New York - Drawings and Watercolor Paintings

Linda Stein, Courante 418.030 - Signed Feminist LGBTQ+ Colorful Ink, Color Pencil, and Graphite on Paper Drawing Courante 418.030 is from Linda Stein's Profiles Notation series--d...

Latvia-born William Sanderson became a contributor to the New Yorker and New Masses magazines during the 1930s. He was drafted into the Army during World Wa...

Cowboys Horses Cattle WPA American Scene Social Realism Mid 20th Century Modern Jo Cain (1904 – 2003) Cowboy 33 3/4 x 36 inches Oil on paper, c. 1930s Signed...

Eve Nethercott, American (1925 - 2015) - Rockport (P5.69), Year: 1948, Medium: Watercolor on Paper, Size: 18 x 24 in. (45.72 x 60.96 cm), Description: Looking out over large ...

Portrait of Paris, 2019 by a.muse is a colorful mixed-media painting on paper, an homage to the Trojan prince in Greek mythology. Acrylic, pastel, and watercolor sticks, the paintin...

Katie DeGroot This Way More Than That, 2025 watercolor on paper 50 x 60 in. (groo121)

Pen and black ink on watermarked Ingres laid paper, 9 1/4 x 12 1/4 inches (234 x 310 mm), signed, dated and titled in brown ink, and initialed and titled in black ink in the lower right corner. Light to moderate age tone and mat tone, and with the signature and notations in brown ink having become quite attenuated, although legible. Presented in a basic black wood frame with a label from the Country Art...

Jeff Koons Original Flower Drawing (signed twice), 2016 Original, hand signed drawing inscribed to Nadine, done with silver sharpie, and held in hardback monograph with dust jacket, ...

An original watercolor on paper by American modernist Charles E. Burchfield, created in 1916. This work comes in an archival frame presentation and has been authenticated by the Bur...

Morris Graves Offering, 1957 Signed and dated lower right Sumi ink wash and gold leaf on paper 18 x 13 3/8 inches Born in Fox Valley, Oregon in 1910, Morris Graves was a leading proponent of the Northwest School...

Romantic, Tonalist style landscape drawing by Sue Bryan of a lush country forest set against a serene sunset charcoal and acrylic on Arches paper mounted on wood 16 x 20 inches, unf...

Figurative, academic style life drawing of male nude with charcoal and graphite by Mark Beard, "MB 824" graphite, Conte crayon and charcoal on Arches paper 30.5 x 21 inches unframed ...

Figurative abstract cubist style drawing in an antique wood frame, inspired by artwork by Graham Sutherland “Sutherland Project VII” by Hudson Valley artist, David Dew Bruner, made ...

A new series inspired by architecture, décor and stylish personalities of the world of interior design. The worlds of fashion, society and pop culture are captured in the illustrati...

This beautiful and vibrant 19th century American watercolor is an hommage by Paul de Longpré to the Alps, as it features a rich variety of Alpine flowe...

Ink on paper Signed and dated, l.c. This artwork is offered by ClampArt, located in New York City. Mark Beard, born in 1956 in Salt Lake City, now...

Eve Nethercott, American (1925 - 2015) - Flowers (P5.13), Year: 1960, Medium: Watercolor on Paper, Size: 20 x 14.5 in. (50.8 x 36.83 cm), Description: Arranged tightly around...

Artist: Charles Levier, French (1920 - 2003) Title: Nudes in Fur II Year: circa 1970 Medium: Watercolor on Paper, signed Image Size: 22 x 16.5 inches Size: 28.5 in. x 22 in. (72.39 ...

6th Avenue El at 8th St NYC Cityscape American Scene Social Realism Mid-Century Max Arthur Cohn (1903-1998) 6th Avenue El at 8th Street 13 x 18 inches Watercolor on paper, c. 1930 ...

Paul Pagk Untitled Geometric Abstraction, 1989 Gouache and watercolor on paper Signed, dated and inscribed "A Jacqueline". Frame included Excellent unique work on paper by contempora...

