Wool Wall Decorations

16th Century Brussels Tapestry Great condition beautiful color and design

An early 20th-century East Turkestan Khotan Pictographic rug Measures: 5'11'' x 9'7''.

An antique 18th century Flemish Biblical tapestry, size 8'3 H x 10'1 W. This period European tapestry depicts a climactic moment from the Biblical account of the Purim story, with Queen Esther...

- "Les Vagues" (The Waves) from the Bicentennial Tapestries series - 41 x 59 in, 103 x 150 cm - Signed by artist and monogrammed by atelier - Numbered 39 - Atelier Pinton Frères in F...

A wall hanging tapestry, simply put, is a textile specifically designed and woven to portray an artistic scene with the intent of hanging it on a wall. Antique tapestries, those that...

Rare and Very Fine 19th Century Aubusson Tapestry - Signed - The Lady with the Unicorn - 1m74Hx1m95L - N° 1364 My personal opinion on this tapestry: Normally I do not share my perso...

78461 Antique French Scandinavian Verdure Tapestry Handwoven in Sweden, 04'01 x 06'09. Emanating timeless style with incredible detail and texture, this handwoven wool antique verdure tapestry is a captivating vision of woven beauty. The idyllic pastoral scene and soft earthy colorway woven into this piece work together creating a look of true Old World charm. The antique verdure wall hanging depicts a peaceful wooded landscape with dense green vegetation. Nestled among the trees are a couple of exotic birds. A horizontal floral...

This is a gorgeous antique square 17th Century flemish Verdure landscape tapestry with two slight figures in a beautiful and rich summer scene of a countryside with lush trees and ve...

Handwoven in Aubusson, France in the 19th Century, this lovely Tapestry features a nobleman and noblewoman on a stroll through the forest in a classic Millefleur background and it ha...

This tactile piece of hand-woven textile art is one of a collection of one-off plant-dyed pieces designed and produced by British Weaver Pamela Print. This piece is dyed by hand using natural and repurposed yarns and techniques such as Ikat and dip-dyeing using the natural dyes weld & fustic and over-dyed with indigo to achieve the shades of green. Handwoven on a dobby loom in Pamela's studio using a complex double cloth weaving technique and a combination of weave structures, including a 3D honeycomb, this unique framed artwork draws inspiration from the ethos and aesthetic of Indian Kantha & Japanese Boro textiles. One of a kind. Two similar designs - ‘Yellows Colour Study...

This exquisite 20th century tapestry in polychrome wools designed by René Perrot and woven at Atelier Rivière des Borderies in Aubusson captures the serene beauty of two exotic birds...

Antique Persian Bidjar rug, Room size, circa 1910 A one-of-a-kind antique Persian Bidjar Oriental Carpet, hand-knotted with soft wool pile. This beautiful rug features a repeating...

A wall hanging tapestry, simply put, is a textile specifically designed and woven to portray an artistic scene with the intent of hanging it on a wall. Antique tapestries, those that...

Discover the elegance of this mid-century French screen printed tapestry by hand featuring the exquisite design of the renowned medieval museum tapestry,I « La tonte des Moutons» ( S...

18th century needlepoint painting, Pétanque game - 57x70 cm - No. 1561 Framed by our Parisian artisan workshop Era: 18th century Condition: Perfect condition Material: Wool Width: 57...

A hand-woven abstract fantasy wall-hanging with a sensational color combination.

73625 Late 19th-Century Antique French Aubusson Tapestry, 07'06 x 09'00. An opportunity reserved for the most discerning collectors, this one-of-a-kind, handwoven French Rococo Aubus...

-Edition 5/6 -Provenance: Private French collection -Sonia Delaunay’s Les jeux d’enfants (Children’s Games) is a vibrant Aubusson wool tapestry that exemplifies the artist’s lifelo...

Mid-Century Modern Wool Green, Red and Black Wall Hanging Tapestry from Finland, 1960s

Opticals taps into the visual phenomenon of optical illusions. The collection explores the visual potential of the very basic weaving technique of creating vertical lines. Inspir...

17th century French Baroque wool and silk tapestry. Work of Felletin, ca 1690 France.

Antique Chinese Art deco Rug, Room size, circa 1920. A one-of-a-kind antique Chinese Art deco oriental carpet, hand-knotted with medium th...

A wall hanging tapestry, simply put, is a textile specifically designed and woven to portray an artistic scene with the intent of hanging it on a wall. Antique tapestries, those that...

Antique Persian Meshed Oriental Rug, Room size An antique Persian Meshed oriental rug, size 12'8 x 10'2, circa 1920. This handsome hand-woven geometric rug features floral elements...

