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Item Ships From: New York
Jimi Hendrix 1969 original vintage art U.S. Tour Moon Maidens
By David Edward Byrd
Located in Southampton, NY
This is the Original 1969 drawing of the two nude figures that appear on the Jimi Hendrix Spring 1969 concert poster. It is as much of a collectors item as it is a fine work of art. This was given to Hendrix to approve the art for the final poster. You can see images of the full 1969 poster in this listing. David Byrd referred to these women as "Moon Maidens" The art is Pencil on iridescent tracing paper, Matted with it's original "Electric Purple" matt, as done by David Byrd. The original drawing of this full image was used for the 1969 Spring U.S concert tour and it was also used as the image for Hendrix's press kit in 1969 which was given to concert promotors to advertise the concert. David met with Jimi to approve his original drawing. The art measures 7 x 8", and the matted and framed art measures approx. 15x16".
David created ALL of the Art for Bill Graham’s Fillmore East, including their Program covers and Rock posters...
Category
1960s Art Deco New York - Drawings and Watercolor Paintings
Materials
Vellum, Pencil
Still Life with Teapot, Impressionist Watercolor by Eve Nethercott
By Eve Nethercott
Located in Long Island City, NY
Eve Nethercott, American (1925 - 2015) - Still Life with Teapot (P6.43), Year: 1947, Medium: Watercolor on Paper, Size: 16 x 12 in. (40.64 x 30.48 cm), Description: Arranged ...
Category
1940s Impressionist New York - Drawings and Watercolor Paintings
Materials
Watercolor
Edgeland XLIX (Modern, Realistic Square Landscape Drawing of Forest in Black)
By Sue Bryan
Located in Hudson, NY
Black and white country landscape drawing on paper
charcoal and carbon on Arches cotton paper mounted on wood
4 x 4 inches
This contemporary charcoal drawing on Arches cotton paper ...
Category
2010s Contemporary New York - Drawings and Watercolor Paintings
Materials
Paper, Charcoal, Panel, Carbon Pencil
Rolling Stones original 1969 Naked Lady drawing from the Concert tour Poster
By David Edward Byrd
Located in Southampton, NY
A new coffee table book has just been released titled "Poster Child" The Psychedelic Art & Technicolor Life of David Edward Byrd. This original drawing is featured on page 104 of the...
Category
1960s Art Deco New York - Drawings and Watercolor Paintings
Materials
Vellum, Pencil
Portrait of African American Woman by Anthony Sisti Circa 1930's
Located in Rochester, NY
Portrait of an African American Woman by Tony Sisti (1901-1983). Sisti was a master draftsman. With just a few lines he captures the moment. Sisti was a professional boxer and an acc...
Category
Mid-20th Century Modern New York - Drawings and Watercolor Paintings
Materials
Paper
Marella Agnelli and Gianni Agnelli in Marrakesh. Diptych
By Manuel Santelices
Located in Miami Beach, FL
Movies, TV and magazines are constant source of inspiration. Fame, as fleckring and shallow it can be sometimes, is very intriguing to him.
The worlds of fashion, society and pop cu...
Category
21st Century and Contemporary Contemporary New York - Drawings and Watercolor Paintings
Materials
Paper, Gouache
Detail Sketch from January 1986, Pure pigment collage, acrylic painting; Signed
Located in New York, NY
Robert Petersen
Detail Sketch from January 1986, 1991
Pure pigment collage, acrylic painting and drawing
Hand-signed by artist, Hand signed, hand initialed, annotated, dated by hand and with date stamp and stamped by artist and inscribed to Dr. Joseph and Mary Bottino
Provenance: Bottino family
16 1/2 × 21 inches
Unframed
Unique
Robert Petersen is a longtime collaborator, friend and protege of Robert Rauschenberg. Detail Sketch from January 1986, dated by the artist April 20, 1991, as well as April 1, 1991 and April 19, 1991, hand signed, as well as stamped RP several times, inscribed, and bears instructions"can paint over pink and blues and whites", and initialed.
More about Robert Petersen:
Robert Petersen was born in 1945 in the small farm town of Le Mars, Iowa and was raised there until 1952 when he moved with his family to Whittier, California. His education as an artist began in 1963 at Fullerton Community College where his interest in architectural drafting led him to develop a passion for drawing, painting, and printmaking. In 1966, he pursued his love for printmaking further at California State University, Long Beach under the former Tamarind Lithography Workshop printer, Robert Evermon.
In 1969, Petersen went on to work as an assistant printer at Gemini G.E.L. where he printed editions for Frank Stella, Roy Lichtenstein, and Robert Rauschenberg. Most notably, Petersen served as one of the head printers for Rauschenberg's Stoned Moon series, during which the two formed a close friendship. In late 1970, Rauschenberg invited Petersen to live and work with him on Captiva Island, Florida, which had recently become the artist's permanent residence and studio. In 1971, Rauschenberg and Petersen...
Category
1990s Abstract New York - Drawings and Watercolor Paintings
Materials
Mixed Media, Acrylic, Graphite
contemporary figurative black and white charcoal drawing pop art interior female
Located in New York, NY
This is a hand drawn original artwork on heavyweight paper framed in a flat black frame .
