Los Angeles - Case Pieces and Storage Cabinets

Audoux Minet bamboo sideboard with ornate brass hinges and hardware, oak wood top and open shelving interiors for storage.

A versatile and elegant Mid-Century standing bookshelf, attributed to Brouer Møbelfabrik, crafted from warm-toned teak. This multi-functional unit is designed as two distinct pieces ...

Condition: Expertly Refinished With over 15 years of experience, our workshop has followed a careful process of restoration, showcasing our passion and creativity for vintage desig...

A fine and large Italian early 20th century gildwood carved and gilt-brass mounted server buffet with marble top. The rectangular fruit wood body with four front doors ornately carve...

Gorgeous oak cabinet by Edward Wormley for Dunbar. Made in the 1950s and still a beautiful and practical piece today. Newly refinished in a cerused Oak, making the wood maintain its ...

Large radius ends on the top and bottom barely peek over the sides to add some shape and dimension to an otherwise very box-like box. Plinth style base with scallops all around! Subt...

A very fine French Louis XV style ormolu and jasperware-mounted mahogany single door vitrine, attributed to François Linke (1855-1946). The two upper front corners surmounted with or...

A French 19th-20th century Louis XV style blonde-stainwood and gilt bronze-mounted two-drawer commode with marble top, Paris, circa 1900. Measures: Height 33 1/8 inches (84.1 cm) ...

Condition: Expertly Refinished With over 15 years of experience, our workshop has followed a careful process of restoration, showcasing our passion and creativity for vintage design...

Bleached Mahogany Credenza by Harvey Probber. This credenza is in good vintage condition and has a patina commensurate with its age. Four white accent drawers can be revealed by sl...

Fantastic cement cubes by Swiss Architect Willy Guhl, for Eternit. 6 modular cubes made of fiber cement, can be arranged in a multitude of ways. Great for ...

Mahogany vanity by Mount Airy Furniture, circa 1960s, USA. The dresser features three sleek door fronts which open to reveal interior storage. The center door has a brass rectangular enameled door pull...

The Olivos Armoire is handmade locally in Los Angeles, California. The natural oak cabinet doors and drawer are paired with a complimentary taupe p...

Pierre Jeanneret Storage Unit

A Superb 19th century French Louis XVI style gilt- bronze mahogany, kingwood and fruitwood marquetry armorial commode with Sycamore Marquetry and magn...

This striking Art Deco console features a bold, symmetrical silhouette centered around a vertical stack of four drawers with sleek, circular metal pulls. The design features bold, ar...

Incredible wood sideboard from France, 1940's. Beautiful carved wood square detail on cabinet doors and carved curvy legs. Cabinet doors on each end open to a single shelf with drawe...

Stunning light oak sideboard by Charles Dudouyt from France, 1940's. Carved circular detail on two doors with one interior shelf. Two center drawers for storage. Rests on two carved ...

A stunning oak dresser designed by Paul Laszlo for Brown Saltman c.1950s, USA. This classic California Modern design features six generous sized drawers all showcasing Laszlo's textu...

A stunning and unusual French 19th century Louis XV Style gilt bronze-mounted and "Vernis Martin" style bombé tulipwood veneered vitrine cabinet. The serpentine front door vitrine wi...

A very nice rustic hutch from Guatemala, they use it to store food ALL SALES ARE FINAL, STORE CREDIT OR EXCHANGE ONLY,

Handsome newly produced bookcase in French white oak. Can be used as bookshelf or console. Waxed finish. Beautiful wood with great grain detail. Functional piece with three ...

A fine French 19th century Louis XV Style gilt bronze-mounted and "Vernis Martin" style bombé tulipwood veneered vitrine cabinet with a Breche d' Alep marble top. The serpentine fron...

Writing desk by American designer Phillip Lloyd Powell c.1970s, USA. The desk features a walnut and ebony frame with a slate and leather writing surface. Powell was well known for hi...

A mid 18th century Dutch serpentine chest of drawers that is a wonderful example of Dutch craftsmanship with convex and concave drawers. It is m...

