Large Drawings and Watercolor Paintings

#6, How hard it is to climb up other people's stairs, The Divine Comedy. The Paradise. monotype with hand coloring in ink. From a new series of 7 monoprints with hand coloring inspi...

#7, With a voice one day I'll come back, The Divine Comedy, The Paradise. Monotype with hand coloring in ink. Unique. From a new series of 7 monoprints with hand coloring inspired by...

#2, I saw more than a thousand splendors coming to me, The Divine Comedy, The Paradise . Monotype with hand coloring in ink. Unique. From a new series of 7 monoprints with hand color...

“Gerry's Watershed” by artist Mary Spencer is a 28 x 39.5 inch surreal mixed media work on paper. The artwork is signed and dated on the front and back. Mary Spencer’s works on pape...

“Passing Over” by artist Mary Spencer is a 28 x 39.5 inch surreal mixed media work on paper. The artwork is signed and dated on the front and back. Mary Spencer’s works on paper inv...

“Dazed” by artist Mary Spencer is a 28 x 39.5 inch surreal mixed media work on paper. The artwork is signed and dated on the back. Mary Spencer’s works on paper investigate gaze as ...

Watercolor, mixed media, using resists. Janet Morgan’s explosive art captures the exuberance and deep wisdom we humans yearn to experience. Her sense of humor and spiritual depth s...

“Cave of Desire” by artist Mary Spencer is a 28 x 39.5 inch contemporary pastel and ink drawing on paper. The drawing is signed on the front and back. Mary Spencer’s works on paper ...

“White Water” by artist Mary Spencer is a 26.5 x 40 inch contemporary charcoal drawing on paper. The drawing is signed and dated on the front and back. Mary Spencer’s works on paper...

Watercolor, mixed media, using resists. Janet Morgan’s explosive art captures the exuberance and deep wisdom we humans yearn to experience. Her sense of...

Mixed media, acrylic and ink on paper Nino Devdariani is a Georgian artist born in 1970 who lives and works in Tbilisi, Georgia. Her inspiration is the perception of positive and ne...

This painting is in a series called the Wild Woman which is also printed in a pocket sized book. Watercolor, mixed media, using resists. Janet Morgan’s...

Soft pastel on toned paper, signed and dated on bottom. Requires framing under glass. Part ot a series of Nudes with Attitude by the artist Stephen Basso's highly original pastels an...

Mixed media, acrylic and ink on paper Nino Devdariani is a Georgian artist born in 1970 who lives and works in Tbilisi, Georgia. Her inspiration is th...

The Spangle Maker 17, Drawing by Christopher Russell, 2024 "Landscape is a place of endless metaphor. Parasitic, ghostly orchids growing from the roots of giant pines in the Columbi...

Watercolor, mixed media, using resists. Janet Morgan’s explosive art captures the exuberance and deep wisdom we humans yearn to experience. Her sense of...

This painting is in a series called the Wild Woman which is also printed in a pocket sized book. Watercolor, mixed media, using resists. Janet Morgan’s...

Mixed media, acrylic and ink on paper Nino Devdariani is a Georgian artist born in 1970 who lives and works in Tbilisi, Georgia. Her inspiration is the perception of positive and ne...

Pastel on paper, anthropomorphic variety of birds ABOUT Stephen Basso Stephen Basso's highly original pastels and oil paintings are romantic, yet thought provoking fantasies. Hi...

Signed by the artist in pencil, lower right Provenance: Estate of the Artist With the artist's original presentation (Frame and matting) Two similar titles were exhibited in The ...

Signed by the artist in pencil lower right Provenance: Estate of the Artist References And Exhibitions: With the artist's own original presentation (frame and matting) Two simil...

