New York - Drawings and Watercolor Paintings

Love Affair 6 (Abstract drawing) Colour pencil on two layers of Mylar — Unframed. Love Affairs" is a series of drawings on two layers of thin, translucent paper resembling ice. Each...

Abstract drawing on paper in light sky blue, black and white with custom light wood frame 'Blue Twisting Grid' by Donise English 30 x 22 inches unframed, 37 x 29 inches custom frame ...

Watercolor and screen print on paper Signed in black ink, u.l. Titled in black ink, l.l. This artwork is offered by ClampArt, located in New York City. Price includes framing. Jack Balas...

Linda Stein, Profile Palette 426.006 - Signed Feminist LGBTQ+ Colorful Acrylic on Paper Drawing Profile Palette 426.006 is from Linda Stein's Profiles series--drawings, collages and...

Gestural abstract expressionist painting on archival paper mounted to panel with gold and silver metallic powders and accents of blue, mauve, and teal enamel paint "Involved and Obsc...

Norman Barr recorded his beloved New York City from the Bronx, to Coney Island, to the Fulton Fish Market. In this period he was on the New Deal's Mural ...

This exquisite miniature painting by Dina Brodsky features a solitary raven rendered in rich blue and black tones, painted with remarkable precision on deer parchment. A master of co...

The new works of Mylinh Nguyen designed from polymer resin, bring us into a nature whose refinement commands admiration. From the physiognomy of living or extinct plant species, the ...

The image is an original drawing of the Grinch, a character from Dr. Seuss's book "How the Grinch Stole Christmas!". The drawing is signed by Virgil Ross, an American artist and cart...

Artist: Yasmin Brandolini d'Adda, South African/Italian (1929 - ) Title: I Year: 1984 Medium: Tempera on Paper, signed and dated Size: 40 in. x 25 in. (101.6 cm x 63.5 cm)

Arlene Shechet Summer Set 8, 2005 Watercolor monoprint on dieu donné hand made paper 21 × 27 1/2 inches Signed and dated in graphite on the front Exquisite watercolor monoprint on di...

Forest Light, 2016 (Contemporary Impressionist Landscape in Watercolor ) by Susan Hope Fogel Abstracted landscape watercolor drawi...

"Bathers" American Scene Social Realism 20th Century Modernism Ashcan Fauvism Charles Demuth (1883-1935) "Bathers" 10 1/2 x 8 1/4 inches watercolor on paper, c. 1930 Signed lower le...

Provenance: Ettore Calzone Collection, Rome, by 1912. Exhibited: “Raffaello: L’Accademia di San Luca e il mito dell’Urbinate,” Accademia Nazionale di San Luca, Rome, 21 October 2020...

Acrylic and mixed media on paper - Unframed. Werfel employs expressive, lyrical gestures that create bursts of movement and energy. Her color choices create a range of tones from th...

"Untitled" Mid 20th Century American Abstract 1960s Color Field Abstraction James Daugherty (1887 – 1974) Untitled 12 ¼ x 15 ¼ inches Initialed and dated February 21, 1966 lower ri...

Jack Youngerman October 1, from Betty Parsons Gallery, 1964 India ink on paper, with original Betty Parsons Gallery label Pencil signed and dated '64 on the front; also signed, title...

Mabel E. Johnston Untitled, c. 1920s Watercolor and pencil on paper Sight: 12 1/2 x 10 1/2 in. Framed: 21 1/8 x 17 1/4 x 1/2 in. Signed lower right: Mabel E. Johnston The first tidb...

Greenwich Village NYC WPA Mid 20th Century American Scene Ashcan Modern Realism Alfred Mira (1900-1981) Greenwich Village NYC 14 x 17 inches Oil on board,...

"The Arms Collector" - An Exceptional Orientalist Watercolor by Filippo Indoni This captivating watercolor, titled The Arms Collector, is an exceptional work by the renowned Italian...

