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Susan Hope Fogel
Forest Light (Contemporary Impressionist Landscape in Watercolor )

2016

$6,000

About

Forest Light, 2016 (Contemporary Impressionist Landscape in Watercolor ) by Susan Hope Fogel Abstracted landscape watercolor drawing on Arches paper, signed bottom right. 31 x 41 inches, 42.5 x 56 x 2.5 inches framed Arches paper is floated in a custom, silver frame with a 1.5 inch face, anti-reflective glass This contemporary landscape watercolor painting was created by Hudson Valley artist, Susan Hope Fogel. This impressionist inspired abstraction is composed of dark and light elements, softly blended together, to create a shadowy bleeding effect that appears as if the painting itself were left in the rainy scene that it depicts. In some areas, wet paint is left to drip down the paper, further abstracting the image. The drawing on sturdy Arches paper with deckle edges is framed. The palette is a hazy, dusty purple with varying shades of gray and black and blue. This landscape would be a very fresh and contemporary choice for an interior inspired by a French/Victorian aesthetic. About the artist: After spending many years painting in the style of traditional realism , Susan had the opportunity to work with Paul Ching-Bor to explore a new form of expression in Deconstructionist Watercolor. Working in New York City with a group of large scale watercolorists, Susan soon found herself fascinated by the experimental quality of this new media. A great departure from the world of realism this media allowed for great freedom of expression creating from an intuitive place, deep within, instead of inspiration from the outside world. The focus of her work has now shifted to large scale watercolor painting with an emphasis on abstraction of landscape and cityscape. Susan has studied in art schools in New York City including: classical drawing at The New York Academy of Art, figure and portrait painting at The Art Students League and The National Academy of Design. She credits John Philip Osborne for developing her painter’s eyes at The Ridgewood Art Institute.

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