Wool Wall Decorations

JEAN-BAPTISTE MONNOYER (1636-1699) Designer (After) - BEAUVAIS TAPESTRY MANUFACTORY Maker - 'Vase of Flowers and Red Parrot' - Antique hand woven floral tapestry - the floral tapestr...

French Aubusson woven tapestry from the early 1700's depicting a lizard standing in luscious vegetation. Created in Aubusson, located in central France. Interestingly this vertical w...

Rare textile art tapestry by Brazilian artist Kennedy Bahia. This piece had remained rolled up for over 50 years prior to pictures being taken for this listing. It is flawless with b...

18th Century European Hand-Woven Aubusson Verdure Tapestry depicting a woodland nature scene. Made in France circa 18th Century. Finely woven with cloth backing.

A refined French Aubusson tapestry woven in wool, dating to the early 20th century, circa 1920. The design centers on a graceful floral cartouche featuring roses and garden blossoms ...

An exceptional and very rare wall tapestry from the 1960s in amazing condition. This large and stunning wall tapestry in wool has been designed and signed on the back by the French a...

This elegant late-19th-century French tapestry depicts a royal court scene with finely rendered figures, lush foliage, and ornate floral borders. The wool and silk weaving enhances...

A wall hanging tapestry, simply put, is a textile specifically designed and woven to portray an artistic scene with the intent of hanging it on a wall. Antique tapestries, those that...

79484 Vintage Chinese Aubusson Tapestry, 06'01 x 05'04. This handwoven wool vintage Chinese Aubusson tapestry opens onto an idyllic pastoral dream—an imagined Europe of calm waterway...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Early 20th Century. Bulgaria Ready to go on a wall...

Museum quality handwoven textile fragment, featuring human faces ,or geometric motifs , professionally mounted on cotton matte , in very decorative wood frame as shadows box . The t...

Very beautiful mid century polish tapestry Kilim with beautiful native design and beautiful colors, entirely hand woven with wool on cotton foundation....

This vibrant mid-century handwoven tapestry captures a charming folkloric scene of four schoolgirls dressed in traditional attire, brought to life through a radiant palette of autumnal hues—crimson, golden yellow, burnt orange, and soft lavender. Rich in texture and emotion, the tapestry exudes warmth, storytelling, and nostalgia, making it a captivating example of vintage textile art. Reminiscent of Marc Chagall’s dreamlike murals at the Metropolitan Opera House, the composition masterfully balances expressive color with whimsical charm. Each figure is rendered with a poetic mix of abstraction and detail, lending the piece visual movement and emotional resonance. The artisan wall hanging is a perfect statement piece for mid-century modern interiors, folk art collections, or textile art galleries. Dimensions: 38" x 70" Date of Manufacture: 3rd Quarter of the 1900s Place of Origin: Europe Material: Wool Condition: Excellent The Persian Knot Gallery, SKU: 1733 mid-century tapestry, vintage handwoven wall art...

Beautiful tapestry from 20th century with a modern design with signature of artist Hervé Lelong, machine made with wool velvet.

Cornelia (Corrie) Johanna Schmidt-Tom (1934-2020), Dutch-American, Fabulous Rectangular-Form Fiber Art in vivid red, purple, pink, blue, orange and white with a tan border around the...

Discover the timeless elegance of the "Aube Fleurie" titled limited edition wall tapestry from Manufacture Robert Four in Aubusson, France. This exquisite piece, signed by Thérèse Le...

A richly detailed vintage tapestry from the 1980s featuring a French inspired pastoral scene filled with romantic imagery and classical influence. The artwork portrays a relaxed coun...

- "Les Vagues" (The Waves) from the Bicentennial Tapestries series - 41 x 59 in, 103 x 150 cm - Signed by artist and monogrammed by atelier - Numbered 39 - Atelier Pinton Frères in F...

A striking French abstract tapestry titled Rayon Écarlate, designed by Maurice André and produced by the Parisian studio Le Mur du Nomade in the late 1950s. Hand-executed entirely fi...

Antique French Tapestry Verdure Signed Wool & Silk A magnificent antique French tapestry depicting a castle amongst a river, verdure, and exotic birds. Beautiful colorway, and an ea...

Vintage SwedishVintage Swedish Handwoven Wall Hanging “Gubbatäcke” / “Rosengång” — Traditional Folk Art Textile A beautiful vintage Swedish handwoven wall hanging, known as a Gubbat...