"Streetscape" American Scene WPA Era Social Realism Mid 20th Century Industrial Herbert Heyel (American 1907-2000) "Streetscape" 14 x 20 inches Watercolor on paper, c. 1939 Signed l...

These recently discovered 1983-84 oversize pastels on archival papers were created working quickly, in pastel. The series shows the last existing obs...

Mabel E. Johnston Untitled, c. 1930s Watercolor and pencil on paper Sight: 12 1/2 x 10 1/2 in. Framed: 21 1/8 x 17 1/4 x 1/2 in. Signed lower right: Mabel E. Johnston The first tidb...

"Men in Barracks" WPA Mid 20th Century American Scene Realism Gay Modernism WWII. 18 x 24 inches Watercolor on paper. c. 1940s. Signed lower right. BIO ...

An original realist drawing by American female artist Catherine Koenig. This work is featured in the Draw Near exhibition currently on view at Benjaman Gallery.

Original mixed media work on paper by Adam Baranello. Mixed media, acrylic, spray paint on canvas. Size 17 x 14 in. Offered unframed. Ships rolled Multidisciplinary artist Adam Ba...

Charcoal, acrylic mixed media As a feminist artist, Audrey Anastasi's first commitment is to painting other women, the human face, and figure. Whether working with figurative descri...

This is a drawing of a naked man sitting by Mark Beard. This work is offered by CLAMP in New York City.

Original watercolor on archival paper by the California artist, Edward Darrell Crisp. Signed by the artist in pencil lower right margin. Dated in penci...

Dorothy Dehner Untitled Mid Century Modern abstract sculptural drawing, 1955 Marker and graphite on paper Signed and dated by Dorothy Dehner in black felt tip pen on the front Frame ...

Graphite on hand made, fibrous wove paper, finished with gray wash. Unevenly trimmed sheet edges, non-archival tape remnants at all four corners, recto, well outside of image area. Horseshoe-shaped area of light discoloration that extends significantly into the figure's face, beneath the lips, and up over the rear of the head, dog-eared right lower corner with associated light discoloration at crease. DeMin and Belluno inscribed in graphite, verso. A detailed study showing 'primo pensiero' for Giovanni DeMin's large scale fresco, Assumption of the Virgin...

