Ormolu Furniture

A very fine pair of French 19th-20th century Louis XV style gilt-bronze surtout-de-Table plateau centerpieces by the Parsian Orfèvre Paul Canaux et Cie. The ovoid shaped gilt-bronze ...

A remarkable example of mid-1700's French horology, this Louis XV period Pendule à l’Éléphant showcases the technical mastery and playful elegance characteristic of the Rococo era in...

Antique French cartel clock of Venus with cherubs French, Late 19th Century Height 120cm, width 55cm, depth 20cm This remarkable cartel clock is inspired by an 18th-century desi...

‘Grand Psyche’, monumental Art Nouveau mirror by Maison Millet French, c. 1900 Height 270cm, width 170cm, depth 57cm This exquisite antique mirror was crafted around 1900 by the e...

Louis XV style ormolu mounted Vernis Martin and parquetry vitrine French, c.1880 Height 197cm, width 102cm, depth 49cm This remarkable work is a Louis XV style, Vernis Martin, parqu...

Very Large Pair Antique Rococo Style Painted Sèvres Style Porcelain Ormolu Vases French, Late 19th Century Height 163cm, width 53cm, depth 48cm Crafted in the style of the celebrat...

This is a stunning pair of antique French amboyna and ebonised card tables, circa 1860 in date. The tables are made from striking and rare ambo...

This is a beautiful antique French ormolu mounted Louis Revival bijouterie table,  circa 1860 in date. The shaped top fitted with glass and the frieze with glass panels, the whole w...

