Ormolu Furniture

A palatial and superb early 20th century gilt bronze Mounted Louis XVI style Mahogany Vitrine by François Linke François Linke The arched top with scrolled corners and centered by a laurel wreath and crossed acanthus branches, above a central large door at top by a lyre on drapery-covered plinth, flanked by scrolling acanthus, with a smaller door to each side hung with floral swags and with central oval plate, the divides cast with a slender flower-filled vase, the interior with adjustable shelves and drawers to the bottom, on shaped foliate-cast plinth and acanthus-capped tapering feet. Inscribed F. Linke to the top right bronze mount and stamped “C LINKE” on the back of the locks. Linke was born in Pankraz in Bohemia and was celebrated by the French as one of the greatest ébénistes of meubles de style at the turn of the century. He began his apprenticeship with a Bohemian master at the age of thirteen. Four years later, he toured Austria, settling and working in Vienna for two years. Linke arrived in Paris in 1875, and by 1881 he had established his own small workshop at 170 rue du Faubourg St. Antoine. Taking 18th century styles as his starting point and adapting earlier styles to contemporary taste, Linke produced fine quality furniture, steadily expanding his business during the next 20 years. He firmly established his reputation after receiving a gold medal at the Paris Universal Exhibition of 1900 for his extraordinary Grand Bureau. He continued to use international fairs as a means of exploring new markets, exhibiting at the 1904 World’s Fair in St. Louis, the Liege in Belgium and the 1908 Franco-British exhibition in London. Linke’s highly original designs sprang from the Régence and Rococo styles but were imbued with something quite new – Rococo curves were laden with gilt-bronze sculptural mounts in the tradition of A.-C. Boulle (1642-1732) or Charles Cressent (1685-1758). Stylistically, the new designs still adhered to the Rococo; the novelty, however, was Linke’s fusion of the Rococo with the liveliness and the fluidity of the ‘art nouveau’. The Revue called Linke’s creations entierement nouveau, and continued to say that ‘Linke’s stand...

This is a beautiful English Ballroom crystal chandelier with forty-one lights arranged over in three tiers, circa 1920 in date. This ma...

A beautiful and high quality pair of French 19th century Louis XVI st. ormolu and Black Belgium marble Guéridon side tables. Each table is raised by handsome and detailed hoof feet adorned with large acanthus leaves. Each leg is joined by triangular stretchers with concave sides and fine central rosettes. The elegant cabriole legs support central Black Belgium marble tiers...

A pair of magnificent fine quality vintage French Louis XV style gilt bronze ormolu mounted mahogany side tables after celebrated master Parisian ébéniste Francois Linke (b.1855-1946...

Antique Art Nouveau Oak Leaves Acorns Bronze Gilt Ormolu Gold Letter Opener Continental Bronze c. 1900 Dimensions: Length 23.5cm The design of this...

A very fine French Belle Époque 19th century tulipwood and gilt bronze-mounted Vernis Martin decorated Vitrine by Louis Majorelle (French, 1859-1926). The single door case with a hand-painted board depicting a garden courting scene surmounted with ormolu wreaths and a banded frame. The top with a pierced gilt bronze gallery above an ormolu royal tassel trim flanked by a pair of female masks above crossed torches and flames, cross flutes, a tambourine, a pan flute, ribbons and a tassel. Raised of four cabriolet legs with corner ormolu wreaths and leaves ending with hooves, Paris, circa 1990. The back bears the original Majorelle label that reads: "Louis Majorelle, Fabrique a Nancy, 3 Rue Girardel. Depot. 56 Rue de Paradis, Paris." Louis-Jean-Sylvestre Majorelle, usually known simply as Louis Majorelle, (26 September 1859 – 15 January 1926) was a French decorator and furniture designer who manufactured his own designs, in the French tradition of the ébéniste. He was one of the outstanding designers of furniture in the Art Nouveau style, and after 1901 formally served as one of the vice-presidents of the École de Nancy. The Majorelle firm's factory was designed by famous École de Nancy architect Lucien Weissenburger (1860 – 1929) and located at 6, rue du Vieil-Aître in the western part of Nancy. In the 1880s Majorelle turned out pastiches of Louis XV furniture styles...

Early 20th Century French Louis XIV Style Twelve Branch Heavy cast Brass and Ormolu Chandelier. Great vintage condition. This heavy cast brass Jewel will not rust. Measures 28" in d...

Antique French Green Onyx Champlevé Enamel Marble Ormolu Pedestal Clock French, Late 19th Century Height 136 cm, Width 41 cm, Depth 33 cm An impressive French pedestal clock in gr...

A PAIR OF LOUIS XVI ORMOLU-MOUNTED CRYSTALLINE GREY MARBLE VASES, CIRCA 1785. The socle bases 19th century.