A very nice and elegant French Art deco small Armoire, the color and the patina is much nicer in person, ALL SALES ARE FINAL, STORE CREDIT OR...

Adrien Audoux & Frida Minet cart France, circa 1950’s Multi use tiered storage or service cart on casters Framed in oversized braided jute Lined wit...

The Norah Dresser is handmade locally in Los Angeles, California. The industrial steel casing has a thin profile that borders the slightly distressed lea...

Vintage highboy dresser with 3 drawers and a shelf. The piece was designed and manufactured in the United States in the late 1970's or early 1980s. The dresser is made pickled whit...

A very fine 19th century Louis XVI style gilt bronze and gilt metal mounted rosewood vitrine cabinet with malachite tops, by Pierre E. Guerin (1843-1911), in the manner of François Linke (1855-1946). The slender single-glazed front door tri-level vitrine 'Meuble d'Appui' cabinet fitted with three sectional malachite veneer tops (later) and glazed beveled-glass panels on the sides, surmounted with gilt-bronze and gilt-metal ornamental mounts with playful Putti amongst vines and leaves, ribbons, musical instruments, flowers, torches, masks, wreaths and acanthus, all raised on six fluted and tapered legs with gilt-bronze ring fittings and sabots. The apron mounts with a polychromed Verde-green background. The mounts marked 'P.E. Guerin 527 and other numerals. The interior with two glass shelves and a recent green velvet paneling. Circa: New York, 1890-1900. The marks on the bronze of this cabinet are from Pierre E. Guerin (1843-1911), who established his New York foundry in 1864 providing mounts for renowned cabinet makers such as Leon Marcotte and Pottier and Stymus...

A fine and rare French 19th century Louis XIV style mahogany and brass inlaid drop-front freestanding secretary desk in the manner of André-Charles Boulle. The slender mahogany body ...

Pair of Antique 19th C Empire Drop Front Desk Secretaries.

Beautiful small etagere with two door lower cabinets. Freshly lacquered in white.

Beautiful white oak bar cart newly made in Los Angeles. Rectangular cart with two tiers and carved wavy scalloped detail on shelf edges. Curved wood handl...

A fine French 19th-20th century Louis XV Style gilt bronze-mounted, Mahogany and Tulipwood Marquetry Side Cabinet/Secretaire in the style of François Linke (1855-1946). The slender s...

Rare 18th-century English Georgian-style secretary or butler chest, never restored with original patina, three drawers with secretary in top drop drawer, original hardware, dove tail...

The Riva shelve is a highly desirable and contemporary piece that can elevate the look of any room. Its sleek and modern u shape design exudes elegance and sophistication, making it ...