This new series of painting is an exciting transition for Kinney as he is best known for assemblage and sculpture. “Anim”, the Latin root word of animal, means life, soul or breath. This exhibition features select large-format monochromatic oil paintings on stretched canvas and wood panels. On view as well are works on paper with Japanese Sumi Ink, which inspired the oil paintings. Kinney has been looking at pre-historic cave paintings as well as animals depicted therein, such as the Chauvet caves in Nice, Southern France. Emerging from the inextricable interplay of light and dark, Kinney’s black and white ink paintings capture the ever-shifting subjectivity shaped by shadow. Cast in Japanese Sumi ink, each unique painting explores the trajectories of human and animal, natural and architectural form- what is revealed or hidden? A variety of hand-torn, heavy weight papers add textural dimension to each mark and brush stroke, as well as through the immediacy of brushstrokes to depict the action within the artwork In his latest collection of works, Kinney explores animal form and meaning as seen in both contemporary and ancient times. In “Savanna (Zebras) ”, a stampede of zebras is depicted through oil paint on wood panel. Animal populations in regions like the horn of Africa today face the loss of their natural habitats due to extreme draught. He explores the deep imprint they leave behind and the interconnectedness of humans and animals in the world. With the balance of nature at stake, Kinney’s paintings underscore the importance of the relationship between the natural environment and civilization. Matt Kinney...

Artist David Morrison creates hyperrealistic, yet abstracted, finely detailed pencil drawings of found natural objects, both by observing the object itself under magnification, and a...

Watercolor on paper. Apologies about the 2nd photo, the image is correct on my end, but there aren't any options to rotate after uploading. Please contact me if other images are nee...

pastel on heavyweight toned paper unframed signed on bottom. part of a series of valentine day theme paintings ans pastels

Ink, pen & pigment on paper Ilia Balavadze is a Georgian artist born in 1968 who lives and works in Tbilisi, Georgia. From 1987 to 1993, he studied the...

I register it and then part of it automatically goes to work. I'm not trying to paint literally, but I'm trying to bring the emotions being exerted on me closer to the viewer. A feel...

Sarah Irvin Outbreak, 2015 ink on Yupo 26 x 40 in. This abstract ink painting on Yupo paper plays with transparency and color in shades blue and gray. "In this work I write cursive...

Large detailed pencil drawing of armor, watercolor paint used as mixed media and as background. Dimensions include the 1 inch border all around (can be cropped or matted) :: Drawing...

Anna Schuster Title: Draft Design Medium: Gouache Year: 1992 Signed by hand, dated and inscribed Edition: Unique Size: 22.6 × 23.4 on 23.8 × 33.5 inches COA provided

Watercolor, mixed media, using resists. This is from the God and Goddess Series, Morgan's Supreme Being, nearly 200 deities both new and new takes on tra...

Unique

pastel on heavyweight toned paper framed under glass in floater fashion cherry wood frame wired and ready to display ABOUT Stephen Basso Stephen Basso's highly original pastels an...

Part of a pair of 19th century landscape scenes depicting castle ruins. Unsigned. Presented in a gilt frame and double card mount. On paper.

Bernard Fleetwood-Walker RA RWS (1893-1965) Study for Mr and Mrs R. H. Butler and Their Daughters, c. 1932 Graphite, coloured graphite and wash on paper, mounted to card 64.5 x 74.5 cm.; (within frame) 87.4 x 91.8 cm. Provenance: The artist’s studio, 1965 (no. 525); Private Collection, United Kingdom. Dated to c. 1932, the present drawing belongs to a series of preparatory studies for Mr and Mrs R. H. Butler and Their Daughters (1932), a large family composition...

Mountain view. Watercolor, artist signed lower right, size 14.5"x19.5" with frame 22"5x26"5 framed under glass. Judith Sobel was born in Lwow Poland in 1924. After World War II, sh...

This superb, complex and relatively large watercolor won the Ida Wells Stroud Memorial Award from the American Watercolor Society in 2008, as evidenced by th...

