Large Drawings and Watercolor Paintings

Raven Reads the Lines (Chalk Drawing of Black Bird on Vintage Book Pages) by Louise Laplante chalk on vintage collaged book pages. Artwork measures ...

Interior design paintings. Abstraction art, made in black, orange, yellow on white foam board. Also, you can read name Sasha in Russian at the middle of the painting. Can be as a s...

red Landscape Mineral Oxide on Paper (Canson Paper Montval 300gr) 70x50 cm 2025 Original Art Marilina Marchica, born in Agrigento, where she works and lives, she graduated in Pain...

graphite, conte crayon and charcoal on Arches paper 30 x 22 inches, 37.5 x 26 inches framed Custom frame with Natural wood molding, white 8ply mat, AR non glare glass Signed BEARD 20...

Gloria Dudfield Red Landing 1960s Oil Pastel and Gouache on Paper 26.5"x36" Good Condition - Wear consistent with age and history. Small areas of foxing. Edges have tears, paper sho...

This Charcoal drawing is made on toned paper with charcoal and chalk. The drawing is framed in a wooden gold frame with passe partout behind Clarity museum glass. The Italian artist Daniela Astone...

Terrell James Bloom , 2019 Mixed media on stone paper 40 x 28 in (101.6 x 71.1 cm)

Sandy Litchfield’s “Lingerlin” (mixed media on paper, 30 x 22 in.) reflects her signature practice of transforming landscapes into lyrical, layered compositions. Drawing inspiration ...

"Tulips Grey" is a vibrant floral painting where emotion takes center stage through swirling colors. Acrylic, oil pastel, and colored pencil dance across the paper, creating a dynam...

Bright and vibrant this mixed media on paper is a lovingly created study. Excellent condition Angela was born in 1946 and studied art at Kingston Art College, London. Her early c...

Blue Mother Drawing #3, by Jeanette Fintz in 2020 22 x 30 inches watercolor, gouache on Fabriano paper Signed lower right corner Framed: 32 x 39.5 inches, custom white frame, 8 ply w...

Here for your consideration is a beautifully executed watercolor of a bucolic New England series of village houses by the American artist, Gary Shepard. ...

This architectural wall-hanging artwork titled "In Isolation Series VI" is an original artwork by Seth Clark made of collage, charcoal, pastel, graphite, and acrylic on wood. This pi...

Traces of lived experiences appear in On Hansen's works, exploring the possibilities of formal abstraction and seeking an organic experience between space an...

This artwork "Untitled #1" is a watercolor on paper by California abstract expressionist artist R. Anthony (Tony) Askew, b.1939. It is signed at the lower right corner by the artist....

Janusz Kokot was born in Kalisz in 1960. He studied at the Pedagogical University in Częstochowa at the Art Institute. He practices painting and drawing. In the years 1988 - 2020 he ...

Robert Andrew Parker, American (1927 -2024) - Goodrich Castle Ruins, Year: circa 1959, Medium: Gouache on paper, signed and dated lower left, Size: 23 x 30 in. (58.42 x 76.2 cm), ...

Drawing on paper is his basic work tool, some are sketches of his surviving works, others are sketches of moments he documents. Undefined by medium, Celso Castro’s works each carry...

Andy Warhol Hermann Hesse, circa 1984 Estate stamp "The Estate of Andy Warhol & The Andy Warhol Foundation for the Visual Arts #VF115.188" on the verso Graphite on paper 31 1/2 x 23 ...

Watercolor, mixed media, using resists. Janet Morgan’s explosive art captures the exuberance and deep wisdom we humans yearn to experience. Her sense of humor and spiritual depth s...

G. Vaccaro. Italian ( 19th Century ). La Contadina. Pencil & Charcoal On Paper. Signed & Dated (18)65 Lower Right. Paper size 28.9 inches x 34.8 inches ( 73.5cm x 88.5cm ). Frame siz...

America Martin "Woman in Purple, Yellow & Blue" Pastel & Ink on Paper 40” x 26” AMERICA MARTIN is an internationally represented Colombian-American fine artist based in Los Angeles...

this is a soft pastel on red toned heavyweight archival paper , framing under glass recommended for display. full figured women like Botero theme: circus, food, cake, relationships,...

Drawing on paper is his basic work tool, some are sketches of his surviving works, others are sketches of moments he documents. Undefined by medium, Celso Castro’s works each carry...

M420 (Abstract Print) Digital creation, printed on Hahnemühle Photo Rag de 308 gr - Unframed. Fluctuating between illustration and expressionism, connecting the geometric and biom...

This is an exclusive handprinted limited edition cyanotype. This cyanotype shows a desert palm tree located in the majestic mediterranean city of Cairo, Egypt. Details: + Title: C...

This bold contemporary composition by Yvonne Lammerich is an intriguing exploration of colour and form. Origami-like folded shapes inter-connected by fine lines dance across this col...

Landscape BW Mineral Oxide on Paper 90x70 cm framed Option Original Art Ready to Hang The use of natural materials such as mineral oxide powder connects the work to a dimension o...

"Cursed March" (2024) by Dustin Panzino is a beautiful digital painting created in Procreate, which details a renaissance style depiction of a parade of spirits, marching forward in ...

30X21.25 without the frame. Mixed Media painting and drawing on paper. Lawrence Kupferman had a long and illustrious career as an artist and educator. His work has been exhibited at ...

signed lower right. size includes frame. The French artist Claude Hemeret was born on May 23, 1929. After classical studies at the lycée du Parc Imperial in Nice, he started at the l...

