Large Drawings and Watercolor Paintings

Birds. 2020. Watercolor, paper, 66 x 96 cm Seagulls over the sea Zigmunds Šņore was born in 1942 in Latvia. His works has been exhibited since 1969 an...

Beautiful large-scale figurative landscape watercolor of a vibrant village scene with several people and a cow amongst interesting architecture by William Howard Knowles (American, 1...

Signed and dated impressionist landscape oil on canvas by French painter Jean Baptiste Armand Guillaumin. This simply stunning piece de...

Excellent overall condition. Analysis under UV light shows no retouching, and no prior restaurations. Original canvas.

30X21.25 without the frame. Mixed Media painting and drawing on paper. Lawrence Kupferman had a long and illustrious career as an artist and educator. His work has been exhibited at ...

This original vintage painting by Charles Ragland Bunnell (1897-1968), titled Quitting Time from Bunnell's Black and Blue Series from 1941, exemplifies his unique Abstract Structure ...

Louis Osman was an English artist, architect, goldsmith, silversmith and medallist. He is notable for the gold coronet he designed and made for the investiture in 1969 of Charles, Prince of Wales. We have acquired a large archive of Osman's works form his daughter; to see the other Osman works available, please scroll down to "More from this Seller" and below it click on "See all from this Seller." Louis Osman (1914 - 1996) A Pavilion in a Private Park Pen, ink and wash 67 x 100 cm Provenance: the family of the artist. Signed lower right. Osman was as much an artist as an architect. This is likely a portfolio piece from his time studying at the Bartlett School of Architecture, and is as such a piece of architectural history as well as a beautiful Osman design. Osman was awarded a First Class degree and the Donaldson Medal of the RIBA (for the best result in his year group) by the Bartlett, and then went on to the Slade School of Art. He subsequently trained with Sir Albert Richardson – we also have several Richardson works in our collection. After the war, Osman busied himself as an architect. His work included contributions to Westminster Abbey, and Lincoln, Exeter, Ely, and Lichfield Cathedrals, Staunton Harold Church in Ashby de la Zouch for the National Trust, and of course his folly: the Grade I listed Elizabethan manor house, Canons Ashby in Northamptonshire, now a National Trust property. At Canons Ashby he established a workshop and had a team of silversmiths and goldsmiths working for him. In 1976 he made the gold enamelled coffin...

Jose Ortega, Spanish (1921 - 1991) Title: Seated Woman and Bull Figure Year: 1962 Medium: Watercolor on BFK Rives, signed and dated l.l. Size: 20 x 25...

Pastel on paper, signed (lower right), 50cm x 74cm (70cm x 92cm framed). The picture is good condition and the work comes directly from the artist. Painter, draughtsman and teacher...

Winold Reiss The Red Silo Signed lower left Watercolor on paper 20 x 29 inches Winold Reiss (1886-1953) was an artist and designer who emigrated to the United States from Germany in 1913. Probably best known as a portraitist, Reiss was a pioneer of modernism and well known for his brilliant work in graphic and interior design. A compassionate man who greatly respected all people as human beings, he believed that his art could help break down racial prejudices. Like his father Fritz Reiss (1857-1915), who was also an artist and who was his son's first teacher, Winold Reiss was artistically moved by diverse cultures. The elder Reiss focused on folk life in Germany while Winold drew substantial inspiration from a range of cultures, particularly Native American, Mexican, and African-American. As did many young aspiring artists, Winold Reiss studied with the esteemed painter and teacher Franz von Stuck at the Royal Academy of Fine Arts in Munich, which was at that time a center of the decorative and fine-arts movement. It is not known whether Reiss met E. Martin Hennings...

A energetic landscape in pastel. Signed lower right. Presented in a large contemporary frame. On paper.

A unique four panel still-life depicting a snap-shot of the artist's 1970's studio by Noel Howard (American, 20th Century). A drawing within the drawing with colored pencils, some cl...

Mortimer Luddington Menpes, 1855-1938, was an Australian born English painter, printmaker, illustrator and author. Menpes left Australia in his early twenties with his family and ca...

This mixed media on paper is a subtle study of the model, soft and flowing. Angela was born in 1946 and studied art at Kingston Art College, London. Her early career was predominan...

Untitled (Brown and Blue Shapes) Gouache and watercolor 18.25 x 11.62 inches Framed: 32.5 x 26 inches

A framed watercolour by Walshe. Known more for his works in other mediums this is a bit of a departure for Walshe, but still displays his unique style and concern for the environment. Lilac Fish is an intricate work showing happy little reef fish...

