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Material: Wool
Jean Picart Le Doux Mid-Century Aubusson Tapestry
Located in New York, NY
Mid-Century Aubusson tapestry designed by Jean Picart Le Doux (1902-1982) and handwoven at Atelier Pinton in Aubusson France. Woven in the mid-1960s, entitled "Autumn-Hiver", it depi...
Category

Mid-20th Century French Mid-Century Modern Wool Wall Decorations

Materials

Wool, Tapestry

Vintage Tapestry Depicting Royal Figures 9.9X6.4
Located in Los Angeles, US
A wall hanging tapestry, simply put, is a textile specifically designed and woven to portray an artistic scene with the intent of hanging it on a wall. Antique tapestries, those that...
Category

Early 2000s Unknown Empire Wool Wall Decorations

Materials

Wool, Cotton

17th Century Antique Brussels Tapestry 2'8" X 1'11'
Located in Los Angeles, US
A wall hanging tapestry, simply put, is a textile specifically designed and woven to portray an artistic scene with the intent of hanging it on a wall. Antique tapestries, those that...
Category

17th Century Unknown Other Antique Wool Wall Decorations

Materials

Wool, Cotton

Pair of Polychromed Framed Wood Panels with Flower Filled Urns Boiserie Panels
Located in Atlanta, GA
This beautiful pair of wood-painted panels is likely from the 1800s. They showcase the charm and artistry of folk art at that time. They are a great size, which makes them easy to w...
Category

1890s Dutch Folk Art Antique Wool Wall Decorations

Materials

Wool, Paint

18th Century Antique French Tapestry Verdure Wool & Silk 7x11ft 213cm x 323cm
Located in New York, NY
18th Century Antique French Tapestry Verdure Wool & Silk 7x11ft 213cm x 323cm "This is very fine antique Flemish tapestry made of wool & silk depicting noblemen beneath a large verd...
Category

1690s French Baroque Antique Wool Wall Decorations

Materials

Wool, Silk

Antique 1900 French Tapestry 7'9" X 3'10"
Located in Los Angeles, US
A wall hanging tapestry, simply put, is a textile specifically designed and woven to portray an artistic scene with the intent of hanging it on a wall. Antique tapestries, those that...
Category

Early 1900s Unknown French Provincial Antique Wool Wall Decorations

Materials

Wool, Cotton

Victor Vasarely, Hand Signed Original Tapestry
Located in Geneve, CH
Victor Vasarely (1906-1997). Panderlak,  circa 1983 Measures: 120 x 72 cm Hand signed and numbered on the back, edition of 320. Victor Vasarely, whose original name was Gyözö ...
Category

1980s French Modern Vintage Wool Wall Decorations

Materials

Wool

René Perrot - Aubusson 20th Century Tapestry in Polychrome Wools, Birds, 1956
Located in London, GB
This exquisite 20th century tapestry in polychrome wools designed by René Perrot and woven at Atelier Rivière des Borderies in Aubusson captures the serene beauty of two exotic birds...
Category

1950s French Vintage Wool Wall Decorations

Materials

Wool

EOS Wall Hanging Tufted Rug Wool
Located in Istanbul, TR
Named after the Greek Goddess of Dawn, EOS is a tufted wall rug designed to introduce tactile enrichment for the walls. Wall rugs come with a hanging att...
Category

21st Century and Contemporary Turkish Modern Wool Wall Decorations

Materials

Other

Bobyrug’s Pretty mid century Brutalist Macrame tapestry town design
Located in Saint Ouen, FR
Introducing a Modern Design meets Neo Classic with a touch of Bohemian flair! Elevate your space with our exquisite macramé hangings. Crafted from natural materials like cotton rope ...
Category

Mid-20th Century Spanish Modern Wool Wall Decorations

Materials

Wool, Cotton

Leena Kaisa Halme 1960s Monumental Scandinavian Tapestry
By Leena-Kaisa Halme
Located in Saint Paul, MN
This monumental wall hanging by Leena Kaisa Halme is hand-knotted with deep shades of red, orange, and black to make folk-art patterns. Pictured with a Cassina LC2 (sold separately).
Category

Mid-20th Century Scandinavian Modern Wool Wall Decorations

Materials

Wool

Maurice Melat, The Girl with the Harp - French Moderne Tapestry PINTON - N° 1499
Located in Paris, FR
The old-hand washing is carried out for this Aubusson Tapestry in our artisanal workshop Maurice MELAT (1910-2001) The Girl with the Harp Aubusson Tapestry PINTON Workshops. Numbered...
Category

Mid-20th Century French Modern Wool Wall Decorations

Materials

Wool

Framed Antique Anatolian Rug Fragment, 19th C.
Located in Istanbul, TR
Antique rug fragment has been professionally backed and framed. 19th C. from Central Anatolia.
Category

Mid-19th Century Turkish Tribal Antique Wool Wall Decorations

Materials

Wool

Antique 17th Century Brussels Mythological Boar's Head Tapestry, by Jan Leyniers
By Jan Leyniers, Charles Le Brun
Located in New York, NY
An antique 17th century Brussels mythological tapestry, size 11'6 H x 10'8 W, from the workshop of the renowned weaver, Jan Leyniers, after cartoons by Charles Le Brun...
Category

17th Century Belgian Antique Wool Wall Decorations

Materials

Wool, Silk

A Large Modernist Abstract Tapestry by Mathieu Mategot
Located in Atlanta, GA
A modernist wool woven tapestry designed by French artist and designer Mathieu Mategot (1910-2001) circa 1960s. The piece is signed with Matégot and monogrammed TMP fino (Manufactur...
Category