A very impressive and palatial late 19th century gilt bronze and crystal twenty four light basket chandelier The large sunburst corona above a reticulated pierced crown adorned with...

Antique French Églomisé Casket - Souvenir from France, circa 1900 A charming French antique casket from circa 1900 with gilt brass fittings and clear glass panels. The hinged lid fe...

Very large French Louis XV style ormolu mantel clock French, circa 1880 Measures: Height 98cm, width 50cm, depth 27cm This fine 19th century clock is unusually large, standing a...

Very Large Pair Antique French Sèvres Style Porcelain Ormolu Vases French, Late 19th Century Height 164cm, width 58cm, depth 46cm This remarkable pair of large vases is created in ...

This large, gilt bronze wall clock is a magnificent and highly unusual piece. At the centre of the design is a circular enamel dial, with Arabic...

A magnificent and very high quality French 18th century Louis XV period Tulipwood, Kingwood, and ormolu Bureau Plat desk. The desk is raised by elegant cabriole leg with exquisite pierced fitted ormolu sabots with fine foliate designs and hoof feet below a delicate ormolu chute leading upwards to impressive richly chased ormolu masks of handsome bearded men. The apron displays three drawers separated by impressive curved foliate gadroon designs each displaying superb quarter veneered Kingwood...

This lovely stylish pendant or hanger was made to hang on a chain. Made in Germany, circa 1900. A very pretty piece of antique jewellery which would make a fine addition to any coll...

A Very Fine French 19th Century Louis XV Style Ormolu Mounted Satinwood Parquetry and Vernis Martin Style Lady's Petit Writing Table Desk, attributed to Louis Majorelle (French, 1859...

A rare 18th century Italian walnut chest / credenza, Renaissance Period, neoclassical influenced, having two elaborately carved figural statue c...

This beautiful desk, beautifully finished in kingwood, leather and gilt bronze, is a fantastic piece of 19th century French design in the Louis XV style. Elegant, beautifully crafted...

A very fine French 19th century Louis XV style ormolu mounted plum pudding mahogany veneer, mahogany and Vernis Martin decorated vitrine à Deux Corps, probably by François Linke (1855-1946). The lower structure fitted with finely chased gilt-bronze mounts with female masks, musical instruments, floral drapes, bows and acanthus, centred with a frieze drawer and a cupboard door with three painted panels. The centre front painted panel with a Romantic courting park setting scene amongst sheep and a sculpture fountain of Putti; the side panels both with parks scenes of a resting lion sculpture and fountain flanked by grassing sheep. The lower cabinet interior with three drawers, the upper vitrine case with two glass shelves, a bowed beveled front door and sides, crowned with a fine gilt-bronze wreath mount with ribbons, all raised on four cabriolet legs with cast lion paw mounts. Unsigned, Paris, circa 1890-1900. The style of this cabinet is closely related to those produced in the Paris furniture making trade in the Faubourg Saint-Antoine in the 1880s and as such, without a signature or identifying mark, is unattributable. However, there are similarities with the firm Raoux et Brunet, some of whose mounts were designed by Léon Messagé and later used by François Linke. Indeed many of the mounts on this cabinet, whilst not exclusive to him, are very similar to the work produced in his early years in Paris in the 1880s. At this time Linke was making furniture to order...

An antique Florentine copy of a self-portrait by Peter Paul Rubens (1577-1640) painted by F. Flor for Flor & Findel, early 19th century. The portrait is framed in the original c...

A splendid Regency style round drum table or center table in mahogany by Maitland-Smith, with gilt tooled leather top, applied brass ormolu foliate rosettes and trim, faux drawers, c...

This is a fine large antique top quality ormolu Louis Revival four light table lamp, circa 1870 in date. Made by the cire perdue process it features a decorative ormolu sculpture of...

Late 19th century Louis XV circular gueridón table with ormolu accents attributed to François Linke for Maison Forest, France By: François Linke, Maison Forest Material: wood, bronz...

A very unusual and quite rare 19th century French chinoiserie/Japanism dore bronze mounted and hand painted porcelain aesthetic movement clock, attributed to E. Lièvre, most probably...

A stunning and extremely high quality French 19th century Napoleon III period ebony, exotic wood, ormolu, brass and white Carrara marble cabinet. The cabinet is raised by handsome bl...

A Magnificent Rococo Style Gilt-Bronze, Bois Satiné and Mahogany Commode. By Rosel, Brussels, After The Celebrated Model By Johann Melchoir Kambli. Of curvaceous bombé form surmoun...

Pair antique French Empire ormolu mounted mahogany bergere armchairs with red & gold upholstery, Circa 1890.

An absolutely gorgeous Louis XIV style Brass Ormolu Mounted and Framed wool Handvoven Tapestry. Tapestry depicts an music room / orchestra scene with a young lady / organ or piano pl...