Provenance: Oudenaarde manufacture, Flanders, Mid-16th Century Tapestry wool and silk texture Dimensions 340/330 x 340/338cm Extremely rare piece In good condition Washed and lined It is a typical Flemish tapestry "with large leaves", well preserved, woven with green, yellow and brown yarns whose colors have remained fresh and intense. The market and collectors in recent decades have greatly re-evaluated tapestries with "large leaves", appreciating their high decorative value and ability to blend in with modern furnishings. Our tapestry belongs to a very particular subcategory of the "feuille de...

An antique 18th century French Felletin verdure landscape tapestry, size 8'10 H x 9'7 W. This handwoven antique wall hanging feat...

This is absolutely lovely antique late 18th century French Aubusson Tapestry pillow with flowers. It measures: 10 x 15 inches. Excellent condition. Complimentary Shipping!  

A very fine baroque Franco-Flemish 18th century figural tapestry allegorical to triumph and love, depicting three maidens within a verdure backgro...

Navajo rug flat woven rug tapestry beige Measures: 4' x6' (3'11" x 5'7") 119cm x 170cm Circa 1920 "The woolen rug has a white background color on which are three stylized figures on each side of a center cornstalk. All are surrounded on three sides by a "guardian "figure - one side is the head and the body - the other side are the legs. The rug is a Navajo Yei rug. All the figures are holding prayer sticks; there are feathers attached to the elbows of the figures in a vertical line. The colors of the rug are white, red, maroon, blue, tan, brown, grey, orange, rust and gold. The most common type of Navajo Yei rug are those with a white background color. Navajo Yei rugs were made at Lukachukai or in the Shiprock area or even Ganado. It is a fact that a Navajo Yei rug with many Yei figures and many colors will garner the highest value. While Yei rugs are technically woven for the floor, they were often placed on couches, or hung on the wall like paintings, few actually touched the ground. The Yei figure is a frequently used pattern in Navajo rugs. Male Yei figures are generally pictured with round heads, and female Yei figures with square heads. Modern Yei rugs are more often pictorial compositions, showing a row of front-facing stylized stick figures with a Rainbow Guardian which protects the figures on three sides, indicating the sand painting roots of this particular style. The Yei rug portrays ceremonies on a desire for healing, not only physical health, but also mental, spiritual, and even material well-being. The "Holy People...