Aubrey Schwartz, American (1928 - 2019) - Vulture, Year: circa 1965, Medium: Watercolor and Ink on Georgian laid paper, signed in pen lower right, Image Size: 22 x 15 inches, Size:...

Gouache on Japanese paper. Unframed. This gouache paint on Japanese paper is a result of working with the accidental arrangements of found colored papers that are in piles all over ...

Take me back, to Malibu memories, o childhood days when everything had a simplistic view and a' that mattered, were the waves Take me back, te Safety Bay sunrise, in the Dunes...

Katharine Hepburn & Spencer Tracy WOMAN OF THE YEAR Oscars Film NYT Published Al Hirschfeld (1903-2003) Katharine Hepburn and Spencer Tracy in "Woman of the Year" Lithograph on hea...

Paul Gattuso attended the Art Students League and worked primarily in New York City. There is an old address with a Bronx, Grand Concourse address. Gattus...

Cowboys Horses Cattle WPA American Scene Social Realism Mid 20th Century Modern Jo Cain (1904 – 2003) Cowboy 33 3/4 x 36 inches Oil on paper, c. 1930s Signed...

Color pencil, ink pen and Chinese ink on wooden panel

Harbor Party by John von Wicht, German (1888–1970) Date: circa 1965 Gouache and Pastel on Japon, signed in pencil lower right Size: 15.5 x 23 in. (39.37 x 58.42 cm) Frame Size: 22 x ...

This drawing reveals the artist's mastery of the medium and her connection to her subjects. In this one, we peek beach-strewn seashells from her travels to Sanibel Island boast bubbl...

Waves 1913 Inscribed in ink and pencil, recto; Extensive notes in pencil, verso Watercolor and graphite on cream wove paper 3.5 x 5.5 inches This work is offered by ClampArt in N...

Original collage composed of realistic graphite drawing on old nautical chart of a large sailboat. Signed lower right and dated 1993. Condition is very good. The sailboat is centere...

Nell Blaine Tree at the Edge of the Field, Springs, 1967 Signed and dated lower left Watercolor on paper 14 1/2 x 20 inches Nell Blaine was born in Richmond, Virginia in 1922. She ...

Here for your consideration is a well executed original watercolor and gouache abstract on archival paper by the New Hope, Pennsylvania artist, Lloyd Ney. Ney was considered to be a...

Abstract cubist style still life graphite drawing inspired by Giorgio Morandi's bottle paintings “Single Morandi Bottle IX” by Hudson Valley artist, David Dew Bruner, made in 2022 G...

Created directly from observation of a live model, this mostly monochromatic figure work exemplifies the masterly draughtsmanship skills of the artist. The charcoal drawing in on a s...

Leon Dolice Chrysler Building Signed lower right Watercolor on paper 19 x 12 inches The romantic backdrop of Vienna at the turn of the century had a life-long influence upon the yo...

Listing includes framing with UV plexi, free shipping and a 14 day return policy. Ed Templeton Untitled (Sunset Tower Hotel), 2019 Image size: 11 ...

Man Working Mid 20th Century American Scene Social Realism Industrial WPA Modern Jo Cain (1904 - 2003) Telephone Pole Worker 38 1/4 x 18 1/2 inches Oil on pap...

Graphite on paper Dated, l.r. This artwork is offered by ClampArt, located in New York City. John Button (1929-1982) was a fine draftsman and drew from life models throughout his c...

Abstract geometric drawing on paper in bright sunflower yellow and red, with a custom light wood frame 'Yellow and Red Grid' by Donise English 30 x 22 inches unframed, 37 x 29 inches...

Kiki Smith Tiger Moth, 2020 Ink and colored pencil on Twin Rocker hand made paper with deckled edges Pencil signed and dated by Kiki Smith on the front Fram...

Original oil pastel with graphite tracing of a lively Paris street scene in front of the iconic Arc de Triomphe in Paris. The artist is the well known French artist, Andre Vignoles. ...

