Ormolu Furniture

A stunning and high quality French late 19th century Art Nouveau Period Ormolu box. This exceptional box is raised on four foliate feet below large scale scrolled acanthus leaf corne...

A fine Boston Federal game table in mahogany with fire gilded bronze doré ormolu mounts in the corners of the apron and original brass paw foot casters. Carving is well articulated and form is reminiscent of Federal Boston cabinet maker Isaac Vose...

A fine quality antique French Louis XV marquetry inlaid rosewood and ormolu jardiniere, wine cooler, side table, circa 1860. The table with a removeable lid with twin gilt bronze roc...

An extremely fine Russian Empire Ormolu Mounted Mahogany center table, circa 1820-1830. Very finely mounted with crisp ormolu throughout, with bronze female figures, foliate scrolling, lions head...

Ebonized Leather top Bureau Plat/Desk, Louis XV period 3 working drawers on one side. Back side has 3 false drawers Circa, 1760 with one Key It's Old leather top in Useable but h...

Gilt Bronze Display Stand — France, Late 19th Century Elegant gilt bronze display stand made in France in the late 19th century. Crafted in the Renaissance Revival style, with decor...

Grand Regulator World's Fair Clock François Linke Circa 1900 Widely regarded as the greatest sculptural clock ever created, this monumental régulateur by François Linke was conceived as a statement for the 1900 Paris Universal Exposition, a moment when the world’s finest artisans competed on an international stage. Linke, the most celebrated ébéniste of the Belle Époque, was awarded the prestigious gold medal for his display, which critics described as “the biggest event in the history of furnishing art in the year 1900.” Designed in collaboration with the sculptor Léon Messagé, the clock exemplifies Linke’s ambition to elevate furniture and timepieces to the realm of fine art. The clock represents over a decade of design and craftsmanship. Only six examples of this model were ever completed due to the extraordinary labor and cost involved. Building just one had a production cost of 22,966 francs, the equivalent of approximately eight years' wages for the average French worker in 1900. The clock is illustrated on the spine of Christopher Payne’s definitive monograph on Linke. Mahdi Al-Tajir, one of the world’s most important collectors, later acquired the present model. Another is located at Whitehall, the Flagler Museum in Palm Beach. It was acquired by Rockefeller’s partner, Henry Flagler...

FREE WORLDWIDE SHIPPING Modelled as a Peregrine Falcon Bird of Prey From our Decorative collection, we are pleased to offer this French Peregrine Falcon Bird of Prey Inkwell. The...

An important antique French Louis XV transitional style gilt-bronze mounted amaranth & kingwood marquetry table à écrire, by Paul Sormani, Paris, circa 1870. A beautiful bombe shape...

An exceptional quality three-piece clock set designed in a grand neoclassical style by 'Domange Rollin Rue de Bretagne Paris'. France. The set is comprised of a central clock and tw...

Antique Biedermeier secretary with fire-gilt bronzes Berlin Curly maple and others circa 1810 Dimensions: H x W x D: 141 x 88 x 49 cm Description: Rare and highly refined Berlin w...

A most spectacular and high quality French 19th century Louis XVI st. patinated Bronze, Rouge Royal marble and Ormolu garniture set. This most striking garniture set consists of a ce...

Exceptional very large ormolu and silvered bronze jardinière by Christofle French, 19th Century Height 44cm, width 93cm, depth 59cm This superb jardinière centrepiece was crafted by...

A Fabulous and Quite Impressive Pair of French Ormolu Mounted Chinese White Ground Cloisonne Enamel Chrysanthemum Vases. The surfaces are covered in cloisonne enamel decoration set ...

Stunning imposing Pair of French Sevres Style Soft Paste Porcelain and Ormolu Twin Handle Electric Table Lamps of traditional bulbous form, and of good size proportions, raised on a ...

An elegant and most decorative pair of French mid 19th century Louis XVI st. Ormolu candlesticks. Each wonderful candlestick is raised on a square base with cut corners and elevated ...