Chinese New Year paintings (nian hua) are colorful folk paintings created to celebrate the annual Spring Festival. Drawn or printed by folk artists in regional studios, nian hua paintings featured exaggerated characters with bright and contrasting colors. Put up around the home to beckon luck and happiness in the coming year, most paintings depicted mythical guardians, scenes from folk operas, or auspicious symbols of good luck. This New Year painting depicts a young woman with a child and is hand-painted in a palette of red, blue, and purple. Belonging to a genre known as 'beauties and babies,' the painting represents a harmonious family life. The early 20th century painting is from the town of Yangliuqing, one of the leading producers of traditional New Year's paintings known for its combination of woodblock printing...

During the pandemic, Such spent her free time trying to ease her mind by drawing lines with markers on paper, and these lines have become the intricate and meditative drawings that w...

Mid Century French feutre drawing on paper of a Provençal stable with horses by Jean Arène. Signed and dated bottom left and presented in a wooden frame under glass. This evocative...

Late Mid Century French feutre drawing on paper of a Provençal lady sitting in her kitchen by Jean Arène. Signed and dated bottom left. This artwork is a striking pen-and-ink drawing that vividly captures a cluttered interior scene filled with an assortment of teapots and household objects. The central figure, an elderly lady with an expressive face, sits at a table surrounded by an overwhelming array of details. The artist uses bold, dynamic lines to convey a sense of chaos and charm, creating an atmosphere of cozy clutter. The composition’s intricacy draws the viewer's eye around the room, showcasing...

Monotype EV edition variée 5/7, with heavy hand coloring using mixed media / colored pencils, The original monotype features a young woman wearing tube socks and feathered gloves. Im...

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you want. Gwyneth...

Artist: Francisco Zuniga, Costa Rican / Mexican (1912 - 1998) Title: Seated Pair Year: 1964 Medium: Pastel on Paper, signed and dated l.r. Size: 15.5 x 25 inches Frame: 24 x 33 inche...

Emma Lindström was born in 1989 in Gothenburg, Sweden. She has had great success internationally with her colourful, energetic work, and has exhibited i...

This part of a series titled Restless Still Lie by the artist depicting everyday objects engaged in some particular drama hence the title. It is soft pastel on toned archival sanded...

London Thames View is a modern artwork realized by Herbert John Finn (1860-1942). Mixed colored ink, pastel and watercolor on paper. Includes gileded frame Hand signed and dated o...

Juventus Football Player, UEFA Champions League Final vs Ajax, 1996 – 101 x 72 cm Technique: Charcoal on paper, signed and dated ’96 Author: Marco Silombria (Savona, 1936 - Albissol...

Painting of Abstract Turquoise & Red Flowers on a Pink Background by British Landscape Artist, Angela Wakefield. This original is from the 'S...

A charming watercolour showing a mother and father raising a small child onto the back of a horse while three more children sit on a wooden sled pull...

In Japan, they are known as Nishikigoi, or living jewels. These brilliantly colored varieties of the Amur carp have been selectively bred by family owned fisheries for generations. When I began this series of Gyotaku (Japanese fish printing) I studied the many varieties of Koi, each with their own unique colors and patterns. To create these pieces I print common carp I catch myself with sumi ink using traditional techniques used by Japanese fisherman...

Tom Holland Artists in the Spotlight: Celebrating the 50th Anniversary of San Francisco Museum of Modern Art (SFMOMA), 1985 Acrylic and mixed media with stencil on paper Signed and d...

Pastel and India ink on cardboard Created in 2019 in Paris, France Unique work Signed by the artist Parmis Sayous was born in 1982 in Teheran, Iran. Since 2015, She has lived and wo...

Henri ROYER Nancy 1869 - 1938 Paris Study of dancers Sanguine pastel and charcoal on cream white paper Circa 1900-1910 Unsigned 47 x 62.5 cm sheet 67 x 83 cm cm frame Provenance: Es...

Signed lower left, 'Hourian Hamid' (Iranian-American, 20th century) and dated 1985. A large, flowing abstract by the brother of the artist, Mohammed Hourian.

Fine piece by Gradwell on his exenstive tour of Italy. 'Amalfi Caostline' c 2005 signed original painting mixed media on paper 49cmx 50cm Glazed frame 68cm x 83cm Considered one of...

Judith Brenner Sophie Dancing 2 Original Nude Drawing Mixed Media on Paper Sheet Size: H 84.1cm x W 59.4cm x D 0.1cm Sold Unframed (Please note that in situ images are purely an indi...

Colourful Painting of Abstract Flowers on a White Background by Contemporary British Artist, Angela Wakefield. This original is from the 'Spring Burst' Interior Design Series. Framed...

