New York - Animal Drawings and Watercolors

Provenance: (Possibly) Wilhelm Suida; thence by descent to: Robert L. and Bertina Suida Manning, New York, until 1996 Private Collection, USA Traditionally attributed to the French...

Annika Connor is a modern-day Renaissance woman. Primarily known as a Contemporary Romantic painter, her work uses strong symbolism and passionate imagery to ignite the imagination. ...

This is a dynamic and unique charcoal on paper, framed on a beautiful custom white box frame - all archival materials. The painting perfectly captures the movement of the horse and t...

Hunt Slonem Original signed & inscribed drawing held in elegant hardback monograph, ca. 2012 Unique marker drawing bound in first front end page of lavishly illustrated hardback mono...

A view of the Park, 2024 by Manuel Santelices From the Art, culture & society series Ink and watercolor on Arches paper Image size: 14 in. H x 11 in. W Unframed Movies, TV. and mag...

John Fincher (American, b. 1941) Physical Activities, c. Late 20th Century Watercolor and collage on paper Sight: 16 1/4 x 23 3/4 in. Framed: 22 x 30 1/4 x 1 3/8 in. Provenance: Th...

WPA Post Office Mural Study Native American Scene Regionalism Social Realism Louise Emerson Ronnebeck (1901 - 1980) Proposal Sketch for Worland Wyoming Post Office WPA Mural Project Image: 7 x 15 inches Board 14 x 22 inches Watercolor on paper, attached to black/gray cardboard/thick paper c. 1937 Signed lower right Written in Louise's hand on mounting paper in white chalk/pencil: "Sketch for Mural...

Signed on reverse, 22"x30" available unframed. Thomas Broadbent has shown extensively throughout the U.S. as well as internationally. Broadbent’s work won the Pulse Prize for best s...

Snoopies in the sea painting from my ongoing snoopies series. A very democratic idea as when I was a kid everybody was drawing snoopy. Anyone can draw snoopy! 1000 reasons why I draw...

Ronnie Cutrone Original bird drawing (hand signed and inscribed by Ronnie Cutrone), 1990 Original signed drawing done in marker held in hardback monograph with dust jacket Boldly signed, dated and inscribed by Ronnie Cutrone on the first front end page 11 × 9 1/2 × 3/4 inches Original signed drawing done in marker held in monograph, dated and inscribed by Ronnie Cutrone on the first front end page. The inscription reads: For David & Barbara Ronnie Cutrone 90 Book information: Publisher: ‎ Martin Lawrence Limited Editions, (January 1, 1990) English; Hardcover; 46 pages with 44 color and 11 monochrome illustrations About Ronnie Cutrone: Ronnie Cutrone (July 10, 1948 – July 21, 2013) was an American pop artist known for his large-scale paintings of some of America's favorite cartoon characters, such as Felix the Cat, Pink Panther, Woody Woodpecker and No Glove No Love. Cutrone's paintings are colorful, lively, and less challenging than those of his contemporaries. As Andy Warhol's assistant at the Factory atop the Decker Building from 1972 until 1980, Cutrone worked with Warhol on paintings, prints, films, and other concepts, eventually co-opting Warhol's earliest work (pre-1960) as well as works by Roy Lichtenstein and others, until finally distilling those myriad influences into the style a few critics eventually labeled "Post-Pop." He exhibited at the Niveau Gallery in 1979 with a Scottish artist called Mike Gall who showed paintings of Snoopy, Mickey and Minnie mouse, the Pink Panther and also a small series of Peter Rabbit paintings...

An award winning artist for her watercolors, Davis was a beloved Connecticut artist. A rare subject done in a contemporary and fresh way. She was a member of this club and enjoyed t...

Bronx Post Office Mural Study WPA Horse Social Realism Mid 20th Century Modern Jo Cain (1904 - 2003) Couriers of History Bronx Post Office Mural Study Horse in the Sun (with two ad...

40”x29.5” watercolor on paper, signed on reverse framed (presented in a black finish, shadowbox frame) In this original watercolor painting, a leopard sits on a Red Blue Rietveld de...

A charming portrait of Alice's White Rabbit looking solemn. This unique watercolor sports a bright yellow border and splashes of that same paint across the face of the bunny. This pi...

The murder of John Lennon. The birth of my children. Nixon’s resignation. Brain surgery. Driven by the desire to express myself, and leave a physical record of my life and times, I’v...

Ink and watercolor on fibrous Japon paper laid down to period cream laid paper, 6 x 7 1/2 inches (155 x 190 mm). Minor toning and some insect damage on the mount, painting itself rem...