An Important and Monumental Art Nouveau Ormolu-Mounted Ceramic "Exhibition" Vase, C. 1895 Spectacularly mounted naturalist vase; the base dressed and balustered, the neck finished in double openwork bulb, the surface describing sinuous reliefs. Polychrome glazed ceramic in Beige, blue, and green. The shoulder is decorated with a gilded bronze roundel with five ormolu bronze female...

A fine & large pair of antique French Sevres porcelain ormolu mounted candle wall sconce lights, mounted with portrait miniatures, circa 1880. The top of each sconce is inset with a Sevres porcelain portrait miniature of Princess Elizabeth the Sister of Louis XVI & Madame De Montesson the wife of Louis Philippe Duke of Orleans...

This is a stylish antique Swedish birch Biedermeier sofa table with ebonized detail, circa 1820 in date. The table features a rectangular top w...

A wonderful card or games table by the French firm Moissonnier. Fully stamped with manufacturer mark, see images. The top is reversible, with a red leather top and also a black pai...

A strike repeat alarm carriage clock by Pierre Drocourt. Stamped and numbered with the Drocourt mark on the back plate in a gilded 'Gorge' case. Drocourt was one of the great carriag...

Very nice quality, French, Louis XVI style gilt bronze Bouillotte lamp with green painted tole shade, (19th century). The lamp features nicely chiseled acanthus leaves, garlands, cen...

A bleached French marquetry and ormolu oval mirror, 19th century. 18 inches wide by 2 inches deep by 20 ¼ inches tall

A scarce very fine quality Napoleon III Period (1852-1870) gilt bronze ormolu mounted inlaid glove box by important Parisian ébéniste Paul Sormani (1817-1877) Exquisitely hand-cra...

An elegant pair of French 19th century Louis XVI st. white Carrara marble and Ormolu urns. Each stunning lidded urn is raised on a stepped square Ormolu base with concave corners. Th...

A fine quality late 19th century French bronze and ormolu garniture, the 8-day striking enamelled dial movement by AD Mougin - Paris, contained in ormolu cas...

A Pair of Louis XVI Period (18th Century) Dore Bronze Maiden-Form Two-Arm Wall Appliques/Sconces. Each applique takes the form of a caryatid-style female figure and functions as a t...

Grand ormolu and marble clock set by Raingo Frères and Salmson French, Late 19th Century Clock: Height 69cm, width 81cm, depth 23cm Candelabra: Height 80cm, width 34cm, depth 34cm This elegant clock set was created by Raingo Frères and Jean Jules Salmson (French, 1823–1902). Raingo Frères, founded in 1832, was famous for its astronomical clocks, one of which is now in the Windsor Castle collection. The set is complemented by bronzes from the renowned sculptor Salmson, a regular exhibitor at the Paris Salon. The garniture includes a central mantel clock and two matching eight-light candelabra, all expertly crafted from ormolu and white marble. The clock features a central column topped with a finely detailed sculptural group of bacchantes holding grapevine garlands, with cherubs draping them over large vases. The white enamel dial is framed by an acanthus ormolu mount and rests on a base with twin ormolu lion feet. The candelabra mirrors...

Ferdinand Barbedienne, A French Ormolu and Champleve Enamel Jardiniere, C. 1870, The Design Attributed to Louis Constant Sevin. An exceptional qualit...

French Baccarat Crystal Patch Box with Sulfide Cameo of Psyche France, circa 1840–1860 Dimensions: 1.75" diameter × 0.75" high A rare mid-19th-century F...

This is an elegant antique French Art Nouveau ormolu columnar table lamp with shade, late 19th Century in date. The table lamp features a knopped bulbous column with a Fleur de Lis ...

A Fine and Large French 19th/20th Century Louis XV Style Mahogany and Gilt-Bronze Mounted Three-Corps Vitrine Cabinet. The converted three door display case with twin bombé (rounded)...

Rococo style gilt bronze and Vernis Martin vitrine cabinet French, 19th Century Height 194cm, width 120cm, depth 50cm This large and exquisite vitrine cabinet is a true statement pi...

