Bay Area - Prints and Multiples

Color softground etching.

Color aquatint on airbrushed paper Image Size: 40”x 29”; Paper Size: 40” x 29” Edition of 25

Color aquatint etching on Rives light weight cream paper

This artwork titled "Abstract I" c.1990, is an original color screenprint by noted American Artist Jeffrey Long, b.1948. It is hand signed and numbered 30/150 in pencil by the artist...

This artwork "ACLU" c.1980 is an original etching by noted American artist Charles Bragg, 1931-2017. It is hand signed, titled and inscribed HC (Hors Commerce) in pencil by the artis...

This artwork titled "The Jury" c.1980 is an original etching by noted American artist Charles Bragg, 1931-2017. It is hand signed and inscribed H.C (Hors Comm...

Color aquatint, hardground, and softground. Edition of 25

"O. Phalenopsis 2" is a contemporary hand-painted intaglio print by Wisconsin artist Mark Brueggeman. Printed with black ink onto white paper, the pri...

Scotch thistles bloom in the foreground while from the fog emerge towering Monterey pines behind them. These are the woods across the bay from San Francisco in early summer when this...

Flatbite and color aquatint. Edition of 25

Flatbite and color aquatint.

Isca Greenfield-Sanders Wading II (Pink) Direct to plate photogravure and aquatint. Edition 40

Color spitbite aquatint with chine colle. Edition of 50

"Poppy 200" is a gorgeous, fun and fresh combination print featuring elements of Cyanotype and Monotype. The main subject is a California Poppy flower. Hues of oranges and yellows flow on top of a pale blue cyanotype print. In her creative process, Katherine scans organic material which she then refines into digital files. The images are then then cut out of wood using a laser cutter. Katherine prints the inked wood shapes in combination with ink washes, in different arrangements making each print unique. For more works by Katherine Warinner...

Color aquatint. Edition of 35

Color sugarlift and spitbite aquatints and aquatint. Somerset white paper Image size 20" x 20" Paper size 29" x 28" Edition of 35

"Jewel" is a color woodcut print by Pittsburgh artist Valerie Lueth of Tugboat Printshop. Valerie has hand-carved three different woodblocks to create a ...

Nature and Oceanic inspired blue archival digital print 1/9. The image is from the artist's 'Blue Nocturne' series. A beautiful sea or ocean blue abstract image. Signed and editioned...

Danny Edwards Abstract Black & White Etching c.1989 Fine abstract etching by Danny Edwards. Pencil signed and numbered 2/2 by the artist. Plate dimensions 23.5 x 20. The frame mea...

Color aquatint, spitbite aquatint and sugarlift aquatint.

monotype EV —edition variée 1/4 with heavy hand coloring in mixed media. Plate/image is 10 x 10 inches. Paper dimension is 18 x 18 inches. Pink, blue and white candy still life of B...

Monotype EV Ed 5/7 with heavy hand coloring with mixed media. Portrait of the artist's mother. Signed front in pencil by Kim Frohsin, who is strongly associated with the Bay Area Fig...

Monotype EV edition variée 1/4, with heavy hand coloring: mixed media, featuring satin wedding shoes. Signed front in pencil by Kim Frohsin, who is strongly associated with the Bay ...

1920's flapper shoes featured in this green, blue, black, and white. From a variable edition (édition variée) of 7 -- each impression is a unique color ...

Airplanes and biplanes are featured in 'Centennial Flight' on a grey and silver grid with heavy hand coloring. Monotype ev is 32 x 32 inches. Kim Frohsin spend 12 years working on mo...

Monotype ev edition 2/4 with hand coloring. the plate is 12 x 12 inches and the overall paper size is 21 x 20 inches. Kim Frohsin spend 12 years working on monotype ev's, and works f...

Joan Miró Album 21, Plate 16, 1978 is a playful yet thought-provoking work that exhibits Miró’s iconic handling of line and shapes. Cutting across t...

Color softground etching.

Flatbite and color aquatint. Edition of 25

Flatbite and color aquatint.

Color sugarlift aquatint on Rives BFK Edition of 30

Miniature linocut prior to the large triptych made by Lefner in 2014. Edition of 5 of #5. Pencil signed on right and dated verso. Measures 9.5 inches wide by 12 inches high. Dave Lef...