Richard Garrison collects information from typically overlooked aspects of daily life. Observed data from places like big box stores and parking lots are systematically transformed i...

Original oil pastel on archival paper by the well known American artist, Byron Browne. Signed lower right and dated 1956. Condition is excellent. Recently professionally rematted. Original frame in very good condition. Overall framed measurements are 23.75 by 31.75 inches. Provenance: A Long Island, New York estate. Byron Browne: American (1907-1961) Byron Browne was a leader of the American Avante Garde art movement in the 1930’s and 40’s along with Bolotowsky, Greene, Gorky, and de Kooning. These artists helped pave the way for America, New York in particular, to be seen as a center for art innovation after decades of France being the art center of the world. He had more than 70 solo exhibitions during his lifetime. Browne's early artistic training was conventional, and little about his time at the National Academy of Design (1924-1928) suggested he would depart from the traditional methods in which he was being schooled. Several experiences are identified as being important to his transformation to an abstract artist. In 1927, he and his friend Arshille Gorky visited Albert Gallatin...

Little Blue, 2020 Encaustic & collage on thin edged board 12" X 12" This abstract geometric composition on wooden board features a playful geometric motif that is inspired by the artist's interest in architecture and blueprint drawings. The geometric forms are made in a more painterly, gestural manner rather than with a hard edge. Paint is not heavily built up upon the surface but it certainly exhibits a tactile quality which is characteristic of the artist's aesthetic. English's work celebrates the quirky, unexpected qualities of shapes and colors. About the artist: Donise English is a Poughkeepsie-based artist who received her MFA from Bard College and is currently a Professor of Studio Art at Marist College in Poughkeepsie, NY. Artist Statement: I am interested in drawing and collaging multiple layers of information that refer abstractly to maps, architectural drawings and blueprints or patterns and structures found in such things as roller coasters, power lines and fences. I use gouache and collaged paper in a series of layers that are a visual and ideological response to the previous layer to define my pictorial space. For each piece I create a set of rules to follow about the use of a limited palette, a grid format, opacity of paper and whether a piece may include curving lines or maintain a rectilinear structure. Resume: EDUCATION Master of Fine Arts in Painting Bard College 1986 Bachelor of Science in Art History State University College at New Paltz 1977 Additional Study: New York Studio School (Drawing Marathons) Columbia University, School of Architecture Women’s Studio Workshop TEACHING Professor of Studio Art, Department of Art and Art History, Marist College, Poughkeepsie,NY Coordinator, Interior Design Program, Florence, Italy campus 1992-present AWARDS Finalist, “Saatchi Showdown” 2010 Invitational Award for Outstanding Contemporary Talent, University of Bridgeport, CT 2000 Purchase Prize, “11th National Juried Exhibition” College of Notre Dame of Maryland, Baltimore 1999 First Prize, “Women in the Visual Arts ‘95” Erector Square Gallery, New Haven, CT 1995 Joseph A. Cain Memorial Purchase Award for Sculpture Del Mar College, Corpus Christi, TX 1994 Honorable Mention, “National Juried Exhibition” University of Bridgeport, CT 1993 Individual Artists Fellowship in Sculpture Dutchess Arts Fund 1992/93 Tallix, Morris, Singer Internship in Sculpture Tallix Foundry, Beacon, NY 1990/91 SELECTED