An extraordinary Louis XV period (1715-1774) French ormolu mounted tulipwood and kingwood marquetry bombé sauteuse commode by master Parisian ébéniste André-Antoine Lardin. circa late 1740s In our 40+ years we have not came across a chest of drawers that captures our attention like this one! Exquisitely hand-crafted in Paris in the mid-18th century, exceptionally executed in opulent and luxurious period King Louis 15th taste, featuring a curvacious serpentine-front bombe-form solid wood case fitted with two drawers, adorned with finely chased, chiseled and gilded bronze doré mounts, including rare and most distinctive sculptural fiolated scroll Rocaille handles, flanking ornate keyhole escutcheons with original key included. In absolutely stunning rare and exotic precious tulipwood and kingwood veneer work with striking warm rich highly figured grain patterns, elegant floral marquetry inlays and fascinating early sunburst panels. Topped with the original serpentine shaped Brèche de Médous marble-top with stepped molded edge. The Breccia de Médous is extracted in the towns of Médous and Asté, near Bagnères-de-Bigorre in the Hautes-Pyrénées. This dramatic breccia is composed of angular elements of contrasting colors ranging from black to yellow to gray creating a bold but subdued visual display. Signed, retaining the original LARDIN blind stamp to top proper-right rear post underneath marble. André-Antoine Lardin (1724-1790) is a celebrated Master Cabinetmaker, earning maître in 1750, and particularly respected for his extraordinary woodworking veneer - marquetry work. - PROVENANCE / ACQUISITION: From the important collection of Loyd-Paxton, Dallas, Texas. Property from the magnificent Estate of Mr. and Mrs. Robert Morris Graham Sr., El Paso, Texas, but also with homes in Dallas, Texas and Pebble Beach, California. Acquired from the highly reputable auction house Heritage Auctions, Dallas, Texas. 2024 Furniture & Decorative Art Featuring The Collection of Mrs. Henry Ford II Signature Auction Catalog #8167 Loyd Paxton Gallery, Dallas, Texas. With one of the finest collections in the world and prominent customers to match, including Sir Elton John, Truman Capote, Saudi Prince Faisal, and the Sultan of Brunei. Rare French antiques from Loyd-Paxton made their way into Versailles when it underwent renovations, and the Metropolitan Museum of Art in New York purchased furnishings, including a dazzling Louis XIV Boulle desk that had been owned by the Sun King himself. Betty Jo Graham might not hold celebrity status but her remarkable life and many contributions to American history and the arts community of El Paso, Texas, make her deserving of the limelight nonetheless. Affectionately known to her friends as BJ, led a remarkable life that intertwined a deep passion for music with significant contributions to her community and country. BJ embarked on her vocal journey at the age of 12, studying under the esteemed Mini Ferguson Owens at the University of Wichita. Her pursuit of musical excellence continued in the same institution, where she later attended college. BJ's life was not solely dedicated to music; she also played a vital role in American history. During the tumultuous times of World War II, she contributed her skills to the Cessna AT-17 training program, a crucial effort in preparing pilots for combat. She worked as an electrical wiring diagram analyst for Boeing Engineering Development on the iconic Enola Gay project in 1956. BJ's heart always remained with music. She continued to refine her vocal skills with notable figures such as Maude Douglas Tweedy in New York City and John Charles Thomas in Apple Valley, California. Her love story with Robert Morris Graham Sr., whom she married in 1975, was filled with shared adventures and travels across the globe, living in places from Dallas, Texas, to Pebble Beach, California, and El Paso, Texas. As a trustee of the El Paso Symphony Orchestra and a board member of the El Paso Symphony Youth Orchestra and El Paso Pro-Musica, she played a pivotal role in nurturing the musical landscape of her community. Her support extended to various causes, including the El Paso Opera, Holocaust Museum, Museum of Art, and many more, showcasing her belief in the transformative power of art and culture. Betty Jo Graham's journey through life reflects a profound dedication to her passions, community, and the arts. Her legacy, marked by her music, history, and philanthropy contributions, inspires and impacts many, ensuring that her melodious spirit will be remembered and cherished for future generations. After traveling the globe and living in cities across the country, Graham and her husband, Robert Morris Graham Sr., eventually settled in El Paso, where she served as a trustee of the El Paso Symphony Orchestra and a board member of the El Paso Symphony Youth Orchestra and El Paso Pro-Musica. Though Graham had a lifelong passion for music and played a pivotal role in nurturing the musical landscape of her community, her philanthropy extended to various causes, including the El Paso Opera, El Paso Holocaust Museum and El Paso Museum of Art, showcasing her belief in the power of art and culture. A patron of the arts, Graham was also a collector of fine jewelry, with a particular fondness for eye-catching, statement-making rings, necklaces, earrings and more, and Heritage was honored to present Property from the Estate of Mrs. Betty Jo “B.J.” Graham as part of its Spring Fine Jewelry Signature Auction. Inscription to placard on reverse: FROM THE COLLECTION OF LOYD-PAXTON DALLAS, TEXAS Signatures: Original blind stamped LARDIN to top of rear post. Bronzes not removed to inspect for foundry marks. - DIMENSIONS: (approx) 33" High, 42" Wide, 20.75" Deep - CONDITION REPORT: Overall a superb example, especially considering its nearly 300 years old. Beautifully aged warm patina, antique wood glow and lustrous sheen. Strong, sturdy, stable, structurally sound. Evidence of restorations, likely by Loyd-Paxton, including high-quality bespoke upholstered drawer lining. Typical wear commensurate with age, use, handling and exposure, including minor nicks to edge, age splits scattered throughout body, expected antique character and charm. Marble top is in great shape. Accompanied by two working keys. Overall outstanding presence, delivered cleaned, waxed, with hand rubbed polished patina, ready for immediate use and generational enjoyment! - INTERESTING ADDITIONAL INFORMATION: This elegant commode typifies the fashion for furniture mounted with exotic and rare woods, exquisite marquetry-work, and decadent Rococo bronzes. Andre Antoine Lardin, also known as N.B. Lardin was born in 1724 and died on 10 August 1790. He held his master's title from 1 July 1750 and was particularly respected for the exceptional quality of his veneering / marquetry. A well known and regarded maître ébéniste, Lardin’s career is somewhat thinly documented, most likely due to the upheaval and record destruction during the Revolution, notably when the guilds in Paris and elsewhere were abolished in 1791. Lardin worked for various marchand-mercier (furniture dealers) and probably also for a private clientele. He ran his workshop first in the Rue de Charenton and from 1770 in the Rue Saint-Nicolas. His two sons, André Antoine II and Louis François, worked with him for some time and the second-named became his successor in the Rue Saint-Nicolas. Lardin is known to have worked for the marchands André-François Carré, this superb commode having almost most certainly been commissioned through the intervention of one of these fashionable dealers. The marchand-mercier André-François Carré, is recorded rue Froidmanteau, "Magasin de glaces, porcelaine ébénisterie et curiosités pour les cabinets d'histoire naturelle." Carré also worked with two vernisseurs (vernis Martin): Porchon and Prévost. All of Lardin's furniture is classic in form and decor, well crafted and mostly veneered in rosewoods or violet wood. Lardin worked in the taste of the time with geometric patterns, cartouche fields and simulated fluting. Furniture with elaborate inlays such as birds, trophies, urns, landscapes, or flowers and sunburts such as this stunning example appear more rarely. The stamp JME stands for Jures Menuisiers Ebeniste and notes the guild affiliation of the master. The Corporation des Menuisiers-Ébénistes was a French craft guild which was concerned with the profession of woodworking. Some JME stamps are worn down from the marble slab over the years and no longer apparent, but in this case lacking the JME stamp is likely indicative of work made prior to reaching maître ébéniste (master cabinetmaker), denoting an early and exceedingly scarce example. Eighteenth century French furniture...