1960s Portuguese Mid-Century Modern Vintage Wool Wall Decorations

Materials

Canvas, Wool

cc-tapis Lanolin Wall Hanging in Cipria by Daniele Lora
By Daniele Lora, cc-tapis
Located in Brooklyn, NY
Hand knotted in the cc-tapis atelier in Kathmandu, Nepal. The wallhangings are made with 100% Himalayan wool coming from the areas surrounding the atelier. The cotton weave structure...
Category

21st Century and Contemporary Nepalese Modern Wool Wall Decorations

Materials

Cotton, Wool

1890 Antique French Tapestry Arts & Crafts Ceremonial 8x9 239cm x 257cm
Located in New York, NY
1890 Antique French Tapestry Arts & Crafts Ceremonial 8x9 7'10" x 8'5" 239cm x 257cm 1890 "This is an outstanding very large antique French tapestry- This room size piece incorporat...
Category

1890s French Baroque Antique Wool Wall Decorations

Materials

Wool

Antique French Tapestry Large Oversized Tapestry 1900 Wool & Silk 6x7 178x203cm
Located in New York, NY
Antique French Tapestry Rare Fountain and scenery Large Tapestry 5x7 1920 Circa 1920 "A magnificent antique French tapestry depicting a scenic river including a fountain and a larg...
Category

Early 1900s French Baroque Antique Wool Wall Decorations

Materials

Wool

1980's Retro Rug Wall or Tapestry by Designer Rugs of Australia, Space Fantasy
Located in St. Louis, MO
Designer rugs of Australia, circa 1980s wool wall tapestry, hanging or rug, titled Space Fantasy and signed R.T on front. Raised plush rainbow spectrum a...
Category

1980s Australian Mid-Century Modern Vintage Wool Wall Decorations

Materials

Wool

Zabihi Collection Mid 18th Century French Tapestry of Charlemagne
Located in New York, NY
Beauvais, France. Depicts arrival at a castle, royal horse being heralded by trumpeter and escorted by two guards, continuous floral border and two minor borders. Linen and wool slit weave Beauvais technique with natural indigo, weld, walnut husk, tannin variegated, lichen and moss greens. Condition: Good. Original border intact, minor repair and protective reconstruction with back added as structural safeguard. Some areas with holes, some areas of repair to border. Measures: 8'7'' wide x 10'1'' long. Tapestries make integral part of the Flemish cultural heritage. Most of the tapestries have religious, mythological and historical subjects as well as hunting and harvest scenes. They are known for their high quality and extended use of colors. The oldest ones were made in the 13th century. The most important production centers were Doornik and Arras. These two centers got a lot of assignments of the Dukes of Burgundy. In the 14th century tapestries...
Category

18th Century French French Provincial Antique Wool Wall Decorations

Materials

Wool

Mid-Century Modern Tapestry by Jean Picart le Doux, 'Hommage a Paul Eluard'
Located in London, GB
This is a stunning tapestry by the well-known tapestry maker Jean Picart le Doux. It is signed on the bottom right hand side. The tapestry is named 'Homage a Paul Eluard...
Category

