1820s Wall Decorations

Wonderful naive oil painting of a girl. Fabulous muted colors. The austerity of the image is matched by the simplicity of the antique bleached oak frame. I have chosen not to resto...

Title: Roman Excavation Print - 1820 Pinelli & Bridgens Etching Description: This detailed 1820 etching, titled "Excavating Near the Temple of Jupiter Stator, Rome," captures the bu...

K.K. Österreichische Artillerie und Fuhrwesen, Early 19th Century Detailed description: This beautiful hand-colored lithograph depicts officers and soldiers of the Imperial and Roy...

Title: Antique Botanical Print of Aristolochia à Fleurs Labellées - 19th Century Description: This antique botanical print, titled "Aristolochie à Fleurs Labellées," is a stunning 1...

This historical and rare item celebrates one of the most influential writers, politicians, and American Revolutionary figures, Thomas Jefferson. Featured is a four-page facsimile ste...

Lovely painted picture frame Great piece of folk art Original paint. Painted on pine. The measurement given below is the outside of the frame Internally it measures 9.75 x 8.25 i...

A fine & large antique Russian Orthodox icon, circa 1820. This large antique Russian icon painted with egg tempera on wooden panel, depicts the "True Cross" to the center with Saint...

Title: Cinchona Bark Varieties: An Illustrated Botanical Atlas (1826)** Description: This rare and finely illustrated botanical atlas, 'Versuch einer Monographie der China. Nur Atl...

Austrian Grenz Regiment Soldiers in the Field, Early 19th Century Detailed description: This hand-colored lithograph, likely created in the early 1820s, features soldiers from the ...

Italian Regional Costumes: Sarzana, Sesto, Rome and Florence, 1823 This hand-colored lithograph presents six detailed bust portraits of Italian women dressed in traditional regional...

Great map of Europe Drawn under the direction of Arrowsmith. Copper-plate engraving. Published by Longman, Hurst, Rees, Orme and Brown, 1820 ...

A magnificent Italian mythological painting from the first half of the 19th century. A large oil on canvas artwork, first canvas, depicting the myth of Europa. According to legend, Z...

Portrait Medallion of the Swedish king Karl XIV Johan, Empire, c. 1820s A beautiful portrait medallion in polished and dark-patinated bronze depicting King Karl XIV Johan of Sweden ...

Regency period Sampler, stitched in 1825, by Emily White. The sampler is worked in silk threads on a linen ground, mainly in cross stitch. Meandering floral border. Colours green, co...

Wonderful prints of Regency furniture Aquatints with original color. From Ackermann's Repository. 3 dated 1825. One dated 1810 Unframed.

Regency Hot Air Balloon Sampler, 1828, by Mary Ann Paine Aged 7. The sampler is worked in silk threads on a linen ground, mainly in cross stitch. Meandering leafy border. Colours red...

Title: Execution Print: Public Beheading for Murder in Rome, Hand-Colored, 1820s Description: This rare and haunting hand-colored engraving, titled *An Execution in Rome for Murder*...

The image is a detailed print titled "Funeral di un Brahamano," which is Italian and translates to "Funeral of a Brahmin." The scene depicts a traditional Hindu funeral ceremony wher...

This hand-colored aquatint is a topographical view of Djursholm Castle in Danderyd, Sweden, and it is a part of Ulrik Thersner's ambitious project, "Fordna och närvarande Sverige" (Antiquity and Present Sweden). This work aimed to be a modern counterpart to Erik Dahlbergh's "Suecia antiqua et hodierna," a significant 17th-century work that showcased Sweden's historical and contemporary landscapes, buildings, and monuments through engravings. Ulrik Thersner's endeavor in creating "Fordna och närvarande Sverige" involved drawing several mansions, among other subjects, and began publishing these works in 1817. The technique used, aquatint, is a form of etching that allows for the creation of images with tonal variations, resembling watercolor paintings, which makes it particularly suited for detailed and atmospheric topographical representations like the one of Djursholm Castle. Carl Fredrik Akrell, a notable engraver, worked on engraving Thersner's images, which were then executed in aquatint, a process that allows for a rich gradation of tones and a painterly quality. Wilhelm Maximilian Carpelan later joined the publication effort, indicating a collaborative process in bringing Thersner's vision to fruition. The parts of the series were published over a period, with Skåne completed in 1823, and the regions of Östergötland, Uppland, and Södermanland addressed in the years 1820 and 1824-25. Thersner's personal involvement in writing the text for the pictures underlines the detailed and scholarly approach taken in producing this series. Thersner's "Fordna och närvarande Sverige" would have been an invaluable contribution to the documentation of Swedish cultural heritage and landscape during the early 19th century, providing a vivid pictorial record that would have appealed to both the scholarly community and the general public interested in the country's history and geography. The print of Djursholm Castle that you are referring to would be a part of this important series. More about the maker: Ulrik Thersner was a multifaceted individual, having an impactful military career alongside his work as a draftsman and topographer. Born on April 2, 1779, in Kyrkslätt parish in Finland, Thersner began his military service early, becoming a ship's boy in the Swedish navy at the tender age of seven. His naval service during Gustav III's Russian War...

