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Item Ships From: Bay Area
Asbury Park II
By Michael Rubin
Located in San Francisco, CA
This artwork titled "Asbury Park II" 1992 is an original color lithograph on Wove paper by noted American abstract expressionist artist, Michael Rubin, bor...
Category

Late 20th Century Abstract Expressionist Bay Area - Prints and Multiples

Materials

Lithograph

Williamsburg
By Josef Eidenberger
Located in San Francisco, CA
This artwork titled "Williamsburg" c.1974 is a color etching on Wove paper by noted Austrian artist Josef Eidenberger, 1899-1991. It is hand signed in pencil by the artist. Publishe...
Category

Mid-20th Century Realist Bay Area - Prints and Multiples

Materials

Etching

"Then Said Samuel to the people" from the suite "Judges and Kings"
Located in San Francisco, CA
This artwork titled "Then Said Samuel to the people" from the suite "Judges and Kings" is an original etching on Arches paper by Ukrainian/American artist Ben Zion Weinman...
Category

Mid-20th Century Expressionist Bay Area - Prints and Multiples

Materials

Etching

Untitled #5
By Richard Attilio Moquin
Located in San Francisco, CA
Artist: Richard Attilio Moquin (American, born 1934) Title: Untitled #5 Year: 1992 Medium: Monotype Paper: B.F.K Rives Image size: 13.75 x 9.75 inches paper size: 20.5 x...
Category

Late 20th Century Abstract Bay Area - Prints and Multiples

Materials

Monotype

Dorme E Mare
By Annapia Antonini
Located in San Francisco, CA
This artwork titled "Dorme E Mare" c.1980 is an original aquatint by noted Swiss artist Annapia Antonini, b.1942. It is hand signed, titled and numbered 14/100 in pencil by the artist. The plate mark (image) size is 5.55 x 8.15 inches, sheet size is 14.75 x 14 inches. It is in excellent condition, has never been framed. About the artist: Annapia Antonini was born in Lugano Switzerland in 1942 and lives in Paris (France) since 1962. She studied drawing at the Académie Julian with Mac Avoy, painting with Pierre Jérôme always at the Académie Julian and etching with John Friedlander...
Category

Late 20th Century Modern Bay Area - Prints and Multiples

Materials

Aquatint

George Cronias "Track Pals" Original Color Lithograph C.1960
Located in San Francisco, CA
George Cronias (1925-2004) "Track Pals" Original Color Lithograph C.1960 Track pals hanging out on a nice day at Santa Anita Lithograph dimensions 17.75"...
Category

Mid-20th Century Bay Area - Prints and Multiples

Materials

Lithograph

Three Men
By Francisco Corzas
Located in San Francisco, CA
Artist: Francisco Corzas (Mexican, 1936-1983) Title: Three Men Year: 1968 Medium: Color lithograph Edition: Numbered 17/30 in pencil Paper: Wove Image ...
Category

Mid-20th Century Expressionist Bay Area - Prints and Multiples

Materials

Lithograph

Leo, from the Zodiac suite
By Erté
Located in San Francisco, CA
Artist: (Romain De Tirtoff) Erte (Russian, 1892-1990) Title: Leo Year: 1982 Medium: Color serigraph Edition: Numbered 281/350 in pencil Image size: 17 x 12.75 inches Framed s...
Category

Late 20th Century Art Deco Bay Area - Prints and Multiples

Materials

Screen

Singing in the Bath, Tenakee Springs
Located in San Francisco, CA
This artwork titled "Singing in the Bath, Tenakee Springs" 1996 is a color offset lithograph on paper by noted American artist Rie Mounier Munoz, 1921-2015. It is hand signed and numbered 1077/1100 in pencil by the artist. The image size is 13.5 x 10 inches, sheet size is 16 x 12.35 inches. It is in excellent condition, has never been framed. About the artist: Alaska painter Rie Mounier Munoz was the child of Dutch parents who immigrated to California, where she was born and raised. She is known for her colorful scenes of everyday life in Alaska. Rie (from Marie) Munoz (moo nyos), studied art at Washington and Lee University in Virginia. In 1950, she traveled up the Inside Passage by steamship, fell in love with Juneau, and gave herself until the boat left the next day to find a job and a place to live. Since then Juneau has been home to Munoz. She began painting small vignettes of Alaska soon after arriving in Juneau, and also studied art at the University of Alaska-Juneau. Munoz painted in oils in what she describes as a "painstakingly realistic" style, which she found stiff and "somewhat boring." Her breakthrough came a few years later when an artist friend introduced her to a versatile, water-soluble paint called casein. The immediacy of this inexpensive medium prompted an entirely new style. Rie's paintings became colorful and carefree, mirroring her own optimistic attitude toward life. With her newfound technique she set about recording everyday scenes of Alaskans at work and at play. Of the many jobs she has held journalist, teacher, museum curator, artist, mother, Munoz recalls one of her most memorable was as a teacher on King Island in 1951, where she taught 25 Eskimo children. The island was a 13-hour umiak (a walrus skin boat) voyage from Nome, an experience she remembers vividly. After teaching in the Inupiat Eskimo village on the island with her husband during one school year, she felt a special affinity for Alaska's Native peoples and deliberately set about recording their traditional lifestyles that she knew to be changing very fast. For the next twenty years, Rie practiced her art as a "Sunday painter," in and around prospecting with her husband, raising a son, and working as a freelance commercial artist, illustrator, cartoonist, and curator of exhibits for the Alaska State Museum. During her years in Alaska, Munoz has lived in a variety of small Alaskan communities, including prospecting and mining camps. Her paintings reflect an interest in the day-to-day activities of village life such as fishing, berry picking, children at play, as well as her love of folklore and legends. Munoz says that what has appealed to her most were "images you might not think an artist would want to paint," such as people butchering crab, skinning a seal, or doing their laundry in a hand-cranked washing machine. In 1972, with her hand-cut stencil and serigraph prints selling well in four locations in Alaska, she felt confident enough to leave her job at the Alaska State Museum and devote herself full time to her art. Freed from the constraints of an office job, she began to produce close to a hundred paintings a year, in addition to stone lithograph and serigraph prints. From her earliest days as an artist, Rie had firm beliefs about selling her work. First, she insisted the edition size should be kept modest. When she decided in 1973 to reproduce Eskimo Story Teller as an offset lithography print and found the minimum print run to be 500, she destroyed 200 of the prints. She did the same with King Island, her second reproduction. Reluctantly, to meet market demand, she increased the edition size of the reproductions to 500 and then 750. The editions stayed at that level for almost ten years before climbing to 950 and 1250. Her work has been exhibited many solo watercolor exhibits in Alaska, Oregon and Washington State, including the Charles and Emma Frye Art Museum, Alaska State Museum in Juneau, Anchorage Historical and Fine Arts Museum, Tongass Historical Museum in Ketchikan, and Yukon Regional Library in Whitehorse; Yukon Territory, and included in exhibits at the Smithsonian Institute and Russell Senate Office Building in Washington, D.C. Munozs paintings have graced the covers of countless publications, from cookbooks to mail order catalogs, and been published in magazines, newspapers, posters, calendars, and two previous collections of her work: Rie Munoz...
Category