A fine French 19th-20th century kingwood and tulipwood marquetry and gilt-bronze mounted vitrine, in the manner of François Linke (1855-1946). The slender single door display cabinet with a red-velvet backing and bowed glass panels surmounted with acanthus and floral gilt-bronze mounts in the style of Léon Messagé (French, 1842-1901), the serpentine shaped front door with an ornate marquetry and ink colored panel depicting wreaths, ribbons and tied acantus leaves, all raised on four cabriolet legs ending with gilt-bronze paw-feet, Paris, circa 1900. Linke was born on 17 June 1855 in the small village of Pankraz, in what is now the Czech Republic. Records show that Linke served an apprenticeship with the master cabinet maker, Neumann, which he completed in 1877. Linke’s work book or Arbeits-Buch records that he was in Vienna from July 1872 to October 1873 at the time of the International Exhibition held there in 1873. He subsequently travelled to Prague, Budapest & Weimar before finally arriving in Paris in 1875. It is documented that he obtained employment with an unknown German cabinetmaker in Paris, and stylistic similarities, photographs and geographical proximity have led some to suggest that Emmanuel Zwiener was the most likely candidate. After a period back in his home town of Pankratz, he returned once and for all to Paris in 1877. In 1878 Paris hosted the third great International Exhibition, a remarkable success for a country ravaged by war only seven years earlier. It is known that the fledgling Linke workshops were active in the Faubourg St. Antoine as early as 1881, during this time he supplied furniture for other more established makers such as Jansen and Krieger. By 1889 another World’s Fair, as they were often referred to in America, took place in Paris. Monsieur Eiffel erected what has become the most iconic building in Paris for the exhibition and the atmosphere of wealth and confidence may well have encouraged Linke to think that he could contribute an important part to the next great exhibition. As early as 1892 this was decreed to take place at the end of the century, in an attempt to pre-empt Berlin from staging the last great show of the century. In 1892, Victor Champier (fr) one of the commissioners for the 1900 Paris Fair had appealed, “Create in the manner of the masters, do not copy what they have made”. It was an appeal against mere reproduction and Linke rose to this challenge in an unparalleled way with his unique display that was to include the Grand Bureau. Determined to outshine the competition at the Exhibition, Linke had set about creating the most ambitious pieces he could envisage, and more extravagant than had ever been displayed before. The items he exhibited marked a transition from the historicist interpretation of Louis XV and Louis XVI styles, an interpretation that was the mainstay of his nearest rivals, to something startlingly new and vital in its immediacy. [6] Together with Léon Messagé he developed a new style for the 1900 Exhibition that paid homage to the Louis XV rococo in the fluidity of its approach, but an approach fused with the lively flowing lines of the contemporary and progressive 'art nouveau'. The Art Journal reported in 1900 on Linke's stand: "The work of M. Linke ... was an example of what can be done by seeking inspiration amongst the classic examples of Louis XV and XVI without in any great sense copying these great works. M. Linke's work was original in the true sense of the word, and as such commended itself to the intelligent seeker after the really artistic things of the Exhibition. Wonderful talent was employed in producing the magnificent pieces of furniture displayed". Linke's stand would have appeared refreshingly new to contemporary onlookers, the traditional designs of the eighteenth century melting seamlessly into an exuberant naturalism. The 'Revue' described Linke's style as 'entièrement nouveaux' and noted "This opinion is universally accepted. Linke's stand is the biggest show in the history of art furniture in the year 1900". It is perhaps the most extraordinary and remarkable aspect of Linke’s personal history that he produced such expensive and luxurious furniture of exquisite quality for the 1900 exhibition without any commission or any potential buyer in mind. [9] At a time when other more established furniture businesses such as those of Beurdeley and Dasson were closing down, he made a huge investment in his stand and the furniture he supplied for it. Linke recognised that to move his business forward he needed to appeal to a more International clientele and the new emerging rich who were at this time amassing fortunes on an unprecedented scale. For this reason he gambled everything he had on his display for the 1900 exhibition. Had this not succeeded he would almost certainly have succumbed to bankruptcy. Linke’s notebook records visitors to his stand from England, Europe, the Americas, Egypt and Japan and including; the King of Sweden, three visits from the King of Belgium, Prince Radziwill, the Prince d’Arenberg, the Comte Alberic du Chastel, Miss Anna May Gould, the American heiress, distinguished furniture makers and the President of France Emile Loubet. This risky endeavour was a resounding success, and with his reputation established, La Maison Linke became the pre-eminent furniture house until outset of the Second World War. The technical brilliance of his work and the artistic change that it represented was never to be repeated. His showrooms expanded into prestigious premises in Paris, in the Place Vendôme as well as the Faubourg St. Antoine where his workshop had been established. He embarked on many important commissions in the years up to the outbreak of the First World War, making and designing furniture for leading international industrialists and bankers. After the 1914-1918 World War, Linke undertook the extraordinary commission to furnish the Ras al-Tin Palace in Alexandria for King Fuad of Egypt, possibly the largest single furniture commission ever conceived, eclipsing even Versailles. Linke flourished and remained active until the middle years of the 1930s and died in 1946 Léon Messagé (1842-1901) was a French sculptor, best known for his sculptural collaboration with François Linke for the 1900 Paris Exposition Universelle. Messagé was also responsible for much of the design and creative work for Roux et Brunet...