This artwork titled "Sub Culture" c1972 is an original color lithograph on wove paper by noted New Orleans artist Caroline Spellman Wogan Durieux, 1896-1989. It is hand signed, titled, dated and numbered 5/10 in pencil by the artist. The image size is 17.75 x 13 inches, sheet size is 19.85 x 15 inches. It is in excellent condition, some hanging tape from previous framing remaining on the back. About the artist: As a Southern female satirist, Caroline Spellman Wogan Durieux was a rare phenomenon in the early twentieth century. Today, she is highly regarded for her stinging lithographs that touch on human foibles as well as some of the important issues of her day. Born to a family of Creole descent in New Orleans, young Caroline was precocious; she began drawing at age four and completed a portfolio of watercolors depicting her city by the time she was twelve. She took lessons from Mary Butler, a member of the art faculty at Sophie Newcomb College, and, beginning in 1912, matriculated at the school full-time, where her instructors included Ellsworth Woodward, chair of the art department. She graduated with a bachelor’s degree in design in 1916 and one in education in 1917. Awarded a scholarship by the New Orleans Art Association, Durieux pursued further coursework at the Pennsylvania Academy of the Fine Arts from 1918 to 1920. Years later, she was encouraged to try lithography by Carl Zigrosser, an expert curator of prints at the Philadelphia Museum of Art, who became her mentor. With her husband Pierre Durieux—an importer of Latin American goods and later the chief representative of General Motors for South America—Caroline Durieux spent time in Cuba during the early 1920s. The couple moved in 1926 to Mexico City, where she met the great muralist Diego Rivera and became involved in the local art community. Following a short interval in New York City, Durieux went back to Mexico in 1931 and enrolled at the Academy of San Carlos (now the National University of Mexico) to study lithography. She returned to New Orleans seven years later and was hired to teach at her alma mater, Newcomb College, from 1938 to 1943. Starting in 1939, Durieux served as the director of Louisiana’s Works Progress Administration program, and her division was the only one in the state not to practice racial discrimination. This was a matter she felt strongly about, stating: “I had a feeling that an artist is an artist and it doesn’t make any difference what color he or she is.” From 1943 until her retirement in 1964, Durieux was a member of the faculty at Louisiana State University in Baton Rouge. Durieux’s forte was lithography, a technique popular in the mid-nineteenth century and long associated with social commentary, and her prints proved no exception. Her work in the 1930s and 1940s coincided with a rise in art that dealt with poverty, racism, and totalitarianism. She often presented stereotyped social climbers...

Artist: Teo Tobiasse (French/Israeli, 1927-2012) Title: "La Legende du Sinai" Year: 1986 Medium: Color lithograph Edition: Numbered 160/175 in pencil Paper: Arches paper Image size: 9.75 x 9.75 inches Framed size: 16.85 x 16.5 inches Signature: Hand signed in pencil by the artist Condition: Excellent Frame: Custom framed in a wood frame, with off white matting About the artist. Theo Tobiasse was born in Israel of Lithuanian parents. Before he turned seven, his family moved to Paris due to financial difficulties. In Paris. Between the years of 1942 and 1944, the Germans occupied Paris. He and his family were forced to live in solitary confinement with the constant fear of being discovered. The only things that kept Tobiasse going was his drawings. By the time it was safe to come out of hiding, he had quite a portfolio put together. In 1960, his work was noticed at an exhibition of young artists at the Palais de la Mediterranee in Nice and he won first prize. From then on art galleries and collectors continued to show interest in his work, and by 1962 Theo Tobiasse was finally able to devote himself entirely to painting. Theo Tobiasse has created monumental works such as the fountain entitled "L'Enfant fou" for the Arenas Business Centre at Nice Airport, and stained-glass windows for various institutions in Strasbourg and Nice. He also designed costumes and stage-set models for Bernard Shaw...

This artwork titled "Red rock" 1994 is an original color serigraph on Wove paper by Canadian/American artist Howard Bradford, 1919-2008. It is hand si...

This artwork titled "Red rock" 1994 is an original color serigraph on Wove paper by Canadian/American artist Howard Bradford, 1919-2008. It is hand si...

This artwork titled "Three Questions #X" 2003 is an original soft ground etching on Somerset paper by American artist Mary Esch, b.1965. It is Hand signed, dated, titled and numbered...

This artwork titled "Three Questions #VII" 2003 is an original soft ground etching on Somerset paper by American artist Mary Esch, b.1965. It is Hand signed, dated, titled and number...

This artwork titled "Three Questions #VI" 2003 is an original soft ground etching on Somerset paper by American artist Mary Esch, b.1965. It is Hand signed, dated, titled and numbere...

This artwork titled "Three Questions #VIII" 2003 is an original soft ground etching on Somerset paper by American artist Mary Esch, b.1965. It is Hand signed, dated, titled and numbe...