Late 20th Century Folk Art Bay Area - Prints and Multiples

Materials

Lithograph

The Sporting Good Store
Located in San Francisco, CA
This artwork titled "The Sporting Good Store" c. 1985 is an original sepia etching by American artist Scott Fitzgerald. It is hand signed, titled and ...
Category

Late 20th Century American Realist Bay Area - Prints and Multiples

Materials

Etching

Untitled
By Charles Arnoldi
Located in San Francisco, CA
Artist: Charles Arnoldi (American, born 1931) Title: Untitled Year: 2001 Medium: Off set lithograph Edition: Numbered VI 6/6 in pencil Image size: 17 x 17 inches Signature:...
Category

Late 20th Century Abstract Geometric Bay Area - Prints and Multiples

Materials

Offset

Paris, Le Pont Neuf
By Arnold A. Grossman
Located in San Francisco, CA
This artwork titled "Paris, Le Pont Neuf" c.1990 is an original etching by noted California artist Arnold A. Grossman, 1923-2016. It is signed with initia...
Category

Late 20th Century American Impressionist Bay Area - Prints and Multiples

Materials

Etching

Midnight Reach
By Pia Stern
Located in San Francisco, CA
This artwork titled "Midnight Reach" c.1990 is in an original color monoprint on Wove paper by noted American artist Pia Stern, b. 1953. It is hand signed, t...
Category

Late 20th Century Abstract Expressionist Bay Area - Prints and Multiples

Materials

Monoprint

"And Put on the Eyes of Zedekiah" From the suite "Judges and Kings"
Located in San Francisco, CA
This artwork titled "And Put on the Eyes of Zedekiah" From the suite "Judges and Kings" is an original etching on Arches paper by Ukrainian/American artist Ben Zion Weinman...
Category

Mid-20th Century Expressionist Bay Area - Prints and Multiples

Materials

Etching

La Tauromaquia, Plate #23
By Francisco Goya
Located in San Francisco, CA
This artwork from the suite "La Tauromaquia, Plate #23" engraved between 1815 and 1816, is a photogravure on creme wove paper after renown Spanish artist Francisco Jose De Goya...
Category

Early 19th Century Realist Bay Area - Prints and Multiples

Materials

Photogravure

Amaryllis
By Gary Bukovnik
Located in San Francisco, CA
This artwork titled "Amaryllis" 1998 is an original color lithograph on Wove paper by noted American artist Gary Bukovnik, born 1947. It is hand signed, dated and numbered 95/200 in pencil by the artist. The image size is 10 x 9.75 inches, sheet size is 14.75 x 13.5 inches. It is in excellent condition, the colors are fresh and bright, has never been framed. About the artist. Born and educated in Cleveland Gary Bukovnik has lived in San Francisco for over 25 years. Primarily using the mediums of watercolor, monotype, and lithograph, Bukovnik creating colorful floral images of great depth and intensity. Bukovnik collaborates with Trillium Press, whose owner and master printer, David Salgado, studied at the Tamarind Workshop, formerly in Los Angeles. In 2003, the American Academy in Rome invited Bukovnik to attend the academy as a Visiting Artist for six weeks. He was asked to attend a second session in February 2005. In 2001, he was selected to create a poster for the prestigious List Collection, which creates posters to commemorate programs at Lincoln Center for the Performing Arts in New York. Lincoln Center past contributors have included Roy Lichtenstein, Andy Warhol, Robert Motherwell, Helen Frankenthaler, Alex Katz, Elizabeth Murray, and Donald Sultan. The work of Gary Bukovnik is held in public and private collections worldwide. Selected Museums Art Gallery of Hamilton, Ontario The Art Institute of Chicago Atlanta Botanical Garden Brooklyn Museum Brooks Museum of Art, Memphis The Butler Institute of American Art, Youngstown Dallas Museum of Art Fine Arts Museums of San Francisco Frye Art Museum, Seattle Hunt Institute for Botanical Documentation, Carnegie Mellon University, Pittsburgh Hunterian Art Gallery, University of Glasgow Library of Congress, Washington, DC The Metropolitan Museum of Art, New York The Minneapolis Institute of Arts, Minnesota Museum of Fine Arts, Boston The Museum of Modern Art, New York The Richard L. Nelson Gallery, U.C. Davis, California The New York Public Library Oakland Museum of California Philadelphia Museum of Art Phoenix Art Museum Portland Art Museum, Oregon Rhode Island School of Design Museum, Providence San Francisco Museum of Modern Art University of Arizona Museum of Art, Tucson University of California, Berkeley Art Museum Selected public collections ALZA Corporation, Mountain View ART In Embassies Program, U.S. Department of State AT&T, New York Atlantic Richfield, Los Angeles BankAmerica Corporation, Charlotte Citigroup, New York Cleveland Institute of Music Clorox Company, Oakland Comerica Bank, Costa Mesa & San Jose H.J. Heinz Company, Pittsburgh Illinois Bell Telephone...
Category