Category
2010s Contemporary New York - Drawings and Watercolor Paintings
Materials
Charcoal, Archival Paper
Portrait of Fingal / Finn MacCool - A moving portrait of an Irish literary hero
Located in Middletown, NY
Black chalk and graphite on light weight cream wove paper, 16 1/8 x 11 1/4 inches, (410 x 286 mm), the full sheet. Signed, titled, and dated in sepia ink in the lower-center sheet area. With horizontal folds approximately 1-inch from the sheet edge at each of the four sheets. The drawing appears to have been folded at the sheet edges to fit into a frame.
Finn mac Cumail (or mac Umaill), often anglicized Finn McCool or MacCool, is a hero in Irish mythology, as well as in later Scottish and Manx folklore. He is the leader of the Fianna bands of young roving hunter-warriors, as well as being a seer and poet. He is said to have a magic thumb that bestows him with great wisdom. He is often depicted hunting with his hounds Bran and Sceólang, and fighting with his spear and sword. Fionn MacCumhail was transformed into the character "Fingal" in James Macpherson's poem cycle Ossian (1760), which Macpherson claimed was translated out of discovered Ossianic poetry written in the Scottish Gaelic language.
Fionn MacCumhail features heavily in modern Irish literature. Most notably he makes several appearances in James Joyce's Finnegans Wake...
Category
Early 19th Century French School New York - Drawings and Watercolor Paintings
Materials
Handmade Paper, Chalk, Graphite
Morandi Bottle (Abstract, Cubist Still Life Graphite Drawing with Antique Frame)
By David Dew Bruner
Located in Hudson, NY
Abstract modernist style still life graphite and acrylic painting inspired by Giorgio Morandi's bottle still life paintings
"Morandi II” by Hudson Valley artist, David Dew Bruner, m...
Category
2010s Abstract New York - Drawings and Watercolor Paintings
Materials
Paper, Graphite
Infanta IV: Figurative Cubist Abstract Graphite Drawing with Antique Frame
By David Dew Bruner
Located in Hudson, NY
Figurative abstract cubist style drawing inspired by the Infanta Margarita in an antique gold frame
“Infanta IV” by Hudson Valley artist, David Dew Bruner, made in 2015
23 x 18 inch...
Category
2010s Abstract New York - Drawings and Watercolor Paintings
Materials
Paper, Graphite
Seated Nude Figure
By Franz Kline
Located in New York, NY
Signed (at lower left): FK [in monogram]
EX COLL.: the artist; to I. David Orr (1904–1997), Long Island, New York; to his estate, 1997 until the present
Originally trained as a fig...
Category
Mid-20th Century Abstract Expressionist New York - Drawings and Watercolor Paintings
Materials
Paper, Watercolor, Ink
Rooftops (Framed 1970's New York Cityscape Landscape Drawing by William Clutz)
By William Clutz
Located in Hudson, NY
Abstracted New York City landscape drawing of urban rooftops and tree tops
"Rooftops", created by William Clutz in 1977
30 x 20 inches, charcoal and pastel on paper
33 x 25 inches in light wood frame
This framed pastel on paper was made in 1977 by William Clutz. It features an abstracted depiction of New York City rooftops as seen from a high window. Of particular note is the artist's technique with pastel; a wonderful texture and motion is created by closely woven striated lines. Sunlight reflects off brown rooftops and peaking green tree tops. The charcoal and pastel drawing is framed in a natural light wood frame with non-reflective glass and wire backing for installation.
About the Artist:
Renowned as the “impressionist of the contemporary metropolis”, William Clutz uses the city, in its entirety, as his subject. Pedestrians crossing streets become stars of the stage; the hustle and bustle of traffic and surrounding buildings are the chorus; each play their part in the overall composition. Lighting and color shift this observation of the everyday into a remarkable wonder. “It is surely Clutz”, wrote Gerrit Henry in Art News, 1979, “an artist who has rejected the niceties of representation in favor of the quintessence.” The young artist moved to New York City in 1955 and just four years later had his first solo exhibit at the Condon Riley Gallery. Clutz went on to show in major uptown galleries such as David Herbert, where, notably in 1962 he received a NYTimes review titled, Return of the Figure. That same year, his role in the revival of figuration was further solidified with inclusion in the MoMA group show, Recent Painting USA, The Figure. This was a pivotal turning point from which emerged a 50-year exhibiting career.
Resume
Born: Gettysburg, PA 1933
Mercersburg, PA 1933-1951
New York City 1955-1996
Education
Painting: Thomas Danaher(WPA artist) 1944-51
Mercersburg Academy, PA 1947...
Category
1970s Modern New York - Drawings and Watercolor Paintings
Materials
Pastel, Archival Paper, Charcoal
The Benefit Gala
By Manuel Santelices
Located in Miami Beach, FL
Movies, TV and magazines are constant source of inspiration. Fame, as fleckring and shallow it can be sometimes, is very intriguing to him.
The worlds of fashion, society and pop cu...
Category
21st Century and Contemporary Contemporary New York - Drawings and Watercolor Paintings
Materials
Paper, Gouache, Watercolor
Sutherland Project VII: Cubist Abstract Graphite Drawing with Antique Frame
By David Dew Bruner
Located in Hudson, NY
Figurative abstract cubist style drawing in an antique wood frame, inspired by artwork by Graham Sutherland
“Sutherland Project VII” by Hudson Valley artist, David Dew Bruner, made ...