This series was inspired by a 1950’s era instruction manual found while clearing out my father’s basement workshop. The How To Light A Model manual employed voluptuous female models to teach lighting techniques to amateur photographers such as my father. Diagrams plot the prescribed direction of the lights. The nude women hold the pose, their lips bright red and their feet dirty from the studio floor. As naked props for the authoritarian photographer, their vulnerability seems palpable. This work visualizes the human condition as a balance between feral and fabricated worlds. Vivid, oversized creatures embody instinctual energy. Wax seals, gold spheres and text-like marks signify rational structures. One speaks in a whisper, the other in a hiss. Winifred McNeill...

"Baghdad Rain" is an original oil pastel drawing on illustration board by Reginald K. Gee. The artist signed the piece on the back. It depicts some abstracted figures in a dream-like...

"Go Figure" is an original oil pastel drawing by Reginald K. Gee. The artist signed the piece upper right. It depicts abstracted figures mixed with a variety of Neo-expressionist mar...

Archival pigment ink print on canvas, Edition of 12 Sumit Mehndiratta is an Indian artist born in 1986 who lives & works in New Delhi, India. He has pursued Master of Science in Int...

Facial expressions are used to convey information from one person to another. Here the viewer has a sense of how the artist feels about celebrating his 80th birthday. A master with vine charcoal, David Becker uses it with precision. With a rich range of value and strong darks, Becker captures his own fine details with exacting clarity. This piece is floated and framed with a simple wooden frame. David Becker Self Portrait at 80 vine charcoal on paper 35.75h x 25w in 90.81h x 63.50w cm DB0031 David Becker Exhibitions 2017 Figure8, Gallery Victor Armendariz, Chicago, IL Coming Attractions, Gallery Victor Armendariz, Chicago, IL 2012 Eye Teeth Group Show, Paint Creek Center for the Arts, Rochester, MI 2011 Art Chicago 2011, Merchandise Mart, Chicago, IL 2010 Art Chicago 2010, Merchandise Mart, Chicago, IL 2009 David Becker Retrospective, Ann Nathan Gallery, Chicago, IL Art Chicago 2009, Merchandise Mart, Chicago, IL The 184th Annual Exhibition of Contemporary American Art, National Academy Museum, NYC Selections, Ann Nathan Gallery, Chicago, IL 2008 Art Chicago 2008, Represented by Ann Nathan Gallery, Merchandise Mart, Chicago, IL 2007 Unruly Muse, Ann Nathan Gallery, Chicago, IL SOFA NY (Sculptural Objects Functional Art), Ann Nathan Gallery, 7th Regiment Armory, NY, NY Art Chicago, Merchandise Mart, Ann Nathan Gallery, Chicago, IL 2006 Palm Beach³, Ann Nathan Gallery, Palm Beach, FL 2005 SOFA NY (Sculptural Objects Functional Art), Ann Nathan Gallery, 7th Regiment Armory, NY, NY Art Chicago in the Park, Butler Field, Ann Nathan Gallery, Chicago, IL Ann Nathan Gallery, Chicago, IL Palm Beach³, Ann Nathan Gallery, Palm Beach, FL 2004 Contemporary Prints: National Academy Museum Collection, National Academy of Design, NYC Art Chicago 2004, Ann Nathan Gallery, Chicago, IL Fantastic & Visionary