Mid-20th Century American Realist Bay Area - Prints and Multiples

Materials

Lithograph

Red Olent Red
By Shigeki Kuroda
Located in San Francisco, CA
Artist: Shigeki Kuroda (Japanese, b.1943) Title: Red Olent Red Year: circa 1990 Medium: Soft ground etching and aquatint Paper: Nippon watermarked pape...
Category

Late 20th Century Abstract Bay Area - Prints and Multiples

Materials

Etching, Aquatint

B'Achua Dlubh-Bia Bii; Noskiiah:The Gift Part II
Located in San Francisco, CA
This artwork titled " B'Achua Dlubh-Bia Bii; Noskiiah:The Gift Part II" 1990 is a color offset lithograph on Artcote paper by Crow Indian artist Penni Anne Cross A.K.A. (Alawa-Sta-We...
Category

Late 20th Century Realist Bay Area - Prints and Multiples

Materials

Lithograph

Billie Coyne "Boulangerie Kiss" Original Signed Lithograph C.1995
By Billie Coyne 20th c
Located in San Francisco, CA
Billie Coyne "Boulangerie Kiss" Original Signed Lithograph C.1995 32" wide x 22" high The frame measures 43.25" wide x 33.5" high Numbered in the lower...
Category

Late 20th Century Bay Area - Prints and Multiples

Materials

Lithograph

Bermuda Triangle
By Jean-Marie Haessle
Located in San Francisco, CA
Artist: Jean-Marie Haessle - French/American (1939-) Title: Bermuda Triangle Year: 1980 Medium: Screen Print Sight size: 19.5 x 25.5 inches. Sheet s...
Category

1980s Abstract Geometric Bay Area - Prints and Multiples

Materials

Paper, Color, Screen

When Predators Meet
Located in San Francisco, CA
This artwork titled "When Predators Meet" 1988 is an offset lithograph by renown Western artist Gary Carter, born 1938. It is hand signed and numbered 817/...
Category

Late 20th Century American Realist Bay Area - Prints and Multiples

Materials

Lithograph

Profile of Caroline
Located in San Francisco, CA
This artwork titled "Profile of Caroline" 1983 is a color offset lithograph on Rag-Cote paper by Crow Indian artist Penni Anne Cross A.K.A. (Alawa-Sta...
Category

Late 20th Century Realist Bay Area - Prints and Multiples

Materials

Lithograph

Genesis 7th Day
By Dennis Ray Beall
Located in San Francisco, CA
This artwork titled "Genesis 7th Day" 1962 is a n original colors etching, with embossing by noted American artist Dennis Ray Beall, b.1929. It is hand signed, titled, dated and numb...
Category

Mid-20th Century American Modern Bay Area - Prints and Multiples

Materials

Etching

AOC - Contemporary Political Pop Art Print Portrait of Alexandria Ocasio-Cortez
By Amy Smith
Located in Gilroy, CA
Limited Edition #3 of 20 Print of original painting, printed on Coventry rag paper. Unframed. Alexandria Ocasio-Cortez, also known by her initials, AOC, is an American politician s...
Category

2010s Pop Art Bay Area - Prints and Multiples

Materials

Archival Pigment

After Paul Klee "Wunderbare Landung" Pochoir c.1964
By (after) Paul Klee
Located in San Francisco, CA
After Paul Klee "Wunderbare Landung" Pochoir c.1964 A fine pochoir on rice paper, signed in the plate, from an edition of 500. 1964 after the 1920 original. 13.5" wide x 10" high....
Category