Category
2010s Abstract New York - Drawings and Watercolor Paintings
Materials
Paper, Graphite
“Sailboats off the Beach”
By Jean Monneret
Located in Southampton, NY
Original watercolor on archival paper of a busy French beach scene with a host of sailboats just off the shore. Signed by the artist lower left with inscription. Condition is excellent. Circa 1965. The watercolor is housed in a narrow gold gallery frame with a wide and very deep mat. Under glass. Overall framed measurements are 17 by 22.5 inches. Provenance: A Sarasota. Florida collector.
About the artist:
Jean Monneret, born November 27, 1922 in Chalon-sur-Saône, is one of the best known painters of the School of Paris after the war. He is founding president of the Federation of Fairs historic Grand Palais. From 1944 to 1949, Jean Monneret is a student at the Ecole Nationale Superieure des Beaux-Arts in Paris, in the studio of Jean Dupas after preparation to the Ecole des Beaux-Arts in Lille. At the same time, it passes the support of education in fine arts high schools. As a teacher, as well as course director Montmartre (1960-1975), that when he became professor of fine arts and art history at the National School of Applied Arts in Paris (1974 - 1988), it maintains the study of drawing as many teachers are no longer able to teach it or waive it. His painting, figurative, with a graphic black outlines to very expressive part of a modern context. Present in most rooms with paint, and very representative of the spirit of freedom of the painters, it is duly elected president of the Salon des Independants from 1977 to 2001. Among his friends painters include Jean Carzou particular, Jean-Pierre Alaux, Pierre-Henry...
Category
1960s Post-Modern New York - Drawings and Watercolor Paintings
Materials
Watercolor, Archival Paper
Koi, golden fish, pastel drawing water, nature, abstract reflection
By Audrey Anastasi
Located in Brooklyn, NY
These recently discovered 1983-84 oversize pastels on archival papers were created working quickly, in pastel. The series shows the last existing obs...
Category
2010s American Modern New York - Drawings and Watercolor Paintings
Materials
Pastel, Mixed Media, Archival Paper
By Alessandro Michele for Valentino. From the Fashion series
By Manuel Santelices
Located in Miami Beach, FL
The artist has covered New York collections for over 16 years and has interviewed, as a journalist, several fashion designers and personalities for different publications. He loves t...
Category
21st Century and Contemporary Contemporary New York - Drawings and Watercolor Paintings
Materials
Paper, Ink, Watercolor
Yiddish Theatre Cubist Costume Design 1924 Deco Color Field Modernism Broadway
Located in New York, NY
Yiddish Theatre Cubist Costume Design 1924 Deco Color Field Modernism Broadway.
Boris Aronson (1898 – 1980) "Day and Night," 17 ½ x 13 inches. Gouache ...
Category
1920s American Modern New York - Drawings and Watercolor Paintings
Materials
Paper, Watercolor, Gouache
Mister Cartoon LA drawing 2023 (Mister Cartoon airbrush drawing)
Located in NEW YORK, NY
Mister Cartoon LA 2023:
A standout, unique drawing by world-renowned Los Angeles Graffiti & Tattoo artist, Mister Cartoon. Features Cartoon's classic gr...
Category
21st Century and Contemporary Pop Art New York - Drawings and Watercolor Paintings
Materials
Ink
A Room by Axel Vervoort. From Interiors Series
By Manuel Santelices
Located in Miami Beach, FL
A new series inspired by architecture, décor and stylish personalities of the world of interior design.
The worlds of fashion, society and pop culture are captured in the illustrati...
Category
21st Century and Contemporary Contemporary New York - Drawings and Watercolor Paintings
Materials
Paper, Ink, Watercolor, Gouache, Pen
"Jesus Christ Superstar" Original 1971 drawing on Vellum New York Broadway
By David Edward Byrd
Located in Southampton, NY
This work is as much of a collectors item as it is a fine work of art. it is the original 1971 concept drawing with detailed notations for Jesus Christ Superstar...
Category
1970s Art Deco New York - Drawings and Watercolor Paintings
Materials
Vellum, Pencil
Five Morandi Bottles (Abstract Black-and-White Still Life Drawing in Graphite)
By David Dew Bruner
Located in Hudson, NY
Abstract black-and-white still life drawing of bottles on a surface by David Dew Bruner
graphite on paper
19.5 x 38.5 x 1.75 inches
Framed in vintage frame, hangs flush to the wall
...
Category
2010s Contemporary New York - Drawings and Watercolor Paintings
Materials
Paper, Graphite
“The Embrace”
By German School
Located in Southampton, NY
Here for your consideration is a well executed oil pastel drawing of a man and woman embracing. Artist is unknown. Initials in red lower right “Ho”. Appears to be a date below the ...
Category
1920s Modern New York - Drawings and Watercolor Paintings
Materials
Oil Pastel, Archival Paper
Raven Reads the Lines: Chalk Drawing of Black Bird on Vintage Book Pages
Located in Hudson, NY
Raven Reads the Lines (Chalk Drawing of Black Bird on Vintage Book Pages) by Louise Laplante
chalk on vintage collaged book pages.
Artwork measures ...