A turquoise blue, emerald, violet, viridian and light green hummingbird perches on a spiral bound notebook with a pencil in its beak is depicted in this watercolor painting by New Yo...

Kiki Smith Butterfly, 2010 Ink, glitter and screenprint on lanaquerelle watercolor paper with the artist's fingerprints Hand signed and dated by Kiki Smith; also bears artist's uniqu...

HUNT SLONEM A Duck to Remember Your House By (inscribed and signed three times to Andy Warhol's friend Monique Van Vooren), 1991-2011 Watercolor on Paper Hand signed and dated recto, signed again verso; inscribed "Monique, a duck to remember your house by.Thank you for the birthday Love Hunt 2011" Unique work Frame included: held in the original artist's vintage wood frame Measurements: Framed: 12.5" x 10.5" x .5" Unframed 9.75" x 8" This work is hand signed three times by Hunt Slonem: once on the recto, once on the verso, and once following the written inscription. Provenance is impeccable as this cherished gift from Hunt Slonem was acquired from the estate of the actress and socialite Monique Van Vooren. The work was painted in 1991 (and dated 1991 on the recto), and was gifted by the artist to Monique in 2011, bearing a dated dedication verso. Monique Van Vooren (1927-2020) was a film and stage actress who enjoyed a long career with diverse roles ranging from the 1960s television series Batman to Andy Warhol’s Frankenstein...

Walasse Ting 丁雄泉 Original three parrots drawing, 1984 Original parrots drawing done in ink with inscription held inside elegant hardback monograph with du...

29.5"x41" watercolor on paper. In this contemporary surrealist watercolor painting by Thomas Broadbent, a cougar climbs along a poolside lounger chair. Two glasses of wine and a st...

Baldur Helgason drawing 2018: Baldur Helgason Jorgen the Dog Day: A robust, lively Helgason hand-drawing defined by the artist’s signature style. Med...

Tom Judd Casey (for the "Patrick Eddington Cat Project), 2000 Acrylic, Mixed Media and Metal painting on board Signed and dated in pencil on the front 12 × 10 1/2 inches This is a unique painting Tom Judd Biography This is a lovely mixed media painting by popular Philadelphia based artist, Tom Judd. Provenance: Estate of Patrick Eddington. Patrick Eddington was a Utah school teacher who had the improbable idea of writing to his favorite artists and asking them to draw or paint pictures of cats. “This project is a labor of love," Eddington wrote of his endeavor in a 2004 letter. “It will culminate as a large book and traveling exhibition. It will also help Best Friends Animal Sanctuary. I’ve asked individuals I admire to create cat-related works. They are not the typical cat images but creative works.” Patrick Eddington passed away in early 2016 and his vision was, unfortunately, never realized. Nonetheless, artists like Keith Haring, Joel Peter Witkin...

This soft pastel on toned heavyweight sanded paper is part of an ongoing series by the artist depicting human animal interactions. It is signed and dated on bottom right corner

Jerome Witkin Proof that a Cat is a Snake with Fur, from the Patrick Eddington Cat Project, ca. 2004 Marker on paper drawing Boldly signed by Jerome Wit...

Untitled (Two Workhorses), c. 20th Century Ink on paper Sight: 4 x 4 3/4 in. Framed: 7 5/8 x 8 3/8 x 1/2 in. Initialed lower left: W.H.H.S. This ink drawing masterfully captures to ...

Seymour Meyer (American, 1914-2009) Untitled, c. 21st Century Permanent marker on paper 28 x 22 in. Signed: S. Myer A hand surgeon who broke into the arts later in life, Seymour Mey...

Two Watercolors of a Bird and Panda Watercolor on paper 4 7/8 x 7 in. 11 x 14 in. Signed, dated, and stamped with artist insignia

This is a 6 x 9 ink work on paper from the "Snoopies" series. Drawing Snoopy as a kid was common in my generation. Cloning this dog into a team who operate on instinct, gives levity,...

2022, Watercolor on paper

Walasse Ting 丁雄泉 CAT (original drawing), 1985 Original Ink and Marker on offset lithograph held in hardback monograph Hand signed and inscribed by the artist This is an absolutely gorgeous drawing of a cat by the pioneering Chinese-American-European artist Walasse Ting, who famously collaborated with Sam Francis and many other Ab Ex, Pop and COBRA artists. (He was the brainchild behind the legendary One Cent Life portfolio). Ting was also, famously, a cat lover, and is renowned for his expressive, colorful and gorgeous drawings of cats...