Art, touring exhibit: Orange, Manning, Riddoch, & Ballart Gallery, Australia Return of the Men, Peltz Gallery, Milwaukee, WI 2003 Art Chicago 2003, Ann Nathan Gallery, Chicago, IL Fantastic & Visionary Art, touring exhibit: Orange Regional Gallery, New South Wales, Australia National Academy of Design 178th Annual Exhibition, NY, NY 2002 Art Chicago 2002, Ann Nathan Gallery, Chicago, IL Art of the 20th Century, Ann Nathan Gallery, Park Ave. Armory, NY, NY Outsider Art Fair, The Puck Building @ Houston & Lafayette Sts., NYC Self and Other Portraits, Wisconsin Artists, Charles Allis Art Museum, Milwaukee, WI Return of the Men, Peltz Gallery, Milwaukee, WI 2001  Beyond the 50's, May 4 - July 1, Exhibit A, A Gallery of Art & Design, Birmingham, Michigan Outsider Art Fair, January 26-28, The Puck Building @ Houston & Lafayette Sts., NYC "FANTASTIC ART", April/May, Orange Regional Gallery, Orange NSW, Australia. David Becker: Etchings and Engravings, Ann Nathan Gallery, Chicago, solo exhibition of prints, February. 2000  Four person exhibition, Columbus State University, Columbus, Georgia, Oct. 31 - Nov. 27, 2000. 1999 National Academy 174th Annual Exhibition, NY University of Wisconsin-Madison Faculty, Elvehjem Museum of Art, Madison, WI Treasures Revealed: 19th and 20th Century American Works on Paper, National Academy, NY 1995 Bharat Bhavan International Biennial of Prints, Bhopal, India Contemporary Prints, Selections from John Szoke Gallery, NYC, Drew University, Madison, NJ Collection Update, 1994, National Academy of Design Museum, NY 1994 David Becker and Robert Sholties, Peconic Gallery, Suffolk Community College, Riverhead, NY In Black and White: Works by Four Printmakers, Atrium Gallery, University of Connecticut, Storrs Aesthetics of Athletics: Sports, Games, and Exercise, Charles A. Wustum Musem, Racine, WI GMI IX Award Winners, Art Center Gallery, Central Missouri State University, Warrensburg 1993 Take Home a Nude benefit auction, NY Academy of Art Graduate School Of Figurative Art, NY 1993 American Prints: Last Half 20th Century, Jane Haslem Gallery, Washingtion, DC Outstanding American Prints, Anderson Arts Center, Kenosha,WI National Academy of Design 168th Annual Exhibition, NY David Becker: Etchings, Davidson Galleries, Seattle, WA Portraits, Davidson Galleries, Seattle, WA 1992 The Print Fair, 7th Regiment Armory, NY 1991 166th Annual Exhibition, National Academy of Design, NY Alma College Collection, Detroit Institute of Arts, Detroit, Michigan Modes of Expression, Potsdam College, SUNY, Potsdam, NY 1990 With Nothing On, Prints and Drawings of the Nude, New Orleans Museum of Art, LA Prints by Printmakers, Staller Art Center, SUNY-Stonybrook, NY Publications/Reviews 2007 November 60 Years of North American Prints: 1947-2007, Boston U. Art Gallery, Boston, MA 2003 July 11 Isthmus, Madison, “Welcome to My Nightmare,” by Robert Cozzolino. 2001 March 14 The Wall Street Journal, "Time Off: A Week of Diversions." Review of Progressive Printmakers (LVM) exhibition. 2001 February Isthmus, Madison, "America's Printland," by Jennifer Smith. 2001 February Capital Times, "The Crowned Prints," by Kevin Lynch. 