Category
2010s Contemporary New York - Drawings and Watercolor Paintings
Materials
Paper, Chalk
Pouring My Heart Out II
Located in New York, NY
About the Series: “Sensitive Material”
In this Work on Paper Series, started in 2020, Claire Gilliam continues her exploration of Visual Language. She uses a common motif, the Latin ...
Category
2010s Contemporary New York - Drawings and Watercolor Paintings
Materials
Wood, Paper, Ink
Untitled 31 (Figurative Drawing Polaroid Transfer of a Young Female Nude)
By Mark Beard
Located in Hudson, NY
Figurative, Polaroid transfer of a nude female
PT 31, Made in 1996
9.5 x 6.5 inch image size
22 x 15 inch paper size
signed & dated lower right
Uniq...
Category
1990s Modern New York - Drawings and Watercolor Paintings
Materials
Archival Paper, Polaroid
"Hydrangeas, " Walter Inglis Anderson, Mississippi Southern Illustrator, Flowers
Located in New York, NY
Walter Anderson ( American, 1903 - 1965)
Hydrangeas, circa 1950
Mixed media on paper
11 x 8 1/2 inches
Provenance:
Luise Ross Gallery, New York
Private Collection, New Jersey
Acquired from the estate of the above, 2021
Walter Anderson firmly believed that quality art was an important part of life and should be made available to everyone. As he said, "There should be simple, good decorations, to be sold at prices to rival the five-and-ten." Noticing that only poor quality art was available in stores and little was available for children, he resolved to make art which could be reproduced easily and sell inexpensively — linoleum block prints. This technique enabled him to provide affordable, quality art.
The technique of linoleum block printing is a simple concept; however, it requires much skill and talent to actually produce memorable art. Anderson purchased surplus "battleship linoleum," thicker than ordinary linoleum with a burlap backing for better support, to create his blocks. During the mid-1940s, he created almost 300 linocuts working in the attic of the sea-side plantation house, Oldfields, his wife's family home in Gautier. Masses of linoleum chips accumulated at the foot of the attic stairs as he often worked night and day. He began with sketching out a design directly on the linoleum. Once he had carved the image into the surface, he used the back of faded, surplus stock wallpaper that a friend sent him, laying long strips on top of the inked linoleum. A roller made of sewer pipe filled with sand served as his press. When the print was completed, he often colored it by hand with bold strokes and vivid colors. The prints were sold at Shearwater Pottery, the family business, for a mere dollar a foot.
But "what about a well-designed fairy tale for a child's room?" he asked himself. Since there was a lack of affordable art for children, much of his work with linoleum blocks focused on subjects for children. He depicted fables and fairy tales ranging from Arabian Nights, to Germany and the Grimm Brothers' Rapunzel, to the French story of The White Cat, to the Greek tales such as Europa and the Bull, and to tales from China, India, and other cultures. Anderson also created "mini" books featuring the alphabet and Robinson Cat. The blocks are not only alive with the story being depicted, but they are also filled with designs taken from Best-Maugard's Method for Creative Design. Swirls, half-circles and zig-zag lines fill every available space on the linoleum block making them come alive and capture their audience.
But fairy tales, children's verses and the "mini" books, consisting of about 90 blocks, were not the sole subject of Anderson's linoleum block prints. In total, he created approximately 300 linoleum blocks with subjects ranging from coastal flora and fauna, coastal animals, and sports and other coastal activities. Anderson even created linoleum blocks to be used to print tablecloths and clothing, some worn by his own children. Color and subjects of the linoleum block prints were not the only things that got them noticed.
In 1945 when Anderson was creating these prints, the standard size of linoleum block prints was only 12 by 18 inches. These small dimensions were due to the common size of the paper available and the restrictions made by national competitions. Since Anderson used wallpaper...
Category
Mid-20th Century American Modern New York - Drawings and Watercolor Paintings
Materials
Paper, Crayon
Life study of a male nude in repose - European School, late 18th Century
Located in Middletown, NY
European School, late 18th century. Red chalk with primo pensiero in graphite on cream laid paper, 8 1/2 x 11 1/2 inches (215 x 293 mm). Scattered light handling wear and multiple s...
Category
Late 18th Century Naturalistic New York - Drawings and Watercolor Paintings
Materials
Chalk, Laid Paper, Pencil, Graphite
Marella Agnelli in Marrakesh
By Manuel Santelices
Located in Miami Beach, FL
Movies, TV and magazines are constant source of inspiration. Fame, as fleckring and shallow it can be sometimes, is very intriguing to him.
The worlds of fashion, society and pop cu...
Category
21st Century and Contemporary Contemporary New York - Drawings and Watercolor Paintings
Materials
Paper, Gouache
Clinton Hill, (Nude #8), 1952, drawing, figure/abstraction
By Clinton Hill
Located in New York, NY
Clinton Hill (1922-2003), created quintessential mid-century images, but figures are unusual in his work. This is from a very early period. In 1951 Hill studied at the Academie de la...
Category
Mid-20th Century American Modern New York - Drawings and Watercolor Paintings
Materials
Gouache
Flowers, Impressionist Watercolor by Eve Nethercott
By Eve Nethercott
Located in Long Island City, NY
Eve Nethercott, American (1925 - 2015) - Flowers (P6.34), Year: 1960, Medium: Watercolor on Paper, Size: 18 x 13.5 in. (45.72 x 34.29 cm), Description: Vibrant and festive, E...
