Sweden Animal Sculptures

Hanna W Pair of sculptures designed by Hanna W, Sweden, 1983 Signed. Carved Stone.

Stoneware. Signed. H: 15.5 cm / 6'' W: 19 cm / 7 1/2'' D: 13.5 cm / 5 1/4''

Ceramic sculpture, Gösta Grähs, Sweden. 1999. Stoneware. Unique. Dimensions: H: 35 cm/ 13 25/32" D: 18 cm/ 7 3/32" Gösta Grähs was one of Sweden’s leading ceramic artists in th...

Sculpture, anonymous, Italy 1950s. Glazed clay. Representing a bloodhound. Measurements: H: 86 cm/ 2' 7/8" W: 50 cm/ 1' 7 3/4" D: 40 cm/ 1' 3 7/8"

Chinese Jade Foo Dogs. The jade, or stone resembling its pale green hue, beutifully exhibits shades that span from milky white to pale jade green. The Foo Dogs possess a playful, li...

An Early 20th Century animal figurative sculpture of a rising horse in leather and papier-maché. This decorative equine figure is standing with the help of its tail. There is quite a...

Two Oiva Toikka Art Glass Bird Sculptures, made for Iittala. Oiva Toikka's birds have become iconic objects for glass collectors worldwide. Each figurine is mouth-blown and handcraf...

This is an adorable pair of vintage mid-century modern Lomonosov Soviet Imperial Russia hand-painted fine porcelain sitting white poodle dog figurines, dating back to the 1960s. Cra...

Great stoneware sculpture designed by Sven Wejsfelt for Gustavsberg, Sweden, during the 1980s. This pike belongs of the designers series 'Stim'.

Antique wooden horse sculpture from northern Sweden. The horse is from around 1850 and has a body in pine with original paint. The sculpture is made by hand and a one of a kind piece...

Bear Figurine Sculpture / coat hanger in Brass by Walter Bosse, 1950's Additional Information: Material: Brass Style: Mid century, Europe Produced by Hertha Baller in Austria Dimens...

Gorilla Sculpture, 1960's Additional Information: Style: Mid century, Scandinavian Produced by Gabriel in Sweden Dimensions (W x D x H): 20 x 26 x 2...

Gorgeous stoneware lion figurine by Gunnar Nylund with an expressive face and glaze gathering beautifully in all its nooks and crannies. Gunnar Nylund’s animal figurines are among hi...

Bernhard Bloch terracotta sculpture of a booze hound in checkered trenchcoat. Whimsical antique portrait of a tipsy terracotta dog laying on its side by Bernard Bloch and stamped BB...

A peasant sculpture in the form of a small working, red-painted horse with a bushy mane and tail on a painted pedestal, beautifully carved and painted wood. On the underside, a text...

This bird is created by the prominent artist Gunnar Nylund during the 1960s. Manufactured by Rörstrand, the renowned ceramic company in Sweden, the sculpture carries with it the lega...

This Scandinavian Modern earthenware hedgehog from the 1960s exudes charm with its glazed zigzag pattern on beige fur. The unglazed brown face adds a distinctive touch to its feature...

Horse sculpture / model made of genuine leather from the 1960s or 1970s. Well made with good proportions and details. Very decorative and would be a fun and cool piece for any kind o...

Brutalist firedogs (firerooster) designed by Olle Hermansson for Husqvarna, Sweden, during the middle of the 20th century. Rare pair. One is 36 cm in depth and the other 28 cm.

A beautiful abstract ceramic bird by Børge Jørgensen 'no 3800'. Ceramic cock figurine with a glaze by Sven A. Jensen. Manufactured by Söholm Ceramics, ...

Leopold Anzengruber in perfect condition. This is a very special piece, the details of the woman is just exquisite, from the facial expression to the hair, earrings as well as her sk...

