Sweden - Sculptures

Antique wooden horse sculpture from northern Sweden. The horse is from around 1850 and has a body in pine with original paint. The sculpture is m...

The Bonnie range is designed around the stylized form of a Saffron flower, known around the world for its valuable beauty, fragrance and essence. Each organic flower-like form is st...

A beautiful abstract ceramic bird by Børge Jørgensen 'no 3800'. Ceramic cock figurine with a glaze by Sven A. Jensen. Manufactured by Söholm Ceramics, ...

This beautifully aged, hand-carved vintage hat mold comes from the renowned hat-making company Hugo Landahl in Stockholm, Sweden. Rich in character and patina, it serves as a unique ...

A Beautiful and Classical Bust of Venus/Aphrodite in Bronze from the 19th Century. Probably France and with an indistinct signature under the arm. (See photo) Wear consistent with a...

Sculpture "Kullatroll " by Åke Holm (1900-1980) Åke Holm is one of Sweden's most significant ceramicists.He started working as a 15-year-old for Höganäs bolaget. In 1928 he started ...

A big hand carved painted stag sculpture in wood, early 18th century. Pre-owned by a collector. This sculpture are one of a kind. The stag deer are a symbol of spiritual authority, a deer stag is here depicted in all its magnificent elegance. Wooden sculpture of a life-size deer stag laying upon a rectangular platform base. The symbol of the stag: The deer’s antlers are one of the characteristics that have made it the figure of a spiritual superiority, according to some. Like a crown, the antlers grow beyond its body, bringing it closer to the sky and making it sacred. In many cultures, the deer is a symbol of spiritual authority. During a deer’s life the antlers fall off and grow again and the animal is also a symbol of reGeneration. In the Christian imagination, the deer is a symbol of piety, devotion and of God taking care of his children: men. The legend of Saint Eustace...

A beautiful ceramic vase in lovely Art Deco-style designed by Einar Luterkort, the vase is designed at Upsala Ekeby in the 1930s. It is 27 cm (10.8") high and about 15 cm (6") in di...

A lovely vase with a Floral Art Nouveau decor designed at Upsala Ekeby in the early 20th century. The vase is 25 cm high and in very good condition except from some scratches.

Pair of Italian Stoneware Lions After Antonio Canova, 19th Century A striking pair of reclining lions in stoneware, inspired by the monumental sculptures created by Antonio Canova ...

The Bonnie range is designed around the stylized form of a Saffron flower, known around the world for its valuable beauty, fragrance and essence. Each organic flower-like form is st...

Egg designed by the Swedish ceramicist Hans Hedberg, who lived and worked in Biot, France. This egg is 30 cm (12") high including the stand. It´s in excellent condition and it has a lovely . Hedberg worked with several famous artists, among Picasso, Léger and Matisse. It is signed and in very good condition, it has some minor white...

Egg designed by the Swedish ceramicist Hans Hedberg, who lived and worked in Biot, France. This egg is 25 cm (10") high including the stand. It´s in excellent condition and it has a ...

A set 6 of wonderfully sculptured art glass pieces. They are all shifting in green, white and clear glass. Made in Sweden in the mid-1950s these pi...

Charming Plaster Sculture by Ruth Milles (Sweden, 1873-1941). A young girl with a bag. Art Nouveau, dated 1906. Ruth Milles is the sister of the world famous sculptor Carl Milles. S...

Beautiful plaster bust of the famous Swedish scientist Carl von Linne (1707-1778). The bust was made in the early 20th Century. Carl von Linne was a Swedish biologist and physician ...

Black Loon Porcelain Figure by Tapio Wirkkala for Rosenthal, 1970s. Wirkkala, the Finnish designer and artist, created an iconic figure of a loon for the German porcelain company Ros...

A stunning Danish mid-century carved teakwood bison. Reportedly purchased from Den Permanente, Copenhagen, in the early 1950s. Excellent condition. Den Permanente was a Co-operativ...

Taking inspiration from the necessity of light for life, the Joni range is a portrayal of photosynthesis, the process by which plants convert sunlight to food. Within each leaf-l...

Egg designed by the Swedish ceramicist Hans Hedberg, who lived and worked in Biot, France. This egg is 30 cm (12") high including the stand. It´s in excellent condition and it has a lovely glaze. Hedberg worked with several famous artists, among Picasso, Léger and Matisse. It is signed and in very good condition, it has some minor white...

This rare brass sculpture in the shape of a parrot. with black painted wood base, is the perfect office buddy. Get inspired by the office of Yves Saint Laurent and Pierre Bergé. H...

Mid-century Swedish Brutalist fire screen by Olle Hermansson for Husqvarna. Capture attention with this extraordinary mid-century Swedish Brutal...