Category
1960s Impressionist New York - Drawings and Watercolor Paintings
Materials
Watercolor
"Beach Scene at Dieppe" James Abbott McNeill Whistler, Tonalist Watercolor
By James Abbott McNeill Whistler
Located in New York, NY
James Abbott McNeill Whistler
Beach Scene at Dieppe, 1885-86
Watercolor on paper, mounted on board
8 1/2 x 5 inches
Signed on the reverse
Provenance:
Miss Annie Burr Jennings
Mrs. ...
Category
1880s Impressionist New York - Drawings and Watercolor Paintings
Materials
Paper, Watercolor
Fleurus Airship French Army
By Norman Wilkinson
Located in Middletown, NY
A portait of the first Allied airship to perform a bombing raid from the sky by a celebrated artist whose work hung on the Titanic.
Watercolor and ink on heavy wove watercolor paper, 10 5/8 x 15 inches (270 x 380 mm). Signed in black watercolor in the lower right image area. In very good condition with minor surface soiling on the verso. Titled "Verdun" in pencil on the verso in the artist's hand. Adhered on the verso to matboard at the extreme margins with non archival tape. Presented handsomely in a simple, period maple frame. Titled, dated, inscribed and initialed by the artist on a label on the frame back.
Born in Cambridge in 1898 and educated at Southsea School of Art, Norman Wilkinson is known for his graphic art, specifically his British Railway poster images, and also for something quite incredible; Wilkinson revolutionized the art of naval camouflage. Having been assigned to submarine patrols in Dardanelles, Gallipoli, and Gibraltar during WWI as a member of the Royal Navy Volunteer Reserve, Wilkinson was deeply troubled by the unprecedented success the German submarine fleet had torpedoing British ships. He hoped to find a solution to this gaping vulnerability, and in a lightning bolt moment, he had an epiphany that would change everything. Wilkinson says in his autobiography, A Brush With Life (Seeley, 1969), that he realized a ship could be painted to hide its shape against the sea and sky. In his own words, Wilkinson states that the hull of a ship could be camouflaged "not for low visibility, but in such a way as to break up her form and thus confuse a submarine officer as to the course on which she was heading." After some preliminary testing, the theory Wilkinson called "dazzle camouflage" was accepted by British Admiralty and Wilkinson was placed in charge of the naval camouflage unit. The unit, which was headquartered in the basement of the Royal Academy of Arts, consisted of Wilkinson and about two dozen "camoufleurs;" they were artists, students, model makers and consultants, including a zoologist. The dazzle schemes were tested on models and then distributed to artists who were stationed at the docks, where the ships would be painted. At the end of the war Wilkinson was formally declared the inventor of dazzle camouflage and awarded for his contribution.
Wilkinson went on to enjoy a long and celebrated career as a painter of maritime scenes, naval vessels, and warships. He served as the president of the Royal Institute of Painter in Water Colours (RI) from 1936 until 1963 (having been elected a member in 1906); he was elected Honourable Marine Painter to the Royal Yacht Squadron in 1919, and he was a member of the Royal Society of British Artists, the Royal Institute of Oil Painters, the Royal Society of Marine Artists, and the Royal Scottish Society of Painters in Watercolour. In 1918 he was appointed an Officer of the Order of the British Empire (OBE), and a Commander of the Order (CBE) in 1948. In January 1920 he was appointed knight (chevalier) of the Belgian Order of the Crown.
Among the many notable points of interest regarding Wilkinson's career is that his painting Plymouth Harbour, which was commissioned by Cunard White Star Lines for the first class smoking room of the RMS Titanic, was lost at sea when it perished with the ship. Wilkinson had also created a comparable painting entitled The Approach to the New World, which hung in the same location on the Titanic's sister ship, the RMS Olympic...
Category
Early 20th Century Realist New York - Drawings and Watercolor Paintings
Materials
Ink, Watercolor
Signed ink wash painting by Abstract Expressionist sculptor COA signed by artist
By Mark di Suvero
Located in New York, NY
MARK DI SUVERO
Abstract Expressionist drawing with artist signed COA, ca. 1963
Pen and black ink and brush and black ink wash on paper.
Hand signed on the front.
Framed, with separa...
Category
1960s Abstract Expressionist New York - Drawings and Watercolor Paintings
Materials
Ink, India Ink, Mixed Media
“Bugs Bunny and Gossamer”
Located in Southampton, NY
This image is an original drawing by Virgil Ross featuring Bugs Bunny giving a manicure to Gossamer from Looney Tunes. Graphite, colored pencil on animation paper. Untrimmed. Circa 1...
Category
1990s Other Art Style New York - Drawings and Watercolor Paintings
Materials
Archival Paper, Color Pencil, Graphite
"Men in Barracks" WPA Mid 20th Century American Scene Realism Gay Modernism WWII
By David Fredenthal
Located in New York, NY
"Men in Barracks" WPA Mid 20th Century American Scene Realism Gay Modernism WWII. 18 x 24 inches Watercolor on paper. c. 1940s. Signed lower right.
BIO
...
Category
1940s American Realist New York - Drawings and Watercolor Paintings
Materials
Paper, Watercolor
Chesterfield Sent to Coventry, or A Display of Military Education
Located in Middletown, NY
A wonderful 1824 preparatory drawing for a published work satirizing the famously ill-mannered 10th Hussars.
