Los Angeles - Case Pieces and Storage Cabinets

This exquisite 18th-century Italian wood cabinet showcases timeless craftsmanship with its rich patina. Originally crafted from sturdy wood, the ...

Large radius ends on the top and bottom barely peek over the sides to add some shape and dimension to an otherwise very box-like box. Plinth style base with scallops all around! Subt...

In the style of Jean Prouve an etagere with lower cupboard with patinated white painted bypass sliding doors, from the dormitories of the La Residence Universitaire Jean Zay, France ...

Hard to find pair of Arts & Crafts oak and travertine chest of drawers

Condition: Expertly Refinished With over 15 years of experience, our workshop has followed a careful process of restoration, showcasing our passion and creativity for vintage design...

Italian 1960s rosewood cabinet by Stildomus for your dining room, living or bedroom. Great vintage piece that will wow your friends! Can't you hear'em now?.

Impressive pair of French 19th century Louis XV style gilt bronze-mounted Kingwood and mahogany marquetry Encoigneurs, corner cabinets or vitrines, attributed to Paul Sormani. The upper section with molded cornice and shell cresting and enclosed by a bowed glazed panel door, the lower section surmounted by a marble top of arc-en-arbalète outline above two frieze drawers and cupboards below enclosed by tambour shutters, raised on short cabriole legs ending in foliate sabots, lock plates engraved 'Sormani PARIS.' Circa: Paris, 1875. Height: 90 1/2 inches (230 cm). Width: 44 inches (112 cm). Depth: 29 inches (74 cm). Sormani, Paul (1817-1877): Born in Venice, Paul Sormani set up in Paris in the middle of the 19th century. He specialized in creating furniture and works of art and was known for his high quality reproductions of Louis XV and XVI furniture...

Modular set of reinforced fiber concrete shelving cubes in three sizes retaining remnants of the original black finish by Swiss architect Willy Guhl ...

Martin & Brockett's West Large Trestle Console 72” features a modern craftsman style and rustic sinewy frame with hand carved details and a planked top. H 30.5 in. x W 72 in. x D 1...

Pair of minimalist 'Amboine' burl wood nightstands by Design Frères. Simple, functional design with 2 deep drawers per nightstand. Grea...

California modern design. Rare set. Custom. Survivors. Each piece is handmade showing its own subtle characteristics. Made of plywood (no press-board) with maple veneer and some sol...

A French Louis XVI Style "Belle Époque" Mahogany and gilt bronze Mounted Sever Exhibition Vitrine with Marble Top. The three-sided cabinet with twin front glass doors below a pair of apron drawers, the interior with a single curved glass shelf...

A real stunner in person. It's a massive and imposing object.

A Superb 19th century French Louis XVI style gilt- bronze mahogany, kingwood and fruitwood marquetry armorial commode with Sycamore Marquetry and magn...

Custom Made Walnut Bookcase w/ Glass Doors by Danish Modern LA

A very fine and palatial French 19th century Louis XVI style gilt bronze-mounted mahogany, satinwood, tulipwood and fruitwood marquetry and parquetry commode, after a model by Jean H...

A Fine French 19th Century Louis XVI Style Gilt-Bronze Mounted Meuble d'Appui Cabinet with Marble Top. The serpentine walnut and satinwood body with three front drawers and a rolled ...

Conceived while in lockdown in 2020, the Grounded Collection from Stephen Kenn is a mediation on being grounded in peaceful creative work, while enduring forced isolation from commun...