This artwork titled "Three Questions #V" 2003 is an original soft ground etching on Somerset paper by American artist Mary Esch, b.1965. It is Hand signed, dated, titled and numbered...

This artwork titled "Three Questions #IV" 2003 is an original soft ground etching on Somerset paper by American artist Mary Esch, b.1965. It is Hand signed, dated, titled and numbere...

This artwork titled "Three Questions #II" 2003 is an original soft ground etching on Somerset paper by American artist Mary Esch, b.1965. It is Hand signed, dated, titled and numbere...

This artwork titled "Ouvidos de Conchas, em Mangas de Jaqueta" 1995 is an original color woodcut on watermarked Fabriano paper by Brazilian artist Francisco Jose Maringelli, b.1959. It is hand signed, titled and numbered 1/15 in pencil by the artist. The image (block mark) size is 10.65 x 7 inches, sheet size is 16.25 x 14 inches. It is in excellent condition, has never been framed. About the artist: Education: Bachelor Fine Arts, ECAUSP (1984-1989) and Architecture FAUUSP (1979-1985). Professor at Centro Universitário Belas Artes de São Paulo Main Exhibitions: 2018 CONTRAGOLPES; obras recentes de Biba Rigo, Cláudio Caropreso e Francisco Maringelli, São Paulo(SP) Graphias quinze anos, São Paulo(SP) 2017 ROSTOS LAVRADOS-XILOGRAVURAS,Museu Casa da Xilogravura, Campos do...

This artwork titled "Untitled II" 1996 is an original woodcut on thin Japan paper by Brazilian artist Francisco Jose Maringelli, b.1959. It is hand signed and numbered 12/30 in pencil by the artist. The image (block mark) size is 13 x 7.25 inches, sheet size is 25 x 18.75 inches. It is in excellent condition, has never been framed. About the artist: Education: Bachelor Fine Arts, ECAUSP (1984-1989) and Architecture FAUUSP (1979-1985). Professor at Centro Universitário Belas Artes de São Paulo Main Exhibitions: 2018 CONTRAGOLPES; obras recentes de Biba Rigo, Cláudio Caropreso e Francisco Maringelli, São Paulo(SP) Graphias quinze anos, São Paulo(SP) 2017 ROSTOS LAVRADOS-XILOGRAVURAS,Museu Casa da Xilogravura, Campos do...

This artwork titled "A Escolha Da Camisa Do Dia" 1996 is an original woodcut on thin Japan paper by Brazilian artist Francisco Jose Maringelli, b.1959. It is hand signed, titled and inscribed PE II in pencil by the artist. The image (block mark) size is 11.5 x 17.25 inches, sheet size is 18.5 x 25 inches. It is in excellent condition, has never been framed. About the artist: Education: Bachelor Fine Arts, ECAUSP (1984-1989) and Architecture FAUUSP (1979-1985). Professor at Centro Universitário Belas Artes de São Paulo Main Exhibitions: 2018 CONTRAGOLPES; obras recentes de Biba Rigo, Cláudio Caropreso e Francisco Maringelli, São Paulo(SP) Graphias quinze anos, São Paulo(SP) 2017 ROSTOS LAVRADOS-XILOGRAVURAS,Museu Casa da Xilogravura, Campos do...

This artwork "Landscape #II" c.2000 is an original color monotype by American artist Thomas (Tom) Monaghan, b. 1961. It is hand signed and numbered 1/1 in pencil by the artist. The i...

This artwork "Deux Filles (Two Girls) c.1940 is an etching on Wove paper after French artist Marie Laurencin, 1883-1956. It is unsigned as issue. This is a posthumous impression from the canceled plate. The image size is 4.75 x 5.5 inches, plate mark size is 9 x 5.5 inches, sheet size is 12.85 x 9.65 inches. It is in excellent condition. About the artist: Marie Laurencin, intimate of Braque, Picasso, Matisse and Appollinaire, was born in 1883. She held a celebrated place in the early part of the 20th century during a period when Art exploded with genius. She lived in the Montmartre District of Paris and became part of the circle revolving around the Steins. Though her early portraits show the imprint of the Fauves and Cubists, her romantic and delicate temperament asserted itself against these schools. She was prim, conservative and always wore a kitchen apron...

This artwork titled "Night Passage" 1994 is in an original color monoprint on paper by noted American artist Pia Stern, b. 1953. It is hand signed, dated and...

