Early 19th Century Wall Decorations

A folk art wall panel hand painted by an itinerant artist in Sweden in 1837 (dated), depicting the nativity, with the three kings on horseback paying homage to Mary seated on a thron...

Old print of the battle of Marengo (Italy )- 14 June 1800 - etching from the famous Duplessis - Bertaux, who published all the Napoleon's battles. ref. ST/719-2

This handcolored copperplate engraving, originating from Friedrich Johann Bertuch’s "Bilderbuch für Kinder" (Picture Book for Children) published in Weimar in 1805, depicts four stri...

Untitled print of types of Anglo Saxon vessels in silver, gold and pottery. This print originates from 'Historical Picture of the Costumes of the Princ...

Early 19th-Century Italian School Oil on Canvas – After Raphael The Holy Family with Saint Elisabeth and the Infant Saint John the Baptist Introduction: A Masterpiece Inspired by Rap...

Possibly made to be used as a model or mold to cast an iron fireback. Depicting the Bastille and a woman with the sword and the scales. Also cannons, flags, cannon balls.

With a removable cover with gallery and finial, tapered body with spigot lacking handle, all above the rectangular basin.

Antique map titled 'La Suede.' Decorative map of Sweden and part of Finland by Robert de Vaugondy, revised and published by Delamarche. Source unknown, to be determined. Artists and Engravers: Made by 'Charles Francois Delamarche' after an anonymous artist. Charles Francois Delamarche (1740-1817) founded the important and prolific Paris based Maison Delamarche map publishing firm in the late 18th century. A lawyer by trade Delamarche entered the map business with the acquisition from Jean-Baptiste Fortin of Robert de Vaugondy's map plates...

Antique print titled 'Nobleman'. Portrait of a nobleman, Lord Belgrave, made after a drawing by Thomas Uwins. This print originates from 'Ackermann's History of Oxford and History ...

Antique print, titled: 'Vue du l'Interieur du Temple Chinois, a Coupang, Sur l'Ile Timor.' - ('View of the interior of the Chinese Temple of Coupang, Timor Island'). Source: 'Voyage ...

Description: Antique botany print of Bulbine Cepacea, a flowering plant in the genus Bulbine endemic to South Africa, the Western Cape province. This prin...

each large engraving framed in period ebonized frame, the scenes depicting Roman views with architecture and figures

Magnificent Antique French Walnut Wall-Panel, circa 1800-1820.

A rare original large folio size hand-colored etching, plate # 2 in Audubon's "Birds of North America." This is a rare printing of a first edition by Lizars. Only 50 copies of the fi...

Shaped plateau and stiff leaf frieze on a C- scroll and flowerhead shaped support

Antique print titled 'Agyneja coccinea'. Print of a coccinea plant species. This print originates from 'Relation de l'Ambassade Anglaise, envoyée en 1795 dans le Royaume d'Ava, ou l'...

This charming portrait of a boy is the work of French artist Eugène Louis Lami (1800-1890). This work of art is a masterly executed pencil drawing from the late 1820s. The drawing co...

Japanese two-panel screen: Peony and Cherry, Edo period (circa 1800) painting, formerly fusuma (Japanese sliding doors), executed in the Kano school style, featuring a cherry tree in...

A silk collar from China dated to late Qing Dynasty circa 19th century. Known as Yunjian (Cloud Shoulder or Cloud Collar), this multi-lobed textile piece was a detachable collar worn around the shoulders as part of the traditional Chinese garment accessory. With its origin dated back to the Han Dynasty and being used until the end of Qing Dynasty, the form evolves with time, but much of the ornamentation and fundamental symbolism remains the same. This striking example features a two-tiered design with seven lobes on each circle, all of which are variations of the shape of auspicious "ruyi", which represents the head of Lingzhi mushroom, a symbol of longevity. The inner lobes feature elaborate embroidery floral design with long and short satin stitches. Notably, one panel has a double gourd design, the symbol of fortune. The outer lobes show a simpler but bolder vision with the outlines of the designs lineated with metallic threads buddled in chain stitches. Small jade beads were used to link the piece together and most of them still remain. The piece as a whole has a very pleasant lilac purple color, delicate with the jade beads. In Qing Dynasty, the silk collar with high quality was worn by noble or aristocratic women. The red color and the lotus boy symbol indicate that it was most likely part of the fashion accouterment worn during wedding ceremony. The collar is beautifully float mounted within a double conforming mat in a giltwood frame and wood backing. A stunningly presented period piece with story to tell. Reference: For a collection of Chinese embroidered collars...