Mid-20th Century Abstract Bay Area - Prints and Multiples

Materials

Rice Paper, Etching, Stencil

The Split Man
By Darryl Sapien
Located in San Francisco, CA
This artwork titled "The Split Man" 1976 is an original serigraph by American artist Darryl Sapien, b.1950. It is hand signed, titled, dated and numbered 7/60 in pencil by the artist. The image size 21.5 x 29.5 inches, sheet size is 27.5 x 38.75 inches, framed size is 30.5 x 41.75 inches. It is framed in a wooden black frame. It is in excellent condition, The frame has very minor restorations, barely visible. About the artist: Selected exhibitions. San Francisco Art Institute, B.F.A., Sculpture 1974 "Introductions 74," Hansen-Fuller Gallery, San Francisco, California (Group Exhibition) 1976 San Francisco Art Institute, M.F.A., Sculpture 1976 "17 Artists, Hispano/Mexican American/Chicano," The Mexican Museum, San Francisco, California (Group Exhibition) 1976 "Other Sources," San Francisco Art Institute, (catalog)(Group Exhibition) 1977 "Work in Progress,” Union Gallery, San Jose State University, San Jose, California (catalogue) 1977 "Painting and Sculpture in California: The Modern Era," (catalog) San Francisco Museum of Modern Art & The Gallery of the National Collection of Fine Arts, Washington, D.C. (Group Exhibition) 1977 "Tokyo-Bay Area Exchange," Kanagawa Prefectural Hall, Tokyo, Japan (Group Exhibition) 1977 "Arte Fiera di Bologna," Bologna, Italy (Group Exhibition) 1978 "California-Hawaii Biennial," San Diego Fine Arts Gallery, Honolulu Museum of Art, Honolulu, Hawaii (Group Exhibition) 1979 “Darryl Sapien, Recent Work,” Gallery Paule Anglim, San Francisco, California 1979–1980 "From Self-Portrait to Autobiography," Neuberger Museuem, Purchase, New York, New Gallery of Contemporary Art, Cleveland Ohio (catalog) (Group Exhibition) 1980 "Space/Time/Sound: A Decade in the Bay Area," San Francisco Museum of Modern Art (catalog) (Group Exhibition) 1981 "19 Artists, Emergent Americans," Solomon R. Guggenheim Museum, New York City (catalog) (Group Exhibition) 1981 "La Vue Independante," The American Center, Paris France (Group Exhibition) 1981 “American Roulette”, Solomon R. Guggenheim Museum, New York, NY (Performances) 1982 "California Art on the Road," Laguna Beach Museum of Art, Laguna Beach, California (Group Exhibition) 1984 “Darryl Sapien at Studio Ink,” San Francisco, California 1984 "Crime and Punishment," Triton Museum of Art, Santa Clara, California (Group Exhibition) 1984 "Artists and the Theater," Phillipe Bonnafont Gallery, San Francisco, California (Group Exhibition) 1985 "The Twentieth Century," San Francisco Museum of Modern Art (Group Exhibition) 1985 Contemporary Art, 30,000 B.C. to the Present," San Jose Institute of Contemporary Art, San Jose, California (Group Exhibition) 1987 "Connotations," Southern Exposure Gallery, San Francisco, California (Group Exhibition) 1988 “Darryl Sapien: Artspace Painting Grant Award” Artspace Gallery, San Francisco, California (catalogue) 1988 "Digital Visions: Computers and Art," Everson Museum of Art, Syracuse University, New York (catalog) (Group Exhibition) 1989 "Darryl Sapien and David Flipse" Riskin-Sinow Gallery, San Francisco, California (Group Exhibition) 1990 "The Written Word," Richmond Art Center, Richmond, California (Group Exhibition) 1991 "Four Hispanic Artists," San Francisco Art Commission Gallery (Group Exhibition) 1994 “Darryl Sapien: Recent Work,” Opts Art, San Francisco, California 1995 "Facing Eden: One Hundred Years of Landscape Art in the Bay Area," M.H. DeYoung Museum, San Francisco, California (Group Exhibition) 1996 “Darryl Sapien,” City College of San Francisco 2003 "Reactions, Artists Respond to September 11, 2001," Library of Congress, Washington, D.C. (Group Exhibition) 2005 “Darryl Sapien,” Swallowtail Gallery, San Francisco, California 2010 "75 Years of Looking Forward" San Francisco Museum of Modern Art (catalog) (Group Exhibition) 2010 “Radical Light,” U.C. Berkeley Art Museum (catalog) (Group Exhibition) 2011 “State of Mind: new California Art circa 1970” (catalog) Orange County Museum of Art, California (Group Exhibition) 2012 Berkeley Art Museum, U.C. Berkeley, California (Group Exhibition) 2012 Belkin Gallery, University of British Columbia, Canada (Group Exhibition) 2013 Site Santa Fe, NM (Group Exhibition) 2013 The Bronx Museum of the Arts, NY (Group Exhibition) 2013 “Son of War Games”, The Bronx Museum of the Arts, New York, NY (Performances) 2013–2014 The Smart Museum, Chicago, IL (Group Exhibition) 2014 "The site a live" San Francisco Art Institute (Group Exhibition) 2015 "Out Of This World," Bonnafont Gallery, San Francisco, California Public Collections Solomon R. Guggenheim Museum, New York City San Francisco Museum of Modern Art, San Francisco, California Berkeley Art Museum, University of California, Berkeley The Oakland Museum, Oakland, California The American Academy of Opthalmology, San Francisco, California National Automobile and Casualty Insurance Company, Pasadena, California City and County of San Francisco-Public Utilities Commission Building Performances “Synthetic Ritual”, San Francisco Art Institute “Initiation”, San Francisco Art Institute “War Games”, corner of Third & Howard Street San Francisco, California (outdoor sitespecific) “Split-Man Bisects the Pacific”, the ruins of Sutro Baths...
Category

Late 20th Century Pop Art Bay Area - Prints and Multiples

Materials

Screen

Gould & Richter Reed Warblers Lithograph
By John Gould and Henry Constantine Richter
Located in San Francisco, CA
John Gould: 1804-1881. British ornithologist and bird artist. He was the equivalent to the American Audabon. He produced books with lithographed prints such as The Birds of Great Bri...
Category

Late 19th Century Bay Area - Prints and Multiples

Materials

Lithograph

Jagellonian Library, Krakau, Poland
By Luigi Kasimir
Located in San Francisco, CA
This artwork titled " Jagellonian Library, Krakau, Poland" 1941 is an original color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed in pencil at the lower righ...
Category