A fine French 19th-20th century kingwood and tulipwood marquetry and gilt-bronze mounted vitrine, in the manner of François Linke (1855-1946). The slender single door display cabinet with a red-velvet backing and bowed glass panels surmounted with acanthus and floral gilt-bronze mounts in the style of Léon Messagé (French, 1842-1901), the serpentine shaped front door with an ornate marquetry and ink colored panel depicting wreaths, ribbons and tied acantus leaves, all raised on four cabriolet legs ending with gilt-bronze paw-feet, Paris, circa 1900. Linke was born on 17 June 1855 in the small village of Pankraz, in what is now the Czech Republic. Records show that Linke served an apprenticeship with the master cabinet maker, Neumann, which he completed in 1877. Linke’s work book or Arbeits-Buch records that he was in Vienna from July 1872 to October 1873 at the time of the International Exhibition held there in 1873. He subsequently travelled to Prague, Budapest & Weimar before finally arriving in Paris in 1875. It is documented that he obtained employment with an unknown German cabinetmaker in Paris, and stylistic similarities, photographs and geographical proximity have led some to suggest that Emmanuel Zwiener was the most likely candidate. After a period back in his home town of Pankratz, he returned once and for all to Paris in 1877. In 1878 Paris hosted the third great International Exhibition, a remarkable success for a country ravaged by war only seven years earlier. It is known that the fledgling Linke workshops were active in the Faubourg St. Antoine as early as 1881, during this time he supplied furniture for other more established makers such as Jansen and Krieger. By 1889 another World’s Fair, as they were often referred to in America, took place in Paris. Monsieur Eiffel erected what has become the most iconic building in Paris for the exhibition and the atmosphere of wealth and confidence may well have encouraged Linke to think that he could contribute an important part to the next great exhibition. As early as 1892 this was decreed to take place at the end of the century, in an attempt to pre-empt Berlin from staging the last great show of the century. In 1892, Victor Champier (fr) one of the commissioners for the 1900 Paris Fair had appealed, “Create in the manner of the masters, do not copy what they have made”. It was an appeal against mere reproduction and Linke rose to this challenge in an unparalleled way with his unique display that was to include the Grand Bureau. Determined to outshine the competition at the Exhibition, Linke had set about creating the most ambitious pieces he could envisage, and more extravagant than had ever been displayed before. The items he exhibited marked a transition from the historicist interpretation of Louis XV and Louis XVI styles, an interpretation that was the mainstay of his nearest rivals, to something startlingly new and vital in its immediacy. [6] Together with Léon Messagé he developed a new style for the 1900 Exhibition that paid homage to the Louis XV rococo in the fluidity of its approach, but an approach fused with the lively flowing lines of the contemporary and progressive 'art nouveau'. The Art Journal reported in 1900 on Linke's stand: "The work of M. Linke ... was an example of what can be done by seeking inspiration amongst the classic examples of Louis XV and XVI without in any great sense copying these great works. M. Linke's work was original in the true sense of the word, and as such commended itself to the intelligent seeker after the really artistic things of the Exhibition. Wonderful talent was employed in producing the magnificent pieces of furniture displayed". Linke's stand would have appeared refreshingly new to contemporary onlookers, the traditional designs of the eighteenth century melting seamlessly into an exuberant naturalism. The 'Revue' described Linke's style as 'entièrement nouveaux' and noted "This opinion is universally accepted. Linke's stand is the biggest show in the history of art furniture in the year 1900". It is perhaps the most extraordinary and remarkable aspect of Linke’s personal history that he produced such expensive and luxurious furniture of exquisite quality for the 1900 exhibition without any commission or any potential buyer in mind. [9] At a time when other more established furniture businesses such as those of Beurdeley and Dasson were closing down, he made a huge investment in his stand and the furniture he supplied for it. Linke recognised that to move his business forward he needed to appeal to a more International clientele and the new emerging rich who were at this time amassing fortunes on an unprecedented scale. For this reason he gambled everything he had on his display for the 1900 exhibition. Had this not succeeded he would almost certainly have succumbed to bankruptcy. Linke’s notebook records visitors to his stand from England, Europe, the Americas, Egypt and Japan and including; the King of Sweden, three visits from the King of Belgium, Prince Radziwill, the Prince d’Arenberg, the Comte Alberic du Chastel, Miss Anna May Gould, the American heiress, distinguished furniture makers and the President of France Emile Loubet. This risky endeavour was a resounding success, and with his reputation established, La Maison Linke became the pre-eminent furniture house until outset of the Second World War. The technical brilliance of his work and the artistic change that it represented was never to be repeated. His showrooms expanded into prestigious premises in Paris, in the Place Vendôme as well as the Faubourg St. Antoine where his workshop had been established. He embarked on many important commissions in the years up to the outbreak of the First World War, making and designing furniture for leading international industrialists and bankers. After the 1914-1918 World War, Linke undertook the extraordinary commission to furnish the Ras al-Tin Palace in Alexandria for King Fuad of Egypt, possibly the largest single furniture commission ever conceived, eclipsing even Versailles. Linke flourished and remained active until the middle years of the 1930s and died in 1946 Léon Messagé (1842-1901) was a French sculptor, best known for his sculptural collaboration with François Linke for the 1900 Paris Exposition Universelle. Messagé was also responsible for much of the design and creative work for Roux et Brunet...