"London, E. Orme, (1813). Hand-Coloured Aquatint 'Hog Hunters in India Going Out No.1' by Dubourg, Merke & Howitt, from 'Foreign Field Sports'" Description: This exquisite hand-colo...

This very fine drawing in Sanguine is from the early 19th century. Made as a preparatory sketch concerning composition, musculature and shadow this work is unsigned but we have four ...

Mineral pigments on gold leaf on mulberry paper with a silk brocade border.

Rare Early 19th century Capriccio view of Rio de Janeiro Painting Probably painted circa 1810 by one of Jean-Baptiste Debret, Italian Students. Painted on Sailcloth. Historical Context of Early 19th Century Portuguese Colonial Brazil 1.1 Transition from Colony to Empire During the early 19th century, Brazil underwent a seismic shift in its political status. Originally a colony under the Portuguese Empire, the arrival of the Portuguese Royal Court in Rio de Janeiro in 1808 rapidly elevated the city’s cultural and political importance. By 1815, Brazil was declared a kingdom united with Portugal, setting the stage for the emergence of the Empire of Brazil in 1822. This period of transformation—often termed the transitional period from colony to empire—fueled a wave of artistic production in cities like Rio de Janeiro. 1.2 European Artistic Influence in Brazil With the French Artistic Mission in Rio (initiated in 1816) and the presence of various Portuguese and European artists, Brazilian art of the early 1800s began to reflect diverse influences, from neoclassical painting to the early rumblings of romanticism. Painters such as Jean-Baptiste Debret, and Nicolas-Antoine Taunay, and local luminaries like Manuel de Araújo Porto-Alegre contributed to the fine arts tradition in Brazil. Their works featured scenes of local life, portraits of Brazilian society, and imaginative vistas—sometimes referred to as “capriccios,” in which real elements were combined with artistic liberties to create an idealized panorama. 1.3 Rio de Janeiro as Cultural and Political Hub Rio de Janeiro, often called the Imperial capital after Brazil’s independence, was home to foundational institutions like the Imperial Academy of Fine Arts (Academia Imperial de Belas Artes). Later evolving into the Escola de Belas Artes (School of Fine Arts in Rio), these academies nurtured the talents of emerging painters, who found patronage under the Royal Court and, subsequently, the Imperial Court. The city’s significance was further enhanced by the construction of significant buildings, the modernization of infrastructure, and the mingling of European courtly customs with the traditions of local inhabitants. . Description of the Octagonal Oil on Canvas: A Capriccio View of Rio de Janeiro 2.1 Composition and Layout The most striking characteristic of this 19th-century Brazilian art piece is its octagonal shape, a relatively unusual format that draws the viewer’s gaze toward its centre. The composition showcases Rio de Janeiro’s shoreline in the early 1800s, brimming with merchant ships and smaller boats anchored near the shore. On the sand, there is a bustling crowd of local people—men and women carrying food and goods on their heads, loading and unloading boats, and engaging in everyday commerce. The backdrop of soaring mountains suggests Rio’s iconic topography, embodying the landscape that famously defines the city. 2.2 Architectural and Religious Landmarks On the left side, one can discern the silhouette of a church believed to be Santa Lucia, a significant religious structure in the heart of early 19th-century Rio. This element provides viewers with a tangible reference point, linking the scene to an actual location. However, because this painting is labelled as a “capriccio,” the artist might have taken creative liberties by rearranging or amplifying certain features of the city. The melding of real and idealized elements is characteristic of these imaginative vistas. 2.3 Evoking Daily Life in Colonial Rio One of the painting’s greatest appeals lies in its portrayal of daily life during the colonial era. Men and women from various backgrounds populate the scene. Some appear to be carrying goods on their heads, a common practice in Brazil that has persisted through different centuries. Others appear to be haggling or trading near small vessels, revealing the commercial pulse of an active port city. This focus on local people, combined with the grandeur of merchant ships, captures the tension and synergy between the every day and the extraordinary—a hallmark of Brazilian colonial painting that balances the grand narratives of empire with the rhythms of ordinary life. 2.4 An Amalgamation of Neoclassical and Romantic Influences Although academic art in early 19th century Brazil was highly influenced by neoclassicism, the onset of romanticism can be spotted in the emotional portrayal of the sky, the lively palette, and the dramatic emphasis on nature’s beauty (the mountains, in particular). This duality reflects the fine arts tradition in Brazil during the transitional phase when artists were embracing multiple styles. As part of the School of Rio or the Rio de Janeiro school, painters often integrated academic techniques learned from European masters with emerging local subjects and influences. 3. Institutions and Artistic Movements 3.1 Imperial Academy of Fine Arts Originally known as the Royal School of Sciences, Arts, and Crafts, the Imperial Academy of Fine Arts in Rio de Janeiro was instrumental in shaping 19th-century Brazilian art. Influential artists and teachers from Portugal, France, and other European nations congregated at the Academy, imparting their expertise to native students. As the monarchy consolidated power, the Academy enjoyed royal patronage, leading to the creation of Imperial Academy-style works that combined European academic rigour with Brazilian-themed subject matter. 3.2 Impact of the French Artistic Mission The French Artistic Mission, which arrived in 1816, played a pivotal role in introducing advanced European artistic techniques, thereby elevating the overall quality of painting in Brazil. Artists like Jean-Baptiste Debret not only documented Brazilian society but also spearheaded the development of a local visual identity that aligned with both academicism and the national context of a blossoming empire. Debret, alongside others such as Nicolas-Antoine Taunay, mentored Brazilian artists, sowing the seeds of what would become the Brazilian academic art movement. 3.3 Religious, Historical, and Landscape Paintings In addition to everyday scenes and historical compositions, religious iconography remained crucial throughout Portuguese colonial and imperial Brazil. Churches were omnipresent in cityscapes like Rio de Janeiro. Many colonial-era Brazilian portraits...