1950s French Mid-Century Modern Vintage Wool Wall Decorations

Materials

Wool

Tapestry Royal Manufacture of Aubusson, Louis XVI period 1738 at the Gobelins
Located in Madrid, ES
Tapestry from the Royal Manufacture of Aubusson, Louis XVI period , made in 1738 at the Gobelins One panel from a series of Gobelins tapestries depicting the History of Esther, illustrating Esther seated and attended by handmaidens, one washing her feet in golden basin, another fastening a bracelet, another offering a mirror, all observed by Mordecai, woven in the workshop of Michele Audran after a design by J. F. de Troy. The Toilet of Esther c.1778-85.Royal Collection Trust-Queens Audience Chamber Windsor Castle The Sketches for the Esther Cycle by Jean-François de Troy (1736) “and the maid was fair and beautiful; whom Mor’decai, ..., took for his own daughter.” (Est. 2:7) A supple and undulating genius, both a flattering portraitist and a prolix history painter, as well as a brilliant genre painter, in a gallant or worldly vein, Jean-François de Troy (Paris, 1679 – Rome, 1752), solicited, although he had passed the threshold of old age, a new royal commission up to his ambitions. To obtain it, he submitted – successfully - for the approval of the Bâtiments du roi (administration), seven modelli painted in 1736 with his usual alacrity. Inspired by one of the most novelistic texts of the Old Testament, the Book of Esther, these sketches in a rapid and virtuoso manner were transformed by the artist, between 1737 and 1740 into large cartoons intended to serve as models for the weavers of the Gobelins factory. Showing undeniable ease and skill in the composition in perfect harmony with the sensitivities of the times, the tapestry set met with great success. The Story of Esther perfectly corresponded to the plan of the Bâtiments du roi to renew the repertoire of tapestry models used for the weavers of the royal factories while it also conformed to the tastes of Louis XV’s subjects for a fantastical Orient, the set for a dramatic tale in which splendour, love and death were combined. Indeed, no tapestry set was woven in France during the 18th century as often as that of Esther. The series of modelli painted by de Troy during the year 1736 looks to the history of French painting and decoration under Louis XV as much as it does the history of the Gobelins. It probably counts among the most important rococo pictorial groups to have remained in private hands. First the Biblical source illustrated by De Troy which constitutes the base of one of the richest iconographical traditions of Western art will be considered. Then the circumstances and specific character of French civilisation during the reigns of Louis XIV and Louis XV which contributed to making the theme of Esther a relevant subject, both attractive to contemporaries and remarkably in line with the sensitivities of the time will be elucidated. An examination of the exceptional series of sketches united here, the cartoons and the tapestries that they anticipate as well as a study of their reception will close this essay. The Book of Esther: A scriptural source at the source of rich iconography. The origin of the Esther tapestry set by Jean-François de Troy – origin and creation of a masterpiece According to the evidence of one of the artist’s early biographers, the chevalier de Valory, author of a posthumous elegy of the master, read at the Académie royale de peinture et de sculpture on 6 February 1762, it was apparently due to early16 rivalry with François Lemoyne (1688-1737), his younger colleague who had precisely just been appointed First Painter to the King in 1736, that had encouraged François de Troy to seek a commission allowing him to show off his ease and his promptitude at the expense of a rival who was notoriously laborious: “M. De Troy, retaining some resentment of the kind of disadvantage which he believed to have suffered compared with his emulator looked to regain some territory by making use of the facility his rival did not possess. Lemoyne was excessively long in the creation of his works,and M. De Troy of a rare celerity: consequently, with this particular talent, the latter offered to the court to make paintings appropriate to be executed at the Gobelins Factory; and it is to this circumstance that we owe the beautiful series of the Story of Esther, which would be sufficient alone to give him a great reputation.”17 Beyond the suspicion inspired by the topos, which still constitutes, more or less, a tale of rivalries between artists in ancient literature, there is probably some truth in what Valory reports although A.-J. Dezalier d’Argenville (who indicates rather spitefully that de Troy did not hesitate to “cut prices” to impose himself, benefitting from the productivity assured by the unlikely rapidity of his brush)18 proves to be more evasive: “As he looked to busy himself, he had offered to make the paintings that serve as models for the King’s tapestries cheaply: which did not please his colleagues. He was given a choice of two tapestry series to be made and he took the Story of Esther and that of Jason”.19 Whether or not the choice was actually left to de Troy (which would appear rather casual on the royal administration’s part all the same), it seems likely that the artist, whose contemporaries extol his “fire”, as the faculty of invention was then called, must have ardently aspired to the possibility of using on a very large scale the “creative genius” with which Dezallier d’Argenville credits him. The decoration of the private apartments, the fashion for which Louis XV had promoted at Versailles and Fontainebleau, offered little opportunity to excel in this area. Other than painting for altarpieces, only tapestries could allow comparison with Lemoyne who had been granted – unfortunately for him – a major decoration: the enormous ceiling of the Hercules Room at Versailles. Favoured by the recent improvement in France’s financial situation, the revival of patronage offered de Troy a commission fitting for him, in a field in which, however, he had hardly any experience. Anxious to renew the repertoire of models available to the Gobelins factory, the Duc d’Antin, surintendant des Bâtiments du roi from 1708 to 1736 followed by his successor, Philibert Orry comte de Vignory, gave him the task of producing seven large cartoons inspired by the Book of Esther corresponding to the brilliant sketches or modelli which de Troy had produced in one go, or almost (very few preparatory drawings can in fact be linked to the Esther cycle and all seem to be at the execution stage of the cartoons).20 Subjected to the approval of the Administration des Bâtiments according to the procedure in use for projects being planned for the Gobelins, sketches made rapidly during 1736 were approved and the project launched immediately. Thereupon came the news of François Lemoyne’s death, who, ground down by work and a victim of his private torment, committed suicide on 4 June 1737. Against all expectations, de Troy did not replace his rival in the position of First Painter (which remained vacant until the appointment of Charles Coypel in January 1747), which would perhaps have made him too obviously the beneficiary of the drama. The awarding of the position of Director of the French Academy in Rome came to console him while he had already produced (or he was in the process of finishing), in Paris, three of the seven cartoons of the cycle (The Fainting of Esther finished in 1737 and the Toilet and Coronation of Esther, both finished in 1738). De Troy, we can see, did not follow the order of the narrative but began with the subjects which apparently offered the least difficulty because he had already depicted them, or because they fall into a strong pictorial tradition (such is the case especially for the Fainting of Esther). He had hardly settled at the Palazzo Mancini in August 1738, when his first task which awaited the new director of the French Academy naturally consisted of honouring the royal commission and finishing without delay the final cartoons of the Story of Esther after the sketches he must have taken with him. As prompt as ever, de Troy discharged himself of the execution of the four remaining cartoons in only two years, by beginning with the largest format which allowed him to strike the imagination and to impose himself as soon as he arrived on the Roman stage: the Triumph of Mor’decai which was finished in 1739 (like Esther’s Banquet). The following year, the Mor’decai's Disdain and The Sentencing of Haman were brought to an end in the same Neo-Venetian style, obviously tributary to Veronese with its choice of “open” monumental architecture which is characteristic of the entire cycle.21 The series, it should be noted, was almost augmented with some additional scenes in the mid 1740s. Indeed, the first tapestry set finished at the Gobelins in 1744 proved to be unsuitable for the arrangement of the Dauphine’s apartments at Versailles for which it had been intended to decorate the walls the following year (cf infra). Informed of this, de Troy, considering that the story of Esther offered “several good subjects,” immediately offered to illustrate one or new subject among those “which could appear to be the most interesting”. The directeur des Bâtiments Orry, who managed the State’s accounts, obviously judged it less costly to have one of the tapestries widened to fill in the end of the Dauphine’s bedroom,22 which has probably deprived us of very original compositions, because de Troy had already illustrated the most famous themes, those that benefitted from a strongly established iconographical tradition and from which it was not easy to deviate The Tapestry Set of the Story of Esther Placed on the tapestry looms of the Gobelins at the end of the 1730s in Michel Audran’s workshop, the cycle created by de Troy aroused true infatuation. The few hundred tapestries made between 1738 and 1797 – all in high-warp tapestry and woven in wool and silk except for four in low-warp made in Neilson’s workshop – show the impressive success of a tapestry set that was without any doubt the most frequently woven of the 18th century in France. 