te-Chen were damaged in the political chaos and the new Qing dynasty government stopped trade in 1656–1684. Exports to Europe were made through the Dutch East India Company, but the designation "Imari Porcelain" in Europe connotes Arita wares of mostly Kinrande Imari. Export of Imari to Europe stopped in mid-18th century when China began export to Europe again, since Imari was not able to compete against China due to high labor cost. By that time, however, both Imari and Kakiemon style were already so popular among Europeans, Chinese export porcelain copied both Imari and Kakiemon style, which is called Chinese Imari. At the same time, European kilns, such as Meisen also tried to copy Imari and Kakiemon. Export of Imari surged again in late 19th century (Meiji era) when Japonism flourished in Europe. Thus in western world today, two kinds of Imari can...

This is a beautiful large antique French Grand Tour dark patinated bronze and ormolu jardiniere, Circa 1830 in date. This stunning bronze is superbly cast and has an elegant brown...

French Ormolu Mantel Clock French mantel clock housed in an ormolu case with stepped base and decorated feet, floral, wreath and cherub decoration. To the side of the dial is a class...

A spectacular French mid-19th century, circa 1855, Louis XVI st. tulipwood parquetry and ormolu mounted, Model 2 Concert Grand Piano, signed Pleyel...

An extremely elegant French 19th century Louis XVI st. white Carrara marble and ormolu lamp. The lamp is raised by ormolu foliate designed topie feet. The octagonal white Carrara mar...

A Rare Art Nouveau French Ormolu and crystal inkwell Encrier by Baccarat, circa 1900, the ormolu possibly by Francois Linke. Depicting a reclined winged maiden...

This is a beautiful antique French Louis Revival parquetry and ormolu mounted breakront vitrine, circa 1860 in date. This beautiful cabinet has exquisite parquetry and crossbanded ...

An absolutely stunning antique French knee hole desk. This was made in France, it dates from around the 1930’s. It is a lovely petite size, and...

An extremely handsome and impressive French 19th century Empire st. mahogany and ormolu executive desk. At the frieze is a central wider drawer flanked by smaller drawers at each sid...

19th C. French 'Ave Maria' Bénitier / Holy Water Font, Devotional Reliquary  France, circa 1890s, artist signed 'Ale'  A stunning late 19th-century French Bénitier/Holy Water Font D...

This is a lovely stylish pocket watch chain fob. It was almost certainly made in Germany, circa 1910s. Nice addition to any pocket watch. A very...

Large Rococo style ormolu and marble pedestal after Caffieri French, Late 19th Century Height 136cm, width 65cm, depth 41cm This exquisite antique pedestal is inspired by the desig...

Designed in a fanciful Louis XV style, this beautiful mantel clock takes the form of an Asian elephant, saddled with a howdah (carriage). The clock features a patinated sculpture of ...

A superb and substantial ormolu clock from a design by the 18th century bronze founder Robert Osmond and made by the famous Compagnie des Bronze of Bruss...

An antique French ormolu souvenir of Lourdes, showing St Bernadette before the Virgin Mary as the "Miracle du Clerge", 5th April 1858, mid 19th Century i...

A Magnificent Gilt-Bronze Mounted Parquetry Commode, After Antoine Gaudreaux's 'Commode Médallier'. The serpentine Vert Maurin marble top above a conforming case set with two cupbo...

A Rare Louis XVI Style Gilt-Bronze Mounted Mahogany Cylinder Bureau. By François Linke, Paris. Index Number 100. France, Circa 1890. The top with three quarter pierced gallery. The cylinder front centred by a gilt-bronze foliate framed oval decorated with floral marquetry and a harp and books representing lyric poetry. Flanked by twin-light gilt-bronze candelabra. The roll-top enclosing an arrangement of four small drawers and five small compartments above a gilt-tooled green leather writing surface. The frieze fronted by a central drawer with spring-loaded secret release and faced with a relief-cast plaque of cloudborne putti representing the arts. The flanking drawers with gilt-bronze acanthus cast handles and fruiting cornucopia...

Hand painted porcelain, gilt-bronze mount (ormolu) This French Sèvres porcelain centrepiece dates from 1771 and is set in a gilt-bronze mo...

This is a superb antique Victorian ormolu mounted burr walnut and wood floral marquetry inlaid credenza, circa 1860 in date. The shaped top above a pair of panel doors inlaid with f...

The square hinged handkerchief top rotating open to reveal a felt interior, the shaped frieze with one drawer, the whole with ormolu-mounts. Closed...

This fine antique harp dates from the second half of the 19th century and was made in France by Pleyel, Wolff, Lyon and Cie. The renowned Parisian firm ma...

This is a beautiful antique ormolu and agate mounted easel photograph frame, circa 1880 in date. The arched backplate features a wavy edge border having a pair of spring loaded a...

A very fine French 19th century Louis XVI Style mahogany and ormolu mounted two-door vitrine, after a model by Adam Weisweiler (French, 1744-1820) with two-doors below a finely chase...

Pair French Empire Ormolu & Patinated Bronze Fluted Column Lamps, Signed, Dombrowski Fabricant Rue St. Honoré 343 a Paris, Circa 1830s A magnificent pair of French Empire Ormolu and...

A spectacular French mid-19th century Louis XVI style mahogany and marble center table. The rectangular frame is crowned with a slab of Calacatta type marble in ethereal veining of g...

Very large Napoleon III period Rococo style gilt bronze lantern French, late 19th century Measures: Height 176cm, width 80cm, depth 80cm This exceptional lantern was produced du...