An impressive Large 19th Century French Napoleon III Sèvres Style porcelain and ormolu-mounted covered urn, dating to approximately 1870. Masterfully crafted, this exceptional decora...

French Art Deco Ormolu (“Bronze Dorée”) Cartel Sunburst Wall Clock France, circa 1915 A striking Art Deco wall clock executed in gilded bronze (bronze dorée), featuring a sunburst ...

Rare Large Antique Boulle Marquetry Centre Table Henry Dasson Wallace Collection French, 1878 Height 99cm, width 269cm, depth 134cm This outstanding centre table, dated 1878, is a r...

A beautiful original antique French clock modelled in the Louis XVI style as two charming cherubs carrying the clock on laurel wreaths. The pendulum with applied musical motifs, swin...

Napoleon III solid oak cabinet with ebony veneer and carved black marble top. The facade is framed with gilt bronze mounts of caryatids, and two doors are decorated with silver medal...

A stunning 19th century Louis XVI style side cabinet, the cabinet is surmounted by a white rectangular marble top with canted corners below an ormolu mounted frieze, The centre to th...

Stunning French Sevres Soft Paste miniature hand decorated Rich Celeste Blue Porcelain Urn of exceptional quality. French ormolu circular hinge lidded trinket box with beautiful ce...

Large antique Victorian quality china and ormolu table lamp having a quality antique Victorian table lamp with ornate ormolu mounts. A...

Fine Quality Pair of French Empire Gilt Bronze Three Candle Wall Candle Sconces Lights, of generous proportions and exceptional well cast quality, mid to late Nineteenth Century. T...

Pair Louis XVI Style Cobalt Sevres Style Ormolu Mounted Vases France, circa 1900s This elegant pair of Louis XVI-style cobalt Sevres-style ormolu-...

19th Century William IV rosewood settee. With crisp carving and ormolu rosettes on lotus leaf castors.

A wonderful and uniquely scaled French 19th century Louis XVI st. Ormolu chandelier. This elegant eight arm chandelier is centered at the bottom by an inverted foliate and mottled fi...

A Very Fine French 19th Century Gilt-Bronze Figural Mantel Clock, Horloge à Poser, by Henri Picard and Fedinand Barbedienne - ‘F. Barbédienne & Cie. / A Paris’, after the model by É...

An elegant and refined pair of French Louis XVI style ormolu-mounted biscuit porcelain lamps. This exquisite pair of French lamps is crafted in the Louis XVI style, showcasing the ha...

Pair of antique Louis XV style ormolu mounted marquetry pedestals French, Late 19th Century Height 130cm, width 47cm, depth 46cm This stunning pair of pedestals epitomizes the gran...

Antique Late 18th Century Louis XVI Gilt Gold Patinated Bronze Mantel Clock French, Late 18th Century Height 57cm, width 40cm, depth 12cm A wonderful example of late 18th century ...

A very elegant large French Kingwood Ormolu mounted casket of very generous proportions and of outstanding Museum quality, firmly attributed to Alphonse Tahan Paris (1830-1880), offi...

A gorgeous ladies hand wall or desk letter / paper clip. Made of Ormolu, by Erhard & Sohne, Germany. Beautiful color and patina. This was made by Erhard & Sohne in the early 1890s-19...

A stunning French Louis XV bombe marble-top chest of drawers commode from the 19th century, styled in the manner of Charles Cressent (France, 1685–1768), finished in luxurious Rocco ...

A handsome Louis XV style commode from France, circa 1800 or earlier. The fantastic charcoal marble top has a serpentine molded edge, conforming to the gentle undulations on the draw...