1999 July Progressive Printmakers: Wisconsin Artists & the Print Renaissance. 1995 – 1999 Who’s Who in America. 1993 Summer The Journal of the Print World, review. March 14 The New York Times, review. March 12 The Daily Oklahoman, review. 1990 Dec. 13 The Capital Times, review. April 28 The Washingtion Post, review. March 25 The New York Times, review. Summer The Journal of the Print World, review. Selected Collections - additional collections available on requestArkansas Arts Center Foundation, Little Rock, AR Art Institute of Chicago, Chicago, IL Brooklyn Museum, NYC Butler Institute of American Art, Youngstown, OH Detroit Institute of Art, Detroit, MI Elvehjem Museum of Art, U of Wisconson-Madison Honolulu Academy of Arts, Honolulu, HI Library of Congress, Washington, DC Metropolitan Museum, Miami, FL Museo de Arte Moderno, Cali, Columbia National Academy, NY, NY National Museum of American Art, Washington, DC New York Public Library, NY Portland Art Museum, Portland, Oregon Rose Art Museum, Brandeis University, MA United States Information Agency, Prague, Czech. Alberta College of Art, Alberta, Canada Albion College, Albion, MI Alma College, Alma, MI Art Center, South Bend, IN AT&T Corporate HQ, Plainfield, NJ Boston Printmakers, Boston, MA Bradley University, Peoria, IL Columbia Green Community College, Hudson, NY Columbus State University, Columbus, GA Davidson College, Davidson, NC Dickinson College, Carlisle, PA Georgia State University – Atlanta Hope College, Holland, MI Hunterdon Art Center, Clinton, NJ Kansas State University, Manhattan, KS Madison Art Center, Madison, WI Marui Imai Inc., Sapporo, Japan Milwaukee Art Center, Milwaukee, WI Minot Art Association, Minot, ND North Carolina Print/Drawing Society, Charlotte, NC North Texas State University – Denton Ohio University – Athens Oklahoma Art Center, Oklahoma City, OK Oklahoma State University, OK Quad Graphics, Milwaukee, WI Silvermine Guild of Arts, New Canaan, CT Springfield College, Springfield, MA St. Lawrence University, Canton, NY State University of New York – Fredonia State University of New York – Potsdam Trenton State College, Trenton, NJ University of Arizona Museum of Art, Tucson, AZ University of Colorado-Boulder University of Dallas, TX University of Louisville, Louisville, KN University of Manitoba, Winnipeg, Canada University of North Dakota – Grand Forks University of South Dakota – Vermillion University of Tennesse – Knoxville West Chester State College, West Chester, PA Western Kentucky University – Bowling Green Private Collections Carla Leighton, New York, NY Marc Hauser, Chicago, IL Michael John Hofer, Chicago, IL Drs. Mark & Helene Connolly, River Forest, IL Jamie Kalikow, New York, NY Dianne & Jim Blanco, Chicago, IL Denise Roberge, Palm Desert, CA Tish & Philip Messinger, Creskill, NJ Brian Wesphal & Michael McVicker, Chicago, IL Ralph Privoznik, Lafayette, IN Candice Groot, Evanston, IL Shomaker/Ruud Collection, Chicago, IL Braden Berkey and Robert Bartlett, Chicago, IL Bill and Karyn Silverstein, Highland Park, IL Steve Weitz, Lovettsville, VA Mary Allice Wimmer, Madison, WI Ann & Robert Avery...