29 Only three cartoons had been delivered by de Troy in 1738 when the first tapestry set was begun by Audran under the expert eye of Jean-Baptiste Oudry to whom the Directeur général des bâtiments, Philibert Orry had assigned the (weekly) supervision of the weaving. During the summer of 1738, the piece of the Fainting of Esther, which Oudry judged to be admirable, was finished. During the winter of 1742, Oudry informed Orry that about two ells of the Triumph of Mor’decai had been made “with no faults”,that the Coronation of Esther was finished and that the Esther at her Toilet “a very gracious tapestry” was “a little over half” finished. Exhibited at Versailles in 1743, these two last pieces were admired by Louis XV and the Court. On 3 December 1744, the set of seven tapestries was finally delivered to the Garde Meuble. It was intended, the honour was not slight, to decorate the apartments of the Infanta Maria Teresa Rafaela of Spain whose marriage to the young Dauphin Louis-Ferdinand had been fixed for the following year (it took place on 23 February 1745). Apparently it was thought that the theme of Esther the biblical heroine and wife of a foreign sovereign was appropriate for the apartments of the Spanish Dauphine. As early as the month of March, the architect Ange-Jacques Gabriel informed de Troy that her grand cabinet was decorated with the “Esther tapestry set” specifying however that “for lack of two small or one large piece, we have not been able to decorate the end of the room”. This difficulty led immediately to the Banquet episode being woven a second time in two parts (they were delivered to the Garde-Meuble on 30 December 1746) to garnish the panels on each side of the bed of the Dauphine who would hardly enjoy them (she died on 22 July 1746 and the decoration was installed for the new Dauphine Maria Josepha of Saxony). The appearance of the set’s remarkable border, which imitated a richly sculpted wooden frame, should be mentioned. Conceived in 1738 by the ornamentalist Pierre Josse-Perrot and used in the later weavings until 1768, it tended to reinforce the resolutely painterly appearance of the tapestry set which, in this regard, pushed the art of tapestry as far as its ultimate mimetic possibilities. With the exception of Mor’decai's Disdain which had been removed earlier, the “editio princeps” of the story of Esther (from then on in nine pieces) remained at Versailles until the Revolution. Of the eight surviving tapestries, four are at the chateau of Compiègne and four belong today to the Mobilier National. No less than seven tapestry sets reputed to be complete (one of them in fact only had six tapestries) would be produced officially at the Gobelins up to 1772. Literature: 1- The Œuvres mêlées of an emulator of Racine, the Abbé Augustin NADAL thus include an Esther. Divertissement spiritual which is exactly contemporary with Jean François de Troy’s cycle since it was performed in 1735 and published in Paris three years later. 2-Le Siècle de Louis XIV, 1751, 1785 ed., p. 96-97 for French ed. 3- Lemoyne and de Troy had been obliged to share the First Prize in the competition organised in 1727 between the most prominent history painters of the Académie Royale. 4- Mémoires…, pub. L. DUSSIEUX et al., 1854, II, p.265. 5-The fact that de Troy, at the risk of falling out with his colleagues, did not hesitate to make use of prices in order to convince the new directeur des Bâtiments Philibert Orry, is confirmed by Mariette who adds tersely “it caused much shouting” (pub. 1851-1860, II, p. 103). 6- Abrégé de la vie des plus fameux peintres…, ed. 1762, IV, p. 368-369 20 Early comments on the painter are inclined to present him as a kind of “pure painter”, doing without the medium of drawing, a few intermediary studies between the Esther sketches and the large cartoons at the Louvre nevertheless show that de Troy used red chalk (see in the catalogue, the notice for the Meal of Esther and Ahasuerus under the entry drawing) to change one or other figure. 7-C. GASTINEL-COURAL (cat. exp. PARIS, 1985, p. 9-13) as well as the article by J. VITTET, exh. cat. LA ROCHE-GUYON, 2001, p. 51-55. 8-The Hermitage in St. Petersburg conserves five tapestries of these two royal gifts whose provenance still awaits elucidation (as far as we are aware). In 1766, the Grand Marshal of Russia, Count Razumovski (or Razamowski), acquired the Fainting and the Banquet extracted from the sixth weaving (J. VITTET, 2001, p. 53). 9- Lettres écrites de Suisse, d’Italie…,quoted by J. VITTET, op. cit., p. 54. 10-The tapestry set remained in the hands of a branch of the Hapsburg-Lorraine family until 1933 (ibid. P. 54). 11-Quoted by Chr. LERIBAULT, 2002, p. 97, note 269. 12-Y. CANTAREL-BESSON, 1992, p. 241. Catalogue The Esther at her Toilet Oil on canvas, 57 x 51 cm Provenance: Painted in 1736 at the same time as the six other modelli of the Story of Esther intended to be presented, for approval, to the direction des Bâtiments du Roi; perhaps identifiable among a lot of sketches by Jean-François de Troy in the post mortem inventory of the amateur, historian and critic Claude-Henri Watelet (1718-1786) drawn up on 13 January 1786 and following days (A.N. T 978, n° 30) then in the sale of the property of the deceased, Paris, 12 June 1786, n° 33; Paris, François Marcille Collection (who owned a series of six sketches from which the Triumph of Mor’decai was missing, see infra); Paris, Marcille Sale, Hôtel Drouot, 12-13 January 1857, n° 36; Asnières, Mme de Chavanne de Palmassy ( ?) collection; Paris, Galerie Cailleux; Paris, Humbert de Wendel collection (acquired from the Galerie Cailleux in 1928); by inheritance in the same family; Paris, Sotheby’s, 23 June 2011, n° 61. In order not to add unnecessarily to the technical commentary on each work, the catalogue raisonné by Chr. Leribault which contains a substantial bibliography on the series should be referred to. The other bibliographical references only concern the publications and exhibitions to have appeared and been presented more recently. Bibliography and Exhibitions: Chr. LERIBAULT, 2002, n° P. 247 (repr.); E. LIMARDO DATURI, 2004, p. 28; Exh. cat. NANTES, 2011, p. 138, n° 34, referred to in note 1; Sotheby’s catalogue, Tableaux anciens et du XIXe siècle, 23 June 2011, n° 61 (repr.). Related Works: Tapestry cartoon: The cartoon (oil on canvas, 329 x 320 cm), the third made by the artist in Paris after the sketches had been approved by the direction des Bâtiments, is in the Louvre (Inv. 8315). It previously bore the painter’s signature and the date 1738 (inscriptions which are found on the tapestries). The royal administration paid 1600 livres for it on 21 June 1738 and it was exhibited at the Salon in the year of its creation. Summary Biography 1679 (27 January): Baptism in Paris (Parish of St. Nicolas du Chardonnet) of Jean-François de Troy, son of the painter François de Troy and Jeanne Cotelle, sister of the painter Jean II Cotelle. 1696-1698: Studies (apparently rather turbulent) at the Académie royale de peinture et de sculpture. 1698-1708: First trip to Italy. Is obliged to leave Rome in January 1711 after a tempestuous affair (a duel?), de Troy extends the traditional Roman experience as a pensionnaire at the Académie de France by also visiting Tuscany where he stays for a long time, Venice (his art in face has a strongly Venetian character) and Genoa. 1708: De Troy (whose father had been elected Director of the Académie royale de peinture et de sculpture on 7 July) is agréé and immediately received at the Académie with Apollo and Diana Piercing with their Arrows the Children of Niobe (Montpellier, Musée Fabre) on 28 July. 1710: First royal commission, paid for on 10 May (a sketch representing “the Promotion of the Order of the Holy Spirit” for the tapestry series of the History of the King). 1716: Jean-François de Troy is elected Assistant Professor at the Academy. 1720: He is appointed Professor. 1723: The artist creates the double portrait of Louis XV...
Category