JURIED/INVITATIONAL EXHIBITIONS 2016 “Let’s Stay in Touch”, Howard County Center for the Arts, Ellicott City, MD 2015 “Off the Grid”, Arts & Culture Program, Albany International Airport, Albany, NY “Gridspace”, KMOCA, Kingston, NY “Abstraction”, Carrie Haddad Gallery, Hudson, NY “Assuming Identity”, NY Institute of Technology, New York, NY 2013 “Modern Artists”, Carrie Haddad Gallery, Hudson, NY “Artists of the Mohawk-Hudson Region”, The Hyde Collection, Glens Falls, NY Stone Canoe/Community Folk Art Center, Syracuse, NY 2012 New York Institute of Technology, New York, NY “Contemporary Painters (Who Just Happen To Be Women)”, Carrie Haddad Gallery, Hudson, NY “Strange Glue: Collage at 100”, Cambridge School, Weston, MA “Dear Mother Nature”, Dorsky Museum, SUNY New Paltz, NY “Fresher Paint”, Rockland Center for the Arts, Nyack, NY Courthouse Gallery, Lake George Arts Project, Lake George, NY 2011 “Process+Content: Donise English”, Vassar College, Poughkeepsie, NY “Donise English-Paintings”, Orange County Community College, Newburgh, NY “Gender Matters/Matters of Gender”, Freedman Gallery, Albright College, Reading, PA 2010 Carrie Haddad Gallery, Hudson, NY “Encaustics: Wax and Image”, Westchester Community College White Plains, NY “Dots, Lines and Figures”, Carrie Haddad Gallery, Hudson, NY “Spring Awakening”, NY Institute of Technology, New York, NY “Clay City Dreams”, NY Institute of Technology, New York, NY “Texture, Pattern, Fragment”, Krause Gallery, Moses Brown School Providence, RI 2009 “Collage”, NY Institute of Technology, New York, NY “Working in Wax”, Bedford Gallery, Walnut Creek, CA “Encaustic 2009”, College of New Rochelle, NY “Three Artists”, Carrie Haddad Gallery, Hudson, NY “Convergence: The Human Experience”, Howard County Center for the Arts, MD 2008 “Suckers and Biters: Love, Lollipops, and Exquisite Corpse” Chashama Gallery, New York, NY Carrie Haddad Gallery, Hudson NY 2007 “Patterns and Light”, Blue Hill Gallery, Blue Hill, ME “Suckers and Biters”, AG Gallery, Brooklyn, NY 2006 “100 Artists, 100 Watercolors”, Jeannie Freilich Fine Art, New York, NY “On/Of Paper”, Kirkland Art Center, Clinton, NY “The Love Show”, Manchester Community College, Manchester, CT 2005 The Soap Factory, Minneapolis, MN “Small Tales”, Valdosta State University, Georgia National Juried Exhibition, Art Institute and Gallery Salisbury, MD, Juror: Stephen Haller “Greed, Envy, Jealousy, Fear”, TSL Warehouse, Hudson, NY 2004 “Women in the Middle: Borders, Barriers, Intersections” University of Wisconsin-Milwaukee “Girl Art Now”, Hera Gallery, Wakefield, RI 3 Person Exhibition, Monterey Peninsula College, Monterey, CA “The Feminine Eye”, Bradley University, Peoria, IL “Women Painting Women”, McNeese State University, Lake Charles, LA “Thought Patterns”, Kent Place Gallery, Summit, NJ “Surface, Matter and Artifice”, Dutchess Community College Art Gallery, Poughkeepsie, NY 2003 “Beefcake/Cheesecake”,Orange County Center for Contemporary Art, Santa Ana, CA,Juror: Jamie Wilson, Curator Halpert Bienniel, Appalachian State University, Boone, NC Juror: Jeff Fleming, Senior Curator, Des Moines Art Center “The Great White Oak”, Garrison Art Center, Garrison, NY Carrie Haddad Gallery, Hudson, NY 2002 “Cat Calls”, Red Clay Arts, Brooklyn “Hudson Valley Regional”, SUNY New Paltz Juror: Sydney Jenkins, Director, Ramapo College Art Galleries 2001 One-Person Exhibition, Davis and Hall Gallery, Hudson, NY “Beyond the Surface”, Womanmade Gallery, Chicago One-Person Exhibition, Garrison Art Center, Garrison, NY 2000 “Vision 2000...

Kenneth Noland Untitled, 1987 Monotype with hand painting on wove paper Hand signed and dated with artist's copyright in pencil on the back; also with the blind stamp/chop mark lower...