Title: The Pyramids of Egypt – A Scenic 1828 Copper Engraving Description: This hand-colored copper engraving titled The Pyramids of Egypt provides a stunning depiction of Egypt's...

19th Century Pastel - Leda And The Swan - French School Circa 1820-1840 Elegant pastel on paper depicting Leda and the swan, inspired by the classical myth in which Zeus transforms ...

Old solid iron stove, it is a very old stove is unknown the origin and manufacture, has slight details for the antiquity. It is very heavy and solid.

Antique 1828 Satirical Print A Fool to Pleasure Yet a Slave to Fame Hand-Colored This hand-colored etching titled *A Fool to Pleasure Yet a Slave to Fame* was published in 1828 as p...

Artocarpus incisa (Breadfruit Tree) – Hand-Colored Botanical Engraving, circa 1825 Description: This striking hand-colored copperplate engraving features *Artocarpus incisa, commo...

This exquisite Biedermeier portrait from around 1820 is a true gem of early 19th-century German painting. Executed with remarkable finesse, the painting captures a seated lady in a s...

1823 Hand-Coloured Engraving - Gauchos Lassoing Cattle in Buenos Aires, Argentina Description: This 1823 hand-coloured copperplate engraving from Friedrich Johann Bertuch's "Bilderb...

The title of this original antique print is the "Königl. Hannover. Garde Hussaren Regt.", which translates to "Royal Hanoverian Guard Hussar Regiment". This unit would have been part of the army of the Kingdom of Hanover, which, during various periods, was in personal union with the United Kingdom. The Guard Hussars would have been a prestigious cavalry unit, likely serving as both ceremonial guards and elite troops. The uniform, with its rich decoration and distinctive Hussar features, suggests a high ceremonial as well as functional military significance. The King's German Legion...

Gentle Repose at Österby: An 1824 Aquatint by Ulrik Thersner. This aquatint by Ulrik Thersner, created in 1824, depicts the serene landscape of Österby in Sweden. The image is suffused with a gentle light that bathes the scene in a warm, inviting glow. It features two individuals on horseback in the foreground, suggesting a tranquil pace of life and leisurely exploration. Their presence adds a narrative element to the scene, inviting viewers to contemplate the journey the riders are undertaking. The central focus of the aquatint is the stately building situated by the water, likely a manor house or a significant estate of the time, reflecting the architectural style of the early 19th century. The estate is flanked by expansive, lush greenery and tall trees, with a prominent pine tree in the foreground that anchors the composition. The detailed rendering of the foliage and the atmospheric perspective in the background create a sense of depth and spaciousness. In Skåne, Thersner had drawn several mansions in 1816, and he decided to publish a counterpart to Erik Dahlbergh's Suecia antiqua et hodierna. He called his work Fordna och present Sverige, and in 1817 began its publication. Carl Fredrik Akrell engraved the images, which were executed in aquatint. Eventually, Wilhelm Maximilian Carpelan joined the publication. The Scania part was completed in 1823, Östergötland was started in 1820 and Uppland and Södermanland in 1824-25. Thersner himself wrote the text for the pictures. After Thersner's death, his widow, with the help of friends, continued the publication, which had never received public support. Michael Gustaf Anckarsvärd took over the publication, in lithographic form, until 1843. The work could be continued, partly with the drawings left by Thersner as templates, partly by Anckarsvärd and others contributing new drawings. In general, Anckarsvärd's work is considered superior to Thersner's. In 1843, the work was taken over by Thersner's daughter, Thora Thersner (1818-1867). She continued publishing until her death. Thora Thersner lithographed her drawings herself, which are usually considered conscientious, if somewhat dry and weak. During her time, among other things, the part about Närke (1838-55) was continued and completed. At the time of Thora Thersner's death, the entire work comprised 91 booklets, containing 364 plates with text. The publication had cost each subscriber 682 kroner and 50 öre. More about the maker: Ulrik Thersner was a multifaceted individual, having an impactful military career alongside his work as a draftsman and topographer. Born on April 2, 1779, in Kyrkslätt parish in Finland, Thersner began his military service early, becoming a ship's boy in the Swedish navy at the tender age of seven. His naval service during Gustav III's Russian War...

