Susan Hope Fogel Art

Framed 15" x 18"( "Rolling Surf" by Steve Parker is 9" x 12" .Rolling Surf was painted along the Pacific Coast Coast in 2024. It is Oil on Canvas with a custom made frame. There ...

This framed 19.875" x 16" oil painting on canvas by Oklahoma-based artist James Cobb depicts a strand of river birch trees in freshly fallen snow. at the he...

"Summer Pier Fishing" American Scene Social Realism WPA Mid-20th Century Modern Syd J. Browne (1907-1991) "Summer Pier Fishing" 22 x 30 inches Oil on canvas. c. 1930s Signed lower r...

French Post-Cubist Paris Café Interior Figurative Watercolour Painting Laure Noetzin-Azam (French, 1929–2024) Size: 14.75 x 12.25 inches (height × width) Medium: Watercolour on paper...

Kerry Smith Black Flag - Who’s Got The 10 1/2? Mixed Media on Crescent board Year: 2020 Size: 21x20in Signed, dated by hand COA provided Ref.: 924802-1638 *Black frame with a mirror...

North Carolina native Jack Saylor received his degree in Art from Barton College in Wilson, North Carolina. Upon graduating he moved to Spain, then Italy w...

Paris café interior scene, watercolour (20th century) Watercolour on paper, unframed. Size: 14.75 x 12.25 inches (height x width) Unsigned. Condition: good vintage condition with vis...

Sunday on the Wye [2021] SOLD UNFRAMED Please note that insitu images are purely an indication of how a piece may look The artist comments "I painted 'Sunday on the Wye' after a day on the river canoeing with the family. It was a wonderful day meandering down stream near Symonds Yat. We turned the bend to see other boats congregated on the pebbles for a Sunday picnic. We beached our boat to take in the surroundings. The day was a great experience with sparkling light on the water and the sounds of the water over rocks. A few quick sketches and many photographs allowed me to then work at a large scale in the studio. It was painted with large brushes with watercolour. The chosen colours are blue and green. The painterly brush marks hold an energy and excitement of the days paddling." This work is sold unframed Artwork by artist Leigh Glover...

Paris café interior with seated figure, watercolour (20th century) Watercolour on paper, unframed. Size: 14.75 x 12.25 inches (height x width) Unsigned. Condition: good vintage condi...

“Venice, 1889” by Louis Ritter (American, 1854-1892). A fantastic example of Ritter’s renowned European watercolors. This beautifully poised composition captures the sun-washed faça...

Edward Dufner (1872 - 1957) Monhegan Island, Maine Watercolor on paper Sight 16 x 20 inches Signed lower right With a long-time career as an art teacher and painter of both 'light' and 'dark', Edward Dufner was one of the first students of the Buffalo Fine Arts Academy to earn an Albright Scholarship to study painting in New York. In Buffalo, he had exchanged odd job work for drawing lessons from architect Charles Sumner. He also earned money as an illustrator of a German-language newspaper, and in 1890 took lessons from George Bridgman at the Buffalo Fine Arts Academy. In 1893, using his scholarship, Dufner moved to Manhattan and enrolled at the Art Students League where he studied with Henry Siddons Mowbray, figure painter and muralist. He also did illustration work for Life, Harper's and Scribner's magazines. Five years later, in 1898, Dufner went to Paris where he studied at the Academy Julian with Jean-Paul Laurens and privately with James McNeill Whistler. Verification of this relationship, which has been debated by art scholars, comes from researcher Nancy Turk who located at the Smithsonian Institution two 1927 interviews given by Dufner. Turk wrote that Dufner "talks in detail about Whistler, about how he prepared his canvasas and about numerous pieces he painted. . . A great read, the interview puts to bed" the ongoing confusion about whether or not he studied with Whistler. During his time in France, Dufner summered in the south at Le Pouleu with artists Richard Emil Miller...

George Gardner Symons (1863 - 1930) Winter Scene Oil on canvas 20 x 25 inches Signed lower right Provenance: Private Collection, St. Louis, Missouri William A. Karges Fine Art Gallery, Carmel, California Private Collection, Washington A landscape and marine artist, George Symons was one of America's more noted plein-air painters who combined styles of impressionism and realism. His works are cited for their energy and simplicity, and he often did panoramic views. He was born in Chicago, Illinois in 1861, with the name of George Gardner Simon, but he changed his last name to Symons when he returned from study in England because of concern about anti-semitism. Not much is known about his early life. He first studied at the Chicago Art Institute where he became a close, life-long friend of William Wendt. They painted together in California and then in Cornwall, England in 1898. He also studied in Paris, and Munich and London, and joining a colony of artists at St. Ives, adopted the plein-air techniques of Julius Olsson, Adrian Stokes, and Rudolph Hellwag. He worked in Chicago as a commercial artist, and about 1903 returned to California with Wendt and built a studio in Laguna Beach and became active in western art societies including the California Art Club. He returned often, but maintained his primary studio...