Mille-Fleurs Tapestry signed Manufacture Aubusson - 19th century - 152Lx125H - No. 1562 Artist: Aubusson Manufactory Era: 19th century Style: High period - Renaissance - Louis XIII C...

Artist: After Joan Miró Period: 20th century Style: Modern art Condition: Perfect condition Material: Wool Length: 56 cm Width: 40 cm Depth: 0.5 cm In keeping with tradition, this m...

16th Century Antique Flemish King Solomon Tapestry, Country Of Origin: Belgium, Circa Date: 16th Century. Size: 11 ft 4 in x 12 ft 10 in (3.45 m x 3.91 m)

79072 Vintage Mother's Commerce Company Springtime Tapestry, 02'09 x 03'10. This enchanting handwoven wool tapestry by Mother's Commerce Company captures the serenity and ephemeral b...

The name Aubusson is synonymous with finely created tapestries From France. This pair is exceptional because they are elegant and very tall. The floral and foliate design is excepti...

Exceptional limited edition 1/2 tapestry "Pelops" with certificate from a private collection, 1964. Ateliers Pinton brothers in Felletin, under the supervision of Pierre Baudouin 2ex + 1EA Editor Aram Iynedjian. The tapestry will be sold with its certificate of authenticity from the gallery. From the 15th century, the name of Pinton was associated with the Aubusson tapestry. Since then, over the generations, the Pinton family has largely contributed to the development of this fabulous cultural heritage until the creation in the 19th century, of the Felletin factory, in the department of Creuse. Even today, in these workshops, the craftsmen execute the same correct gestures with the same attention to detail and thus extend the chain of the history of the tapestry of tradition but also contemporary. The hand of specialists, the eye of designers and dyers and the taste of the most demanding clientele find their meaning in the fabric of the carpets. The excellence of French know-how, a living heritage society and custodian of Aubusson's cultural heritage, has always collaborated with great artists. The works of Charles Le Brun, Charles Lapicque, Pablo Picasso, Jean-Michel Othoniel, and many other big names in the world of painting, architecture, design, fell into the looms and know-how ancestral of this unique Creuse creator. Editor Aram Iynedjian Aram Iynedjian, Lausanne gallery owner and editor of tapestries from Braque, Estève and Lapicque, the latter meets Pierre Baudouin, the most famous of the cardboard painters of the time. The one who translated the works of Le Corbusier, Calder or Picasso into tapestry then collaborates with Charles Lapicque and they will develop a work of great richness. Lapicque came to realize these two summits which are "Pélops" and "Diane et Actéon". I realize that you should never try to describe a work of art Let’s look at it. Let us admire the science of composition, linear purity, technical perfection, the beauty of color, the truth of the drama. Let us see, if we can, the implacable presence of genius. "We will now understand that after having based a painting on the love of tapestry, it was relatively easy, and very tempting, to build a tapestry faithful to my painting," explained the artist in the exhibition catalog. of the Galerie Verrière in 1970. It was not until 1961 that he began to produce cardboards both for the tapestry of the Lisse in Aubusson, but also at the Mobilier National, with the help of Pierre Baudouin Charles Lapicque (1898-1988) Born in 1898 in Theizé (Rhône) in a family practicing both the arts and the sciences, Charles Lapicque is no exception to the rule: gifted for music and drawing, he graduated from the École Centrale in 1921, works as engineer until 1928 before integrating in 1931 a laboratory at the Faculty of Sciences of Paris, where he carried out research on the perception of colors, crowned by the title of Doctor of Physical Sciences in 1938. He thus studies the reactions of the eye in front of an intense light source, at the origin of the formation of starry images which he will use in his works, and defines a theory of the staggering of colors in space which overturns the rules of the Renaissance: "I had shown that the Classic rule, that of Vinci, advocating placing the blues in the distance, the reds, oranges and yellows in the foreground, is a nonsense; it makes more sense, more favorable to do the opposite. "(In Red and blue in the arts, 1936) It was around 1920 that Charles Lapicque began to