Procession to the Colosseum Through the Arch of Titus, Rome, 1824 This captivating hand-colored engraving titled “Procession to the Colosseum” depicts a solemn religious scene unfol...

American classical portrait of a lady. American School, unsigned. Measures: Oil on canvas 25"x 30" Period gilt frame 29" x 34" x 2" Professional...

A hand-colored aquatint engraving dated January 1, 1825 and engraved by T. Sutherland, London. Titled "South Sea Whale Fishery", after a painting by Will...

Copperplate engraving, printed on laid paper of the exterior of the Henry VII Lady Chapel at Westminster Abbey in London, England. Engraved and printed in 1820. Faint handwriting in ...

Antique American Needlework Sampler by Maria Morris, 1827, a needlework sampler on linen panel having alphabet and numerals, above a religi...

This hand-colored lithograph from the 19th century depicts an officer from the King's German Legion, specifically the "2nd Cavalry Regiment," also known ...

Regency Sampler, 1825, by Mary Walter. The sampler is worked in silk threads on a linen ground, mainly in cross stitch. Meandering strawberry border. Colours green, dark brown, white...

An impressively scaled copperplate engraving on laid paper of the Pyramid of Cestius in Rome which is the tomb for Caius Cestius. It is built of brick faced with marble and like othe...

Wonderful 1820's needlepoint by 12 year-old Ellen Roberts (American, b. 1817 - ?) of New York with flower boarder and quote: Count that day lost whose low descending sun. ...

Antique Print - Indigenous Warriors, Early 19th Century South America - Ferrario-Bonatti Line & aquatint etching with original hand colouring on wove (vellin) paper. This compellin...

Regency period Sampler, 1827, by Mary Ann Ragen. The sampler is finely worked in silk threads on a linen ground, mainly in cross stitch. Meandering strawberry border. Colours green, ...

This illustration, titled "Péruvienne" and stemming from around 1820, likely portrays a European interpretation of a Peruvian woman, possibly an actress dressed for a theatrical role...

Antique Print - Indigenous Dress and Interiors, South America - Ferrario-Bonatti 1821 This hand-colored etching, titled "Indigenous Dress and Interiors of South America," offers a u...

Antique Print - Soldiers at Rio de la Plata, Eastern Beach - Ferrario-Bonatti 1821 This vibrant hand-colored etching, titled "Soldiers of the Eastern Beach of the Rio de la Plata Re...

1820s album of floral and botanical watercolors, original watercolor 10 paintings and all painted by hand. Belonging to Elizabeth Carr of St. Annes. Each watercolor is labeled from n...

William Roscoe Botanical Tropical Plant Print, Alpinia Magnifica, Monandrian Plant of the Order Scitamineae, Published 1828 A spectacularly large and beautifully framed botanical pr...

A satirical engraving of John Wilkes, a notable figure in 18th-century British politics known for his radical views and fierce criticism of the monarchy and government. Wilkes was ...

This beautiful original hand-colored antique print, made by Ulrik Thersner in 1824, is a fine example of his work. Thersner, known for his detailed and atmospheric landscapes, would have drawn this view of Djursholm Castle with great care, capturing not only the architectural features of the castle but also the surrounding natural landscape and pastoral life, as seen in the foreground with figures and livestock. The aquatint technique allowed Thersner to produce gradations of tone that give the print a remarkable depth and a lifelike quality, a characteristic that was particularly prized in the early 19th century for the way it mimicked the subtleties of watercolor paintings. The composition of the print, with the castle situated amidst the verdant trees and the inclusion of human and animal figures, creates a harmonious balance between the built environment and the natural world, reflecting the romantic sensibilities of the time. The view "from the S.E. angle" provides a unique perspective of the castle, emphasizing its prominence and setting within the landscape. As a historical document, the print serves as a valuable visual record of Djursholm Castle and its environs in the early 1800s. As an artwork, it stands as a testament to Thersner's skill as an artist and his contribution to the tradition of Swedish topographical art. More about the maker: Ulrik Thersner was a multifaceted individual, having an impactful military career alongside his work as a draftsman and topographer. Born on April 2, 1779, in Kyrkslätt parish in Finland, Thersner began his military service early, becoming a ship's boy in the Swedish navy at the tender age of seven. His naval service during Gustav III's Russian War...