Early 20th Century Realist Bay Area - Prints and Multiples

Materials

Etching

ile
Located in San Francisco, CA
This artwork titled "Ile" 1986 is an original color etching with aquatint on Arches paper by French artist Jean Solombre, 1948-2005. It is hand signed, d...
Category

Late 20th Century Surrealist Bay Area - Prints and Multiples

Materials

Etching, Aquatint

Roger Bezombes La Cafetiere Bleue Lithograph
By Roger Bezombes
Located in San Francisco, CA
Roger Bezombes: 1913-1994. Well listed French artist with auction prices for lithographs over $2000. This fantastically colorful still life is pencil si...
Category

1950s Bay Area - Prints and Multiples

Materials

Lithograph

Ulm on the Danube
By Josef Eidenberger
Located in San Francisco, CA
This artwork titled "Ulm on the Danube" c.1950 is a color etching on Wove paper by noted Austrian artist Josef Eidenberger, 1899-1991. It is hand signed ...
Category

Mid-20th Century Realist Bay Area - Prints and Multiples

Materials

Etching

Untitled #3
By Richard Attilio Moquin
Located in San Francisco, CA
Artist: Richard Attilio Moquin (American, born 1934) Title: Untitled #3 Year: 1992 Medium: Monotype Paper: B.F.K Rives Image size: 13.75 x 9.75 inches paper size: 20.5 x...
Category

Late 20th Century Abstract Bay Area - Prints and Multiples

Materials

Monotype

Mock Battle
By Jean Charlot
Located in San Francisco, CA
This artwork titled "Mock Battle" 1956 in an original color lithograph on paper by noted French/American artist Jean Charlot, 1898-1979. It is hand signed and dedicate in pencil by the artist. the image size is 17.75 x 12 inches, framed size is 28.75 x 22 inches. It is custom framed in a wooden gold frame, with off white matting and silver color spacer. It is in excellent condition. Examples of this particular work are held in the Smithsonian American Art Museum, Washington, The Metropolitan Museum of Art, New York, The De Young Museum, San Francisco, The Philadelphia Museum of Art, Philadelphia, and the Portland Art Museum, Portland. About the artist: Jean Charlot was an artist, teacher, scholar, critic, poet, and playwright. He studied at the École des Beaux Arts, and served in the French Army from 1918 to 1920. After the war he moved to Mexico, where he had relatives, and joined a group of other young artists in the Mexican Mural Renaissance of the 1920s. Charlot's fresco mural in the Preparatoria Nacional was the first of many he completed. While in Mexico, he wrote numerous articles on art, among them the first on the Mexican printmaker José Guadalupe Posada, and worked as an archeologist and illustrator with the Carnegie expedition to Chichen Itza...
Category

Mid-20th Century Modern Bay Area - Prints and Multiples

Materials

Lithograph

Winter Woods, edition 1 of 5 (hand-printed cyanotype, 18 x 11 inches)
Located in Oakland, CA
The moody scene of a shady bend in a forest path was captured at dawn on a winter's day. The sky is beginning to brighten. The tall narrow format accentuates the height of the tower...
Category

2010s Contemporary Bay Area - Prints and Multiples

Materials

Paper, Archival Paper, Rag Paper, Photogram

Bright Beach
By Isca Greenfield-Sanders
Located in Berkeley, CA
Isca Greenfield-Sanders Bright Beach Direct to plate photogravure and aquatint. Edition of 50
Category

21st Century and Contemporary Contemporary Bay Area - Prints and Multiples

Materials

Etching

Untitled
By Tracey Adams
Located in San Francisco, CA
This artwork "Untitled" is a monotype on paper by noted artist Tracey Adams, born 1954. It is hand signed and dated 98 in pencil at the lower right corner by the artist. The image si...
Category

Late 20th Century Abstract Expressionist Bay Area - Prints and Multiples

Materials

Monotype

Read Head
By Richard Lindner
Located in San Francisco, CA
This artwork titled "Red Head" 1971 is an original color lithograph on Wove paper by artist Richard Lindner (German/American 1901-1978) It is hand signed and inscribed A.P (Artist Pr...
Category

Mid-20th Century Pop Art Bay Area - Prints and Multiples

Materials

Lithograph

Fish #2
Located in San Francisco, CA
This artwork titled "Fish" is an original color lithograph on Laid paper by California artist Robert Holdeman, 1912-1994. It is hand signed and dated ...
Category

Late 20th Century American Impressionist Bay Area - Prints and Multiples

Materials

Lithograph

The Journey's End II (Hand-printed cyanotype, 30 x 17 inches)
Located in Oakland, CA
Unframed. 2023. Signed on the back. Narrower than "The Journey's End." This photograph was taken a year after the artist's husband died, revisiting the same path but photographing ...
Category

2010s Realist Bay Area - Prints and Multiples

Materials

Photogram

Mallorca Kuste, Spain
By Josef Eidenberger
Located in San Francisco, CA
This artwork titled "Mallorca Kuste, Spain" c.1960 is a color etching on Wove paper by noted Austrian artist Josef Eidenberger, 1899-1991. It is hand signed in pencil by the artist. Published/printed by Graphics International, Austria. The plate mark (image) size is 9.5 x 15.25 inches, sheet size is 16.75 x 21 inches. It is in excellent condition, has never been framed. About the artist. Josef Eidenberger was born in 1899 in the little town of Goisern, Austria,he began his artistic career as a landscape painter. In 1923 he enrolled in the famed Graphic Academy of Art in Vienna and studied under Professor Alfred Cossman. His recognized talent brought him many commissions from city officials and members of the business communities throughout Europe, especially in Austria and Germany. In 1973 after visiting the United States for the first time he created a series of California etchings...
Category