A Magnificent Pair of Ormolu-Mounted Pink Chinese Porcelain Three-Light Candelabras – A Masterpiece of East and West This fabulous and large pair of 19th-century Louis XVI style orm...

An elegant and small scale French Turn of the Century Louis XVI st. Verdigris Bronze, Crystal and Ormolu chandelier. This stunning five arm chandelier is centered at the bottom by a ...

An Exceptionally Rare 18th Century Louis XV Ormolu Mounted Meissen Porcelain Chinoiserie Elephant, Snail, and Flower Mantel Clock. The clock drum is painted with floral reserves on a yellow-ground porcelain case, surmounted by a seated monkey modeled in cream-glazed porcelain. The dial is inscribed “MILLOT / Her DU ROY,” referring to the Parisian clockmaker Millot, horloger du roi, and retains its original single-barrel movement with platform lever escapement. The interior of the case bears a stamped “B.” The entire composition is supported by a scrolling structure of polychrome porcelain flowers mounted on ormolu branches, leading to a central Meissen figure seated on a saddled elephant, positioned on an elaborately cast gilt bronze rocaille base. The composition centers around a chinoiserie theme, which was highly fashionable in mid-18th century France, particularly during the reign of Louis XV. In this example, the chinoiserie elements are expressed through the seated porcelain figure in Chinese dress, riding atop a caparisoned elephant with a vibrantly painted red and gold saddle and bright yellow cushion. The elephant, modeled with expressive naturalism, features finely detailed ears, trunk, and legs in Meissen’s distinctive hand-painted porcelain, with further ornamentation in applied gilding. Surrounding the central figure and timepiece is an elaborate framework of metal branches issuing dozens of individually modeled porcelain blossoms. These include peonies, roses, and tulips in various stages of bloom, each petal uniquely hand-shaped and painted in hues of lilac, ivory, pink, and violet, with naturalistic green leaves extending outward on slender bronze stems. The gilt bronze mount is executed in the Rococo taste, with asymmetrical shell forms, Snails, C-scrolls, and foliate scrollwork typical of French bronze work from the Louis XV period. The ormolu is mercury-gilded, a process common in the 18th century which involved the application of an amalgam of gold and mercury to the surface of the bronze, followed by firing to vaporize the mercury. This technique created a matte yet luminous surface, prized for its depth and lasting quality. The ormolu is cast in a deeply three-dimensional style, with scrolled feet and boldly molded foliate ornaments that cradle the base of the Meissen elephant...

A superb original antique French Rococo clock by Samuel Marti. Formed of sinuous leafy curves with floral foliate swag all in finely gilded bronze. The clock stands on a beautifully ...

Antique French gilt bronze and mahogany bed by Paul Sormani French, c. 1870 Height 178cm, width 176cm, depth 214cm Decorated with various ormolu (gilt bronze) mounts and beautiful...

Pair of Monumental Large Japanese French Imari Porcelain Ormolu Candelabra Porcelain: Japanese, 18th Century Ormolu: French, Mid-19th Century Height 260cm, diameter 86cm This exce...

Dimensions: 23.5 inches high x 19.5 inches wide x 8.5 inches deep Remarkably refined antique French 19th century English style gilt bronze mantel clock by Guenée, an exceptional and...

Sevres style hand painted porcelain dresser box with hand applied ormolu mounts and feet. Wonderful condition.

With a rectangular grey and white marble top over a drawer and glass cabinet door flanked by columns, enclosing three shelves. Has key.

A Monumental and Quite Rare Pair of 19th Century Russian Empire Ormolu Mounted Malachite Obelisks with Maiden Ormolu Mounts. Each obelisk is complete with four sides which terminate upwards to a triangular point. The bases are fitted with ormolu mounts which include hand-chased and hand-chiseled maidens holding flaming torches in either hand and on the other panel decoration of a vine with a winged bow. On top of the large ormolu mounts are smaller mounts which depict child masks in wings. Underneath and on top of the square base are ormolu mounts which depict acanthus leaves flourishing throughout with hand-chased and hand-chiseled fluted veins. The entire body of the obelisk is veneered with the most incredible and highest quality antique Russian malachite...

A very impressive good quality pair of late 19th century French Rococo Style parquetry and marquetry inlaid twin size bedsteads. Feautures intricate ormolu mounts on headboard and fo...