This artwork titled "Self Portrait III" 1994 is in an original color monoprint on paper by noted American artist Pia Stern, b. 1953. It is hand signed, dated...

Joan Miró Terres de grand feu, 1956 was created to celebrate a three-month exhibition at the Galerie Maeght, Paris, of ceramics done by Miró a...

Alex Katz Vivien in White Coat, 2021 is a work of subtle admiration that the artist holds for her daughter-in-law, Vivien Bittencourt. The gentle hues...

This artwork titled "The Klonski Twinss" c.1970 is an original etching by noted American artist Charles Bragg, 1931-2017. It is hand signed, titled and numbered 2/100 in pencil by the artist. The image (plate mark) size is 6 x 7.5 inches, framed is 15 x 19 inches. It is custom framed in red mahogany frame, with off white color matting. It is in excellent condition. About the artist. Charles Bragg was born in St. Louis, Missouri to two Vaudeville performing parents that he traveled with throughout his childhood. He attended New York’s High School of Music and Art in Harlem and ran away with his sweetheart when he turned 18. He studied at the Art Students League in New York and later resided in Los Angeles. Before he decided to truly pursue painting, Bragg was a cab driver, a truck driver, a stand-up comedian, and a factory worker. When he arrived in California, he began painting for the wealthy and even gave lessons. It was during this time that he began to develop satirical feelings for the upper-class he was painting. Considered the foremost social satire artist in America, Charles Bragg is highly acclaimed for his cryptic and humorous portraits. Bragg is a spiritual descendent of Bosch, Brueghel and Daumier His work is found in the collections of at least 20 international museums, including thePushkin Museum, Moscow, USSR - Galleria d' Arte, Moderna de Milano Stedelijk Museum, Amsterdam, Holland - Dayton Art Museum, Ohio - DowneyMuseum of Art, California - Long Beach Museum of Art, California - Wichita State University Collection - Roswell Museum Collection, New Mexico - Canton Art Institute, Ohio - Loch Haven Art Center, Orlando Florida - University of Wyoming Museum of Art - The Albrecht Museum of Art, St Joseph, Mo - St Lawrence University, Canton, NY - Gibbes Art Center, Charleston, SC - Kalamazoo Institute of Arts, Michigan ¬University of Judaism, Los Angeles, Ca - Joslyn Art Museum, Omaha, Nebraska - Tyler Museum of Art, Tyler, Texas - Joseph Hirshhorn Collection, National Gallery of Design...