Early 18th Century French Baroque Antique Wool Wall Decorations

Materials

Silk, Wool

Textured macrame wall hanging, Spain, 1970s
Located in BARCELONA, ES
Superb macramé wall tapestry made in Spain in the 1970s. Large format. Handmade tapestry composed of different textures and materials creating unique patterns and reliefs. All the ro...
Category

1970s Spanish Hollywood Regency Vintage Wool Wall Decorations

Materials

Wool, Cotton

Leaves and Rain, Jean Lurçat - French Aubusson Tapestry Circa 1961 - N° 1495
Located in Paris, FR
Artist: Jean Lurçat Era: 20th century Style: Design 50s-60s Condition: Perfect condition Material: Wool Width: 94 cm Height: 130 cm Depth: 0.5 This tapestry has already been cleaned...
Category

20th Century French Modern Wool Wall Decorations

Materials

Wool

French Aubusson Tapestry 18th century, Gallant Scene - 185lx220hcm - No 1538
Located in Paris, FR
Period: 18th century Style: Romance Condition: Perfect condition Material: Wool and silk Width: 185 cm Height: 220 cm Depth: 1 cm In keeping with tradition, this magnificent tapestr...
Category

18th Century French French Provincial Antique Wool Wall Decorations

Materials

Wool, Silk

Antique Berlin Wool-work Needlepoint Sampler
Located in Bridgeport, CT
An antique needlepoint sampler depicting samples of lace patterns, florals, bird and geometric motifs. Presented in a metallic gold frame ...
Category

19th Century Country Antique Wool Wall Decorations

Materials

Fabric, Wool

Antique Persian Hamadan Oriental Rug, in Small Size, w/ Herati Design
Located in New York, NY
Antique Persian Hamadan Oriental rug, Small size A vintage Persian Hamadan oriental rug in small size, size 6'6"x 4'5", circa 1920. This lovely hand-knotted carpet features a hera...
Category

1920s Persian Vintage Wool Wall Decorations

Materials

Wool

Bobyrug’s Wonderful Fine Antique French Aubusson Tapestry
Located in Saint Ouen, FR
Very beautiful and fine Aubusson tapestry with a nice design featuring people having a picnic by the river , and with beautiful colours, entirely and finely handwoven with wool and s...
Category

Early 19th Century French Aubusson Antique Wool Wall Decorations

Materials

Wool, Silk

Märta Måås-Fjetterström signed “Bandet” Tapestry by Ann-Mari Forsberg
Located in Brooklyn, NY
Portman Gallery is pleased to present a tapestry woven in Bastad at the storied weavery Märta Måås-Fjetterström, designed by Ann Marie Forsberg in the mid-twentieth century. “Bande...
Category