A stunning and unique stoneware rooster sculpture with amazing glaze. Made by Tyra Lundgren. Executed in her own studio in Sweden, 1955. Great condition, but with a couple of chips to the base (pictured). Signed by the artist in two places, and dated 1955-06-20. Provenance: bought from the estate of the artist in 1979. Tyra Lundgren (1897-1979) was one of the most multifaceted artists and modernists of the twentieth century. She was a painter, drawer, sculptor, ceramist, glass- and textile designer, as well as an author and an art critic. She was the first woman who designed glass for Paolo Venini at Murano in Venice and she also served as the artistic leader at Arabia in Helsinki at a time when men tended to hold those kinds of positions. Tyra Lundgren grew up in Djursholm, near Stockholm. Her parents were John Petter Lundgren, professor at Veterinärinstitutet (institute of veterinary sciences) in Stockholm, and Edith Lundgren née Åberg, who was a housewife and raised their six children. The bourgeois home also comprised a nanny and a female cook. The family were very socially active, travelled often, and enjoyed the outdoor lifestyle. Tyra Lundgren’s schooling began at Djursholm coeducational school, where her teachers included Natanael and Elsa Beskow and Alice Tegnér. Her school friends included Greta Knutson-Tzara, Stellan Mörner, and Ingrid Rydbeck-Zuhr. Tyra Lundgren knew from the time she was five years old that she wanted to be an artist. She first became aware of the profession through Axel Fahlcrantz, who rented a studio on the plot of land where she lived with her family. In 1913 she began to attend Högre konstindustriella skolan (HKS, now known as Konstfack, college of arts, crafts and design) where she studied decorative art as well as handicrafts in various forms until 1917. One of her fellow students and friends there was Estrid Ericson, who later founded Svenskt Tenn AB in 1924. Whilst attending HKS Tyra Lundgren also took painting lessons at the Althin school of painting. In 1917 she was accepted as a candidate at the Royal Swedish Academy of Fine Arts where, apart from breaks during which she undertook studies abroad, she remained until 1922. She spent a couple of months taking lessons from Anton Hanak in Vienna and from 1920–1923 she was a student of André Lhote in Paris. Tyra Lundgren was primarily active in four countries: Sweden, Finland, France, and Italy. She spent much of her professional life travelling and considered herself to be a European. Greece and Mexico also formed important centres in her artistic life, as did the USA. She had an extensive social network which included focal individuals within twentieth century-European and American artistic and cultural circles. Tyra Lundgren’s main artistic motifs were birds, fish, and people which she depicted through different techniques and materials. Her artistic expression involved a variety of different directions and styles. She was a pioneer of the 1920s Swedish Grace style, the name of which had been coined by the art critic Morton Shand at the Stockholm Exhibition of 1930. This was a Swedish Art Deco style, characterised by elegance and traditional art which contrasted with the current artistic ideals of functionalism. Tyra Lundgren made her debut at a group exhibition held at Kungliga Akademien för de fria konsterna in 1921. She went on to show her work at various exhibitions throughout the 1920s. After that period she only very rarely exhibited her paintings. Tyra Lundgren’s painted output can be divided into different periods or stylistic directions. The first of these, and the most extensive, was her post-Cubist period which began in 1920 on her arrival in Paris. Her paintings from this time and right up to the mid-1930s typically comprise portraits, self-portraits, live-model painting, still-lifes, interiors, and landscapes in the Cubist style. Many of the great number of self-portraits she painted were produced in the New Objective style, displaying broad variation in terms of clothes, poses and techniques. Two of these – Huvud med vit duk and Självporträtt both from 1921 – can be seen at Moderna Museet in Stockholm, although the majority of these works are at Gotlands Museum. Tyra Lundgren’s second artistic period comprises the years of 1927 to 1929 and is characterised by the New Objective style inspired by medieval techniques and materials (Giotto, Piero della Francesca). Her motifs were still-lifes and landscapes. At this point she was living in Rome and was close to the circle involved in the Valori plastici: rivista d’arte art journal. This period saw a breakthrough in her development as a painter. From the 1950s through the 1970s her work can almost be described as belonging to the Concrete style. Using light pastel colours her paintings sought light in a sometimes non-figurative expression, but often depicting abstract bird-shapes or other nature-inspired imagery. Her paintings from this period are outsized and display powerful colours, in yellows, reds, and blues. Tyra Lundgren maintained a constant production of drawings, both in terms of individual artworks and sketches for patterns and designs. She also produced the illustrations for her book Fagert i Fide. Årstiderna på en gammal gotlandsgård, published in 1961. During her early years she also produced advertising illustrations. She spent the final years of her life primarily working with lithographs which were printed at Galleri Prisma and depicted images of doves, swallows, magpies and crows. Tyra Lundgren is meanwhile best known for her work as a ceramist and in this sphere she was one of Sweden’s leading exponents. She worked in the porcelain industry as a designer and as an artisan and ceramic sculptor. Her first job was at St Eriks Lervarufabrik in Uppsala from 1922–1924, she then worked at Arabia from 1924–1937, and at Rörstrand and Lidköping Porslinsfabrik. She was the artistic leader at Arabia ahead of the 1930 Stockholm Exhibition and she exhibited her work at the World’s Fairs. During the 1934–1938 period she was connected to the Manufacture nationale de Sèvres porcelain factory in Paris. Tyra Lundgren was a pioneer when it came to giving ceramic art a public space in Sweden. She produced around 20 outsized reliefs in stoneware, so-called monumental reliefs. One of these is Märkeskvinnor, from 1947, for the former girls’ school at Bohusgatan in Stockholm. From the 1940s onwards Tyra Lundgren produced sculptural objects in Chamotte clay and stoneware, with various glazings. Her small birds are well-known and popular with many. When her ceramic efforts became too much for her during the 1970s she then produced models for sculptures in bronze. There are six of these in various places around the globe, including Solfågel in Almedalen, Visby. Tyra Lundgren began to work as a glassware designer at Moser in Karlsbad in 1922 where she designed new table services and modernised older ones. She also worked freelance for Riihimäki factory in Finland during the 1924–1929 period. From 1934 to 1938 she was employed by Kosta glass factory where she mainly designed thick-walled bowls and vases, engraved with classical motifs. She was introduced to the glassmaker Paolo Venini at Murano during the Triennale di Milano of 1936 and they began a collaboration that lasted into the 1950s. As part of this collaboration Tyra Lundgren became the first woman to design glassware and, in conjunction with the glassblower Arturo Biasutto, she developed new techniques of glass production. Her motifs at this point were birds, fish, snail-shaped designs and leaf-patterned bowls using traditional techniques as well as in new designs. It was during this time that she created the so-called tissue-shaped bowls and it remains unclear as to who specifically came up with the design but Tyra Lundgren claimed it was of her making. Tyra Lundgren was active as textile designer for Licium (now HV Licium), the sacred textiles...