1842. Pen and ink with watercolor on watermarked J Whatman 1824 paper, 9...
Category
Mid-19th Century English School New York - Drawings and Watercolor Paintings
Materials
Handmade Paper, Ink, Watercolor, Pen
Javier Calleja Drawing 1999 (early Javier Calleja)
By Javier Calleja
Located in NEW YORK, NY
Javier Calleja 199 drawing:
A rare, early drawing by Javier Calleja featuring classic Calleja character stylings in a tropical setting.
Medium: Mixed media on paper.
Dimensions: 5....
Category
1990s Pop Art New York - Drawings and Watercolor Paintings
Materials
Paper, Mixed Media
"Happiness" - Figurative work on paper with dancers and text
Located in East Quogue, NY
Original mixed media work on paper by Adam Baranello.
Mixed media, acrylic, spray paint on canvas.
Size 17 x 14 in.
Offered unframed. Ships rolled
Multidisciplinary artist Adam Ba...
Category
2010s Contemporary New York - Drawings and Watercolor Paintings
Materials
Oil Pastel, Ink, Mixed Media, Spray Paint, Acrylic
WPA Mural Study American Scene Social Realism Mid 20th Century Modern Workers
By Seymour Fogel
Located in New York, NY
WPA Mural Study American Scene Social Realism Mid 20th Century Modern Workers
Seymour Fogel (1911-1984)
Mural Study, untitled
11 x 49 1/4 inches (sight)
Tempera on board
Provenance:...
Category
1930s American Modern New York - Drawings and Watercolor Paintings
Materials
Egg Tempera, Board
“Untitled #1”
Located in Southampton, NY
Original watercolor on archival paper by the California artist, Edward Darrell Crisp. Signed by the artist in pencil lower right margin. Dated in penci...
Category
1960s Post-Modern New York - Drawings and Watercolor Paintings
Materials
Watercolor, Archival Paper
Raven 2, realist gouache on paper miniature bird portrait, 2023
By Dina Brodsky
Located in New York, NY
We are thrilled to present one of our first works on paper of 2023 by Dina Brodsky - the striking Raven, in her signature tondo format. Like most of her miniature works, the charm ex...
Category
2010s Realist New York - Drawings and Watercolor Paintings
Materials
Paper, Gouache
Flower Vase, Yellow Watercolor painting on paper
By Manuel Santelices
Located in Miami Beach, FL
A new series inspired by architecture, décor and stylish personalities of the world of interior design.
The worlds of fashion, society and pop culture are captured in the illustrati...
Category
21st Century and Contemporary Contemporary New York - Drawings and Watercolor Paintings
Materials
Paper, Watercolor, Archival Paper
A Second Hand II (unique) signed color monotype by contemporary abstract artist
By Andrea Belag
Located in New York, NY
Andrea Belag
A Second Hand II, 1990
Monotype on cotton rag paper
42 1/2 × 30 inches
Hand-signed by artist, Signed, titled and dated in pencil on the front; bears publishers name and copyright on the back, along with the unique inventory number
Unframed
Poignant 1990 monotype, in elegant pastel colors. The cotton rag paper has lightly deckled edges so it will look gorgeous when floated and framed.
American painter Andrea Belag creates lush and luminous abstractions inspired by the visual and spiritual principles of Zen, as well as artists such as Mary Heilmann, Bernard Frize...
Category
1990s Abstract New York - Drawings and Watercolor Paintings
Materials
Rag Paper, Pencil, Graphite, Monotype
Study for Assumption of the Virgin
Located in Middletown, NY
Graphite on hand made, fibrous wove paper, finished with gray wash. Unevenly trimmed sheet edges, non-archival tape remnants at all four corners, recto, well outside of image area. Horseshoe-shaped area of light discoloration that extends significantly into the figure's face, beneath the lips, and up over the rear of the head, dog-eared right lower corner with associated light discoloration at crease. DeMin and Belluno inscribed in graphite, verso.
A detailed study showing 'primo pensiero' for Giovanni DeMin's large scale fresco, Assumption of the Virgin...
Category
Mid-19th Century Old Masters New York - Drawings and Watercolor Paintings
Materials
Handmade Paper, Graphite
Poland (Glider) (Illustration of Glacial Landscape Around Vintage Stamp, Pencil)
By Andrea Moreau
Located in Hudson, NY
Poland (Glider) by Andrea Moreau
colored pencil and postage stamp on paper
22 x 30 inches
25.25 x 32.5 inches framed
To create her mixed-media artworks, Andrea Moreau selects a postage stamp to serve as the starting point for a piece on paper, then “completes” the image with colored pencil. This artwork, "Poland (Glider)," centers on a stamp that depicts an aircraft flying above a glacial horizon. Building on the style and environment established by the stamp art, Moreau extended this scene across land and sea in vibrant blue pencil.
A statement by the artist:
My drawings function as personal interpretations of political or commercial propaganda. I begin with imagery found on postage stamps or printed advertisements and, using the visual logic and graphic language of the image, I attempt to tease out a larger framework from which to consider it. Finished pieces often incorporate printed matter and cultural detritus, which gives them an immediate and tactile connection to the world of objects.