Donise English Busy Blue, 2020 14" X 17" gouache and collage on paper This abstract geometric composition on paper features a playful geometric motif that is inspired by the artist's interest in architecture and blueprint drawings. The geometric forms are made in a more painterly, gestural manner rather than with a hard edge. Paint is not heavily built up upon the surface but it certainly exhibits a tactile quality which is characteristic of the artist's aesthetic. English's work celebrates the quirky, unexpected qualities of shapes and colors. About the artist: Donise English is a Poughkeepsie-based artist who received her MFA from Bard College and is currently a Professor of Studio Art at Marist College in Poughkeepsie, NY. Artist Statement: I am interested in drawing and collaging multiple layers of information that refer abstractly to maps, architectural drawings and blueprints or patterns and structures found in such things as roller coasters, power lines and fences. I use gouache and collaged paper in a series of layers that are a visual and ideological response to the previous layer to define my pictorial space. For each piece I create a set of rules to follow about the use of a limited palette, a grid format, opacity of paper and whether a piece may include curving lines or maintain a rectilinear structure. Resume: EDUCATION Master of Fine Arts in Painting Bard College 1986 Bachelor of Science in Art History State University College at New Paltz 1977 Additional Study: New York Studio School (Drawing Marathons) Columbia University, School of Architecture Women’s Studio Workshop TEACHING Professor of Studio Art, Department of Art and Art History, Marist College, Poughkeepsie,NY Coordinator, Interior Design Program, Florence, Italy campus 1992-present AWARDS Finalist, “Saatchi Showdown” 2010 Invitational Award for Outstanding Contemporary Talent, University of Bridgeport, CT 2000 Purchase Prize, “11th National Juried Exhibition” College of Notre Dame of Maryland, Baltimore 1999 First Prize, “Women in the Visual Arts ‘95” Erector Square Gallery, New Haven, CT 1995 Joseph A. Cain Memorial Purchase Award for Sculpture Del Mar College, Corpus Christi, TX 1994 Honorable Mention, “National Juried Exhibition” University of Bridgeport, CT 1993 Individual Artists Fellowship in Sculpture Dutchess Arts Fund 1992/93 Tallix, Morris, Singer Internship in Sculpture Tallix Foundry, Beacon, NY 1990/91 SELECTED JURIED/INVITATIONAL EXHIBITIONS 2016 “Let’s Stay in Touch”, Howard County Center for the Arts, Ellicott City, MD 2015 “Off the Grid”, Arts & Culture Program, Albany International Airport, Albany, NY “Gridspace”, KMOCA, Kingston, NY “Abstraction”, Carrie Haddad Gallery, Hudson, NY “Assuming Identity”, NY Institute of Technology, New York, NY 2013 “Modern Artists”, Carrie Haddad Gallery, Hudson, NY “Artists of the Mohawk-Hudson Region”, The Hyde Collection, Glens Falls, NY Stone Canoe/Community Folk Art Center, Syracuse, NY 2012 New York Institute of Technology, New York, NY “Contemporary Painters (Who Just Happen To Be Women)”, Carrie Haddad Gallery, Hudson, NY “Strange Glue: Collage at 100”, Cambridge School, Weston, MA “Dear Mother Nature”, Dorsky Museum, SUNY New Paltz, NY “Fresher Paint”, Rockland Center for the Arts, Nyack, NY Courthouse Gallery, Lake George Arts Project, Lake George, NY 2011 “Process+Content: Donise English”, Vassar College, Poughkeepsie, NY “Donise English-Paintings”, Orange County Community College, Newburgh, NY “Gender Matters/Matters of Gender”, Freedman Gallery, Albright College, Reading, PA 2010 Carrie Haddad Gallery, Hudson, NY “Encaustics: Wax and Image”, Westchester Community College White Plains, NY “Dots, Lines and Figures”, Carrie Haddad Gallery, Hudson, NY “Spring Awakening”, NY Institute of Technology, New York, NY “Clay City Dreams”, NY Institute of Technology, New York, NY “Texture, Pattern, Fragment”, Krause Gallery, Moses Brown School Providence, RI 2009 “Collage”, NY Institute of Technology, New York, NY “Working in Wax”, Bedford Gallery, Walnut Creek, CA “Encaustic 2009”, College of New Rochelle, NY “Three Artists”, Carrie Haddad Gallery, Hudson, NY “Convergence: The Human Experience”, Howard County Center for the Arts, MD 2008 “Suckers and Biters: Love, Lollipops, and Exquisite Corpse” Chashama Gallery, New York, NY Carrie Haddad Gallery, Hudson NY 2007 “Patterns and Light”, Blue Hill Gallery, Blue Hill, ME “Suckers and Biters”, AG Gallery, Brooklyn, NY 2006 “100 Artists, 100 Watercolors”, Jeannie Freilich Fine Art, New York, NY “On/Of Paper”, Kirkland Art Center, Clinton, NY “The Love Show”, Manchester Community College, Manchester, CT 2005 The Soap Factory, Minneapolis, MN “Small Tales”, Valdosta State University, Georgia National Juried Exhibition, Art Institute and Gallery Salisbury, MD, Juror: Stephen Haller “Greed, Envy, Jealousy, Fear”, TSL Warehouse, Hudson, NY 2004 “Women in the Middle: Borders, Barriers, Intersections” University of Wisconsin-Milwaukee “Girl Art Now”, Hera Gallery, Wakefield, RI 3 Person Exhibition, Monterey Peninsula College, Monterey, CA “The Feminine Eye”, Bradley University, Peoria, IL “Women Painting Women”, McNeese State University, Lake Charles, LA “Thought Patterns”, Kent Place Gallery, Summit, NJ “Surface, Matter and Artifice”, Dutchess Community College Art Gallery, Poughkeepsie, NY 2003 “Beefcake/Cheesecake”,Orange County Center for Contemporary Art, Santa Ana, CA,Juror: Jamie Wilson, Curator Halpert Bienniel, Appalachian State University, Boone, NC Juror: Jeff Fleming, Senior Curator, Des Moines Art Center “The Great White Oak”, Garrison Art Center, Garrison, NY Carrie Haddad Gallery, Hudson, NY 2002 “Cat Calls”, Red Clay Arts, Brooklyn “Hudson Valley Regional”, SUNY New Paltz Juror: Sydney Jenkins, Director, Ramapo College Art Galleries 2001 One-Person Exhibition, Davis and Hall Gallery, Hudson, NY “Beyond the Surface”, Womanmade Gallery, Chicago One-Person Exhibition, Garrison Art Center, Garrison, NY 2000 “Vision 2000...