Sculpture 'Puppy in the World' by Sonja Petterson, Sweden, 2000. Signed. Sonja Petterson was a Swedish sculptor. She studied at Konstfack—the Stockholm University of Arts, Crafts a...

Almar Arvidsson Sculpture 'Lost Territory' by Almar Arvidsson, Sweden, 1960s. Signed.

A fine patinated terracotta sculpture from around ca.1900 of a lion signed A. Fagotto. Armand Fagotto was a Italian sculptor working during the end of the 19th century and early 20th...

Pair of Cats in Black Lacquered Wood by Laurids Lønborg, 1960's Additional Information: Material: Black lacquered wood Style: Mid century, Scandinavian Produced in Denmark Dimension...

Large and majestic horse sculpture / model made of genuine leather from the 1960s or 1970s. Well made with good proportions and details. Very decorative and would be a fun and cool p...

Ceramic sculpture in Scandinavian Style, 1960’s Additional Information: Material: Ceramic Style: Mid century, Scandinavian Dimensions: (W x D x H): 10.5 x 17.5 x 12 cm Condition: G...

Ceramic vase/bowl in shape of a fish, designed by Gunnar Nylund for Rörstand. Sweden mid-1900s. Signed. In good condition.

A rare collectible and signed glass vase. Swedish modernism design, made by Wärff for Boda, Sweden. This was handmade by the artist, and it is a limited edition, thus numbered and s...

A very rare and stunning vintage porcelain figurine in the shape of a camel stoneware design by very talented Gunnar Nylund for Rörstrand. This is a gorgeous piece and fun, originall...

A lovely fish sculpture in ceramic designed by Gunnar Nylund at Rörstrand. It is 16.5 cm (6.6") high. It is in excellent condition except from some chips on the fish mouth. Gunnar ...

Viennese Porcelain Ceramic Figurine in shape of Parrot sitting on Branch with Apple, probably 1920s This charming porcelain figurine was manufactured by prominent Viennese ceramic c...

A beautiful ceramic vase of model Triton designed by Vicke Lindstrand at Upsala Ekeby 1940s. It is 35 cm (14") high and in very good condition except from some minor repaired chips n...