Patinated Cupboard, with storage; Japan

18th c. French Walnut Monumental Armoire with single drawer. This over-sized Armoire has it's original Hardware and finely carved panels.

The Iconic Jean Pierre desk named after the famous actor Jean Pierre Aumont is an handcrafted desk in solid walnut with black or brown leather insets,...

This three drawer commode is an absolutely unique piece - something Alice, no doubt, carried back from her visit to Wonderland! The cantaloupe-like finish is fun, precarious and soph...

A modular wine rack system that is adjustable and extremely versatile. This example shows how a spare room or a walk-in closet can be transformed into a virtual wine cellar, the system is so flexible that the client can adjust the racks for standard wine bottles, magnums, champagnes or exotics by simply lifting out one unit and replacing it with another. The racks can also be alternated with shelves, all without the need of tools. The only installation needed is attaching the vertical moldings. Please note the optional wall treatment...

Transforming a piece of Mid-Century Modern furniture is like bringing history back to life, and we take this journey with passion and precision. With over 17 years of artisanal exper...

A very fine French 19th century Louis XVI style burr-walnut and mahogany marquetry and ormolu-mounted Military armorial Meuble D'Appui with a Veined Brèche Violette marble top, attri...

Martin & Brockett's West Trestle Side Table features a rustic, craftsman style sinewy frame with handcarved details. H 30.5 in. x W 31.25 in. x D 18 in. Part of our West Trestle Co...

Elegant black marble "Loico" bookshelf by Angelo Mangiarotti for Skipper. Fully constructed out of Nero Marquina (Black Marble). Made with 4 cylindrical pillars and four hand-fitted ...

Brutalist solid elm wood credenza with planked door fronts by Maison Regain, France circa 1970's.

Well preserved cabinet with great age. We have painstakingly scraped off many layers of paint to reveal much of the original finish. You can still see the original inscription and fl...

A fine and rare French 19th century Louis XIV style mahogany and brass inlaid drop-front freestanding secretary desk in the manner of André-Charles Boulle. The slender mahogany body ...

The Marais Credenza finds its inspiration from the bold 1970’s French graphic design style. These contemporary patterns paired with natural caning provide an elevated sculpted statem...

Rustic modern bleached pine cabinet with turn-lock handle and metal bracket strap hinge details, France circa 1960's.

A very fine and rare French 19th-20th century Louis XVI style Belle Epoque ormolu-mounted satine, kingwood and burlwood two-door cabinet, the mounts by Ferdinand Barbedienne, fitted with a shaped Breccia Colorata marble top above a Vitruvian scroll frieze, centered by two doors flanked by putti and griffin mounts, the interior with two shelves, on four tapering fluted legs, the backs of the mounts stamped 'FB'. Paris, circa 1890-1900. Ferdinand Barbedienne (French, 1810-1892) Was a highly important and prolific bronze founder of furniture mounts and more commonly, bronze sculpture including figures, animals, urns, clocks and candelabra. His signature Varied from hand written capitals to stamp in capitals,- Bronzes cast bear...

Late 20th Century white oak plank-front sideboard with distressed paint, blue-green and white. Two cabinet doors with tab latches, holes in back for cables. Would make a great media ...

Pair of Minimalist 'Amboine' burl wood nightstands by Design Frères. Simple, functional design with 2 deep drawers per nightstand. T...