I am particularly interested in the postage stamp as a geographical artifact, and through my drawing process I attempt to learn something about a place by studying its official imagery and then creating a world beyond the borders of its fragmentary scenes. The finished drawings and paintings are a record of this study; they are a dialogue between the printed and the drawn, the official and the personal, the real and the imaginary. They are a metaphor for the way in which we conjure the places we hear about on the news and read about in books, using the tiniest pieces of information to construct a reality that most likely bears little resemblance to any actual place.
Andrea Moreau’s mixed-media works, on the other hand, walk a tightrope between context and isolation. Moreau selects a postage stamp to serve as the starting point for a piece on paper, then “completes” the image with colored pencil. These stamps may become lost in a frenzy of Moreau’s mark-making, as with “Mexico (Flowers) #15,” or left comically obvious, like in “USA (Barbershop...
Category
2010s Contemporary New York - Drawings and Watercolor Paintings
Materials
Paper, Color Pencil
Under Scattered Clouds: Abstract Chalk Drawing of Blue Clouds on Vintage Paper)
Located in Hudson, NY
Abstract mixed media drawing of blue, black and grey clouds on vintage book pages
'Under Scattered Clouds' by Louise Laplante
chalk on vintage collaged book pages.
Artwork measures 26 x 40 inches unframed
30 x 43 inches in light wood frame
This dreamy, whimsical drawing of fluffy light blue clouds was created by Louise Laplante in 2019. The vivid silhouette of clouds are suspended in space, drifting against a background of an early 20th century book of fables. Illustrations on the page include a hot air balloon, a rocking horse, a pheasant. In certain segments the stenciled images are delicately brushed over with a thin wisp of chalk which adds a delicate textured effect to the drawing.
About the artist:
Interested in blending the old world with the new, mixed media artist Louise Laplante combines her original images with ephemera of the past, enticing a conversation about it’s “relevancy to the present.” Her compositions begin with vintage book pages, personal handwritten letters, sheet music, or instruction from old guides on etiquette or science. While the text itself is weighted with reference to a particular subject, the visual of the typed or handwritten words and printed illustrations establish a unique pattern. These layered backgrounds are superimposed with opaque charcoal drawings that are inspired by the themes read between the lines. Most recently, the artist has opted for larger scale work, combining multiple sheets of vintage paper to expand her unique motifs. Laplante exhibits across the Northeast and has shown with Carrie Haddad for more than ten years.
Artist Statement:
My work connects the texts, and ideas, in the vintage book...
Category
2010s Contemporary New York - Drawings and Watercolor Paintings
Materials
Paper, Chalk
Adolf Dehn, Haitian Scene A, signed painting, Associated American Artists, 1950s
By Adolf Arthur Dehn
Located in New York, NY
Adolf Arthur Dehn
Haitian Scene A, ca. 1951
Watercolor gouache on board
Signed on the front
Frame included: held in vintage modern frame
Measurements:
Framed:
11 inches vertical by 13 inches horizontal by .75
Painting
4.5 inches by 6 inches
Watercolor gouache, hand signed; framed with AAA Gallery label verso
Signed on the front bearing the original label on the verso of Dehn's longtime gallery, the prestigious Associated American Artists Gallery, New York City.
Provenance
Associated American Artists
Frame included: held in vintage frame with original label as provenance
Dehn, an influential artist and teacher (and author of the definitive textbook of his era on watercolor painting) joined Associated American Artists gallery in 1941. Although this painting is undated, it is likely circa early 1950s, as in 1951 Dehn won a Guggenheim Fellowship, which enabled him to travel to Haiti -- the subject of this work. It was part of a series inspired by Dehn's visit to Haiti.
Dehn, an influential artist and teacher (and author of the definitive textbook of his era on watercolor painting) joined Associated American Artists gallery in 1941. Although this painting is undated, it is likely circa early 1950s, as in 1951 Dehn won a Guggenheim Fellowship, which enabled him to travel to Haiti.
ADLOF DEHN
Adolf Dehn, American Watercolorist and Printmaker, 1895-1968
Adolf Dehn was an artist who achieved extraordinary artistic heights, but in a very particular artistic sphere - not so much in oil painting as in watercolor and lithography. Long recognized as a master by serious print collectors, he is gradually gaining recognition as a notable and influential figure in the overall history of American art.
In the 19th century, with the invention of the rotary press, which made possible enormous print runs, and the development of the popular, mass-market magazines, newspaper and magazine illustration developed into an artistic realm of its own, often surprisingly divorced from the world of museums and art exhibitions, and today remains surprisingly overlooked by most art historians. Dehn in many regards was an outgrowth of this world, although in an unusual way, since as a young man he produced most of his illustrative work not for popular magazines, such as The Saturday Evening Post, but rather for radical journals, such as The Masses or The Liberator, or artistic "little magazines" such as The Dial. This background established the foundation of his outlook, and led later to his unique and distinctive contribution to American graphic art.
If there’s a distinctive quality to his work, it was his skill in introducing unusual tonal and textural effects into his work, particularly in printmaking but also in watercolor. Jackson Pollock seems to have been one of many notable artists who were influenced by his techniques.