Mid-20th Century Realist Bay Area - Prints and Multiples

Materials

Etching

Arch Beach, California
Located in San Francisco, CA
This artwork titled "Arch Beach, California" c.1910 is an original etching on Wove paper by American artist Harley DeWitt Nichols, 1859-1939. It is hand signed and titled in pencil by the artist. The plate mark (image) size is 6.5 x 9.5 inches, framed size is 13 x 17 inches. it is custom framed in a wooden silver frame, with off white matting. It is in excellent condition, especially considering the age. About the artist: Born in the small rural Wisconsin town of Barton, Harley lived a peripatetic life. As a young child, he accompanied his family to Lincoln, Nebraska where he found great excitement in the roaming herds of buffalo and Native Americans. It was in these years that a talent for drawing was discovered. In 1870, after several years of hardship, his father moved the family back to Wisconsin. At the age of 11 he became a water boy...
Category

Early 20th Century American Impressionist Bay Area - Prints and Multiples

Materials

Etching

Untitled, Two Horsemen
By Tomikichiro Tokuriki
Located in San Francisco, CA
This artwork "Two Horsemen" c.1960 is an original woodcut by noted Japanese artist, Tomikichiro Tokuriki, 1902-1999. It is hand signed and numbered 38/100 in pencil by the artist. The image (Block mark) size is 15.25 x 20.5 inches, sheet size is 16.5 x 21.15 inches. It is in very good condition, hanging tape remaining on the back. About the artist: Print artist. Tokuriki was born in Kyoto, where he has always worked. The last of a long line of traditional-style painters, he turned early to woodblock prints and became a leader of the Kyoto 'Sosaku Hanga'. He graduated from the Kyoto City School of Fine Arts and Crafts and then from the Kyoto City Specialist School of Painting in 1924. In 1928 he studied 'Nihonga' painting under Tsuchida Bakusen (1887-1936) and Yamamoto Shunkyo (1871-1933) and exhibited with Kokuga Sosaku Kyokai, but about the same time in 1929 he changed to woodblock printing under the influence of Hiratsuka Un'ichi and began to contribute to the early print magazine 'Han'. He was a member of Nihon Hanga Kyokai from 1932, and active in promoting 'Sosaku Hanga' in Kyoto. He was a co-founder of the Kyoto magazine 'Taishu hanga' in 1932, which helped create the sense of a local school of the Creative Print Movement much encouraged by Hiratsuka. He produced many sets of prints before and during the Pacific War based on traditional subjects, such as 'Shin Kyoto fukei' ('New View of Kyoto', 1933-4), which also included designs by Asada Benji (q.v.) and Asano Takeji (b.1900), and 'Tokyo hakkei' ('Eight Views of Tokyo', 1942). Most of these were published by Uchida of Kyoto, but after the war Tokuriki set up his own publishing company called Matsukyu, which also began to teach block-carving to artisans and artists, in later years many of them foreigners. In 1948 he also set up a sub-company called Koryokusha consisting of artists who would produce their prints under the financial umbrella of Matsukyu. Later sets include 'Hanga Kyoto hyakkei' ('One Hundred Print Views of Kyoto', 1975). Tokuriki has continued to be active in teaching and writing, producing a long series of articles on print techniques in 'Hanga geijutsu' magazine during the 1970s. Bibliography Smith, Lawrence, 'Modern Japanese Prints 1912-1989: Woodblocks and Stencils', BMP, London, 1994, p. 36 and no. 50.Statler, Oliver, 'Modern Japanese Prints: An Art Reborn', Turtle, Rutland, Vermont, and Tokyo, 1956, pp. 118-22.Tokuriki, Tomikichiro (trans. Arimatsu, Teruko), 'Woodblock Printing', Arimatsu Color Book Series no. 14, 8th English edn, Hoikusha, Osaka, 1977.Kanagawa Prefectural Museum of Modern Art, 'Kindai Nihon no mokuhanga-ten', exh. cat., 1990.Merritt, Helen, 'Modern Japanese Woodblock...
Category

Mid-20th Century Other Art Style Bay Area - Prints and Multiples

Materials

Woodcut

Falling Pine (hand-printed cyanotype, 18 x 10 inches)
Located in Oakland, CA
This is a hand-printed contact photograph using the antique cyanotype process and very big negatives which are the same size as the final print. These are the iconic Monterey Pines ...
Category

2010s Contemporary Bay Area - Prints and Multiples

Materials

Paper, Archival Paper, Rag Paper, Photogram

Three Questions #XII
Located in San Francisco, CA
This artwork titled "Three Questions #XII" 2003 is an original soft ground etching on Somerset paper by American artist Mary Esch, b.1965. It is Hand signed, dated, titled and number...
Category

21st Century and Contemporary Modern Bay Area - Prints and Multiples

Materials

Etching

Ils Parlent de nNotre Emprunt
By Jean Louis Forain
Located in San Francisco, CA
Artist: Jean-Louis Forain (French, 1852-1931) Title: Ils Parlent de Notre Emprunt Year: 1918 Medium: Lithograph Edition: Numbered 266/300 in pencil Paper: Wove Size paper: 15 x...
Category