The artist has covered New York collections for over 16 years and has interviewed, as a journalist, several fashion designers and personalities for different publications. He loves t...

Beautiful original watercolor of Provincetown Harbor in first light by the well known artist John Cuthbert Hare. Signed lower right. Condition is excellent. The watercolor is hou...

Finesse and delicateness are what best characterize Antonin Anzil’s artistic practice. Using a sharp tool to carefully pull the fiber of the paper from the front, the artist gives bi...

Richard Garrison collects information from typically overlooked aspects of daily life. Observed data from places like big box stores and parking lots are systematically transformed i...

Original watercolor and gouache artwork on heavy card by the American artist, Justin Kilbourne. Signed lower left by the artist. Condition is excellent. Dated and artist address stamped verso. This artwork was used as a Christmas card by the Manville Greeting Card Company in 1980. Presently unframed but recently professionally matted. Overall matted measurements are 10 by 8 inches. Provenance: A Long Island, New York collector. Justin Kilbourne was a student of H.A. Wessel, and senior illustrator and designer at Gibson Greeting Cards. He had four watercolors commissioned by President Johnson...

Literature: Alfonso Panzetta, Jared French by Jared French: 600 Unpublished Works from the Artist's Italian Years (Turin, Italy: Umberto Allemandi & C., 20...

An original painting by Canadian artist Dwight Baird titled Days of Dust and Diamonds, part of his renowned Baseball Collection from the early 1990s. Baird, an avid baseball fan and ...

Florentine, Probably Seventeenth Century Titled L’ultime parti note nel Indie occidentali Dated on the edge of the cartouche: “M.D. LXIII. M.AG” [1564…the month of August] In the 1560s Cosimo I de’Medici, the powerful Duke of Florence, undertook a major renovation of the Palazzo Vecchio, the venerable palace that to this day dominates the city at the Piazza della Signoria. For the Sala della Guardaroba, literally the wardrobe room, but in fact the storeroom of the Duke’s most precious holdings, Cosimo conceived of a grand decorative project that was to reflect in one space the entire cosmos --both an indication of the Duke’s ambition and an allusion to his name. The plan, supervised by Giorgio Vasari, involved the construction of walnut cabinets to contain the Medici treasures, on the outside doors of which were to be placed large hand-painted maps specially commissioned to document and illustrate the current knowledge of the world. Portraits of famous men were to decorate the tops of the cabinets and two large globes –one representing the terrestrial world, the other celestial—were to descend from openings in the ceiling. The commission for the maps, inspired by Ptolemy’s Geographia, was given to the celebrated mathematician and cosmographer, Fra Egnazio Danti (Perugia 1536-1585 Alatri). Fifty-three maps were ultimately created. Thirty were conceived and executed by Danti between 1563 and 1575. The remaining twenty-three were completed by Stefano Bonsignori between 1576 and 1686. They remain in place in Florence in the room for which they were created. The present work is an exact-size painted, drawn and inscribed copy of Danti’s map of California...

Finesse and delicateness are what best characterize Antonin Anzil’s artistic practice. Using a sharp tool to carefully pull the fiber of the paper from the front, the artist gives bi...

Ira Moskowitz, Polish/American (1912 - 2001) - Interior Navajo Trading Post, Year: 1946, Medium: Lithograph, Signed in Pencil, Size: 12 in. x 15 in. (30.48 cm x 38.1 cm), Frame Size: 18 x 21 inches, Description: This greyscale depiction of the interior space of a Navajo trading post features an Old Western...

"#56 – BOTH WOUNDED A LITTLE" is from Amy Williams' series A Farewell to Arms – wherein the artist is working directly onto page 56 of a found copy of Ernest Hemingway's WWII romance...

Burton Silverman Untitled Portrait, 1980 Signed and dated lower right Watercolor on paper 14 x 10 1/2 inches Burton Silverman been painting and exhibiting as a fine artist for over...