A superb Louis XVI style gilt-bronze and black lacquer commode inspired by Jean-Henri Riesener’s celebrated model for Queen Marie-Antoinette. It features a veined red brèche Basque m...

An extraordinary Louis XV period (1715-1774) French ormolu mounted tulipwood and kingwood marquetry bombé sauteuse commode by master Parisian ébéniste André-Antoine Lardin. circa late 1740s In our 40+ years we have not came across a chest of drawers that captures our attention like this one! Exquisitely hand-crafted in Paris in the mid-18th century, exceptionally executed in opulent and luxurious period King Louis 15th taste, featuring a curvacious serpentine-front bombe-form solid wood case fitted with two drawers, adorned with finely chased, chiseled and gilded bronze doré mounts, including rare and most distinctive sculptural fiolated scroll Rocaille handles, flanking ornate keyhole escutcheons with original key included. In absolutely stunning rare and exotic precious tulipwood and kingwood veneer work with striking warm rich highly figured grain patterns, elegant floral marquetry inlays and fascinating early sunburst panels. Topped with the original serpentine shaped Brèche de Médous marble-top with stepped molded edge. The Breccia de Médous is extracted in the towns of Médous and Asté, near Bagnères-de-Bigorre in the Hautes-Pyrénées. This dramatic breccia is composed of angular elements of contrasting colors ranging from black to yellow to gray creating a bold but subdued visual display. Signed, retaining the original LARDIN blind stamp to top proper-right rear post underneath marble. André-Antoine Lardin (1724-1790) is a celebrated Master Cabinetmaker, earning maître in 1750, and particularly respected for his extraordinary woodworking veneer - marquetry work. - PROVENANCE / ACQUISITION: From the important collection of Loyd-Paxton, Dallas, Texas. Property from the magnificent Estate of Mr. and Mrs. Robert Morris Graham Sr., El Paso, Texas, but also with homes in Dallas, Texas and Pebble Beach, California. Acquired from the highly reputable auction house Heritage Auctions, Dallas, Texas. 2024 Furniture & Decorative Art Featuring The Collection of Mrs. Henry Ford II Signature Auction Catalog #8167 Loyd Paxton Gallery, Dallas, Texas. With one of the finest collections in the world and prominent customers to match, including Sir Elton John, Truman Capote, Saudi Prince Faisal, and the Sultan of Brunei. Rare French antiques from Loyd-Paxton made their way into Versailles when it underwent renovations, and the Metropolitan Museum of Art in New York purchased furnishings, including a dazzling Louis XIV Boulle desk that had been owned by the Sun King himself. Betty Jo Graham might not hold celebrity status but her remarkable life and many contributions to American history and the arts community of El Paso, Texas, make her deserving of the limelight nonetheless. Affectionately known to her friends as BJ, led a remarkable life that intertwined a deep passion for music with significant contributions to her community and country. BJ embarked on her vocal journey at the age of 12, studying under the esteemed Mini Ferguson Owens at the University of Wichita. Her pursuit of musical excellence continued in the same institution, where she later attended college. BJ's life was not solely dedicated to music; she also played a vital role in American history. During the tumultuous times of World War II, she contributed her skills to the Cessna AT-17 training program, a crucial effort in preparing pilots for combat. She worked as an electrical wiring diagram analyst for Boeing Engineering Development on the iconic Enola Gay project in 1956. BJ's heart always remained with music. She continued to refine her vocal skills with notable figures such as Maude Douglas Tweedy in New York City and John Charles Thomas in Apple Valley, California. Her love story with Robert Morris Graham Sr., whom she married in 1975, was filled with shared adventures and travels across the globe, living in places from Dallas, Texas, to Pebble Beach, California, and El Paso, Texas. As a trustee of the El Paso Symphony Orchestra and a board member of the El Paso Symphony Youth Orchestra and El Paso Pro-Musica, she played a pivotal role in nurturing the musical landscape of her community. Her support extended to various causes, including the El Paso Opera, Holocaust Museum, Museum of Art, and many more, showcasing her belief in the transformative power of art and culture. Betty