Fantastic three drawer dresser by Maison Regain from France, 1970's. Made of solid elm wood showing beautiful grain. Low profile, perfect as a...

Stunning and rare Jacques Adnet storage bench in green leather and solid oak. Heavy and well built, strong enough to hold multiple people sitting on it and very roomy inside to place...

This is a variation of our Dos Gallos custom trastero cabinet. Inspired by the traditional trastero cabinet of Guatemala. This cabinet can be made in any size, wood and finish. Ad sh...

Antique English oak chest of drawers, Georgian Style, circa 1730s. A chest having a rectangular top with molded rim over a straigh...

A Fine French 19th Century Louis XV Style Kingwood and Tulpwood Gilt-Bronze Mounted Vernis Martin Style Serpentine Meuble d'Appui (Side cabinet) with Marble Top. The triple-bombé single door body fitted with a Spanish Brocatelle marble top, the single front door centered with a painting depicting a park scene with a man seated across two ladies and a young man standing between them playing violin, the upper apron painting section depicting a lake scene with coastal trees, all surmounted with floral and acanthus ormolu mounts and raise on cabriolet legs with gilt-bronze sabots. Two interior wooden shelves. The lockplate stamped: "V.F. (Crossed keys...

A fine pair of French 19th century Louis XV style tulipwood and gilt bronze mounted two-Door Meuble D'Appui (Side-Cabinets) with a Brêche d'Alep marble top. The slender cabinets...

Early minimalist nightstands designed by Edward Wormley for Dunbar. Beautiful bleached mahogany cases with inset matching hardware and leather wrapped bases. Very functional set and ...

Wonderful Jacques Adnet table which could also be used as a desk. Beautiful slatted oak wood top and signature caramel leather legs with contrast stitch detail New leather beautif...

An Italian 19th century Baroque Revival style carved walnut figural Cassone chest-trunk. The ornately carved chest, also known as a marriage chest, with ...

Pair of minimalist 'Amboine' burl wood nightstands by Design Frères. Simple, functional design with 2 deep drawers per nightstand. Grea...

Extremely rare Bugatti wall shelf in remarkable condition.

Four drawer mid century modern dresser designed by Paul Frankl, with signature, solid metal casted, x-shaped drawer pulls. Dresser rests on an angular base with sculptural tapered ...

19th century French walnut miniature cylinder writing desk with brass mountings and velvet writing surface. It is signed on the Paul Sorman.

A superb quality French 19th-20th century Louis XV style ormolu-mounted kingwood, satinwood and satine single door figural vitrine by the renown Parisian master craftsman and cabinet...

A stunning tall oak dresser designed by Paul Lazlo for Brown Saltman c.1950s, USA as part of the "Basket Weave" collection. This classic California Modern design features two cabinet...

Pair of Raoul Guys French wicker and iron wall shelves France, circa 1950’s Can be mounted two ways Clean lines, beautiful and functional Wicker delicately wrapped around sturdy iro...

Add a touch of retro charm to your living space with this Vintage Pencil Reed & Rattan Etagere from the 1960's. This piece was designed and manufactured in the United States in the...

Large smoked glass and chrome cabinet or vitrine by Pierre Cardin. Three doors and six compartments. Can be backlighted (optional). A spectacu...

19Thc Original surface blanket chest from Pennsylvania.The entire chest is dovetailed case and drawers. All original hardware & drawer pulls.Yhis fine dower chest was found in Berks...

Adrien Audoux & Frida Minet cart France, circa 1950’s Multi use tiered storage or service cart on casters Framed in oversized braided jute Lined wit...

Condition: Expertly Refinished With over 15 years of experience, our workshop has followed a careful process of restoration, showcasing our passion and creativity for vintage design...

Very cool vintage orange Colormates Campaign Desk. Circa 1960s. Striking design featuring three orange drawers with brass pulls and brass corner accents. This piece is finished on both sides and will float in the room. Width: 53 inches Height: 30 inches Depth: 24 inches Very good vintage condition with minor scuffs and marks as expected with age. Shows very well. We currently have this yellow campaign desk in our gallery paired with a pair of Milo Baughman yellow swivel chairs...