Traditional Austrian Folk Costumes: Vibrant Regency Era Fashion from 1804-1808 This captivating set of three hand-colored engravings showcases traditional Austrian folk costumes f...

Papiers peints 'En Grisaille' from the psyche´ series manufactured by Dufour, Paris, after designs by Merry-Joseph Blondel and Louis Lafitte. Depicting `the Reconciliation of Venus ...

Each boldly carved with furling oak leaves.

Antique print titled 'South East Angle of the Parthenon'. View of the Parthenon, a former temple on the Athenian Acropolis, Greece. This print originates from 'A Journey Through Alba...

19th century, oil on canvas, Italian View of the forum Boario of Rome The fine painting represents the Piazza della Bocca della Verità, located in the Ripa district, in the area of the Foro Boario, the oldest market in Rome (Italy). On the right is described the Roman Temple of about 100 B.C. wrongly called of Vesta, circular Corinthian monopter with cell of white marble ashlar and twenty fluted columns. From the 12th century it was reused as a church dedicated to Santo Stefano delle carrozze, then, in the 18th century, in Santa Maria del Sole. On the right you can see the fountain called "dei tritoni" which was built in 1717 on a design by architect Carlo Bizzaccheri. The fountain has a star-shaped bathtub, in honour of the commissioner, the Pope Clement XI...

This one-of-a-kind antique Italian Empire Period folding screen is a masterpiece of early 19th-century craftsmanship, dating most likely from 1801 during the Republic of Lucca. Pain...

A single Spanish carved-wood wall panel from the early 19th century. This antique wall decoration from Spain features a raised panel front comprised of varying geometric shapes, with a Moorish influence star at center. There is a nicely aged patina throughout, adding to the rich character of this piece. This early 19th century Spanish panel...

Small and lovely Italian Holy Water font from Italy, a shaped polychrome ceramic artwork dating back to Neoclassical period, early 19th century. This rare religious work is finely ...

Francois Nicholas Riss (1804-1886) Portrait of a child signed and dated center left, Riss 1829, oil on canvas, partly retouched, stretcher renewed, framed Dimensions: height 62 cm - width 50,5 cm François Nicholas Riss (1804 Moscow-1886 ibid) Born in Russia, he studied painting in Paris...