A Very Fine French 19th Century Louis XVI-Louis XVI Transition Style Ormolu-Mounted Mahogany, Birdseye Maple, Fruitwood and Sycamore Marquetry and Parquetry Commode with a Brèche d'Alep Marble-Top, after the model by Jean-Henri Riesener (1734-1806). Circa: 1870-1880. The finely detailed commode with rounded sides, finely chased ormolu mounts with their original mercury gilt, a single center apron drawer with wreath ormolu pulls and an acanthus plate...

French Directoire period bisque and ormolu mantel clock depicting Ariadne. Of Fine quality with sky blue and white bisque porcelain and beautifully contrasting and finely cast mounts...

A very fine quality French cabinet referred to as a Meuble d'Appui. The piece was made in Paris during the reign of Napoleon III circa 1870. The ebonized cabinet is inlaid with brass...

French gilt bronze mounted marine themed automaton mantel clock French, circa 1850 Measures: With glass dome and base height 90 cm, width 70 cm, depth 33 cm Clock without dome and...

This is a fabulous antique French Ormolu and Sevres Porcelain jewelry casket, circa 1870 in date. This magnificent casket is rectangular in shape, with the top as well as each sid...

Large Neoclassical style gilt bronze and malachite fireplace French, 20th century Measures: Height 124cm, width 218cm, depth 58cm Crafted from the timeless combination of malachite ...

An exceptional French 19th century Empire St. three door armoire in satinwood and mahogany with beveled mirrors. All highly decorated with fire-gilded ormolu mounts. Inside lays fift...

One of only three of its kind, this commode was crafted by the famed and highly celebrated ébéniste François Linke. Blending the stunning marquetry of the Louis XV and XVI styles with the elegance of Art Nouveau, the commode exemplifies Linke's skilled craftsmanship. Inspired by François Alix's iconic "Meuble Soleil" design, Linke's creation showcases his signature genius in every aspect of the commode's construction. The superior quality of the breche marble shelves and top, marquetry and ormolu that form the undulating body of the cabinet serve as a testament to Linke’s unwavering dedication to perfection. The craftsman spared no expense, investing significant time and utilizing only the finest materials to create this work of art. Tens of thousands of hand-wrought chisel marks are visible within the ormolu frieze of scrolling foliage. The breathtaking marquetry landscape on the front is perhaps the commode's greatest feature, depicting a radiant sun bursting from behind trees, elegantly enhanced by Linke's unmistakable signature on the lower right molding and on the inside of the inner cabinets. For Linke, winning the coveted Gold Medal at the 1900 Paris Exhibition Universelle confirmed his already solid reputation as France's leading ébéniste. His work had long been admired for its exceptional quality and unique interpretation of the Louis XV style. Born in Bohemia in 1855, Linke moved to Paris in 1881 where he established his now-famous workshop and showroom. Word of Linke's superior work spread quickly through France, and he soon eclipsed even the finest furniture houses in Paris. Today, Linke is counted among the most important furniture makers of the late 19th and early 20th centuries, and his work is dearly coveted by collectors. As one of the most masterful furniture designers and bronziers of his time, François Alix would only supply designs and bronze pieces to the most skilled of his contemporaries. Linke chose this unique design personally and only produced three versions of this remarkable piece, with the first one crafted in 1910. A similar commode is housed in the Royal Collection Trust...

This is a wonderful antique Victorian ormolu-mounted envelope card table, circa 1880 in date. The card table is made from superb quality Gonçalo Alves, has the most striking musical...

A magnificent large scale French 18th century Coromandel and ormolu Grandfather Clock, by André Furet. This very unique and high quality clock is raised by rectangular base with a li...

A very good quality 19th century French gilded ormolu Louis XVI style mantel clock, having wonderful scrolling foliate decoration in the Rococo style, garlands of flowers draped eith...

A very fine pair of French 19th century Louis XV style gilt-bronze mounted floral marquetry Bombé commodes with marble top. The serpentine two-drawer commodes, with rosewood, king-wo...

Marble topped marquetry commode after Riesener French, late 19th Century Measures: Height 91cm, width 173cm, depth 64cm This exquisite commode takes after a commode made by the master of 18th...

This is a superb antique Victorian burr walnut inlaid and ormolu mounted credenza, circa 1860 in date Oozing sophistication and charm, this credenza is the absolute epitome of Victo...

Elegant Louis XV Style Flat Desk – Black Lacquered with Gilded Bronze Decoration This exceptional Louis XV-style Flat Desk is a refined example of classic craftsmanship and French e...

This is an important antique, Victorian, ebonised, ormolu mounted, and Boulle cut brass marquetry serpentine credenza, circa 1870 in date. It is beautifully inlaid in cut brass, in ...

This magnificent French Empire ormolu mantel clock features the iconic Neoclassical genre scene often referred to as "The Astronomy Lesson." A popular motif during this period, Emper...

Large second Empire gilt bronze and marquetry display cabinet French, late 19th Century Measures: Height 271cm, width 235cm, depth 52cm ...

Stunning Blue Murano Glass Ormolu Mounted Round Table Box  Italy, mid-20th century  This beautiful Blue Murano Glass Ormolu Mounted Round Table Box, made in Italy during the mid-20t...

A pair of antique gilt bronze fireplace andirons in renaissance style. Coups with on top flames, flanked with ram heads, resting on lions...

An outstanding Louis XV-style mahogany bureau plat after a model by Jacques B. Dubois, from the estate of Phyllis McGuire, the shaped leather-inset top...