Jo Graham's journey through life reflects a profound dedication to her passions, community, and the arts. Her legacy, marked by her music, history, and philanthropy contributions, inspires and impacts many, ensuring that her melodious spirit will be remembered and cherished for future generations. After traveling the globe and living in cities across the country, Graham and her husband, Robert Morris Graham Sr., eventually settled in El Paso, where she served as a trustee of the El Paso Symphony Orchestra and a board member of the El Paso Symphony Youth Orchestra and El Paso Pro-Musica. Though Graham had a lifelong passion for music and played a pivotal role in nurturing the musical landscape of her community, her philanthropy extended to various causes, including the El Paso Opera, El Paso Holocaust Museum and El Paso Museum of Art, showcasing her belief in the power of art and culture. A patron of the arts, Graham was also a collector of fine jewelry, with a particular fondness for eye-catching, statement-making rings, necklaces, earrings and more, and Heritage was honored to present Property from the Estate of Mrs. Betty Jo “B.J.” Graham as part of its Spring Fine Jewelry Signature Auction. Inscription to placard on reverse: FROM THE COLLECTION OF LOYD-PAXTON DALLAS, TEXAS Signatures: Original blind stamped LARDIN to top of rear post. Bronzes not removed to inspect for foundry marks. - DIMENSIONS: (approx) 33" High, 42" Wide, 20.75" Deep - CONDITION REPORT: Overall a superb example, especially considering its nearly 300 years old. Beautifully aged warm patina, antique wood glow and lustrous sheen. Strong, sturdy, stable, structurally sound. Evidence of restorations, likely by Loyd-Paxton, including high-quality bespoke upholstered drawer lining. Typical wear commensurate with age, use, handling and exposure, including minor nicks to edge, age splits scattered throughout body, expected antique character and charm. Marble top is in great shape. Accompanied by two working keys. Overall outstanding presence, delivered cleaned, waxed, with hand rubbed polished patina, ready for immediate use and generational enjoyment! - INTERESTING ADDITIONAL INFORMATION: This elegant commode typifies the fashion for furniture mounted with exotic and rare woods, exquisite marquetry-work, and decadent Rococo bronzes. Andre Antoine Lardin, also known as N.B. Lardin was born in 1724 and died on 10 August 1790. He held his master's title from 1 July 1750 and was particularly respected for the exceptional quality of his veneering / marquetry. A well known and regarded maître ébéniste, Lardin’s career is somewhat thinly documented, most likely due to the upheaval and record destruction during the Revolution, notably when the guilds in Paris and elsewhere were abolished in 1791. Lardin worked for various marchand-mercier (furniture dealers) and probably also for a private clientele. He ran his workshop first in the Rue de Charenton and from 1770 in the Rue Saint-Nicolas. His two sons, André Antoine II and Louis François, worked with him for some time and the second-named became his successor in the Rue Saint-Nicolas. Lardin is known to have worked for the marchands André-François Carré, this superb commode having almost most certainly been commissioned through the intervention of one of these fashionable dealers. The marchand-mercier André-François Carré, is recorded rue Froidmanteau, "Magasin de glaces, porcelaine ébénisterie et curiosités pour les cabinets d'histoire naturelle." Carré also worked with two vernisseurs (vernis Martin): Porchon and Prévost. All of Lardin's furniture is classic in form and decor, well crafted and mostly veneered in rosewoods or violet wood. Lardin worked in the taste of the time with geometric patterns, cartouche fields and simulated fluting. Furniture with elaborate inlays such as birds, trophies, urns, landscapes, or flowers and sunburts such as this stunning example appear more rarely. The stamp JME stands for Jures Menuisiers Ebeniste and notes the guild affiliation of the master. The Corporation des Menuisiers-Ébénistes was a French craft guild which was concerned with the profession of woodworking. Some JME stamps are worn down from the marble slab over the years and no longer apparent, but in this case lacking the JME stamp is likely indicative of work made prior to reaching maître ébéniste (master cabinetmaker), denoting an early and exceedingly scarce example. Eighteenth century French furniture...