Early 20th Century Impressionist Bay Area - Prints and Multiples

Materials

Lithograph

Deux Filles (Two Girls)
By (after) Marie Laurencin
Located in San Francisco, CA
This artwork "Deux Filles (Two Girls) c.1940 is an etching on Wove paper after French artist Marie Laurencin, 1883-1956. It is unsigned as issue. This is a posthumous impression from the canceled plate. The image size is 4.5 x 5.5 inches, plate mark size is 9 x 5.5 inches, sheet size is 12.35 x 9.85 inches. It is in excellent condition. About the artist: Marie Laurencin, intimate of Braque, Picasso, Matisse and Appollinaire, was born in 1883. She held a celebrated place in the early part of the 20th century during a period when Art exploded with genius. She lived in the Montmartre District of Paris and became part of the circle revolving around the Steins. Though her early portraits show the imprint of the Fauves and Cubists, her romantic and delicate temperament asserted itself against these schools. She was prim, conservative and always wore a kitchen apron...
Category

Mid-20th Century Impressionist Bay Area - Prints and Multiples

Materials

Etching

Hybrid
By Graham Sutherland
Located in San Francisco, CA
This artwork titled "Hybrid" from the suite "Bestiary and some Correspondences" 1968 is an original color lithograph on Arches paper by renown British surrealist artist Graham Vivian...
Category

Mid-20th Century Surrealist Bay Area - Prints and Multiples

Materials

Lithograph

Allagato
Located in San Francisco, CA
This artwork "Allagato" c.1970 is an original offset lithograph by Italian artist Luciano Guarnieri, 1930-2009. It is hand signed and numbered V in p...
Category

Late 20th Century Modern Bay Area - Prints and Multiples

Materials

Offset

River Mist
By Virgil Trasher
Located in San Francisco, CA
This artwork titled "River Mist" 1987 in an original color serigraph by American artist Virgil Trasher b.1943. It is hand signed, inscribed A.P and tit...
Category

Late 20th Century American Modern Bay Area - Prints and Multiples

Materials

Screen

Nature Morte aux Lapins (Still Life with Rabbits)
By Maurice Mourlot
Located in San Francisco, CA
This artwork titled "Nature Morte aux Lapins" (Still Life with Rabbits) c. 1950 is an original color lithograph on Arches paper by noted French ...
Category

Mid-20th Century Impressionist Bay Area - Prints and Multiples

Materials

Lithograph

Lake at Carcaron II
Located in San Francisco, CA
This artwork titled "Lake at Carcaron II" c.1990 in an original color etching with aquatint by British artist Frances St. Clair Miller, b.1947. It is hand signed, titled and numbered...
Category

Late 20th Century Impressionist Bay Area - Prints and Multiples

Materials

Aquatint

Monoprint of a Lotus
By Gary Bukovnik
Located in San Francisco, CA
This beautiful monoprint by the noted San Francisco artist Gary Bukovnik (1947-) has a wonderful energy borne of bright colors and bold gestures. It is a beautiful abstract composition, improvisational, yet balanced and harmonious. The work measures 23.5”x9.75” the image, 29.5”x15.5 the sheet and 32.75”x18.75” framed. The print is signed and dated in the lower margin, “Gary Bukovnik 1987”. The print is mounted and floating on a linen backing, framed in a bleached wood frame and protected by Plexiglas. It is in excellent condition. The frame and Plexiglas are in fair-to good condition, with one very small chip on the left bar of the frame, which I have shown in the final photograph, as well as a few very light scratches in the Plexiglas (not over the image).. This exceptional art would look beautiful in a variety of settings – home or office. Born and educated in Cleveland, Gary Bukovnik has lived in San Francisco for more than a third of a century. Primarily using the media of watercolor, monotype, and lithograph, Bukovnik fuses sensual vitality with fluid yet powerful colorations, creating floral and culinary images of great depth, intensity, and size. In 2003 and 2005, invited Bukovnik was Visiting Artist at the American Academy in Rome in 2003 and 2005 and was an artist-in-residence at the Michigan Institute of Arts in Kalamazoo in 2010, as well as making a tour of exhibitions and watercolor demonstrations across Japan in 2010. Solo exhibitions include Caldwell Snyder...
Category

1980s Abstract Impressionist Bay Area - Prints and Multiples

Materials

Monoprint

Untitled
Located in San Francisco, CA
This artwork "Utitled" c.2000 is a colors monotype on B.F.K Rives paper by American artist Phil Gallagher. It is hand signed and numbered 1/1 in pencil...
Category

21st Century and Contemporary Abstract Bay Area - Prints and Multiples

Materials

Monotype

Landscape #I
By Thomas Monaghan
Located in San Francisco, CA
This artwork "Landscape #I' c.2000 is an original color monotype by American artist Thomas (Tom) Monaghan, b. 1961. It is hand signed and numbered 1/1 in pencil by the artist. The im...
Category

21st Century and Contemporary American Impressionist Bay Area - Prints and Multiples