Early 20th Century rectangular cocktail table executed in the Empire style. The ebonized wood base is fitted with applied bronze ormolu mounts with shaped supports joined by a lower ...

A Remarkable Pair of Ormolu-Mounted Marble Candelabra by Sormani of Paris After the originals by Jean-François Lorta (1752-1837) Residing at the Louvre Constructed from the unusual...

Elegant late 19th century gilt bronze bust of César, attributed to French maker F. Aulde. Executed in a neoclassical style, the bust represents a Roman figure—likely Julius Caesar—dr...

A French Sevres style cobalt blue lyre clock with finely cast ormolu sunburst and floral swagged mounts with jewelled bezel, pretty floral swa...

A most exquisite and large scaled French 19th century Louis XVI st. Baccarat Crystal and Ormolu chandelier. This truly stunning twelve arm fifteen light chandelier is centered by a f...

A rare and extremely high quality French 19th century Louis XVI st. Mahogany, ormolu, silvered bronze, and glass circular vitrine cabinet attributed t...

Early 18th C., France, a Régence Ormolu Chandelier from The Keck Collection, sold Sotheby's 5 Dec 1991. The six light chandelier with a support composed of a gadrooned baluster-shape...

These are magnificent urns in the Chien Ling style. Very beautiful colors on the vases and of course, the ormolu trim is wonderful.     

Very Important Late 19th Century Gilt Bronze Mounted Palatial Fireplace Surround – “Salon d’Hercules” Versailles The beautiful and rare Breche de Violette marble fireplace frieze is centered and ornated by a large bust of Hercules wearing the skin of the Nemean lion carved in very high relief, on both sides are represented two cornucopias with realistic flowers and fruits, indicating abundance, the legs are decorated by expressive roaring lion heads, the heavy top backsplash is centered with a large bronze relief of a reclining Hercules surrounded by shells, laurel leaves, feathers and many other trophies. This fireplace is a copy of the original 18th Century model that was made for The Salon de Hercules in The Palace of Versailles...

Internal Music Box Playing Two Aires From our Writing Box collection, we are delighted to bring to the market this exceptional French Palais Royal Musical Writing Box. The Writing ...

A true museum piece, this beautifully sculptural clock could easily find its home in a traditional environment, or be a functional and explosive counterpoint to a minimalist interior...

A lovely and most elegant French 19th century Louis XVI st. Tulipwood, Ormolu and Breche Rouge marble side table. This wonderful oval side table is raised by four tapered fluted legs...

An Exceptionally Rare 18th Century Louis XV Ormolu Mounted Meissen Porcelain Chinoiserie Elephant, Snail, and Flower Mantel Clock. The clock drum is painted with floral reserves on a yellow-ground porcelain case, surmounted by a seated monkey modeled in cream-glazed porcelain. The dial is inscribed “MILLOT / Her DU ROY,” referring to the Parisian clockmaker Millot, horloger du roi, and retains its original single-barrel movement with platform lever escapement. The interior of the case bears a stamped “B.” The entire composition is supported by a scrolling structure of polychrome porcelain flowers mounted on ormolu branches, leading to a central Meissen figure seated on a saddled elephant, positioned on an elaborately cast gilt bronze rocaille base. The composition centers around a chinoiserie theme, which was highly fashionable in mid-18th century France, particularly during the reign of Louis XV. In this example, the chinoiserie elements are expressed through the seated porcelain figure in Chinese dress, riding atop a caparisoned elephant with a vibrantly painted red and gold saddle and bright yellow cushion. The elephant, modeled with expressive naturalism, features finely detailed ears, trunk, and legs in Meissen’s distinctive hand-painted porcelain, with further ornamentation in applied gilding. Surrounding the central figure and timepiece is an elaborate framework of metal branches issuing dozens of individually modeled porcelain blossoms. These include peonies, roses, and tulips in various stages of bloom, each petal uniquely hand-shaped and painted in hues of lilac, ivory, pink, and violet, with naturalistic green leaves extending outward on slender bronze stems. The gilt bronze mount is executed in the Rococo taste, with asymmetrical shell forms, Snails, C-scrolls, and foliate scrollwork typical of French bronze work from the Louis XV period. The ormolu is mercury-gilded, a process common in the 18th century which involved the application of an amalgam of gold and mercury to the surface of the bronze, followed by firing to vaporize the mercury. This technique created a matte yet luminous surface, prized for its depth and lasting quality. The ormolu is cast in a deeply three-dimensional style, with scrolled feet and boldly molded foliate ornaments that cradle the base of the Meissen elephant...

A Magnificent Gilt-Bronze Mounted Parquetry Commode, After Antoine Gaudreaux's 'Commode Médallier'. The serpentine Vert Maurin marble top above a conforming case set with two cupbo...