Kiki Smith Tiger Moth, 2020 Ink and colored pencil on Twin Rocker hand made paper with deckled edges Pencil signed and dated by Kiki Smith on the front Frame Included; elegantly floa...

Menashe Kadishman Untitled Sheep Drawing, ca. 1985 Unique Graphite Drawing Hand signed and inscribed on the front Frame Included Unique whimsical drawing...

This new series of painting is an exciting transition for Kinney as he is best known for assemblage and sculpture. “Anim”, the Latin root word of animal, means life, soul or breath. ...

Seymour Lipton Study for Pacific Bird Sculpture, 1965 Crayon on paper (Hand Signed & Dated, in Kulicke Frame w/Marlborough-Gerson gallery label) Signed and dated on center right rect...

Figurative chalk drawing of black Greyhound dog and red birds on vintage collaged book pages 'The Searchers' by Louise Laplante in 2022 chalk on vintage collaged book pages 28 x 46 1/2 inches unframed, 32 x 52 inches in natural wood frame with non-glare plexi This graphic, figurative drawing in black chalk with collaged antique...

Tony Oursler Crab (With Museum Exhibition Labels), 1972 Colored pencil on paper Bears what appears to be the artists signature (or original notation)...

This new series of painting is an exciting transition for Kinney as he is best known for assemblage and sculpture. “Anim”, the Latin root word of animal, means life, soul or breath. This exhibition features select large-format monochromatic oil paintings on stretched canvas and wood panels. On view as well are works on paper with Japanese Sumi Ink, which inspired the oil paintings. Kinney has been looking at pre-historic cave paintings as well as animals depicted therein, such as the Chauvet caves in Nice, Southern France. Emerging from the inextricable interplay of light and dark, Kinney’s black and white ink paintings capture the ever-shifting subjectivity shaped by shadow. Cast in Japanese Sumi ink, each unique painting explores the trajectories of human and animal, natural and architectural form- what is revealed or hidden? A variety of hand-torn, heavy weight papers add textural dimension to each mark and brush stroke, as well as through the immediacy of brushstrokes to depict the action within the artwork In his latest collection of works, Kinney explores animal form and meaning as seen in both contemporary and ancient times. In “Savanna (Zebras) ”, a stampede of zebras is depicted through oil paint on wood panel. Animal populations in regions like the horn of Africa today face the loss of their natural habitats due to extreme draught. He explores the deep imprint they leave behind and the interconnectedness of humans and animals in the world. With the balance of nature at stake, Kinney’s paintings underscore the importance of the relationship between the natural environment and civilization. Matt Kinney...

Emile Antoine Verpilleux, 1888-1964 Pasture, ca. 1920 Original woodcut, printed in colors 12 x 16 Signed in pencil

An 80's style Art Deco oil painting of a fashionable lady petting her precious cat by contemporary artist Erik Freyman. The work is signed lower left, unframed. White Cat Erik Freym...

Multicolor Snoopies Allover Crowd 40x60 inches on paper. This work was shown in 2015, however I added more Snoopies! At first it many not be obvious this is a dog head repeated, an...

Cutout paper of oil pastel drawing on black paper.

Horace #1 (Happy Cat) 1972 Signed, u.r. Color pastel on paper 9 x 10 inches (22.9 x 25.4 cm) This work is offered by CLAMP in New York City.

I've been drawing Snoopy as a subject in my painting for decades now. It is a satisfying shape to draw. Many people from my generation drew Snoopy when they were kids, thus there's a...

This new series of painting is an exciting transition for Kinney as he is best known for assemblage and sculpture. “Anim”, the Latin root word of animal, means life, soul or breath. This exhibition features select large-format monochromatic oil paintings on stretched canvas and wood panels. On view as well are works on paper with Japanese Sumi Ink, which inspired the oil paintings. Kinney has been looking at pre-historic cave paintings as well as animals depicted therein, such as the Chauvet caves in Nice, Southern France. Emerging from the inextricable interplay of light and dark, Kinney’s black and white ink paintings capture the ever-shifting subjectivity shaped by shadow. Cast in Japanese Sumi ink, each unique painting explores the trajectories of human and animal, natural and architectural form- what is revealed or hidden? A variety of hand-torn, heavy weight papers add textural dimension to each mark and brush stroke, as well as through the immediacy of brushstrokes to depict the action within the artwork In his latest collection of works, Kinney explores animal form and meaning as seen in both contemporary and ancient times. In “Savanna (Zebras) ”, a stampede of zebras is depicted through oil paint on wood panel. Animal populations in regions like the horn of Africa today face the loss of their natural habitats due to extreme draught. He explores the deep imprint they leave behind and the interconnectedness of humans and animals in the world. With the balance of nature at stake, Kinney’s paintings underscore the importance of the relationship between the natural environment and civilization. Matt Kinney...