Domenick Capobianco (American, b. 1928) Minotaur and Woman, Mixed Media on Paper, 1968, signed and dated lower right, white acrylic frame. Image: 18" H x 23" W; frame: 19" H x 24" W....

Abstract geometric graphite drawing inspired by the moon Oculus I by David Dew Bruner 2024 graphite on paper 15 x 11 inches unframed / 19 x 15 inches framed David Dew Bruner is a dr...

Al Hirschfeld Original (unique) Self portrait drawing, 1976 Hand signed ink drawing, on typewritten letter with envelope Hand signed in Hirschfel...

Eve Nethercott, American (1925 - 2015) - Central Park and Ballerina (71), Year: 1958, Medium: Two Side Watercolor on Paper, Size: 15 in. x 22 in. (38.1 cm x 55.88 cm), Descripti...

Eve Nethercott, American (1925 - 2015) - Rockport (P5.54), Year: 1948, Medium: Watercolor on Paper, Size: 18 x 20 in. (45.72 x 50.8 cm), Description: This view of Rockport, M...

Robert Petersen Detail Sketch from January 1986, 1991 Pure pigment collage, acrylic painting and drawing Hand-signed by artist, Hand signed, hand initialed, annotated, dated by hand and with date stamp and stamped by artist and inscribed to Dr. Joseph and Mary Bottino Provenance: Bottino family 16 1/2 × 21 inches Unframed Unique Robert Petersen is a longtime collaborator, friend and protege of Robert Rauschenberg. Detail Sketch from January 1986, dated by the artist April 20, 1991, as well as April 1, 1991 and April 19, 1991, hand signed, as well as stamped RP several times, inscribed, and bears instructions"can paint over pink and blues and whites", and initialed. More about Robert Petersen: Robert Petersen was born in 1945 in the small farm town of Le Mars, Iowa and was raised there until 1952 when he moved with his family to Whittier, California. His education as an artist began in 1963 at Fullerton Community College where his interest in architectural drafting led him to develop a passion for drawing, painting, and printmaking. In 1966, he pursued his love for printmaking further at California State University, Long Beach under the former Tamarind Lithography Workshop printer, Robert Evermon. In 1969, Petersen went on to work as an assistant printer at Gemini G.E.L. where he printed editions for Frank Stella, Roy Lichtenstein, and Robert Rauschenberg. Most notably, Petersen served as one of the head printers for Rauschenberg's Stoned Moon series, during which the two formed a close friendship. In late 1970, Rauschenberg invited Petersen to live and work with him on Captiva Island, Florida, which had recently become the artist's permanent residence and studio. In 1971, Rauschenberg and Petersen...

The Santa Ynez Valley is located in Santa Barbara County, California, between the Santa Ynez Mountains to the south and the San Rafael Mountains to the north. The Santa Ynez River flows through the valley from east to west. The Santa Ynez Valley is separated from the Los Alamos Valley, to the northwest, by the Purisima Hills, and from the Santa Maria Valley by the Solomon Hills.[1][2] The Santa Rita Hills separate the Santa Ynez Valley from the Santa Rita and Lompoc Valleys to the west.[3][4][5] The valley has a population of about 20,000 residents living in the communities of Solvang, Los Olivos...

Tom Holland Artists in the Spotlight: Celebrating the 50th Anniversary of San Francisco Museum of Modern Art (SFMOMA), 1985 Acrylic and mixed media with stencil on paper Signed and d...