Materials

Monotype

Feeding the Ravens
Located in San Francisco, CA
This artwork titled "Feeding the Ravens" 1997 is a color offset lithograph on paper by noted American artist Rie Mounier Munoz, 1921-2015. It is hand signed and numbered 29/950 in pencil by the artist. The image size is 9.65 x 8.35 inches, sheet size is 13.85 x 12.25 inches. It is in excellent condition, has never been framed. About the artist: Alaska painter Rie Mounier Munoz was the child of Dutch parents who immigrated to California, where she was born and raised. She is known for her colorful scenes of everyday life in Alaska. Rie (from Marie) Munoz (moo nyos), studied art at Washington and Lee University in Virginia. In 1950, she traveled up the Inside Passage by steamship, fell in love with Juneau, and gave herself until the boat left the next day to find a job and a place to live. Since then Juneau has been home to Munoz. She began painting small vignettes of Alaska soon after arriving in Juneau, and also studied art at the University of Alaska-Juneau. Munoz painted in oils in what she describes as a "painstakingly realistic" style, which she found stiff and "somewhat boring." Her breakthrough came a few years later when an artist friend introduced her to a versatile, water-soluble paint called casein. The immediacy of this inexpensive medium prompted an entirely new style. Rie's paintings became colorful and carefree, mirroring her own optimistic attitude toward life. With her newfound technique she set about recording everyday scenes of Alaskans at work and at play. Of the many jobs she has held journalist, teacher, museum curator, artist, mother, Munoz recalls one of her most memorable was as a teacher on King Island in 1951, where she taught 25 Eskimo children. The island was a 13-hour umiak (a walrus skin boat) voyage from Nome, an experience she remembers vividly. After teaching in the Inupiat Eskimo village on the island with her husband during one school year, she felt a special affinity for Alaska's Native peoples and deliberately set about recording their traditional lifestyles that she knew to be changing very fast. For the next twenty years, Rie practiced her art as a "Sunday painter," in and around prospecting with her husband, raising a son, and working as a freelance commercial artist, illustrator, cartoonist, and curator of exhibits for the Alaska State Museum. During her years in Alaska, Munoz has lived in a variety of small Alaskan communities, including prospecting and mining camps. Her paintings reflect an interest in the day-to-day activities of village life such as fishing, berry picking, children at play, as well as her love of folklore and legends. Munoz says that what has appealed to her most were "images you might not think an artist would want to paint," such as people butchering crab, skinning a seal, or doing their laundry in a hand-cranked washing machine. In 1972, with her hand-cut stencil and serigraph prints selling well in four locations in Alaska, she felt confident enough to leave her job at the Alaska State Museum and devote herself full time to her art. Freed from the constraints of an office job, she began to produce close to a hundred paintings a year, in addition to stone lithograph and serigraph prints. From her earliest days as an artist, Rie had firm beliefs about selling her work. First, she insisted the edition size should be kept modest. When she decided in 1973 to reproduce Eskimo Story Teller as an offset lithography print and found the minimum print run to be 500, she destroyed 200 of the prints. She did the same with King Island, her second reproduction. Reluctantly, to meet market demand, she increased the edition size of the reproductions to 500 and then 750. The editions stayed at that level for almost ten years before climbing to 950 and 1250. Her work has been exhibited many solo watercolor exhibits in Alaska, Oregon and Washington State, including the Charles and Emma Frye Art Museum, Alaska State Museum in Juneau, Anchorage Historical and Fine Arts Museum, Tongass Historical Museum in Ketchikan, and Yukon Regional Library in Whitehorse; Yukon Territory, and included in exhibits at the Smithsonian Institute and Russell Senate Office Building in Washington, D.C. Munozs paintings have graced the covers of countless publications, from cookbooks to mail order catalogs, and been published in magazines, newspapers, posters, calendars, and two previous collections of her work: Rie Munoz...
Category

Late 20th Century Folk Art Bay Area - Prints and Multiples

Materials

Lithograph

"Landscape with Pond" Large original color serigraph
By Anton Sipos
Located in San Francisco, CA
This artwork titled "Lanscape with Pond" is an original color serigraph by noted Bosnian artist Anton Sipos, b.1938. It is hand signed and numbered 225/275...
Category

Late 20th Century Impressionist Bay Area - Prints and Multiples

Materials

Screen

Verdes, Loir et Cher, France
Located in San Francisco, CA
This artwork titled "Verdes, Loire et Cher, France" is an original lithograph by American artist Teall (La Verne Teall) Messer, 1897-1977. It is hand signed, titled, dated and numbered 36/40 in pencil by the artist. The image size is 10.65 x 13.65 inches, the sheet size is 14 x 21.5 inches. It is in excellent condition, especially considering the age of this piece. About the artist: Born in Dixon Illinois in 1897, Teall Messer dropped the name Lavern as soon as he came "of age". He went to New York to be an artist and intellectual. He hung out with the playwrights of the time and ended up with an award from the Rockefellers to go to Paris and study painting. This was in the 1920's. He stayed for several years in Paris being the stereotypical American painter there. He had contact with at least some of the famous painters and shared a studio with Alexander Calder. One story was that he and Alexander were dating two French sisters. The girls' mother told them to drop the Americans as they would never make much money. That was true for Teall, not so for Calder. He also knew Brancusi well enough to have a signed sketch dedicated "á Teall Messer avec amour". He knew Gertrude Stein well enough to heartily dislike her, considering her a phony. In France Teall married a member of the Byrd...
Category

Early 20th Century American Impressionist Bay Area - Prints and Multiples

Materials

Lithograph

The Purple Mountain’s Majestic
Located in San Francisco, CA
This artwork titled " The Purple Mountain's Majestic" 1973 is a color lithograph after artist Hall Drake Diteman, 1925-2009. It is hand signed at the l...
Category

Late 20th Century American Realist Bay Area - Prints and Multiples

Materials

Lithograph

Trumpeteers
Located in San Francisco, CA
This artwork titled "Trumpeteers" 1976 is an original wood engraving by Russian/American artist Leon Gilmour, 1907-1996. It is hand signed, titled, dated ...
Category

Late 20th Century American Realist Bay Area - Prints and Multiples

Materials

Woodcut

"Chained Beast" from the suite "Bestiary and some Correspondences"
By Graham Sutherland
Located in San Francisco, CA
This artwork titled "Chained Beast" from the suite "Bestiary and some Correspondences" 1967 is an original color lithograph on Arches paper by renown British artist Graham Vivian Sut...
Category

Mid-20th Century Surrealist Bay Area - Prints and Multiples

Materials

Lithograph

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