Morris Graves Offering, 1957 Signed and dated lower right Sumi ink wash and gold leaf on paper 18 x 13 3/8 inches Born in Fox Valley, Oregon in 1910, Morris Graves was a leading proponent of the Northwest School...

Figurative chalk drawing of flying bird silhouettes in retro colors on vintage collaged book pages 'An Organization of Birds' by Louise Laplante in 2022 chalk on vintage collaged cranberry cultivation manual pages 48 x 41 inches unframed, 52 x 45 inches in natural wood frame with non-glare plexi Louise Laplante bridges the past and present with mixed media drawings made with figurative charcoal silhouettes juxtaposed on collaged sheets of vintage paper. Finding beauty in forgotten or discarded sheets of ephemera, Laplante uses it as a guide for playful compositions of stenciled birds in mid-flight, drifting feathers, or taxidermized deer heads in rich pastel. A final burst of wistful linework glides over the pastel forms, accentuating her subject’s movement while adding another layer of texture. In this particular work, the artist cleverly draws an organized formation of birds over an almanac of vintage pages of numerical data. A departure from her typical greyscale palette, the artist introduces retro shades of brick red, forest green, cadet blue, and mustard yellow. The vivid silhouettes of flying birds flutter in place and provide colorful contrast against a background of vintage papers. In certain segments the stenciled images are delicately brushed over with a thin wisp of chalk which adds a delicate textured effect to the drawing. The figurative chalk drawing is framed with a light wood frame and has non-glare plexi. About the artist: Interested in blending the old world with the new, mixed media artist Louise Laplante combines her original images with ephemera of the past, enticing a conversation about it’s “relevancy to the present.” Her compositions begin with vintage book pages, personal handwritten letters, sheet music, or instruction from old guides on etiquette or science. While the text itself is weighted with reference to a particular subject, the visual of the typed or handwritten words and printed illustrations establish a unique pattern. These layered backgrounds are superimposed with opaque charcoal drawings that are inspired by the themes read between the lines. Most recently, the artist has opted for larger scale work, combining multiple sheets of vintage paper to expand her unique motifs. Laplante exhibits across the Northeast and has shown with Carrie Haddad for more than ten years. Artist Statement: My work connects the texts, and ideas, in the vintage book, music or correspondence pages, with images those words evoke to comment on how the past still resonates, whether we are aware of it or not. It is informed by my love for old paper, letters, books and images, both as reminders of the past and as bits of pattern, tone, line and shape. The text on them acts as both content and visual device. With each work, I select, arrange and collage these pieces creating both a support and pattern building on it with motifs that are suggested by words on the papers. Although I often start with an agenda I always allow each work to build its own image. Artist Resume: Education MA in Fine Art, State University of New York at Albany, New York BFA, College of New Rochelle, New Rochelle, New York Studied, Art Institute of Boston, Boston, Massachusetts Exhibitions 2019 Mediums of Exchange, Lehman College Art Gallery, Lehman College, CUNY, Bronx, New York 2018 Figures We Fancy, Carrie Haddad Gallery, Hudson, New York Shelter, A.P.E. Gallery, Northampton, Massachusetts Material Flow: Rhythm in Collage and Sculpture, Pratt Gallery, Goddard College, Plainfield, Vermont 2017 Abstractions in Black and White, Gallery 175 Pawtucket, Rhode Island Blanche Ames National, Borderlands, North Easton, Massachusetts Five Points Biennial, Five Points Gallery, Torrington, Connecticut A Declaration of Sentiments: Reflections on the Centennial of Women’s Right to Vote in NYS, Athens Cultural Center, Athens, New York 2016 Winter Exhibit, Carrie Haddad Gallery, Hudson, New York 2015 Boston Biennial 4, Atlantic Gallery, Boston, Massachusetts Drawing, Carrie Haddad Gallery, Hudson, New York Taking Root: Caniskek and the Meeting of Two Worlds, Athens Cultural Center, Athens, New York North Northeast, Brattleboro Museum and Art Center, Brattleboro, Vermont NBMMA 45th Exhibition, New Britain Museum of American Art, New Britain, Connecticut 2014 New Directions ’14, Barrett Art Center, Poughkeepsie, New York Connecticut Women Artists – 85th National, Slater Memorial Museum, Norwich, Connecticut New England Collective V, Galatea Fine Art, Boston, Massachusetts Boston Biennial 3, Atlantic Works Gallery, Boston, Massachusetts 2013 Storytellers and Conjurers, Carrie Haddad Gallery, Hudson, New York 2012 Works on Paper, Carrie Haddad Gallery, Hudson, New York Drawing, b.j. spoke gallery, Huntington, New York Strange Glue, Thompson Gallery, Weston, Massachusetts Silhouette, A.P.E., Northampton, Massachusetts The Cadence of Familiarity, Krauss Gallery, Providence, Rhode Island 2011 20th Anniversary Exhibition, Carrie Haddad Gallery, Hudson, New York Paperworks, Paper City Studios, Holyoke, Massachusetts Small Works, Towne Gallery, Wheelock College, Boston, Massachusetts 2010 Text/Context, McCoy Gallery, Merrimack College, North Andover, Massachusetts A Community of Artists, Danforth Museum of Art, Framingham, Massachusetts Here and Gone: Presence, Absence, Memory and Time, Amy H. Carberry Fine Art Gallery, Springfield Technical Community College, Springfield, Massachusetts 2009 Dreamscape, Carrie Haddad Gallery, Hudson, New York 2008 Small ’08, Wunderarts Gallery, Amherst, Massachusetts Interaction: Louise Laplante and Liz Chalfin, Wunderarts Gallery, Amherst Massachusetts Artists and Books, Art Complex Museum, Duxbury, Massachusetts One Night, Pivot Gallery, Florence, Massachusetts 2007 20 Artists X 2 Feet, Wunderarts Gallery, Amherst, Massachusetts Biennial 2007, New Hampshire Art Institute, Manchester, New Hampshire Salon, Clark Gallery, Lincoln, Massachusetts 2006 Small: 20 Artists X 2 Feet, Wunderarts Gallery, Amherst, Massachusetts Salon, Clark Gallery, Lincoln, Massachusetts 2004 On Paper, Carrie Haddad Gallery, Hudson, New York Encaustics, Carrie Haddad Gallery, Hudson, New York New Acquisitions, University Gallery, University of Massachusetts, Amherst, Massachusetts 2003 Hart Gallery...