Meg Hitchcock Supplication to the Takpo Kagyu, 2021 Text from The Aeneid, acrylic, embroidery thread, graphite 14 x 11 in. frame size: 17.75 x 14.75 in. (Hit004)

This work on paper by James Childs is offered by CLAMP in New York City.

Charles Burchfield Drawing Study Graphite on paper 5 1/2 x 8 inches Charles Ephraim Burchfield (1893–1967) was an American painter, best known for his watercolor landscapes. Burchfi...

Sailor Painting 2003 Signed and dated, l.r. Watercolor on paper 10.5 x 13.5 inches, matted 19 x 23 inches, framed This work is offered by CLAMP in...

The artist has covered New York collections for over 16 years and has interviewed, as a journalist, several fashion designers and personalities for different publications. He loves t...

Reilly uses a toning technique to endow her graphite works with a smooth, seamless quality. Rather than distinct outlines, her flower petals glide gracefully into the surrounding spa...

A portait of the first Allied airship to perform a bombing raid from the sky by a celebrated artist whose work hung on the Titanic. Watercolor and ink on heavy wove watercolor paper, 10 5/8 x 15 inches (270 x 380 mm). Signed in black watercolor in the lower right image area. In very good condition with minor surface soiling on the verso. Titled "Verdun" in pencil on the verso in the artist's hand. Adhered on the verso to matboard at the extreme margins with non archival tape. Presented handsomely in a simple, period maple frame. Titled, dated, inscribed and initialed by the artist on a label on the frame back. Born in Cambridge in 1898 and educated at Southsea School of Art, Norman Wilkinson is known for his graphic art, specifically his British Railway poster images, and also for something quite incredible; Wilkinson revolutionized the art of naval camouflage. Having been assigned to submarine patrols in Dardanelles, Gallipoli, and Gibraltar during WWI as a member of the Royal Navy Volunteer Reserve, Wilkinson was deeply troubled by the unprecedented success the German submarine fleet had torpedoing British ships. He hoped to find a solution to this gaping vulnerability, and in a lightning bolt moment, he had an epiphany that would change everything. Wilkinson says in his autobiography, A Brush With Life (Seeley, 1969), that he realized a ship could be painted to hide its shape against the sea and sky. In his own words, Wilkinson states that the hull of a ship could be camouflaged "not for low visibility, but in such a way as to break up her form and thus confuse a submarine officer as to the course on which she was heading." After some preliminary testing, the theory Wilkinson called "dazzle camouflage" was accepted by British Admiralty and Wilkinson was placed in charge of the naval camouflage unit. The unit, which was headquartered in the basement of the Royal Academy of Arts, consisted of Wilkinson and about two dozen "camoufleurs;" they were artists, students, model makers and consultants, including a zoologist. The dazzle schemes were tested on models and then distributed to artists who were stationed at the docks, where the ships would be painted. At the end of the war Wilkinson was formally declared the inventor of dazzle camouflage and awarded for his contribution. Wilkinson went on to enjoy a long and celebrated career as a painter of maritime scenes, naval vessels, and warships. He served as the president of the Royal Institute of Painter in Water Colours (RI) from 1936 until 1963 (having been elected a member in 1906); he was elected Honourable Marine Painter to the Royal Yacht Squadron in 1919, and he was a member of the Royal Society of British Artists, the Royal Institute of Oil Painters, the Royal Society of Marine Artists, and the Royal Scottish Society of Painters in Watercolour. In 1918 he was appointed an Officer of the Order of the British Empire (OBE), and a Commander of the Order (CBE) in 1948. In January 1920 he was appointed knight (chevalier) of the Belgian Order of the Crown. Among the many notable points of interest regarding Wilkinson's career is that his painting Plymouth Harbour, which was commissioned by Cunard White Star Lines for the first class smoking room of the RMS Titanic, was lost at sea when it perished with the ship. Wilkinson had also created a comparable painting entitled The Approach to the New World, which hung in the same location on the Titanic's sister ship, the RMS Olympic...