French Provincial style mahogany display cabinet with four interior shelves and chicken wire door front. Decorative wood apron in front and bronze har...

Be it in the gentleman’s corner of your apartment or centre stage in your living room, this contemporary Dry Bar in its simplicity, serves as a humble vessel for your most precious l...

A Fine French 19th-20th Century Louis XV Style Mahogany, Satinwood and Tulipwood Marquetry Gilt-Bronze Mounted Two-Door Buffet Server China Cabinet...

Louis XV Style Bibliotheque or Book Case - a large and substantial piece and a compliment to any large room which needs sophisticated stora...

Custom midcentury style American walnut sideboard with elegant curved leg, two cabinets on either end and drawers in the middle and port to u...

The Norah Buffet by Croft House is handmade locally in Los Angeles, California. The unique design of the piece draws its original aesthetic through the com...

Industrial Willy Guhl concrete table for Eternit, fitted with new pieces of glass for each shelf. This table is made using a unique concrete fiber cement that is reminiscent of the p...

Beautiful original Moroccan pearl inlay dresser. Fantastic condition with incredible inlay details and hand painted knobs. Handcrafted in Morocco ...

Pair of Minimalist 'Amboine' burl wood nightstands by Design Frères. Simple, functional design with 2 deep drawers per nightstand. T...

This exquisite 18th-century Italian wood cabinet showcases timeless craftsmanship with its rich patina. Originally crafted from sturdy wood, the ...

A fine and rare Italian 19th century Baroque style carved oak figural single-door vitrine cabinet. The upper surmounted on each side with a figure of a young fisherman holding a fish...

Storage trunk by Kai Kristiansen for Aksel Kjersgaard, c.1960s, Denmark. The teak chest features a brass hinged lid and brass lock with key. The inside of the chest showcases a large...

A Fine French 19th Century Neo-Renaissance Style Gilt-Bronze Mounted Walnut and Mahogany Two-Door Bargueno or Cabinet on Stand, attributed to Paul Sormani (1817-1877), designed Édouard Lièvre (1828-1886) and retailed by Poujol - Paris. The spreading pediment Vitruvian scrolled fitted frieze centered by a crest and flanked by cartouches, the quarter paneled doors with pierced rinceaux reserves and centered by an ormolu portrait relief roundels of King Charles VII of France 'The Victorious' (1403-1461) and Agnès Sorel (1422-1450), flanking a gilt-bronze statuette of 'The Belvedere Hermes’, the base fronted by open arches centered by a pair of columns with Corinthian capitals, above a spreading platform, all raised on bun feet. Circa: Paris, 1870. Paul Sormani (1817-1877) was born in Venice, Paul Sormani set up in Paris in the middle of the 19th century. He specialized in creating furniture and works of art and was known for his high quality reproductions of Louis XV and XVI furniture...

Early 19th century English heavily carved mahogany secretary with bronze drawer and door hardware. The key is original. Signed in the top drawer: Edwards and Roberts.

Hard to find pair of Arts & Crafts oak and travertine chest of drawers

Designer Edward J Wormley ________________________________________ Transforming a piece of Mid-Century Modern furniture is like bringing history back to life, and we take this jour...

A handcrafted credenza artfully fabricated with mitered corners, smooth gliding drawers and unique, hand sculpted solid bronze ring hardware. Custom sizes and finishes available.

Primitive Tree Trunk Cabinet, Belgium Circa 1930's Wood with floral paper design on inside door.

Extremely rare Bugatti wall shelf in remarkable condition.

Highboy with five drawers in alder, dark walnut stain, ivory drawer fronts and premium satin lacquer finish (12 coats). This piece is inspired by an Italian design from the 1930s (se...

Modular set of reinforced fiber concrete shelving cubes in three sizes retaining remnants of the original black finish by Swiss architect Willy Guhl ...

This Renaissance style vitrine cabinet is a stunningly beautiful masterpiece in white oak with superb carvings and detail. Note the fourteen carved figures, lion's heads and other su...