This series was inspired by a 1950’s era instruction manual found while clearing out my father’s basement workshop. The How To Light A Model manual employed voluptuous female models to teach lighting techniques to amateur photographers such as my father. Diagrams plot the prescribed direction of the lights. The nude women hold the pose, their lips bright red and their feet dirty from the studio floor. As naked props for the authoritarian photographer, their vulnerability seems palpable. This work visualizes the human condition as a balance between feral and fabricated worlds. Vivid, oversized creatures embody instinctual energy. Wax seals, gold spheres and text-like marks signify rational structures. One speaks in a whisper, the other in a hiss. Winifred McNeill...

Jeff Conroy Black Mirror, 2018 sumi ink on mulberry paper 25h x 37w in 63.50h x 93.98w cm [artwork is unframed. Contact gallery for framing options] Gyotaku - A Japanese word translated from "gyo" meaning fish and "taku" meaning stone impression. It is the traditional Japanese method of printing fish, a practice which dates back to the mid-1800s. This form of nature printing was used by fishermen to record their catches, but has also become an art form of its own. Gyotaku is a Japanese method of printmaking that traditionally utilizes fish, sea creatures or similar subjects as printing "plates" in its process. The literal translation of the word is "fish stone rubbing...

This series was inspired by a 1950’s era instruction manual found while clearing out my father’s basement workshop. The How To Light A Model manual employed voluptuous female models to teach lighting techniques to amateur photographers such as my father. Diagrams plot the prescribed direction of the lights. The nude women hold the pose, their lips bright red and their feet dirty from the studio floor. As naked props for the authoritarian photographer, their vulnerability seems palpable. This work visualizes the human condition as a balance between feral and fabricated worlds. Vivid, oversized creatures embody instinctual energy. Wax seals, gold spheres and text-like marks signify rational structures. One speaks in a whisper, the other in a hiss. Winifred McNeill...

I use my photos as a starting point. I change them up significantly to get a final composition that best conveys my sense of a work. :: Drawing :: Expressionism :: This piece comes w...

Watercolor, mixed media The energy of this work is only possible painting with both hands, standing and working with music. The underlying structure is created with oil pastel using...

Mortimer Luddington Menpes, 1855-1938, was an Australian born English painter, printmaker, illustrator and author. Menpes left Australia in his early twenties with his family and ca...

Mixed media, acrylic and ink on paper Nino Devdariani is a Georgian artist born in 1970 who lives and works in Tbilisi, Georgia. Her inspiration is th...

Mixed media, acrylic and ink on paper Nino Devdariani is a Georgian artist born in 1970 who lives and works in Tbilisi, Georgia. Her inspiration is the perception of positive and ne...

Giorgia Oldano is a young Italian artist specialized in wildlife and avian drawings. She is regularly invited to exhibit at Bird in Art, Leigh Yawkey Woodson Art Museum (Winsconsin)...

This new series of painting is an exciting transition for Kinney as he is best known for assemblage and sculpture. “Anim”, the Latin root word of animal, means life, soul or breath. This exhibition features select large-format monochromatic oil paintings on stretched canvas and wood panels. On view as well are works on paper with Japanese Sumi Ink, which inspired the oil paintings. Kinney has been looking at pre-historic cave paintings as well as animals depicted therein, such as the Chauvet caves in Nice, Southern France. Emerging from the inextricable interplay of light and dark, Kinney’s black and white ink paintings capture the ever-shifting subjectivity shaped by shadow. Cast in Japanese Sumi ink, each unique painting explores the trajectories of human and animal, natural and architectural form- what is revealed or hidden? A variety of hand-torn, heavy weight papers add textural dimension to each mark and brush stroke, as well as through the immediacy of brushstrokes to depict the action within the artwork In his latest collection of works, Kinney explores animal form and meaning as seen in both contemporary and ancient times. In “Savanna (Zebras) ”, a stampede of zebras is depicted through oil paint on wood panel. Animal populations in regions like the horn of Africa today face the loss of their natural habitats due to extreme draught. He explores the deep imprint they leave behind and the interconnectedness of humans and animals in the world. With the balance of nature at stake, Kinney’s paintings underscore the importance of the relationship between the natural environment and civilization. Matt Kinney...

Ink, pencil, watercolor markers, charcoal on paper Shota Imerlishvili is a Georgian artist born in 1991 who lives and works in Tbilisi, Georgia. He is graduated from the Georgian Te...

Watercolor markers, brushpen and watercolor pencils on paper Shota Imerlishvili is a Georgian artist born in 1991 who lives and works in Tbilisi, Georgia. He is graduated from the G...

From the artist's 2017 Bridget Bardot series Ink + thread machine stitched on papercont

Ink, watercolor, markers, pencils and pen on paper. Shota Imerlishvili is a Georgian artist born in 1991 who lives and works in Tbilisi, Georgia. H...

ink,water color markers,pen,pencil on paper. Shota Imerlishvili is a Georgian artist born in 1991 who lives and works in Tbilisi, Georgia. He is graduated from the Georgian Technica...

Pencil, pastel, watercolor, markers, ink on paper Framed - brown wood frame, 96 x 71 x 3 cm Shota Imerlishvili is a Georgian artist born in 1991 wh...