This finely carved 19th-century alabaster sculpture is a nice example of Grand Tour artistry, depicting the Temple of Vespasian and Titus in Rome. The base is inscribed "TEMPIO DI VESPASIANO," and the entablature bears the partial inscription "ESTITVER," referencing the Latin word "restituerunt," meaning "they restored," from a 3rd-century inscription commemorating renovations by Emperors Septimius Severus and Caracalla. The Temple of Vespasian and Titus, located at the western end of the Roman Forum, was initiated by Emperor Titus in 79 AD to honor his deified father, Vespasian. After Titus's death in 81 AD, his brother Domitian completed the temple around 87 AD. Designed in the Corinthian order, the temple featured a hexastyle portico with six columns at the front and was constructed in a constrained space measuring approximately 33 meters in length and 22 meters in width. During the 19th century, as part of the Grand Tour tradition, affluent European and American travelers collected architectural souvenirs...

A beautiful black and green ceramic vase with yellow handles in a classic Art Deco shape, the vase is designed at Upsala Ekeby between 1932-1938. It is 16 cm (6.4") tall and about 14...

John (Johnny) Filip Mattsson, born 1906 in the city of Gävle, Sweden. Died in 1970. Mattsson was mostly know for his wooden sculptures / Ölgås, seen in SAS commercials. Parts of his ...

The Bonnie range is designed around the stylized form of a Saffron flower, known around the world for its valuable beauty, fragrance and essence. Each organic flower-like form is st...

Fantastic Hinduism masterwork was discovered in our stock: attractive sculpture stood for decade on our shelf pleasing an eye and raising some questions. Finally, we were able to separate the wheat from the chaff: hand chased bronze head of Shridevi with gold crown or tiara was set (!) on the large early 19th century French clock...

Inspired by the three states of matter, Laur combines semi-precious elements of brass, onyx, and hand blown white glass in playful interconnecting arrangements, some with functional ...

A lovely wooden sculpture designed by the famous wooden sculptor Johnny Mattsson in Gävle, Sweden in the midcentury. It is in very good condition except from that one of its legs is ...

The Bonnie range is designed around the stylised form of a Saffron flower, known around the world for its valuable beauty, fragrance and essence. Each organic flower-like form is ...

A striking and spirited bronze sculpture titled “Fritidsflickan” (The Leisure Girl), designed by acclaimed Swedish sculptor Stig Blomberg and produced by Ystad Brons in the mid-20th ...

Ceramic sculpture made by the Swedish-Estonian artist Mari Simmulson. Simmulson came to Sweden as a refugee during the second world war and started her career at Gustavsberg. Shortly...

Just Andersen sculpture of a naked women stand along a pillar. Art deco piece in great condition, around 1930's Denmark. Made in Disco metal invented by Just Andersen.

A striking mid-century modern glass object by renowned Italian designer Paolo Venini, crafted on the island of Murano in the 1950s. This piece is part of the celebrated "Inciso" seri...

Sculpture made by Simon Randers. Produced in Denmark during the 1950s. Hand sculpted out of solid teak. Very good vintage condition with slight age related wear and patina. De...

The Bonnie range is designed around the stylized form of a Saffron flower, known around the world for its valuable beauty, fragrance and essence. Each organic flower-like form is st...

A wooden sculpture by unknown artist. Signed with “F -57”.

Rare fire screen designed by Olle Hermansson for the Swedish company Husqvarna in the middle of the 20th century. Abstract design made in cast iron. Makers mark on back.

Sculpture designed by Johnny Mattsson. Produced by Johnny Mattsson in Sweden.

Abstract wooden sculpture by Swedish artist Sven Olsson. Hand made from oak and teak, ca 1950-60s. Beautifully crafted by hand. Base with impressed initials. Very good vintage condit...