Regency period Sampler, stitched in 1825, by Mary Parry. The sampler is worked in silk threads on a linen ground, mainly in cross stitch. Meandering floral border. Colours green, cre...

English hand colored engraving of four charvolents (carriages being pulled by kites) travelling through the countryside above a small town. The charvolent was an invention of an Eng...

Antique Fruit Prints by Poiteau and Turpin, Hand-Colored Botanical Engravings Description: This exquisite compilation features three antique bot...

Antique Sampler, 1821, by Susanna Farrow. The sampler is worked in silk on a linen ground, mainly in cross stitch. Meandering strawberry border. Colour...

Charles Duke is depicted in a relaxed pose, sitting with one arm resting on the arm of the chair and the other holding what appears to be a snuff box, a common accessory of the period among the upper class. His attire is indicative of a person of high social standing during this era. This engraving was likely used to honor the Duke's contributions to the society mentioned and might have been distributed among its members or sold to admirers of the Duke and supporters of the society's causes. The text on the image provides a title and description of the person depicted in the portrait. It reads: "His Grace CHARLES DUKE OF...

This original antique aquatint is a picturesque depiction of Söderfors, a place likely to be in Sweden, given the naming convention and style of the artwork. Crafted by Ulrik Thersner in 1825, the image portrays a vibrant, pastoral scene set by a rushing waterway, suggesting the presence of a river or stream. The landscape is dotted with buildings that have the architectural hallmarks of early 19th-century Swedish design. A group of figures is depicted in the foreground, which adds a human element and scale to the scene. Söderfors, if it is the same location known today, has a historical industrial background and is located in Uppsala County, Sweden. The area has been known for its ironworks and manufacturing history dating back to the 17th century. It is a locality situated in Tierp Municipality, Uppsala County, Sweden with 1,572 inhabitants in 2010 If the aquatint represents this area, it may have captured Söderfors at a time when it was transitioning from a more agricultural society to one influenced by industrialization. Today, the region may still have remnants of its historical past, although it would have undoubtedly undergone significant changes since Thersner's time. More about the maker: Ulrik Thersner was a multifaceted individual, having an impactful military career alongside his work as a draftsman and topographer. Born on April 2, 1779, in Kyrkslätt parish in Finland, Thersner began his military service early, becoming a ship's boy in the Swedish navy at the tender age of seven. His naval service during Gustav III's Russian War...

The engraving is captioned as "Mode of Fighting in the Navigator's Islands" and depicts a scene of conflict among the indigenous people of the Navigator's Islands, now known as the ...

Wonderful painting by renowned French listed artist Pierre Peti-Gerard (1852-1933) depicting horsemen marching in a group, possibly getting ready for battle. In the background are be...

Selection of black and white abstract prints. From left to right, they are: 1) Abstract lithograph by Terry Haan, circa 1960s. Pencil s...

Antique print titled 'Het Kasteel Kroonenburg, gezien uit het Kattegat'. View of Kronborg Castle, Seeland, Denmark. This print originates from 'Denemarken in tafereelen' by Andre...

Antique print, titled: 'Vue du l'Interieur du Temple Chinois, a Coupang, Sur l'Ile Timor.' - ('View of the interior of the Chinese Temple of Coupang, Timor Island'). Source: 'Voyage ...

Beautiful antique painting of "Pious Maidens" attributed to British Artist Francis Philip Stephanoff (1787-1860). Masterfully painted of two...

Title: Roman Carnival Costumes & Festivity - 1820 Etching of Celebration Description: This lively 1820 etching, titled "Carnival at Rome," captures the vibrant spirit of a Roman car...

With a removable cover with gallery and finial, tapered body with spigot lacking handle, all above the rectangular basin.