A fine antique French Empire cut crystal round shaped centerpiece bowl with a wavy edge. Mounted in a footed hand chiseled ormolu mount decora...

Stunning Pair Traditional Japanese Imari Bulbous Form Porcelain Vases of medium to large proportions, now converted to a pair of electric Table Lamps, complete with ormolu stepped ci...

This handsome Louis XV style commode circa 1800 or earlier. A fantastic charcoal marble top with a molded edge, shaped in the same fashion as the body. A bank of three drawers featur...

A fabulous pair of 20th Century richly patinated, well figured mahogany and kingwood marquetry inlaid marble top bedside chests of exceptional quality. This stunning pair are finely...

Pair of Louis XV Style Gilt Bronze Figural Six Branch Candelabra, late 19th century, each with a seated cherub supporting foliate branches, on a acanthus scrolled base and octagonal ...

FREE WORLDWIDE SHIPPING ON OUR COLLECTION OVAL SHAPE TABLE CLOCK WITH BRASS BRACKET From our European Ceramics collection, we are delighted to offer this Sevres Style Porcelain Tab...

This is a superb antique pair of decorative Victorian burr walnut and floral marquetry pier cabinets, dating from Circa 1860. Adding to their truly unique character they are  decora...

A large and very well decorated French Empire Egyptian Revival fireplace surround, in well configured Antico Verde Marble with exceptional quality Ormolu mounts. The Jambs with taper...

Pair French Empire Ormolu & Patinated Bronze Fluted Column Lamps, Signed, Dombrowski Fabricant Rue St. Honoré 343 a Paris, Circa 1830s A magnificent pair of French Empire Ormolu and...

An exceptional and supremely refined large French Louis XVI style Ormolu and White Marble Clock Garniture, dating to the 19th century and proudly retailed by the esteemed Tiffany & C...

A Very Fine French 19th Century Louis XVI-Louis XVI Transition Style Ormolu-Mounted Mahogany, Birdseye Maple, Fruitwood and Sycamore Marquetry and Parquetry Commode with a Brèche d'Alep Marble-Top, after the model by Jean-Henri Riesener (1734-1806). Circa: 1870-1880. The finely detailed commode with rounded sides, finely chased ormolu mounts with their original mercury gilt, a single center apron drawer with wreath ormolu pulls and an acanthus plate...

A late 20th Century Neoclassical Partial Gilt Decorated Fruitwood and Faux Marble Top Console Cabinet. One adjustable height shelf. Measures 32.75" in width, 12.5" in depth and 34" i...

A very fine French 19th century Napoleon III Ormolu Mounted Ebonized wood and Pietra Dura Meuble d'Appui à Hauteur with a grey marble top. The single front-door black-lacquered cabin...

An Important Louis XV Style Gilt-Bronze Mounted Lacquer Commode, by Maxime Secrétant, Paris. Of bombé outshape with Portor marble top. The front with two deep drawers and applied with superb gilt-bronze foliate and rocaille mounts. The whole finished in exquisite black and gold Japanese lacquer depicting mountain landscapes and temples. Raised on cabriole legs. Stamped with marque au fer ‘M. SECRETANT / 1918’ and with a fleur-de-lys within a shield. The mounts incised to the back ‘M.S.L.’ and numbered ‘2422, 2524, 2525, and 2528’. France, Dated 1918. This magnificent commode is a direct copy of a famous model in the Victoria and Albert Museum, London. Acquired by the museum in 1882, it forms part of the Jones Collection (inv. 1105-1882). Dated to 1760-1765, it is attributed to Bernard van Risenburgh...

This mantle clock is by a well-respected Paris maker in a fashionable style. The oval base supports a vase shaped clock case in turn supported by winged dolphin heads and flanked by ...

An Exceptionally Fine Pair of Chinese Cantonese Hand Decorated Porcelain Mantle Vases with ornate Ormolu bases now converted to Electric Table Lamps, of compact size proportions, (se...