paint in Brittany where he spent every summer since his childhood, first on the motif and then in a workshop that his stepfather Jean Perrin, Nobel Prize in Physics, had him build in 1927 ; he then definitively adopted the work of memory, in accordance with the art of music which he deeply loved and the Bergsonian philosophy of knowledge: "It is up to us to give reality an appearance that it has no itself, a form, a figure (...). " His youthful production immediately reveals a great originality, oscillating between figuration and abstraction which sometimes intertwine: alongside synthetic paintings by their simplified drawing and their flat colors, he designs an Homage to Palestrina (1925), composed of a grid derived from Cubism, entirely abstract, relayed by a Christ with Thorns (1939), according to a principle that he will develop after 1939, in line with his optical discoveries. In fact, during the war years, an almost abstract period began, that of the tight blue framework, applied to backgrounds ranging from yellow to red and revealing a more or less identifiable world (Jeanne d'Arc crossing the Loire, 1940; Rencontres series, 1940-1945). Exhibited in 1929 by the gallery owner Jeanne Bucher, Lapicque abandoned his scientific career in 1943 to devote himself entirely to painting. He continued his work which resulted in 1946-1953 in white-frame structures; their much softer lines lead him to the system of either black or white interlacing which encloses areas of pure color, most often in solid color. With The Battle of Waterloo in 1949, Lapicque still uses optics - zooming in on a given area - to depict spaces with multiple perspectives and decomposed times. This new interest in the liveliness of color developed in the following period, which can be described as flamboyant or Baroque (1954-1963): illustrated in particular by the series of Breton lagoons and twilight or nocturnal views of Venice in the light. Stars, which the artist himself describes as “daring sweets”, it begins with the Raoul Dufy Prize of the Venice Biennale, awarded in 1953 to the artist who took the opportunity to give free rein to his passion for the Serenissima until July 1956. Another point in common with his elder brother is the expression of movement. Begun in 1949 in The Battle of Waterloo then in 1952 with Dimanche aux regates, it became an obsession from 1964, in the exploration of new themes, such as the different shots of tennis players captured on the fly (1965), the mythological scenes and sea storms. These dizzying years precede the artist's last period: as he comes of age, he discovers serenity, revealed by a painting now with acrylic paint, much more peaceful from 1974, which even borders on a childish naivety at the end. of his life. All of his work includes an astonishing diversity of themes, also nourished by his travels (Rome in 1957, Greece in 1964, Holland in 1974 ...), with a predilection for the sea, rocks, sailboats, music, tennis, horses, wild beasts, but also for history and mythology, as evidenced by knights, kings and ancient gods. It also deploys, in total creative freedom, a wide variety of styles and orientations. Having been one of the pioneers of non-figurative art, thus paving the way for artists like Manessier, Bazaine, Vieira da Silva, De Staël, etc. Owners of the new non-figurative Paris School of the Postwar period, Charles Lapicque then returned to figuration, in a "new interpretation" of appearance, even if he continued to rub shoulders with abstraction at times. "Drawing runs after color and color after drawing. " Heir to the Fauves, Charles Lapicque plays like them on pure colors, whose dissonances, associated with a totally free design and an overloaded composition in a multiple space, make him a precursor of the New Figuration in all its forms: the Narrative Figuration born in France in the early 1960s, represented in particular by Gérard Fromanger, Erró, Bernard Rancillac and Gérard Guyomard; Free Figuration born in the early 1980s, marked by Robert Combas, Hervé and Richard Di Rosa, Louis Jammes and François Boisrond, and which, in turn, influenced the American Bad Painting of a Jean-Michel Basquiat or a Keith Haring, deliberately neglected and Expressionist; Lapicque's “Classic subjects” were able to feed Cultivated Painting, which also appeared in the early 1980s with Jean-Michel Alberola, Patrice Giorda and Gérard Garouste...