Exceptional limited edition 1/2 tapestry "Pelops" with certificate from a private collection, 1964. Ateliers Pinton brothers in Felletin, under the supervision of Pierre Baudouin 2ex + 1EA Editor Aram Iynedjian. The tapestry will be sold with its certificate of authenticity from the gallery. From the 15th century, the name of Pinton was associated with the Aubusson tapestry. Since then, over the generations, the Pinton family has largely contributed to the development of this fabulous cultural heritage until the creation in the 19th century, of the Felletin factory, in the department of Creuse. Even today, in these workshops, the craftsmen execute the same correct gestures with the same attention to detail and thus extend the chain of the history of the tapestry of tradition but also contemporary. The hand of specialists, the eye of designers and dyers and the taste of the most demanding clientele find their meaning in the fabric of the carpets. The excellence of French know-how, a living heritage society and custodian of Aubusson's cultural heritage, has always collaborated with great artists. The works of Charles Le Brun, Charles Lapicque, Pablo Picasso, Jean-Michel Othoniel, and many other big names in the world of painting, architecture, design, fell into the looms and know-how ancestral of this unique Creuse creator. Editor Aram Iynedjian Aram Iynedjian, Lausanne gallery owner and editor of tapestries from Braque, Estève and Lapicque, the latter meets Pierre Baudouin, the most famous of the cardboard painters of the time. The one who translated the works of Le Corbusier, Calder or Picasso into tapestry then collaborates with Charles Lapicque and they will develop a work of great richness. Lapicque came to realize these two summits which are "Pélops" and "Diane et Actéon". I realize that you should never try to describe a work of art Let’s look at it. Let us admire the science of composition, linear purity, technical perfection, the beauty of color, the truth of the drama. Let us see, if we can, the implacable presence of genius. "We will now understand that after having based a painting on the love of tapestry, it was relatively easy, and very tempting, to build a tapestry faithful to my painting," explained the artist in the exhibition catalog. of the Galerie Verrière in 1970. It was not until 1961 that he began to produce cardboards both for the tapestry of the Lisse in Aubusson, but also at the Mobilier National, with the help of Pierre Baudouin Charles Lapicque (1898-1988) Born in 1898 in Theizé (Rhône) in a family practicing both the arts and the sciences, Charles Lapicque is no exception to the rule: gifted for music and drawing, he graduated from the École Centrale in 1921, works as engineer until 1928 before integrating in 1931 a laboratory at the Faculty of Sciences of Paris, where he carried out research on the perception of colors, crowned by the title of Doctor of Physical Sciences in 1938. He thus studies the reactions of the eye in front of an intense light source, at the origin of the formation of starry images which he will use in his works, and defines a theory of the staggering of colors in space which overturns the rules of the Renaissance: "I had shown that the Classic rule, that of Vinci, advocating placing the blues in the distance, the reds, oranges and yellows in the foreground, is a nonsense; it makes more sense, more favorable to do the opposite. "(In Red and blue in the arts, 1936) It was around 1920 that Charles Lapicque began to paint in Brittany where he spent every summer since his childhood, first on the motif and then in a workshop that his stepfather Jean Perrin, Nobel Prize in Physics, had him build in 1927 ; he then definitively adopted the work of memory, in accordance with the art of music which he deeply loved and the Bergsonian philosophy of knowledge: "It is up to us to give reality an appearance that it has no itself, a form, a figure (...). " His youthful production immediately reveals a great originality, oscillating between figuration and abstraction which sometimes intertwine: alongside synthetic paintings by their simplified drawing and their flat colors, he designs an Homage to Palestrina (1925), composed of a grid derived from Cubism, entirely abstract, relayed by a Christ with Thorns (1939), according to a principle that he will develop after 1939, in line with his optical discoveries. In fact, during the war years, an almost abstract period began, that of the tight blue framework, applied to backgrounds ranging from yellow to red and revealing a more or less identifiable world (Jeanne d'Arc crossing the Loire, 1940; Rencontres series, 1940-1945). Exhibited in 1929 by the gallery owner Jeanne Bucher, Lapicque abandoned his scientific career in 1943 to devote himself entirely to painting. He continued his work which resulted in 1946-1953 in white-frame structures; their much softer lines lead him to the system of either black or white interlacing which encloses areas of pure color, most often in solid color. With The Battle of Waterloo in 1949, Lapicque still uses optics - zooming in on a given area - to depict spaces with multiple perspectives and decomposed times. This new interest in the liveliness of color developed in the following period, which can be described as flamboyant or Baroque (1954-1963): illustrated in particular by the series of Breton lagoons and twilight or nocturnal views of Venice in the light. Stars, which the artist himself describes as “daring sweets”, it begins with the Raoul Dufy Prize of the Venice Biennale, awarded in 1953 to the artist who took the opportunity to give free rein to his passion for the Serenissima until July 1956. Another point in common with his elder brother is the expression of movement. Begun in 1949 in The Battle of Waterloo then in 1952 with Dimanche aux regates, it became an obsession from 1964, in the exploration of new themes, such as the different shots of tennis players captured on the fly (1965), the mythological scenes and sea storms. These dizzying years precede the artist's last period: as he comes of age, he discovers serenity, revealed by a painting now with acrylic paint, much more peaceful from 1974, which even borders on a childish naivety at the end. of his life. All of his work includes an astonishing diversity of themes, also nourished by his travels (Rome in 1957, Greece in 1964, Holland in 1974 ...), with a predilection for the sea, rocks, sailboats, music, tennis, horses, wild beasts, but also for history and mythology, as evidenced by knights, kings and ancient gods. It also deploys, in total creative freedom, a wide variety of styles and orientations. Having been one of the pioneers of non-figurative art, thus paving the way for artists like Manessier, Bazaine, Vieira da Silva, De Staël, etc. Owners of the new non-figurative Paris School of the Postwar period, Charles Lapicque then returned to figuration, in a "new interpretation" of appearance, even if he continued to rub shoulders with abstraction at times. "Drawing runs after color and color after drawing. " Heir to the Fauves, Charles Lapicque plays like them on pure colors, whose dissonances, associated with a totally free design and an overloaded composition in a multiple space, make him a precursor of the New Figuration in all its forms: the Narrative Figuration born in France in the early 1960s, represented in particular by Gérard Fromanger, Erró, Bernard Rancillac and Gérard Guyomard; Free Figuration born in the early 1980s, marked by Robert Combas, Hervé and Richard Di Rosa, Louis Jammes and François Boisrond, and which, in turn, influenced the American Bad Painting of a Jean-Michel Basquiat or a Keith Haring, deliberately neglected and Expressionist; Lapicque's “Classic subjects” were able to feed Cultivated Painting, which also appeared in the early 1980s with Jean-Michel Alberola, Patrice Giorda and Gérard Garouste...

Vintage Swedish midcentury Tapestry in linen and wool, typical for the styles of the era. Blue, green, red and yellow colored geometric shapes with a sand colored background. In a ve...