A stunning Italian 19th century Baroque st. ebonized fruitwood, giltwood, ormolu and semi precious and hard stone Florentine cabinet. The cabinet is raised by a unique and most decor...

A Fine and Grand Late 19th Century Transitional Style Gilt Bronze Mounted Vitrine/Bookcase By Paul Sormani Paul Sormani A long marble top above a bronze frieze with two glass cente...

An Exceptional and Handsome Pair of Italian Mid Century heavy gauge electric table Lamps of outstanding quality, in the style of Italian designer Gio Ponti. Circa 1950s. The main ...

A Rare and Important Napoléon III Gilt-Bronze and Sèvres Style Porcelain-Mounted Mahogany and Lemon Wood Bonheur Du Jour, Attributed to Édouard Kreisser, This magnificent bonheur d...

19th Century French Ormolu & Patinated Bronze Sculpture of a Seated Satyr France, Circa 1875 A good quality 19th Century French Ormolu & Patinated Bronze Sculpture of a Seated Saty...

Dutch Delft blue and white lamp. Beautiful large Delft faience vase mounted as a lamp with bold floral decoration and borders with spectacul...

A Very fine French 19th century Louis XV Style Ormolu-Mounted Kingwood, Satinwood and Fruitwood Parquetry Kidney-Shaped secrétaire de dame (Lady's Desk) with an enamel dial clock and...

A Pair of Green Glazed Jardinieres with Ormolu Mounts, 19th Century Provenance: Private Australian Collection. Dimensions: Height: 18cm. Width: 21.5cm. Depth: 15.5cm.

An Exquisite and Complete French Ormolu-Mounted Cave à Liqueur The frame of gilded bronze with well cast and hand-chased details; the sides and top set with bevelled glass panels; s...

These cloisonné enamel vases are wonderful pieces of Chinese decorative art. They were crafted in the last decade of the Qing dynasty, which lasted from 1644 to 1911. The vases a...

A truly fabulous antique French parquetry turnover top games table, circa 1880 in date. The top with ormolu banded edge, the parquetry decoration exhibits a stunning array of exotic...

Pair 19th Century French Monumental Obelisks. Exquisite design, must see photos.

Antique French Ebonized Rosewood, Marquetry & Ormolu Curio Top Cabinet C1890 Measures - 69.75"H x 42.25"W x 14.75"D This antique French cabinet from circa 1890 showcases fine ebo...

A good quality pair of Chinese 19th century Famille rose vases / lamps. Each with a blue and yellow ground, panels depicting exotic birds and flowers. Gilded ormolu lids and bases in...

Sevres Porcelain Ormolu Tazza, 1838 Hunting Royal Service of King Louis Philippe This exceptional Sèvres porcelain ormolu-mounted tazza, dating to 1838, forms part of the renowned ...

A Nice Pair of Late 19th Century Louis XV Style Gilt Bronze Three Light Sconces The foliate-scolled backplate supporting three candle branches ending in drip pans and nozzles. Det...

A very fine and large 19th century Chinese export famille verte porcelain and French figural ormolu-mounted Chinoiserie style centerpiece jardinière, in the manner of Edward Holmes Baldock (1777-1845). The circular-ovoid porcelain bowl or cachepot, maybe 18th century Jiaqing period (unverified), decorated with a blue and purple ground background with parcel gilt depicting pagodas, trees, mountains and landscape scenes, flanking scrolled handles issuing from the base and ending with a finely chased ormolu pierced acanthus rim. The two ends with a projected mask of Chinese Imperial lions or foo dogs, surmounted and raised on six finely chased ormolu masks of Bacchus satyrs flanked by seashell-like mounts. The Ormolu, circa Paris, 1880. The Porcelain circa 1800 (Maybe 18th century.) Measures: Height: 15 3/4 inches (40 cm.) Overall width: 21 inches (53.4 cm.) Depth: 17 inches (43.2 cm.) Edward Holmes Baldock (1777-1845) was a prominent London furniture dealer to the Royal Family, father of Edward Holmes Baldock. He was first listed in the London trade directories in 1805. That listing had him operating out of No.7 Hanway Street in London, where he was described as selling "china and glass". An updated listing in 1821 described his business as "an antique furniture and ornamental furniture dealer", and in 1826 as a buyer and seller of "china, cabinets, screens, bronzes etc". Between 1832 and 1837 he sold earthenware and glass products to William IV, and upon the ascendancy of Queen Victoria in 1837, sold china until his death in 1845. Baldock was one of the first antique dealers and is similar to the 18th century marchands-merciers Dominique Daguerre and Simon-Philippe. He was the father of Edward Holmes Baldock (1812-1875), a British Conservative Party politician, and of Mary Frances Baldock, wife of the philatelist W. A. S. Westoby. Famille Verte Famille verte (????, Kangxi wucai...