Morris Graves

"Offering, " Morris Graves, American Modernism, Owl, Bird, Gift, Present

1957

Bradley Walker Tomlin Bird, circa 1927 Signed upper center Oil on brown paper 22 1/2 x 18 3/4 inches Provenance: Miss Dorothy MacTeague, Chester...

Lily Harmon (1912 - 1998) Woman with Rose Ink and gouache on board 23 x 19 inches Lily Harmon, was an artist who worked in portraiture, assemblage and book illustration, and whose ...

Alphonse Mucha (Czech, 1860 - 1939) Medieval Thoughts, circa 1890 Wash, ink, and watercolor on paper 11 x 9 inches Signed lower right Provenance: Phillips New York, 19th and 20th ce...

Rockwell Kent Figure Study Estate stamped lower right Ink on paper 6 x 10 inches Rockwell Kent, though best known as an artist and illustrator, pursued many careers throughout his long life, including architect, carpenter, explorer, writer, dairy farmer, and political activist. Born in Tarrytown, New York, Kent was interested in art from a young age. These ambitions were encouraged by his aunt Jo Holgate, an accomplished ceramicist. Jo came to live with the family after Kent’s father passed away in 1887 and took him to Europe as a teenager. Kent attended the Horace Mann School in New York City, where he excelled at mechanical drawing. His family’s financial circumstances prevented him from pursuing career in the fine arts, however, and after graduating from Horace Mann in 1900, Kent decided to study architecture at Columbia University. Before matriculating at Columbia, Kent spent the first of three consecutive summers studying painting at William Merritt Chase’s art school in Shinnecock Hills, Long Island. There he found a community of mentors and fellow students who encouraged him to pursue his interest in art. At the end of Kent’s third summer at Shinnecock, Chase offered him a full scholarship to the New York School of Art, where he was a teacher. Kent began taking night classes at the art school in addition to his architecture studies, but soon left Columbia to study painting full time. In addition to Chase, Kent took classes with Robert Henri (American, 1865 - 1929) and Kenneth Hayes Miller (American, 1876 - 1952). His classmates included the artists George Bellows (American, 1882 - 1925) and Edward Hopper (American, 1882 - 1967). Kent spent the summer of 1903 assisting the painter Abbott Handerson Thayer (American, 1849 - 1921) at his studio in Dublin, New Hampshire—a position he secured through the recommendation of his Aunt Jo. Thayer gave the young artist time to pursue his own work, and that summer Kent painted several views of the New Hampshire landscape, including Mount Monadnock. In 1905 Kent moved from New York to Monhegan Island in Maine, home to a summer art colony, where he continued to find inspiration in the natural world. Kent soon found success exhibiting and selling his paintings in New York and in 1907 was given his first solo show at Claussen Galleries. The following year he married his first wife, Kathleen Whiting (Thayer’s niece), with whom he had five children. The couple divorced in 1924, and Kent married Frances Lee the following year. They in turn divorced after 15 years of marriage, and the artist then married Sally Johnstone. For the next several decades, Kent lived a peripatetic lifestyle, settling in several locations in Connecticut, Maine, and New York. During this time he took a number of extended voyages to remote, often ice-filled, corners of the globe, including Newfoundland, Alaska, Tierra del Fuego, and Greenland, to which he made three separate trips. For Kent, exploration and artistic production were twinned endeavors, and his travels to these rugged, rural locales provided inspiration for both his visual art and his writings. He developed a stark, realist landscape style in his paintings and drawings that revealed both nature’s harshness and its sublimity. Kent’s human figures, which appear sparingly in his work, often signify mythic themes, such as heroism, loneliness, and individualism. Important exhibitions of works from these travels include the Knoedler Gallery’s shows in 1919 and 1920, featuring Kent’s Alaska drawings...

Crash Pleased to See You, 1989 Signed and dated lower left Watercolor and ink on paper 30 x 20 1/2 inches A contemporary of Keith Haring and a modern-day master of this present day ...

Crash Untitled, 1989 Signed and dated lower left Watercolor and ink on paper 30 x 20 1/2 inches A contemporary of Keith Haring and a modern-day master of this present day art form o...

These two drawings as a set, encapsulate the enchanting moments experienced during a series of breakfasts at Shizico Yi's Scotland home. Created plein air and in situ, these scenes u...

Jeff Conroy Black Mirror, 2018 sumi ink on mulberry paper 25h x 37w in 63.50h x 93.98w cm [artwork is unframed. Contact gallery for framing options] Gyotaku - A Japanese word translated from "gyo" meaning fish and "taku" meaning stone impression. It is the traditional Japanese method of printing fish, a practice which dates back to the mid-1800s. This form of nature printing was used by fishermen to record their catches, but has also become an art form of its own. Gyotaku is a Japanese method of printmaking that traditionally utilizes fish, sea creatures or similar subjects as printing "plates" in its process. The literal translation of the word is "fish stone rubbing...

A Gyo-Tako print of large octopus is seen here in Jeff Conroy's work entitled "Orange Crush". To achieve this remarkable painting, the artist inks the octopus using traditional sum...

A Gyo-Tako print of large octopus is seen here in Jeff Conroy's work entitled "Grapes of Wrath". To achieve this remarkable painting, the artist inks...

Three outstretched octopuses in shades of blue and red are seen here in Jeff Conroy's work entitled "Legs for Days". To achieve this remarkable painting, the artist inks the octopus...

A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extraordinary dimensionality. By printing it on hand-made Mulberry paper the artist achieves a beautiful aesthetic. The artwork is unframed. Please contact the gallery for framing options. Jeff Conroy Goldilocks - Green Goblin...