This tactile piece of hand-woven textile art is one of a collection of one-off plant-dyed pieces designed and produced by British Weaver Pamela Print. This piece is dyed by hand usi...

Outstanding hand printed on wool wall tapestry.    

Rare Vintage Tapestry with Exquisite Scene of Egyptian Architecture and Columns. 16-1005 This exquisite tapestry from the late 20th century is co...

A French mythological tapestry from the early 18th century, depicting Father Time and Minerva flanking a seated female figure whom Minerva crowns with a laurel garland; a fountain in...

An early 20th Century Large room size Persian Tabriz Carpet with an all over design in neutral tones Details rug no. j4870 size 10' 7" x 15' 4" (323 x 467 cm)

Located a stone's throw from the Eiffel Tower in Paris, we are a French family business specializing in the purchase, sale, expertise, cleaning, restoration and conservation of tapes...

The name Aubusson is synonymous with finely created tapestries From France. This pair is exceptional because they are elegant and very tall. The floral and foliate design is excepti...

Gorgeous 18th Antique Century Silk & Wool French Verdure Tapestry, Country of origin: France, Circa date: 18th Century

« La maternité » maternity Discover the exquisite beauty of this authentic needlepoint tapestry, meticulously hand embroidered . this masterpiece features a captivating design by L...

A modernist wool woven tapestry designed by French artist and designer Mathieu Mategot (1910-2001) circa 1960s. The piece is signed with Matégot and monogrammed TMP fino (Manufactur...

A captivating handwoven wool tapestry by Hungarian textile artist Éva Németh, designed in the 1960s and sold through Illums Bolighus in Copenhagen—one of Scandinavia’s most iconic de...

Monolithic wool wall tapestry by artist Calman Shemi dated 1978. Can be hung horizontal or vertical. Calman Shemi Argentine/ Israeli 1939 - Tapestry Signed and dated near lowe...

Beautiful new Kilim with geometrical modern design and light colors, entirely handwoven with wool on cotton foundation. Measures: size: 5ft 7in x 7ft 10in.

A fine and large flemish 17th-18th century Baroque figural tapestry "A Royal Courtship" depicting an allegorical courting scene of a young princess meeting her prince at the watchful eye of a mesmerized queen standing behind her. A young girl supports the princess' dress train...

This vintage French jacquard tapestry, probably crafted in the 1940s in the Aubusson style, showcases a richly detailed hunting scene. Woven in Halluin, a region renowned for its tex...

Tapestry in “pure laine vierge” signed by Hervé Lelong Entitled “Heliotrope” Depicting a colorful flowers scene in the style of J.Lurcat Hand woven wool

- rare nice wall tapestry.

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Early 19th C. India Ready to go on a wall. Framed...

77764, antique French Verdure tapestry. This hand-woven antique French Aubusson verdure tapestry depicts a landscape scene of the French countryside. ...

Traditionally hand knotted wool tapestry with a round frame. Manufatured in Spain, circa 1960. In original condition with minor wear consistent of age and use, preserving a beautif...

"Discover the timeless elegance of this exquisite vintage French tapestry featuring a reproducing of the paintings of the famous French painter "Jean Baptiste Oudry (1686-1755)". Dog...

Jean LURÇAT (1892-1966) ‘Le Verseau or Aquarius’ from the series 'Les signes du Zodiaque' Hand woven wool Tapestry in Aubusson at Ateliers Picaud, 1960’s dimensions: 28 x38 inches ...

Very pretty mid century French tapestry with nice galant design and beautiful colors, woven on the Jacquard looms woven with wool and cotton. ✨✨✨ "Experience the epitome of luxury a...

A stone's throw from the Eiffel Tower We are a family business specializing in the purchase, sale and expertise of old, modern and contemporary tapestries, rugs, kilims and textiles....

Antique 17th century Flemish tapestry with the Liberal Arts & Areas of Knowledge An antique 17th century Flemish genre tapestry panel, size 13'1 H x 9'0 W, depicting the Liberal A...

Antique French Forest scene tapestry, circa 1880, 4'6 x 10'. An antique French fine hand-loomed tapestry, circa 1880. A forest scene, with trees and foliage surrounded by a floral bo...

16th century, Flemish storied wood tapestry Flanders Brussels The beautiful and precious tapestry, of fine workmanship and made with wool yarns, was made in the 16th century in F...

An early 20th Century Persian Persian Bakhtiari Pictorial signed Prayer rug. Light enough to use as a wall piece as well Measures: 5'5'' x 8'2''.  

17th century French grotesque tapestry An antique French Beauvais tapestry from the 17th century, depicting a Grotesque scene with an Elephant and ...