Important wall tapestry,"Röd Crocus" by Ann-Mari Forsberg for Märta Måås-Fjetterström, 1960s.. Wool and linen on wool warp. Designed in 1945. Handwoven flatware tapestry at Märta Måå...

Green, gold, brown and tan hues are used in this large tapestry. Forest in lovely shades of Greens and blues with birds in the upper right corner and a hiking man with a fountain I...

A fine and large wool and silk French Tapestry from the historical Aubusson Manufacture decorated with greenery and foliage border. Oasis of greenery and peace- bucolic scene with se...

An Impressive Early 18th Century Tapestry by Alexander Baert Description: Bordered with floral motifs and the centre scene inspired by the tragédie en musique ‘Amadis de Gaule’ by ...

Antique possible English Soho Tapestry Circa 1900 6'7 x 6'7 Antique English Soho Tapestry, Circa 1900 – Hunting Scene, 6'7" x 6'7" A masterwork of late Victorian textile artistry, t...

Very pretty mid century french Aubusson style tapestry with beautiful design from the painter Fragonard. "The Swing Tapestry, painted in the 18th centu...

An exceptional handmade signed modern Aubusson tapestry, Modernist, Forme-Libre, Lyrical Abstraction, made in thick wool hand woven, depicting an abstract yet floral, organic motif...

Original artwork from Kiki van Eijk. These tapestries are reminiscent of Dutch landscapes in which the center of each piece is a tree, woven from gold thread. Each panorama aims to ...

Late 19th century Persian Lavar Kerman Pictorial rug. Measures: 4'7'' x 8'.

Modern tapestry of the 20th century realized by M.C.Bertrand, in perfect condition of conservation. Negotiable price and free delivery. Dimension: 175 cm x 100 cm.

An antique Brussels biblical tapestry from the late 16th century, attributed to Jan (Ian) Raes, depicting Moses at right, with Joshua kneeling before ...

A stone's throw from the Eiffel Tower We are a family business specializing in the purchase, sale and expertise of old, modern and contemporary tapestries, rugs, kilims and textiles....

A fine and large Flemish 17th-18th century Baroque figural historical tapestry fragment. The large tapestry depicting an allegorical Royal family scene of a warrior meeting his new b...

Tapestry, Royal Aubusson Manufactory, 18th century - Homage to Psyche after Isaac Moillon - 358cm W x 240cm H - No. 1613 Homage to Psyche After a cartoon by Isaac Moillon An elega...

Colorful abstract mid-century tapestry having a blue background with beautiful explosion of colors, from the house of Chaudoir and designed by Artist Van No...

79051 Vintage Scandinavian Swedish Rya, 05'03 x 07'06. Immerse yourself in the magnetic vibrancy of this hand-knotted wool Swedish rya rug—a dazzling artifact of mid-20th century Sca...

Magnificent Vintage Geometric Navajo Blanket Rug! The rug is a Navajo Crystal area rug of Western New Mexico. The Crystal Trading Post (established 1896; now closed) was located on t...

A wall hanging tapestry, simply put, is a textile specifically designed and woven to portray an artistic scene with the intent of hanging it on a wall. Antique tapestries, those that...

984 - This Jacquard tapestry "touch" is from the Lady with the Unicorn series. On this hanging, the sense of touch is highlighted. Framed by the lion and the unicorn...

A wall hanging tapestry, simply put, is a textile specifically designed and woven to portray an artistic scene with the intent of hanging it on a wall. Antique tapestries, those that...

A wall hanging tapestry, simply put, is a textile specifically designed and woven to portray an artistic scene with the intent of hanging it on a wall. Antique tapestries, those that...

A very fine baroque Franco-Flemish 18th century figural tapestry allegorical to triumph and love, depicting three maidens within a verdure backgro...

A magnificent antique French tapestry depicting birds within a lush verdure setting, beautifully composed with intricate floral elements and scenic detail. This circa 1920 piece show...

Large 1970’s Modern handwoven wool abstract tapestry art. Can be hung on a rod or frame. In good original vintage configuration with minor wear consistent with age. Measurements...

Vintage French Aubusson Tapestry Rug Art Nouveau Bold Square 9x9 8'5" x 9'4" 256cm x 285cm "A rare, magnificent vintage French Aubusson tapestry with unique Art Nouveau design, i...

French Vintage Embroidered Picture "Beautiful Rose" in a Golden Frame from the Mid-Century. This lovely artwork features a stunning hand-embroidered rose motif in soft colors, set w...

Late 18th century Aubusson tapestry panel made in France. Measures: Height 9 feet 4 inches, width 7 feet 11 inches. Swans and ducks swimming in a lake...

Wonderful mid century Scandinavian Kilim rug with nice geometrical design and beautiful colors, entirely hand woven with wool on cotton foundation.

Late 19th century French Tapestry Measures: 7'10" x 8'6".

Venus Visiting Vulcan, Achilles - Brussels Tapestry, Atelier Van Der Borcht No. 1455 Artist: In the Taste of Jan Van Orley (1488 – 1541) Period: 18th century Style: mythological Cond...

The 17th Century Flemish Aubusson Tapestry portraying a woman traveling or walking with her child is a captivating depiction of everyday life...

SHAMASH, is a handwoven textile wall decor, named after the ancient Mesopotamian God of the Sun. It is handwoven in Turkey, by the women weavers of Anatolia. The 50% of the income co...

No. 1611 - Tapestry, Jacquard Paris - Pastoral Scene - 2.15m x 1.24m This magnificent tapestry has undergone a thorough cleaning, hand-lined with 100% linen fabric, and meticulous i...