This artwork titled "The Split Man" 1976 is an original serigraph by American artist Darryl Sapien, b.1950. It is hand signed, titled, dated and numbered 7/60 in pencil by the artist. The image size 21.5 x 29.5 inches, sheet size is 27.5 x 38.75 inches, framed size is 30.5 x 41.75 inches. It is framed in a wooden black frame. It is in excellent condition, The frame has very minor restorations, barely visible. About the artist: Selected exhibitions. San Francisco Art Institute, B.F.A., Sculpture 1974 "Introductions 74," Hansen-Fuller Gallery, San Francisco, California (Group Exhibition) 1976 San Francisco Art Institute, M.F.A., Sculpture 1976 "17 Artists, Hispano/Mexican American/Chicano," The Mexican Museum, San Francisco, California (Group Exhibition) 1976 "Other Sources," San Francisco Art Institute, (catalog)(Group Exhibition) 1977 "Work in Progress,” Union Gallery, San Jose State University, San Jose, California (catalogue) 1977 "Painting and Sculpture in California: The Modern Era," (catalog) San Francisco Museum of Modern Art & The Gallery of the National Collection of Fine Arts, Washington, D.C. (Group Exhibition) 1977 "Tokyo-Bay Area Exchange," Kanagawa Prefectural Hall, Tokyo, Japan (Group Exhibition) 1977 "Arte Fiera di Bologna," Bologna, Italy (Group Exhibition) 1978 "California-Hawaii Biennial," San Diego Fine Arts Gallery, Honolulu Museum of Art, Honolulu, Hawaii (Group Exhibition) 1979 “Darryl Sapien, Recent Work,” Gallery Paule Anglim, San Francisco, California 1979–1980 "From Self-Portrait to Autobiography," Neuberger Museuem, Purchase, New York, New Gallery of Contemporary Art, Cleveland Ohio (catalog) (Group Exhibition) 1980 "Space/Time/Sound: A Decade in the Bay Area," San Francisco Museum of Modern Art (catalog) (Group Exhibition) 1981 "19 Artists, Emergent Americans," Solomon R. Guggenheim Museum, New York City (catalog) (Group Exhibition) 1981 "La Vue Independante," The American Center, Paris France (Group Exhibition) 1981 “American Roulette”, Solomon R. Guggenheim Museum, New York, NY (Performances) 1982 "California Art on the Road," Laguna Beach Museum of Art, Laguna Beach, California (Group Exhibition) 1984 “Darryl Sapien at Studio Ink,” San Francisco, California 1984 "Crime and Punishment," Triton Museum of Art, Santa Clara, California (Group Exhibition) 1984 "Artists and the Theater," Phillipe Bonnafont Gallery, San Francisco, California (Group Exhibition) 1985 "The Twentieth Century," San Francisco Museum of Modern Art (Group Exhibition) 1985 Contemporary Art, 30,000 B.C. to the Present," San Jose Institute of Contemporary Art, San Jose, California (Group Exhibition) 1987 "Connotations," Southern Exposure Gallery, San Francisco, California (Group Exhibition) 1988 “Darryl Sapien: Artspace Painting Grant Award” Artspace Gallery, San Francisco, California (catalogue) 1988 "Digital Visions: Computers and Art," Everson Museum of Art, Syracuse University, New York (catalog) (Group Exhibition) 1989 "Darryl Sapien and David Flipse" Riskin-Sinow Gallery, San Francisco, California (Group Exhibition) 1990 "The Written Word," Richmond Art Center, Richmond, California (Group Exhibition) 1991 "Four Hispanic Artists," San Francisco Art Commission Gallery (Group Exhibition) 1994 “Darryl Sapien: Recent Work,” Opts Art, San Francisco, California 1995 "Facing Eden: One Hundred Years of Landscape Art in the Bay Area," M.H. DeYoung Museum, San Francisco, California (Group Exhibition) 1996 “Darryl Sapien,” City College of San Francisco 2003 "Reactions, Artists Respond to September 11, 2001," Library of Congress, Washington, D.C. (Group Exhibition) 2005 “Darryl Sapien,” Swallowtail Gallery, San Francisco, California 2010 "75 Years of Looking Forward" San Francisco Museum of Modern Art (catalog) (Group Exhibition) 2010 “Radical Light,” U.C. Berkeley Art Museum (catalog) (Group Exhibition) 2011 “State of Mind: new California Art circa 1970” (catalog) Orange County Museum of Art, California (Group Exhibition) 2012 Berkeley Art Museum, U.C. Berkeley, California (Group Exhibition) 2012 Belkin Gallery, University of British Columbia, Canada (Group Exhibition) 2013 Site Santa Fe, NM (Group Exhibition) 2013 The Bronx Museum of the Arts, NY (Group Exhibition) 2013 “Son of War Games”, The Bronx Museum of the Arts, New York, NY (Performances) 2013–2014 The Smart Museum, Chicago, IL (Group Exhibition) 2014 "The site a live" San Francisco Art Institute (Group Exhibition) 2015 "Out Of This World," Bonnafont Gallery, San Francisco, California Public Collections Solomon R. Guggenheim Museum, New York City San Francisco Museum of Modern Art, San Francisco, California Berkeley Art Museum, University of California, Berkeley The Oakland Museum, Oakland, California The American Academy of Opthalmology, San Francisco, California National Automobile and Casualty Insurance Company, Pasadena, California City and County of San Francisco-Public Utilities Commission Building Performances “Synthetic Ritual”, San Francisco Art Institute “Initiation”, San Francisco Art Institute “War Games”, corner of Third & Howard Street San Francisco, California (outdoor sitespecific) “Split-Man Bisects the Pacific”, the ruins of Sutro Baths...

Created in 1990, this original color serigraph is hand signed by Victor Vasarely (Pécs, 1906 - Paris, 1997) in pencil in the lower right margin. Numbered 270/300, this piece was prin...

This artwork titled "Sheet of Studies, Comparaisons: Machines and Organic Forms" from the suite "Bestiary and some Correspondences" 1968 is an original color lithograph on Arches pap...

This artwork titled "Ants" from the suite "Bestiary and some Correspondences" 1968 is an original color lithograph on Arches paper by renown British artist Graham Vivian Sutherland, ...

This artwork titled "Galactika III Variant" 2012 is a original color linocut on Strathmore paper by artist Maxime Maurice Grossman, b. 1989. It is hand signed and numbered 8/40 in pencil by the artist. The image (plate mark) size is 17.85 x 11.85 inches, framed size is 31 x 23.75 inches. Published by Joseph Grossman Fine Art...