An ovoid gilt bronze urn adorned with cast swagged garlands, bows and acanthus leaves housing a white enamel clock face with Roman hours and Arabic minutes and marked ‘De La Fontaine...

Pair of Louis XVI Revival Ormolu Candlesticks, French, Belle Époque, Circa 1880–1900 A refined pair of French Louis XVI Revival ormolu candlesticks dating to the Belle Époque, circa...

Monumental Pair of Cut Crystal and Gilt Bronze Vases by Baccarat By Baccarat (French, founded 1764) French, 19th century Vases: Height 136cm, width 70cm, depth 60cm Plinths: Height 7...

A Very Fine French Louis XV Transitional Style Gilt-Bronze Mounted, Marquetry and Æil de Vermeil Parquetry single-drawer side-table by François Linke (1855-1946). The rectangular top...

A superb and high quality French 19th century Louis XVI st. patinated Bronze, Ormolu and Rouge Griotte marble clock, by Jean Francois Denière. This stunning clock is raised by four O...

Large antique French ormolu mounted porcelain vase French, Late 19th century Height 138cm, width 59cm, depth 46cm This exceptional 19th-c...

An Exceptionally Fine Pair French Ormolu and patinated Bronze early Victorian Single Light Candlesticks of tall slender form and fairly standard proportions, now converted to a Stunn...

19th Century French Bronze Figure of Cupid, Attributed to Auguste Moreau France, circa 1890 Unsigned A captivating 19th-century French bronze figure of Cupid, attributed to the reno...

A 19th century Sevres hand-painted, cobalt & gilt porcelain ormolu mounted two-handle Centerpiece signed by French Artist A Chapuis. Intricate ormolu designs and decorations with acanthus leaves, flowers and other decoration. Beautiful Large Antique French Sevres Porcelain and Gilt Bronze Centerpiece. Large Porcelain platter...

Antique Art Nouveau Gilt Gold Bronze Ormolu Jewellery Accessories Keys Tray Dish Continental Bronze c. 1900 Dimensions: H x W x D: 3.5cm x 38cm x 23cm This superbly decorat...

Magnificent and large ormolu and hardstone mounted ebonized wooden casket English, 19th Century Height 41cm, width 72cm, depth 52cm Exceptionally fine and richly adorned, this beautiful piece is a large, ebonized wooden casket or coffer, mounted with extensive ormolu decorations, and inlaid on front and back with Florentine pietra dura hardstone panels. It was made in English in the early 19th century during the regency period, using a host of stylistic influences, and amalgamating various outstanding decorative techniques. The front and reverse are set with hardstone panels, depicting flowers, fruits and insects in the corners. It is attributed to Robert Hume Jr., of Hume & Son, leading English makers of the Regency period, engaged for a time as interior designers for the wealthy 10th Duke of...

An exquisite antique French photo frame from the Belle Époque era, richly adorned with ornate gilt metal detailing and elevated on elegant ball feet. The thick bevelled crystal glass...

Antique French Boulle Centre Table having a fabulous serpentine shaped top featuring all over tortoise shell and profuse inlaid brass decora...

A fine quality late 19th Century Louis XV style inlaid marquetry rosewood & ormolu mounted side table, circa 1890. The rectangular table with a bombe shaped base, the table top is ve...

Important and very rare pair of micromosaic, malachite and walnut console tables Italian & Russian, early 19th century Measures: Height 89cm, width 106.5cm, depth 62cm These exceptionally beautiful antique console...

Large French 19th Century Louis XVI Style Bronze Ormolu Presentoir Centerpiece. High quality French 19th century Louis XVI style bronze ormolu presentoir centerpiece. Raised on th...

French Louis XVI-style (19/20th Century) bronze dore ram head design round end table with 3 legs supporting an inset black marble top and shelf with a bottom ...

Antique Italian Pietra Dura Hardstone Wood Ormolu Cabinet on Stand Italian, Late 19th Century Height 227cm, width 141cm, depth 46cm Rich in detail and craftsmanship, this magnific...

This is a superb antique Victorian burr walnut inlaid and ormolu mounted credenza, circa 1860 in date Oozing sophistication and charm, this credenza is the absolute epitome of Victo...

A Very Large 19th Century Antique French Baccarat Crystal and Ormolu Mounted Covered Box, Attributed to Baccarat. This incredible large crystal box is all hand-diamond cut and attri...