This beautiful early 20th-century fan design by American-English artist Cyrus Cuneo ROI (1879-1916) depicts a couple with cherubs in an ornamental garden. Cuneo was an accomplished p...

Wonderful watercolor depicting a plant/flower. These were used at a Belgium University to teach the students about botany. Dating from the early 20th century. They are watercolor on ...

Sea at winter. 2020. Watercolor, paper, 60,5 x 85 cm Sea with ice at the shore Zigmunds Šņore was born in 1942 in Latvia. His works has been exhibited since 1969 and are held in pr...

This stunning exhibited Pre-Raphaelite 19th century watercolour painting is by British Victorian female artist Marcella M Walker. The painting was painted in 1880 and exhibited at th...

At Baltic sea. Watercolor, paper, 63x94 cm Zigmunds Šņore was born in 1942 in Latvia. His works has been exhibited since 1969 and are held in private ...

Charming mid century watercolor painting of a horse in winter with a barn in the background by Ernest Smythe (American/England 1881-1950). Signed "ERNEST SMYTHE" in lower left corner. Presented in a tan mat with a wood frame and glass. Image size: 25"H x 19.75"W As William Ernest Smyth, he was born at 13 Commercial Road, Ipswich on 9 April 1874 but was not baptised at St Michael's, Ipswich until 23 October 1885, when his birth date is given as 17 February 1874, youngest son of artist Thomas Smythe...

Rich Seated 2 is a contemporary nude painting by Judith Brenner. This is an original drawing from life on paper using acrylic, pan pastel , ink and watercolour pencil. The idea is t...

Interior design paintings. Does not see, does not hear, does not speak. The artwork was done with watercolor on watercolor paper 360g. The works are 15 by 11 inches in size, framed (...

Serene landscape of a path to the ocean through sand dunes by Joseph Yeager (American, 20th century). Signed "Joe Yeager" in the lower right corner. On verso is written "Gift painted...

FREE SHIPPING TO WORLDWIDE! Artisan: Alejandro Diaz Nava Picture painting with Chinese ink and acrylics over Amate Paper. - Dimensions: 28" x 37" x 2" in or 72 x 93 x 4 cm - Weigh...

The artist has covered New York collections for over 16 years and has interviewed, as a journalist, several fashion designers and personalities for different publications. He loves t...

This work is part of the latest production by artist Ruth Vidal (1998, Pontevedra). In this series, Ruth works on heavyweight paper with bouncy paint. She brings this material from t...