Mid-20th Century Swedish Mid-Century Modern Wool Wall Decorations

Materials

Wool

Vintage Tapestry Depicting Children Playing Music 6.0X4.6
Located in Los Angeles, US
A wall hanging tapestry, simply put, is a textile specifically designed and woven to portray an artistic scene with the intent of hanging it on a wall. Antique tapestries, those that...
Category

Early 2000s Unknown Empire Wool Wall Decorations

Materials

Wool, Cotton

Antique 17th Century Brussels Tapestry 8' X 5'3"
Located in Los Angeles, US
A wall hanging tapestry, simply put, is a textile specifically designed and woven to portray an artistic scene with the intent of hanging it on a wall. Antique tapestries, those that...
Category

17th Century Unknown Other Antique Wool Wall Decorations

Materials

Wool, Cotton

Antique French Tapestry Handwoven French Tapestry Aubusson Verdure Tapestry
Located in New York, NY
Rare Antique French Tapestry Verdure Human Flirting Scene Beige after "Francois Boucher" 4'4" x 6'4" 132cm width x 193cm Height circa 1920 "This is an outstanding one-of-a-k...
Category

1920s French Vintage Wool Wall Decorations

Materials

Wool

Tibetan Pictorial Throw Rug
Located in New York, NY
A fine-quality antique Tibetan throw-size pictorial rug. Would make for a great wall hanging too Measures: 2'5" x 5'
Category

Early 20th Century Tibetan Chinese Export Wool Wall Decorations

Materials

Wool

Large Antique Flemish Tapestry Antique Tapestry Verdure Wool & Silk 1850
Located in New York, NY
Rare Mid 1800's Antique Flemish Tapestry Fine wool & silk beige 7'1" x 8'8" (216cm x 264cm) Circa 1850 "This is a very fine Authentic Antique Flemish Tapestry in Wool & Silk hunti...
Category

1850s Belgian Antique Wool Wall Decorations

Materials

Wool, Silk

Zabihi Collection Worn Green Turkish Hereke Rug
Located in New York, NY
a late 19th-century Turkish Hereke worn rug in moss green and raspberry tones Details rug no. 31621 size 5' 2" x 8' 1" (157 x 246 cm)
Category

Late 19th Century Turkish Campaign Antique Wool Wall Decorations

Materials

Wool

1970's Reichel Skansen Wall Tapestry
Located in Bern, CH
Beautiful 1970's Reichel Skansen Wall Tapestry with abstract design. Nice example of a Mid Century wall decoration / rug. Yellow, ochre, rust, brown & mustard colourways. Measurement...
Category

Mid-20th Century German Mid-Century Modern Wool Wall Decorations

Materials

Wool, Wood

Beautiful Modern 20th Century French Needlepoint Tapestry
Located in Saint Ouen, FR
Nice French modern Art Deco tapestry, with cock and sun design and beautiful colors with green field, red, blue, yellow and purple, entirely han...
Category

Mid-20th Century French Art Deco Wool Wall Decorations

Materials

Wool

16th Century Antique Flemish Tapestry. 10 ft 8 inx 11 ft 3in
Located in New York, NY
16th Century Antique Flemish Silk And Wool Biblical Scene Tapestry, Country Of Origin: Belgium, Circa Date: 16th Century. Size: 10 ft 8 in x 11 ft 3 in (3.25 m x 3.43 m)
Category

16th Century Belgian Renaissance Antique Wool Wall Decorations

Materials

Wool, Silk

Textured macrame wall hanging, Spain, 1970s
Located in BARCELONA, ES
Superb macramé wall tapestry made in Spain in the 1970s. Large format. Handmade tapestry composed of different textures and materials creating unique patterns and reliefs. All the ro...
Category

1970s Spanish Hollywood Regency Vintage Wool Wall Decorations

Materials

Wool, Cotton

Large Flemish 17th-18th Century Baroque Pictorial Tapestry "the Royal Garden"
Located in Los Angeles, CA
A large Flemish 17th-18th century baroque pictorial tapestry "The Royal Garden". The large tapestry depicting an allegorical park-scene of R...
Category

18th Century French Baroque Antique Wool Wall Decorations

Materials

Wool, Silk

Wall Tapestry in the style of Joan Miro
Located in L’ISLE-SUR-LA-SORGUE, FR
Tapisserie murale artistique tridimensionnelle en très bon état. Art abstrait avec les formes et les couleurs bien caractéristiques de Joan Miro. Pièce unique Espagne, ca. 1970
Category

1960s Spanish Mid-Century Modern Vintage Wool Wall Decorations

Materials

Wool

“Heliotrope” Tapestry Signed by Hervé Lelong
Located in Beirut, LB
Tapestry in “pure laine vierge” signed by Hervé Lelong Entitled “Heliotrope” Depicting a colorful flowers scene in the style of J.Lurcat Hand woven wool
Category

1960s French Mid-Century Modern Vintage Wool Wall Decorations

Materials

Wool

17th Century Monumental Tapestry/Gobelin Audience with the King in Antiquity
Located in Berlin, DE
17th Century Monumental Tapestry/Gobelin Audience with the King in Antiquity Extremely beautiful antique Gobelein tapestry, France probably arou...
Category