Early Years, 1895 - 1922
For an artist largely remembered for scenes of Vienna and Paris, Adolf Dehn’s background was a surprising one. Born in Waterville, Minnesota, on November 22, 1895, Dehn was the descendent of farmers who had emigrated from Germany and homesteaded in the region, initially in a one-room log cabin with a dirt floor. Adolf’s father, Arthur Clark Dehn, was a hunter and trapper who took pride that he had no boss but himself, and who had little use for art. Indeed, during Adolf’s boyhood the walls of his bedroom and the space under his bed were filled with the pelts of mink, muskrats and skunks that his father had killed, skinned and stretched on drying boards. It was Adolf’s mother, Emilie Haas Dehn, a faithful member of the German Lutheran Evangelical Church, who encouraged his interest in art, which became apparent early in childhood. Both parents were ardent socialists, and supporters of Eugene Debs...
Category
1950s Modern New York - Drawings and Watercolor Paintings
Materials
Watercolor, Gouache, Board
19th century American watercolor - Flowers Butterfly Alps Switzerland Germany
Located in Aartselaar, BE
This beautiful and vibrant 19th century American watercolor is an hommage by Paul de Longpré to the Alps, as it features a rich variety of Alpine flowe...
Category
Late 19th Century New York - Drawings and Watercolor Paintings
Materials
Watercolor
Glastonbury Abbey
By Frederick Nash
Located in Middletown, NY
Ink wash with watercolor in sepia and black, and blue, on buff wove watercolor paper, 14 1/4 x 10 1/4 inches (360 x 260 mm). 1/4" of the lower right corner is lost, minor crack (doe...
Category
Mid-19th Century English School New York - Drawings and Watercolor Paintings
Materials
Ink, Watercolor, Handmade Paper
"Gloucester Harbor at Sunset, " John Hare, Cape Ann, New England Watercolor View
Located in New York, NY
John Hare
Gloucester Harbor at Sunset, Massachusetts
Signed lower right
Watercolor on paper
16 x 12 inches
John Cuthbert Hare, 1908-1978, was a watercolorist who painted boats, seascapes and harbor scenes. He was primarily associated New England, especially Cape Cod, Massachusetts where he spent his summers from 1938 to 1965. However, he was in Florida where he was a member of the St. Augustine Art Association, and other locations on the East Coast.
It is likely Hare was born in New York City. He first studied commercial art in Brooklyn at the Pratt Institute and also studied at the Art Students League in Manhattan. He worked for Hearst newspapers corporation, and in 1933 married. In the next few years, he and his wife traveled extensively, camping and painting and exhibiting his work in galleries.
In 1935, they visited St. Augustine and an exhibition of his watercolors was held there in the old bank...
Category
Mid-20th Century Impressionist New York - Drawings and Watercolor Paintings
Materials
Paper, Watercolor
Interiors of a Hotel in Como, Italy. Ink and watercolor on paper
By Manuel Santelices
Located in Miami Beach, FL
A new series inspired by architecture, décor and stylish personalities of the world of interior design.
The worlds of fashion, society and pop culture are captured in the illustrati...
Category
21st Century and Contemporary Contemporary New York - Drawings and Watercolor Paintings
Materials
Ink, Watercolor, Archival Paper
"Empire State Building" Leon Dolice, New York City Street Scene, Mid-Century
By Leon Dolice
Located in New York, NY
Leon Dolice
Empire State Building
Signed lower right
Watercolor on paper
19 x 12 inches
The romantic backdrop of Vienna at the turn of the century had a life-long influence upon th...
Category
1930s American Modern New York - Drawings and Watercolor Paintings
Materials
Paper, Pastel
French Landscape with Horses and Ladies, Pastel Drawing by Hughes Pissarro
By Hughes Claude Pissarro
Located in Long Island City, NY
Hugues Claude Pissarro, also known professionally as H. Claude Pissarro, is the grandson of the Impressionist painter Camille Pissarro and son of Paulémile Pissarro. Born in Neuilly-...
Category
Late 20th Century Impressionist New York - Drawings and Watercolor Paintings
Materials
Pastel
Flowers and sun drawing, unique, signed Pop art landscape fantastic Koons gift!
By Jeff Koons
Located in New York, NY
Jeff Koons
(Untitled) Flowers and Sun, 2009
Original (unique) drawing done in silver marker on endpaper
Boldly signed and dated in silver marker undern...
Category
Early 2000s Contemporary New York - Drawings and Watercolor Paintings
Materials
Permanent Marker, Board, Mixed Media, Offset
Mountain Trail, Impressionist Ink and Watercolor Painting by John Wade Hampton
Located in Long Island City, NY
Mountain Trail
John Wade Hampton, American (1918–1999)
Date: 1969
Ink and Watercolor on board, signed lower left
Size: 9 x 13.75 in. (22.86 x 34.93 cm)
Category
1960s American Impressionist New York - Drawings and Watercolor Paintings
Materials
Ink, Watercolor
Pink Flowers, Impressionist Watercolor by Eve Nethercott
By Eve Nethercott
Located in Long Island City, NY
Eve Nethercott, American (1925 - 2015) - Pink Flowers (P5.64), Year: 1960, Medium: Watercolor on Paper, Size: 20 x 13 in. (50.8 x 33.02 cm), Description: Arranged in a tall a...
Category
1960s Impressionist New York - Drawings and Watercolor Paintings
Materials
Watercolor
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