Francesco Spicuzza (American, 1883-1962) Untitled Landscape, 20th century Pastel on paper Sight size: 24 x 30 in. Framed: 26 1/4 x 32 3/8 in. Signed lower right: Spicuzza Italian-born Francesco Spicuzza was primarily a Wisconsin painter who did portraits, still-lives and local landscapes. He spent the first part of his life in near-poverty to become a painter. An eternal optimist, in 1917, the artist reported: "I am happy and my only ambition now is to paint better and better until I shall have reached the measure of the best of which I am capable." (Spicuzza, 1917, p. 22). His predilection for beach scenes germinated early: reportedly, the five-year-old boy first drew the outlines of his father's fishing boat in the sand on the seashore near their home in Sicily. After setting himself up as a fruit peddler in Milwaukee, Spicuzza's father sent for his family when Francesco was eight years old. For the following six years the boy was unable to attend school because of his job in his father's fruit and vegetable business. The poor lad suffered a caved-in shoulder from carrying a heavy wooden crate. The young Spicuzza was aided by moral and financial support from a sympathetic Milwaukee businessman named John Cramer, publisher and editor of the Evening Wisconsin, who raised Spicuzza's salary as a newspaper assembler so that he could attend school. In 1899 or 1900, Spicuzza began studying drawing and anatomy under Robert Schade (1861-1912), a painter of panoramas who had been trained in Munich under Carl Theodor von Piloty. Spicuzza was also taught by Alexander Mueller (1872-1935), a product of the Weimar and Munich academies. Mueller realized Spicuzza was a colorist and encouraged that orientation (Madle, 1961). Spicuzza found it beneficial to accept an apprenticeship in a lithographic studio for $8 a week, which demanded most of his time. During the St. Louis Universal Exposition in 1904, still a struggling student, Spicuzza attended the fair, thanks to Cramer. It was not long before Spicuzza received a twenty-five dollar portrait commission, and this inaugural success led to new commissions and allowed him to continue as a painter. The earliest influences in his work appear to be from Edward H. Potthast and Maurice Prendergast, though Spicuzza never mentioned either artist. Already in August 1910, Spicuzza was described in a newspaper as "one of the most talented of Milwaukee's rising workers." He undoubtedly received lasting inspiration from his one summer study period in 1911 with John F. Carlson at the Art Students League's Summer School in Woodstock, New York. Certainly Spicuzza would have picked up spontaneity in handling the brush from Carlson. Although he executed numerous still-lives and an occasional religious work, Spicuzza is best known for his Milwaukee beach scenes populated with frolicking bathers in multi-colored attire, not unlike the images of Potthast, who used a similar technique. Many of these are small, preparatory works on canvas board executed between 1910 and 1915. Frequently with even greater animation than Potthast, Spicuzza produced moving images of youthful energy and uninhibited child's play. These beach genre scenes reflect the attitude of American impressionists who depicted the more pleasant side of life. Spicuzza manipulated a successful balance of rich pigment applied in varying degrees of impasto texture with subtle nuances of hue. Working all'aperto, he sought "the soft enticing shades of yellow, blue, green, pink and lavender . . . to get the effects of bright glistening summer air." (L.E.S., n.d.). As a painter whose color not only derived from direct observation but also from a personal theory of color symbolism, Spicuzza traded the linear approach of lithography for dynamic patches of brilliant color. Like Prendergast, he would often tilt the angle of the picture plane to bring the viewer's position above the scene. Spicuzza was unable to enter the 1913 Armory Show or the Panama-Pacific International Exposition two years later but he did submit work to the annual exhibitions of the Pennsylvania Academy of the Fine Arts and those of the Art Institute of Chicago. His first important award was the bronze medal presented by the St. Paul Institute in 1913, which was followed by the silver medal two years later. Before long, Spicuzza had acquired a greater sense of security in his profession and was described by a writer in International Studio (April 1917) as "an independent artist with an assured future. His pastels and water-colours are poetic and joyous bits of nature with a genuine out-of-door feeling." In 1918, his Spirit of Youth, exhibited at the National Academy of Design, sold for $112.50. Four years later, the artist achieved his greatest local recognition by winning the gold medal from the Milwaukee Art Institute. Spicuzza spent a great deal of time painting en plein air and by 1925 he began summering at Big Cedar Lake, near West Bend, Wisconsin to gather his subject matter. Easter Morning (1926) owes something to the Symbolist movement, with its figure of Christ appearing over a seascape. During the difficult era of the Depression, patrons came to Spicuzza's aid and during the 40s, he taught housewives, businessmen and students at the Milwaukee Art Institute, the Milwaukee Art Center, and in his private studio. In the following decade, although his kind of art was no longer popular in the "make-it-or-break-it" New York gallery world, Spicuzza enjoyed regular patronage and sales. His beach scenes became more static and he would experiment with modernist techniques. Spicuzza died at the age of seventy-eight. Sources: L.E.S., "Do Colors Change a Person's disposition? Experiments of a Milwaukee Artist...

'Pompeii', a study plein air. signed original work 2005. watercolor on paper 45cm x 55cm. Painted wood glazed frame 72cmx87cm Gradwell focuses on been in the space and time and ma...

This artwork "Vue of Chiloa Bridge, Japan" c.1950 is an watercolor on paper by noted American artist Joseph Morgan Henninger, 1906-1996 It is signed at the lower left corner by the artist. The artwork size is 21 x 28.65 inches, framed is 28.5 x 35.85 inches. Framed in original wooden gold frame, with fabric liner. It is in very good condition. About the artist: Joseph Morgan Henninger (May 15, 1906 – March 7, 1999) was an American artist and illustrator. He was born in Elwood, Indiana and died In Pacific Palisades, California. Joseph Henninger...

Brightly colored composition of blue and red hearts merging together by Dessie Wilcox (American, b. 1948). From her "Heart Wall" series, Wilcox has been creating heart painting to ra...

Artworks in David Barnett's 'Boston Tea Party' series present a playful vision of one of the foundational narratives of the United States. In the imag...

Seen here is a charcoal drawing of a large Lady with cats. The unique work of Stephen Basso is wildly imaginative. While he is also a brilliant colorist, the monochromatic charcoal...

Lilacs and Peonies, Mid Century Floral Still-Life with Pink & Purple Vibrant mid century floral still-life featuring lilacs and peonies by Carolyn Tyson (American, b-1941). This lov...

A charming watercolour depiction of a lone fisherman by a woodland creek. The landscape around him shows the delights of autumn, with jewel coloured trees and falling leaves. Signed ...

This evocative watercolor painting, titled The Way War First Comes (1940), was created by noted American artist Charles Ragland Bunnell (1897-1968) during the Depression era. The pie...