Antique French Louis XVI Style Gueridon by Henry Dasson. Sophisticated 19th century ormolu and Mahogany Gueridon after Adam Weisweiler (1750-1810). The Gueridon, fashioned in the L...

Perfumer Baccarat Perfume Box, Ormolu Mounted, Doré Bronze Presenting a remarkable fusion of artistry and opulence, the perfumer Baccarat's green op...

19th Century French Ormolu & Patinated Bronze Sculpture of a Seated Satyr France, Circa 1875 A good quality 19th Century French Ormolu & Patinated Bronze Sculpture of a Seated Saty...

A Very Fine French 19th century Louis XV Style Ormolu-Mounted Kingwood and Satinwood Parquetry Vernis Martin Decorated Meuble D'Appui Side-Cabinet by François Linke (1855-1946) - Index Number 204 - Paris. The serpentine Griotte de Campan Rouge marble top above a single bombé door painted with a scène of a couple running through the forest flanked by cupids and angels over a waterfall, the interior fitted with one wooden shelf, the front angles each with a scrolling foliate clasp, the bombé sides decorated with square parquetry fields, on cabriole legs and acanthus-cast sabots. The lockplate engraved 'Ct. LINKE - PARIS'. The ormolu cast stamped 'FL' on the back. Circa: Paris, 1890-1900. François Linke (1855-1946) was one of the most celebrated ébénistes of his time. Born in Pankraz, Bohemia, Linke moved to Paris in 1875 and six years later established independent ateliers at 170, rue de Faubourg St. Antoine. As was the practice among contemporaries and noteworthy predecessors, such as Alfred Beurdeley and Henry Dasson, Linke initially produced furniture derived from styles popular during the 18th century ancien régime. By 1900, his worldwide reputation as an individualistic master of high quality furniture was already established. However, with a huge display, placing his extravagant pieces in room settings and winning the Médaille d'Or for his Grand Bureau...

A striking and high quality French 19th century Louis XVI st. Enameled Bronze, Ormolu and Marble oval side table. This stunning table is raised by slender cobalt blue Enameled Bronze...

French gilt bronze and pink porcelain jewellery box by Tahan. French, late 19th Century Measures: height 13cm, width 18cm, depth 13cm. This fine jewellery casket by the French m...

This is a magnificent vintage walnut and ormolu mounted Versace curved glass display unit, circa 1990's in date. This free-standing unit featu...

Antique late-19th century French pair of Louis XV style ormolu bronze four-light candelabra, beautifully modelled in the Rococo style, each foliate-sheathed spirally fluted baluster ...

A very fine French Belle Époque 19th century tulipwood and gilt bronze-mounted Vernis Martin decorated Vitrine by Louis Majorelle (French, 1859-1926). The single door case with a hand-painted board depicting a garden courting scene surmounted with ormolu wreaths and a banded frame. The top with a pierced gilt bronze gallery above an ormolu royal tassel trim flanked by a pair of female masks above crossed torches and flames, cross flutes, a tambourine, a pan flute, ribbons and a tassel. Raised of four cabriolet legs with corner ormolu wreaths and leaves ending with hooves, Paris, circa 1990. The back bears the original Majorelle label that reads: "Louis Majorelle, Fabrique a Nancy, 3 Rue Girardel. Depot. 56 Rue de Paradis, Paris." Louis-Jean-Sylvestre Majorelle, usually known simply as Louis Majorelle, (26 September 1859 – 15 January 1926) was a French decorator and furniture designer who manufactured his own designs, in the French tradition of the ébéniste. He was one of the outstanding designers of furniture in the Art Nouveau style, and after 1901 formally served as one of the vice-presidents of the École de Nancy. The Majorelle firm's factory was designed by famous École de Nancy architect Lucien Weissenburger (1860 – 1929) and located at 6, rue du Vieil-Aître in the western part of Nancy. In the 1880s Majorelle turned out pastiches of Louis XV furniture styles...