A stunning and unique stoneware rooster sculpture with amazing glaze. Made by Tyra Lundgren. Executed in her own studio in Sweden, 1955. Great condition, but with a couple of chips to the base (pictured). Signed by the artist in two places, and dated 1955-06-20. Provenance: bought from the estate of the artist in 1979. Tyra Lundgren (1897-1979) was one of the most multifaceted artists and modernists of the twentieth century. She was a painter, drawer, sculptor, ceramist, glass- and textile designer, as well as an author and an art critic. She was the first woman who designed glass for Paolo Venini at Murano in Venice and she also served as the artistic leader at Arabia in Helsinki at a time when men tended to hold those kinds of positions. Tyra Lundgren grew up in Djursholm, near Stockholm. Her parents were John Petter Lundgren, professor at Veterinärinstitutet (institute of veterinary sciences) in Stockholm, and Edith Lundgren née Åberg, who was a housewife and raised their six children. The bourgeois home also comprised a nanny and a female cook. The family were very socially active, travelled often, and enjoyed the outdoor lifestyle. Tyra Lundgren’s schooling began at Djursholm coeducational school, where her teachers included Natanael and Elsa Beskow and Alice Tegnér. Her school friends included Greta Knutson-Tzara, Stellan Mörner, and Ingrid Rydbeck-Zuhr. Tyra Lundgren knew from the time she was five years old that she wanted to be an artist. She first became aware of the profession through Axel Fahlcrantz, who rented a studio on the plot of land where she lived with her family. In 1913 she began to attend Högre konstindustriella skolan (HKS, now known as Konstfack, college of arts, crafts and design) where she studied decorative art as well as handicrafts in various forms until 1917. One of her fellow students and friends there was Estrid Ericson, who later founded Svenskt Tenn AB in 1924. Whilst attending HKS Tyra Lundgren also took painting lessons at the Althin school of painting. In 1917 she was accepted as a candidate at the Royal Swedish Academy of Fine Arts where, apart from breaks during which she undertook studies abroad, she remained until 1922. She spent a couple of months taking lessons from Anton Hanak in Vienna and from 1920–1923 she was a student of André Lhote in Paris. Tyra Lundgren was primarily active in four countries: Sweden, Finland, France, and Italy. She spent much of her professional life travelling and considered herself to be a European. Greece and Mexico also formed important centres in her artistic life, as did the USA. She had an extensive social network which included focal individuals within twentieth century-European and American artistic and cultural circles. Tyra Lundgren’s main artistic motifs were birds, fish, and people which she depicted through different techniques and materials. Her artistic expression involved a variety of different directions and styles. She was a pioneer of the 1920s Swedish Grace style, the name of which had been coined by the art critic Morton Shand at the Stockholm Exhibition of 1930. This was a Swedish Art Deco style, characterised by elegance and traditional art which contrasted with the current artistic ideals of functionalism. Tyra Lundgren made her debut at a group exhibition held at Kungliga Akademien för de fria konsterna in 1921. She went on to show her work at various exhibitions throughout the 1920s. After that period she only very rarely exhibited her paintings. Tyra Lundgren’s painted output can be divided into different periods or stylistic directions. The first of these, and the most extensive, was her post-Cubist period which began in 1920 on her arrival in Paris. Her paintings from this time and right up to the mid-1930s typically comprise portraits, self-portraits, live-model painting, still-lifes, interiors, and landscapes in the Cubist style. Many of the great number of self-portraits she painted were produced in the New Objective style, displaying broad variation in terms of clothes, poses and techniques. Two of these – Huvud med vit duk and Självporträtt both from 1921 – can be seen at Moderna Museet in Stockholm, although the majority of these works are at Gotlands Museum. Tyra Lundgren’s second artistic period comprises the years of 1927 to 1929 and is characterised by the New Objective style inspired by medieval techniques and materials (Giotto, Piero della Francesca). Her motifs were still-lifes and landscapes. At this point she was living in Rome and was close to the circle involved in the Valori plastici: rivista d’arte art journal. This period saw a breakthrough in her development as a painter. From the 1950s through the 1970s her work can almost be described as belonging to the Concrete style. Using light pastel colours her paintings sought light in a sometimes non-figurative expression, but often depicting abstract bird-shapes or other nature-inspired imagery. Her paintings from this period are outsized and display powerful colours, in yellows, reds, and blues. Tyra Lundgren maintained a constant production of drawings, both in terms of individual artworks and sketches for patterns and designs. She also produced the illustrations for her book Fagert i Fide. Årstiderna på en gammal gotlandsgård, published in 1961. During her early years she also produced advertising illustrations. She spent the final years of her life primarily working with lithographs which were printed at Galleri Prisma and depicted images of doves, swallows, magpies and crows. Tyra Lundgren is meanwhile best known for her work as a ceramist and in this sphere she was one of Sweden’s leading exponents. She worked in the porcelain industry as a designer and as an artisan and ceramic sculptor. Her first job was at St Eriks Lervarufabrik in Uppsala from 1922–1924, she then worked at Arabia from 1924–1937, and at Rörstrand and Lidköping Porslinsfabrik. She was the artistic leader at Arabia ahead of the 1930 Stockholm Exhibition and she exhibited her work at the World’s Fairs. During the 1934–1938 period she was connected to the Manufacture nationale de Sèvres porcelain factory in Paris. Tyra Lundgren was a pioneer when it came to giving ceramic art a public space in Sweden. She produced around 20 outsized reliefs in stoneware, so-called monumental reliefs. One of these is Märkeskvinnor, from 1947, for the former girls’ school at Bohusgatan in Stockholm. From the 1940s onwards Tyra Lundgren produced sculptural objects in Chamotte clay and stoneware, with various glazings. Her small birds are well-known and popular with many. When her ceramic efforts became too much for her during the 1970s she then produced models for sculptures in bronze. There are six of these in various places around the globe, including Solfågel in Almedalen, Visby. Tyra Lundgren began to work as a glassware designer at Moser in Karlsbad in 1922 where she designed new table services and modernised older ones. She also worked freelance for Riihimäki factory in Finland during the 1924–1929 period. From 1934 to 1938 she was employed by Kosta glass factory where she mainly designed thick-walled bowls and vases, engraved with classical motifs. She was introduced to the glassmaker Paolo Venini at Murano during the Triennale di Milano of 1936 and they began a collaboration that lasted into the 1950s. As part of this collaboration Tyra Lundgren became the first woman to design glassware and, in conjunction with the glassblower Arturo Biasutto, she developed new techniques of glass production. Her motifs at this point were birds, fish, snail-shaped designs and leaf-patterned bowls using traditional techniques as well as in new designs. It was during this time that she created the so-called tissue-shaped bowls and it remains unclear as to who specifically came up with the design but Tyra Lundgren claimed it was of her making. Tyra Lundgren was active as textile designer for Licium (now HV Licium), the sacred textiles...