Antique watercolor view of a sailor with pet bird, circa 1800, a lovely detailed painting of a sailor seated in rough chair, tenderly spoon feeding a finch pe...

Antique Handcolored Engraving of Turtles and Tortoises, Amphibien XXXVII, c.1800 This original handcolored copperplate engraving depicts a variety of turtles and tortoises, highl...

a pair of 19th century Chinese Export reverse glass paintings depicting scenes of nobles at leisure in a palace that is open to beautiful gardens, original frame, inspired by English...

Architectural models as these were made by apprentices or master craftsman to apply for a title by their respective guild. In France these craftsmen were known as the 'Compagnons du ...

A piece of beautiful antique textile fragments from China, circa 19th century Qing dynasty, artistically displayed in a giltwood frame with co...

An antique Italian Grand tour carved Siena marble plaque of a Roman bust. In a contemporary gilt frame, the Siena marble displays excellent veining complimenting the side profile of ...

Decorate an office or study with this elegant antique wall decor. Crafted in France circa 1830, and set in the original carved gilt frame, the art w...

Designed & engraved for Lamberts History of London by E.Shirt sc. Published by M.Jones No 1 Paternoster Row. Dated April 30th 1805. In a modern frame, probably a book plate. Nice ...

These painted panels are very pretty with their floral elements and soft colors. At nearly 7 feet high, they would do well next to a sideboard or in an entryway.

Early 19th century mounted bronze 3/4 profile. Likely French but possibly English. Carved wooden backing custom just for this particular item. In the original frame and retaining an ...

Interesting chart of the three harbours of Botany Bay, Port Jackson, and Broken Bay showing the ground cultivated by the colonists. In the early days of the settlement in Australia t...

A French Restauration period octagonal framed oil on canvas still-life painting from the early 19th century, depicting a bouquet of flowers. Born in France during the reign of King L...

Rare and beautifully done ancient carving of exotic wood representing two lovers hidden among the trees. Exquisite details and perfectly preserved. In...

Title: Historic 1806 Varaha Vishnu Boar Avatar Antique Print - Hindu Engraving Description: This striking antique print, titled "IIIme Incarnation de Vichenou, en Sanglier," portray...

Pair of large decorative and impressive circa 19th century Swedish baroque wooden carvings of swirling acanthus and scrolls. Painted in deep ochre colour with traces of underlying gi...

A lovely pair of Italian School oil on oval panel Florentine carved giltwood framed paintings, early 19th Century in date. One a self portrait of the artist after Peter Paul Rubens ...

Biedermeier reverse glass painting with silhouette Portrait of a lady in a lavish robe. This fine and decorative work is almost monochrome. Only th...

Costume Print: Traditional Dress of Rome, 1820 Hand-Colored Engraving This charming hand-colored engraving depicts two figures in traditional dress from Rome, Italy, capturing a mom...

The oil painting on canvas is of a young boy 'hugging' his dog, which lies on the boy's lap. It is very much in the style of the Scottish painter Henry Raeburn. The boy is dressed in...

Although constructed circa 1815 as a scientific instrument, this French giltwood barometer is a beauty to behold. Our exquisite barometer has a unique composition, featuring an elong...

Great image of a whaling scene Copper-plate engraving Published C.1800 Unframed.

A large and rare early C19th carved heraldic panel of the Prince of Wales’s feathers, consists of 3 white ostrich feathers encircled by a gold coronet with fleur-de-lys, with a ribbo...

Beautiful oil painting on canvas, framed in a contemporary carved wooden frame. The work depicts the profile of a young woman, an allegory of spring, depicted with delicate and harmo...

American oil on board landscape of young lady standing by rabbit in foreground with the original molded pine frame and wood backing. Early 19th century.

Antique print titled 'Castiglione'. Original antique print of the Battle of Castiglione. The Battle of Castiglione saw the French Army of Italy under General Napoleon Bonaparte a...

Pair of French gilt wood and gesso decorative carved foliage and gadrooned hanging wall brackets, Early 19th century.

Very large embossed brass wall hanging charger, Vandick. This is a Large wall piece the charger is made in beaten brass and celebrates the Artist...

Two beauties kids picking wood in the forest oil on wood painting by : Thomas HAND a British artist born in 1771 to 1804. The artist's works have gone up for sale at public auction...