17th Century French Antique Wool Wall Decorations

Materials

Wool, Silk

1900 Antique French Tapestry 5'4" X 5'2"
Located in Los Angeles, US
A wall hanging tapestry, simply put, is a textile specifically designed and woven to portray an artistic scene with the intent of hanging it on a wall. Antique tapestries, those that...
Category

Early 1900s Unknown French Provincial Antique Wool Wall Decorations

Materials

Wool, Cotton

Handwoven, Plant-dyed Framed Fine Tapestry Artwork - Yellows Colour Study
Located in Chelmsford, GB
This tactile piece of hand-woven textile art is one of a collection of one-off plant-dyed pieces designed and produced by British Weaver Pamela Print. This piece is dyed by hand usi...
Category

2010s British Bauhaus Wool Wall Decorations

Materials

Wool

Handwoven Wool Wall Hanging Tapestry
Located in North Miami, FL
This organic and beautiful two-tone hand-woven wool tapestry/ wall art hangs on a custom designed brass rod easily mountable to wall. THIS ITEM IS LOCATED AND WILL SHIP FROM OUR EAS...
Category

2010s Mexican Organic Modern Wool Wall Decorations

Materials

Brass

Vintage Tapestry Depicting a Hidden Forest 5'5" X3'6"
Located in Los Angeles, US
A wall hanging tapestry, simply put, is a textile specifically designed and woven to portray an artistic scene with the intent of hanging it on a wall. Antique tapestries, those that...
Category

Early 2000s Unknown Other Wool Wall Decorations

Materials

Wool, Cotton

Antique French 1850 Tapestry 6'7" X 6'4"
Located in Los Angeles, US
A wall hanging tapestry, simply put, is a textile specifically designed and woven to portray an artistic scene with the intent of hanging it on a wall. Antique tapestries, those that...
Category

19th Century Unknown French Provincial Antique Wool Wall Decorations

Materials

Wool, Cotton

Antique 1900 French Tapestry 5' X 4'6"
Located in Los Angeles, US
A wall hanging tapestry, simply put, is a textile specifically designed and woven to portray an artistic scene with the intent of hanging it on a wall. Antique tapestries, those that...
Category

Early 1900s Unknown French Provincial Antique Wool Wall Decorations

Materials

Wool, Cotton

Jean Picart Le Doux, French tapestry Atelier Pinton, 1x6, L5m00xh2m00 - No. 1437
Located in Paris, FR
Artist: Jean Picart Le Doux Period: 20th century Style: Modern art Condition: Perfect condition Material: Wool Width: 500 cm Height: 200 cm A stone's throw from the Eiffel Tower We...
Category

1960s French Aubusson Vintage Wool Wall Decorations

Materials

Wool

French 18th Century Tapestry 6'5 x 5'5
Located in New York, NY
French 18th century tapestry. Two women and a young child sit attentively as a man appears to be telling a story. Off in the distance sailboats roam around the water as seabirds fly ...
Category

18th Century French Antique Wool Wall Decorations

Materials

Wool, Silk

Vintage European Kilim Flatwoven Rug Signed Handmade Tapestry Art Nouveau Rug
Located in New York, NY
Vintage French tapestry handmade tapestry JC Bisery signed "This is a beautiful Vintage European Tapestry, artist signed. This magnificent Flat woven rug has great character, art...
Category

1970s Spanish Art Nouveau Vintage Wool Wall Decorations

Materials

Wool

Vintage Tapestry Depicting a Cello 6.0X5.5
Located in Los Angeles, US
A wall hanging tapestry, simply put, is a textile specifically designed and woven to portray an artistic scene with the intent of hanging it on a wall. Antique tapestries, those that...
Category

Early 2000s Unknown Empire Wool Wall Decorations

Materials

Wool, Cotton

Antique French Aubusson Landscape Tapestry
Located in New York, NY
This is a lovely antique early 20th century French Aubusson landscape tapestry depicting a young man and animals in a lush landscape. It is a cla...
Category

Early 20th Century French Aubusson Wool Wall Decorations

Materials

Tapestry, Wool

Pretty vintage French Aubusson style hand printed tapestry, medieval design
Located in Saint Ouen, FR
"Experience the timeless elegance of this exquisite French Aubusson style tapestry, capturing the essence of an 15th century tapestry with a design titled « bord de L’eau » (water's...
Category

Mid-20th Century French Aubusson Wool Wall Decorations

Materials

Wool

Flemish Tapestry 18th - The Swiss Guard, Pastoral Passage of the Pope - N° 1483
Located in Paris, FR
18th Century Flanders Tapestry - The Swiss Guard, Pastoral Passage of the Pope - No. 1483 Period: 18th century Condition: Perfect condition Material: Wool & silk Width: 275 cm Height...
Category

18th Century French French Provincial Antique Wool Wall Decorations

Materials

Wool, Silk

North American Woven Geometric Textile Mounted Panel
Located in Rio Vista, CA
Interesting North American woven rug textile mounted on a wooden display panel. Features a colorful geometric pattern and is signed or initiated on bottom R.P. Lovely colors of salmo...
Category

20th Century American Modern Wool Wall Decorations

Materials

Wood, Wool

18th Century Aubusson Tapestry Design after Claude-Joseph Vernet
Located in New York, NY
18th Century Aubusson Tapestry Design after Claude-Joseph Vernet Wool and Silk 72 x 108 in, 183 x 274 cm Great Condition
Category