This is a "classic Nina " cityscape imaginary architectural mound. Painting in 2009 on paper, 38 x 63 inches, it extends the horizontal aspect of the work to have a walking-along-wit...

A great blue heron rides atop a large sea turtle with a gold linked chain loosely looped around. Elements of the sea are positioned around with seaweed and a dark brown bottle. Thi...

This is a celebration of Spring with pink flowers and blue birds painted on a thick round watercolor paper sheet measuring 16 inches (41cm) in diameter. the tondo shaped surface heig...

This is a black and white monochrome painting using ink on Arches Watercolor paper. The work is 22 x 30 inches and depicts (perhaps a family?) four snakes. I started the snakes paintings...

A drawing of a dog by Serge Hollerbach. Hollerbach was an American artist known for his abstract paintings and prints, which often incorporated dynam...

This is drawing made with pen, pencil and watercolor on wood done from life of donkeys the artist observed in Mexico, and cacti, and a woman holding up the hoof of one donkey. Whims...

This is a unique work on paper, 26 x 40 inches, created in 2020. The ongoing "snoopies" series continues to hold my interest after more than 20 years of my celebrating this celebri...

John Whorf captures one of the thrilling moments of fishing in this watercolor – when the fish is on the line, but still trying to escape. One of the fastest fish in the world, marlin fishing...

We are thrilled to present one of our first works on paper of 2023 by Dina Brodsky - the striking Raven, in her signature tondo format. Like most of her miniature works, the charm ex...

Jane Wooster Scott (American, b. 1920) Untitled (Cats), 20th century Watercolor on paper Sight size: 10 x 14 in. Framed: 17 x 20 3/4 in. Signed lower left: Wooster In the "Guinness Book of Records" as one of the most reproduced artists in America, Jane Wooster Scott began copying work by folk artists such as Grandma Moses and gradually evolved into her own style. A turning point for her career was a joint showing at the Ankrum Gallery in Los Angeles with her comedian friend, Jonathan Winters. It was mostly a business crowd, and she sold 40 paintings in an hour. Scott grew up in the Philadelphia area and moved West following her dream to be a movie star. She quickly learned that goal was not for her, but became the host of a talk show where she interviewed movie stars. Then she married and quit that work, becoming a full-time mother. Currently (2002) she resides in homes in Los Angeles and Sun Valley...

Jane Wooster Scott (American, b. 1920) Untitled (Cat House), 20th century Watercolor on paper Sight size: 10 x 14 in. Framed: 17 x 20 3/4 in. Signed lower le...