Amazing cast iron midcentury sculpture / fireplace screen. Designed by Olle Hermansson for Husqvarna, Sweden 1960s. Great original condition with signs of use and age. Stamped 'OH'...

Carl Milles (1875-1955), after, bronze sculpture of a horse's head. Marked Millesgården. Great condition. Born in Uppsala, Sweden, Carl Milles, whose origi...

Inspired by the three states of matter, Laur combines semi-precious elements of brass, onyx, and hand blown white glass in playful interconnecting arrangements, some with functional ...

Egg designed by the Swedish ceramicist Hans Hedberg, who lived and worked in Biot, France. This egg is 25 cm (10") high including the stand. It do have a lovely brown and yellow colo...

Step back in time with this stunning hand-chased cast bronze figurine, reminiscent of the beautiful Rococo era. Sculpture depicting a beautiful young lady in a garden by a fountain, ...

Mid-Century Ceramic Wild Boar Sculpture by Guido Gambone (c. 1950s) This rare and striking ceramic sculpture of a wild boar, crafted by the renown...

Rare Stoneware Wall Plaque by Stig Lindberg for Gustavsberg, 1950s. Beautifully glazed relief carvings and incisions. Stamped at the back and the artist’s signature at the front in...

Dia is a sculptural chandelier inspired by the heterophony of natural sound. Each frame (or melody) is hand-rolled with all joints cleverly concealed within the circular light source...

A striking and sculptural fireplace screen designed by Swedish artist Olle Hermansson and produced by Husqvarna in the 1960s. Crafted in solid cast iron, this piece is a bold example...

An egg designed by the Swedish ceramicist Hans Hedberg, who lived and worked in Biot, France. This egg is 30 cm (12") high including the stand. It´s in very good condition except fro...

Adorable “Dragon Puppy” figurine by Wilhelm Kåge, made from stoneware with white cararra glaze. Fun and mischievous design, inspired by Chinese Ming era dragon sculptures and execute...

Brutalist firedogs (firerooster) designed by Olle Hermansson for Husqvarna, Sweden, during the middle of the 20th century. Rare pair. One is 36 cm in depth and the other 28 cm.

Amazing in design and execution, this Art Deco compote features three charming birds supporting a polychromed fruit bowl or sculpture. This bowl, acquired in a collectors home in Bel...

Carl Milles (1875-1955), after, bronze sculpture of three fishes. Marked Millesgården. Great condition. Born in Uppsala, Sweden, Carl Milles, whose origina...

Bronze Sculpture by Pipin Henderson, 1950's Additional Information: Material: Bronze Style: Mid century, Scandinavian Produced in Denmark Dimensions (...

A lovely vase of model "Cocos" designed 1954 by Hjördis Oldfors at Upsala Ekeby. the Cocos-serie was only in production in 1954. This is the largest vase in the serie with model numb...

Sculpture by Hassan Heshmat, Egypt. 1960's. Stoneware. Unique. Dimensions: H: 52 cm/ 20 1/2''

Dia is a sculptural chandelier inspired by the heterophony of natural sound. Each frame (or melody) is hand-rolled with all joints cleverly concealed within the circular light source...

A beautiful and rare enamel sculpture / painting. Made by Stig Lindberg in Gustavsberg Studio, Sweden, 1950s. Excellent condition. In 1949, Stig painted his first enamel painting o...