Nice anatomy in high gloss brown glaze. Detailed lion mane, face with good proportions. The lustrous brown glaze adorning the surface adds depth and character, reflecting the play of...

Sonja Petterson Sculpture 'Rosa' by Sonja Petterson, Sweden, 2000 Signed.

Ceramic sculpture by Gunnar Nylund, 1950’s Additional Information: Material: Ceramic Style: Scandinavian, Mid century Produced by Rörstrand in Sweden Dimensions: (W x D x H): 14.5 ...

Cool platinum plated sculpture created by Victor and Lars Rundkvist Art and Design studio in Helsingborg Sweden. Limited edition this being no 99/250.

Two rare owl sculptures in stoneware designed by Carl-Harry Stålhane at Rörstrand. They are 8.5 cm (3.4") high. They are in good condition except from some marks from the production ...

A rare and beautiful stoneware fish sculpture with amazing glaze, on a wooden base. Made by Carl-Harry Stålhane in his own studio in Lidköping, Sweden, 1970s. Excellent condition. S...

Stig Linberg was a Swedish ceramic designer, glass designer, textile designer, industrial designer, painter, and illustrator.

The Austrian Midcentury Walnut Bear by Werkstätte Hagenauer is a charming and unique decorative piece that captures the essence of mid-cent...

Bertil Vallien and Horst Graf, sculpture, wrought iron in the form of a horse with a cart for Boda Forge. Bertil Vallien is a Swedish glass artist born in 1938 in Sollentuna. He is ...

Midcentury Swedish Brutalist fire screen of a "Firerooster" by Olle Hermansson for Husqvarna. In cast iron. Olle Hermansson was interested in Nordic myt...

A sculpture of a deer in ceramic designed by Gunnar Nylund at Rörstrand. It is 27,5 x 16.5 cm (11" x 6.6") and 21.5 cm (8.6") high. It is in excellent condition and comes with the or...

A beautiful ceramic vase in lovely Art Deco-style designed by Einar Luterkort, the vase is designed at Upsala Ekeby in the 1930s. It is 27 cm (10.8") high and about 15 cm (6") in di...

Sculpture designed by Gunnar Nylund for Rörstrand, Sweden, 1950s. Stoneware. Stamped. H: 15.5 cm W: 18.5 cm D: 10 cm.

Italian original painted plaster sculpture of a young Roman woman in nice gilt dress and flower wreath. This well sculptured smiling lady cou...

This rare brass sculpture in the shape of a parrot. with black painted wood base, is the perfect office buddy. Get inspired by the office of Yves Saint Laurent and Pierre Bergé. H...

Art Deco Mandarin Duck sculpture in brass by Georges H. Laurent.. The sculpture is signed G.H:laurent, number 51,. The bird mounted over a black brown port...

Really nice stoneware sculpture by Gunnar Nylund with an imposing face and glaze. Depicting a Hermelin or a Ferret. Stands on the original elm stand from Rörstrand. The sculpture can of course stand all by itself without the wooden stand. The condition is great. No issues! All company...

Scandinavian Modern rare figurine by Gunnar Nylund of a checky Gibbon ape, from Rörstrand, Sweden, 1940s. Sculpture with eggshell glaze and a stand in W...

A lovely wooden sculpture designed in Sweden in the midcentury. It is in very good condition except from that one of its legs is repaired. The designer is unknown.

A Swedish set of four wooden carved and painted figures of a bull and three cows from early 20th century. Sweden has a long and well known tradition of folk art wooden carving. It started in the rural class, the so called "allmoge" people of the countryside. They could not afford expensive materials such as metals, ivory or ceramic so they used pine wood for the making of kids toys...

A lovely vase of model "Cocos" designed 1954 by Hjördis Oldfors at Upsala Ekeby. the Cocos-serie was only in production in 1954. This is the largest vase in the serie with model numb...

Rare lion sculpture designed by Anna Petrus. Produced by Svenskt Tenn in Sweden.

Early 20th century porcelain pig. Beautifully patinated and crackled creamy white glaze. Quite possibly an old piggy bank, fed through bottom since slot ...

A lovely vase with a Floral Art Nouveau decor designed at Upsala Ekeby in the early 20th century. The vase is 25 cm high and in very good condition except from some scratches.