Eve Nethercott, American (1925 - 2015) - Rockport (P6.39), Year: 1948, Medium: Watercolor on Paper, Size: 16 x 11 in. (40.64 x 27.94 cm), Description: Eve Nethercott's unique...

Robert Petersen Eight of Hearts, 1989 Mixed media silkscreen with hand applied acrylic on paper with deckled edges Hand signed, numbered 6/21, dated, and inscribed on the front Uniqu...

WPA Mural Study Mid-Century Modern American Scene Social Realism Workers Anton Refregier (1905-1979) Mural Study, Untitled 7 ¾ x 22 inches (sight) Gouache, pencil, and charcoal on board, c. 1940s Unsigned Provenance: Estate of Seymour Fogel, noted verso Thomas McCormick Gallery...

Hans Hofmann Untitled, circa 1943 Signed lower right Oil and watercolor on paper 22 1/4 x 30 3/4 inches The only artist of the New York school to participate directly in European m...

Takashi Murakami Untitled signed original drawing of Two Flowers with heart doodle, 2021 Original marker drawing done on title page and bound in hardback monograph with purple boards...

Eve Nethercott, American (1925 - 2015) - Still Life with Fruit (P4.20), Year: circa 1960, Medium: Watercolor on Paper, Size: 14 x 18 in. (35.56 x 45.72 cm), Description: Fill...

Abstract work of art on paper by Iliyan Ivanov. The artwork belongs to the series "In Not So Many Words," which consists of 12 acrylic on paper pieces created in 2022-23. All the wo...

Eve Nethercott, American (1925 - 2015) - Maine (P6.41), Year: 1947, Medium: Watercolor on Paper, Size: 15 x 19 in. (38.1 x 48.26 cm), Description: Looking out over a group of...

In an Art Brut style Sweet Life I, 2022 by a.muse is an abstract watercolor collage․ This work on paper is a collection of memories of summer, fragments of ...

Abstract drawing on paper of graphic bold lines in an antique wood frame with gold detail Graphite and pale blue colored pencil 28 x 21 inches framed This vertical, black, white and light blue graphite and acrylic drawing was inspired by the Russian Constructivist art movement. The work is drawn in an abstracted cubist style where the artist composes bold white overlapping arcs on a black background with cross hatching details of light blue acrylic. Through the continuous layering of the graphite pencil and acrylic the artist makes interesting thick, shard like shapes. The pale blue acrylic is concentrated at the center of the drawing and radiates outward, creating interesting depth and textural effects. The artist fit the original drawing to a mid century modern wood frame, measuring 28 x 21 inches. The frame exhibits some wear consistent with age, which is an intentional decision made by the artist. About the artist: A recent visit to David Dew Bruner’s train depot converted artist studio in Valatie, NY confirmed that the man does not sleep. Nor has he entirely put to rest the various series of graphite drawings on paper presented in a stunning array of mid-century and antique frames that were exhibited at the gallery last year. The still lives and figures inspired by artists like Velasquez, Morandi, and Lindner are morphing on a continuum of brilliance; the highly graphic influences of the Italian futurists like Giacomo Balla and Marcel du Champs, as well as the more obscure English Vortex movement have taken hold of Bruner’s intuitive approach to design as he channels it into his own drawings. The series of Infanta figures are emboldened with a new perspective and scaled up in size. A recent series of Arcs reference the gestural abstract shapes prevalent in the aesthetic of the Russian Constructivists. These works explore depth, movement, space and repetition that is more about design than reference. Bruner tastefully pairs drawings with a vintage frame from his collection, refashioning mirror frames from the 1960s or hand painting an antique Italian frame...

An unfinished but spirited plein-air composition of what appears to be the Shenandoah or Potomac River valley with the Blue Ridge Mountains in the distance. Watercolor on board with...

This James Childs artwork is offered by CLAMP in New York City.

Friederike Oeser, a contemporary abstract painter, lives and works in Munich, Germany. For Oeser there is no hierarchy of visual value. It all has import—whether it be a trickle of w...