18th Century French Aubusson Antique Wool Wall Decorations

Materials

Wool, Silk

Memories of a Panorama 04 Wall Hanging
Located in Eindhoven, NL
Original artwork from Kiki van Eijk. These tapestries are reminiscent of Dutch landscapes in which the center of each piece is a tree, woven from gold thread. Each panorama aims to ...
Category

21st Century and Contemporary Dutch Modern Wool Wall Decorations

Materials

Wool

Original Vintage South American Weaving by Dutch Artist Jan Schreuder Folk Art
Located in London, GB
A Original vintage South American weaving by the Dutch artist Jan Schreuder (1904 - 1964) Wool and cotton 96 x 100 cm 37 x 39 inches Circa 1957 ...
Category

1950s Ecuadorean Vintage Wool Wall Decorations

Materials

Wool, Cotton

17th Century Flanders Biblical Tapestry life of Moses ( 10' x 12'8"-305 x 385 )
Located in New York, NY
17th Century Flanders Biblical Tapestry ( 10' x 12'8" - 305 x 385 ) Subject: Scene from a life of Moses Series, probably the reconciliation of Miriam and Zipporah Period: Late 16th ...
Category

Early 17th Century Belgian Antique Wool Wall Decorations

Materials

Wool

17th Century Antique Brussels Tapestry 8'9" X 6'7"
Located in Los Angeles, US
A wall hanging tapestry, simply put, is a textile specifically designed and woven to portray an artistic scene with the intent of hanging it on a wall. Antique tapestries, those that...
Category

17th Century Unknown Other Antique Wool Wall Decorations

Materials

Wool, Cotton

Antique 17th Century Flemish Tapestry 8'1" X 6'5"
Located in Los Angeles, US
A wall hanging tapestry, simply put, is a textile specifically designed and woven to portray an artistic scene with the intent of hanging it on a wall. Antique tapestries, those that...
Category

17th Century Unknown Other Antique Wool Wall Decorations

Materials

Wool, Cotton

Fine Wool & Silk Tapestry Noahs Ark Vintage Handwoven Aubusson
Located in New York, NY
Fine Wool & Silk Tapestry Noahs Ark Vintage Handwoven Aubusson 8x10 8' x 10'4" 244 cm x 315cm "Rare Wool & Silk handwoven tapestry depictin...
Category

1960s Unknown Vintage Wool Wall Decorations

Materials

Wool, Silk

Brussels 18th Century Tapestry Teniers, Marché Poisson 12'6 x 8'6
Located in New York, NY
Brussels Circa 1750-Probably woven by Francois Van Der Borcht 1720-1765-Tenier's Style-A placid harbor with a perspectival weighted fortified city scape to left and a stone quay in t...
Category

16th Century Antique Wool Wall Decorations

Materials

Wool

Aubusson Tapestry By Michèle Ray From 1960 (Lurcat Man Ray)
Located in LE CANNET, FR
Aubusson tapestry in hand-woven wool by the Robert Four factory in the 60s, based on the work of the artist Michèle Ray "L'Aube" limited copies number. A beautiful wall decoration. S...
Category

1960s Aubusson Vintage Wool Wall Decorations

Materials

Wool

795 - Mechanical Tapestry of the 20th Century
Located in Paris, FR
Mechanical tapestry of the 20th century in perfect condition of conservation. Negotiable price and free delivery. Dimension: 150 x 110 cm.
Category

1970s French Art Deco Vintage Wool Wall Decorations

Materials

Wool

17th Century Aubusson Tapestry Portrait
Located in Canterbury, GB
An Exceptional Antique French Aubusson Portrait Tapestry French and dating from circa 1700 This is an original portrait tapestry not a section cut down from a larger hanging Hand wo...
Category

17th Century French Aubusson Antique Wool Wall Decorations

Materials

Wool

Bobyrug’s Pretty antique French Aubusson Tapestry
Located in Saint Ouen, FR
Very pretty mid century french Aubusson tapestry with beautiful design of a flowerpot with nice colours in a black background. Entirely handwoven with wool and silk on cotton foundat...
Category

Mid-20th Century French Aubusson Wool Wall Decorations

Materials

Wool, Silk

Wonderful large modern French Aubusson tapestry by « Thérèse Le Guen »
Located in Saint Ouen, FR
Discover the timeless elegance of the "Pluie d’étoiles" (star rain) titled limited edition wall tapestry from Manufacture Robert Four in Aubusson, France. This exquisite piece, signe...
Category

Mid-20th Century French Mid-Century Modern Wool Wall Decorations

Materials

Wool, Cotton

Midcentury Vintage Striped Kilim Beige Brown Bag Rug by Rug & Kilim
Located in Long Island City, NY
Handwoven in a wool flat-weave originating from Turkey circa 1950-1960, this vintage Kilim rug vintage Kilim rug was originally part of a woven bag-an item both available as a Kilim ...
Category

1950s Turkish Kilim Vintage Wool Wall Decorations

Materials

Wool

Beautiful Antique French Fine Needlepoint Tapestry
Located in Saint Ouen, FR
Very beautiful late 19th century needlepoint tapestry with beautiful design of a scene of an elderly lady teaching a young girl to sew, and with beautiful natural colors, entirely an...
Category

Late 19th Century French Aubusson Antique Wool Wall Decorations

Materials

Wool

19th Century Aubusson Tapestry
Located in LYON, FR
Beautifully vivid, 1860-1870 Hand-woven Aubusson French Tapestry. Bought in St Ouen Paris. Warm fresh earthy tones, with amazing detail all in excellent condition. This piece has ha...
Category

1860s French Medieval Antique Wool Wall Decorations

Materials

Wool

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