Watercolor on paper depicting a Dutch landscape (East of The Netherlands) with grazing cows at the edge of a forest, by A. M. Gorter (1866 - 1933). Dimensions incl. frame: 60 x 72 cm...

Drawing on paper is his basic work tool, some are sketches of his surviving works, others are sketches of moments he documents. Undefined by medium, Celso Castro’s works each carry...

Vintage Minimalist Sand Dunes Landscape in Watercolor on Laid Paper Wonderful minimalist watercolor of sand dune with grass and birds by Ed Walaitis (Amer...

Drawing on paper is his basic work tool, some are sketches of his surviving works, others are sketches of moments he documents. Undefined by medium, Celso Castro’s works each carry...

This delightful panoramic scene depict figures on a beach near the city of Dordrecht in the Netherlands. A couple converse on the sands, while boats sailing on the horizon behind. Th...

PHILIPPE NOYER – UNTITLED ⚜ Watercolor on Paper ⚜ Hand Signed Upper Right ⚜ Conservation Frame PORTRAIT STUDY IN WATERCOLOR Created circa 1965, this delicate watercolor by Philippe ...

Hercules after Carracci V, 2014 Tempera on paper (Signed) 27 3/5 H × 39 2/5 W in. 70 H × 100 W cm On the subject of his new works the artist stated: “There is not enough orange, ye...

Landscape BW Mineral Oxide on Paper 109 x74 Original Art Ready to Hang A unique and original work of art This painting, made with mineral oxide powder pigments on Canson paper, i...

Nude Laying Over the Edge of the Bed in Pastel on Paper Elegant pastel composition of a nude woman by an unknown artist (20th Century). The model is laying on her back, with her hea...

Tess Michalik Butterfly Altar, 2025 Oil on yupo 38 x 25 in. (mic033)

Really well executed male study Charcoal on paper. Matted Drawing in good order Image 25" x 18". matted 33" x 25"

HELLEU, PAUL CÉSAR (1859 -1927) "JEUNE FEMME ASSISE" (Young Woman Seated) Original Drawing in sanguine, white and black chalks, c. 1910 Signed in pencil by artist, lower right Full Margins on cream wove paperImage size: 17.5” x 11.02” Paul César Helleu...

Maria C. Bernhardsson is a colorful artist who lives and paints in Sweden. Most of her works are influenced by the architecture and geometry of houses. Bernhardsson travels the world...

In this series, water and pigments dance in a liquid choreography, intertwining and painting their own destinies. Each brushstroke traces ephemeral paths that are born, intersect and...

Interior design paintings. The ladscape was done with alcohol ink in yellow,orange,red,blue,green,pink color on Yupo paper. The work is 22 by 28 inches in siz...

Charcoal on cream laid paper mounted on board. 940x590 mm; 37x23 1/4 inches. Signed in charcoal, lower right recto. Unframed, The Paper has a slight ripple in the chest area. Four s...

Title: Vintage Fragment Year: 2025 Medium: Charcoal on paper Size: 70 × 100 cm Framing: Unframed (custom framing available upon request) Signature: Signed on the reverse Certificate ...

Vibrant large-scale landscape watercolor of a California vineyard by S.W.A. artist Carolyn Hofstetter (American, b.1927). This beautiful scene of ...

Juventus Player in Acrobatic Fall - UEFA Champions League 1995-96 Marco Silombria (1936-2017) Charcoal on paper, signed and dated '96 Dimensions: 101 x 72 cm Juventus, 1996. A playe...

VERY IMPORTANT DRAWING BY JACQUES DUMONT called « LE ROMAIN" (Paris 1701-1781) Preparations for the fireworks display held in Piazza Navona in Rome on November 30, 1729, for the bi...

Signed, dated and numbered “Picasso / 3.2.67 / II” (upper right) Crayon on paper Hailed among the fathers of modern art, Pablo Picasso possessed a seemingly e...

"Summer Blue", pencil and ultramarine tempera on paper, inspired by Matisse. Part of Nude in Interior series. Nude shown in a Victorian interior, in a cinematic view. In a distorted ...

This evocative watercolor on paper painting, titled The Way War First Comes (1940), was created by noted American artist Charles Ragland Bunnell (1897-1968) during the Depression era...

Rich Seated 2 is a contemporary nude painting by Judith Brenner. This is an original drawing from life on paper using acrylic, pan pastel , ink and watercolour pencil. The idea is t...

Francesco Spicuzza (American, 1883-1962) Untitled Landscape, 20th century Pastel on paper Sight size: 24 x 30 in. Framed: 26 1/4 x 32 3/8 in. Signed lower right: Spicuzza Italian-born Francesco Spicuzza was primarily a Wisconsin painter who did portraits, still-lives and local landscapes. He spent the first part of his life in near-poverty to become a painter. An eternal optimist, in 1917, the artist reported: "I am happy and my only ambition now is to paint better and better until I shall have reached the measure of the best of which I am capable." (Spicuzza, 1917, p. 22). His predilection for beach scenes germinated early: reportedly, the five-year-old boy first drew the outlines of his father's fishing boat in the sand on the seashore near their home in Sicily. After setting himself up as a fruit peddler in Milwaukee, Spicuzza's father sent for his family when Francesco was eight years old. For the following six years the boy was unable to attend school because of his job in his father's fruit and vegetable business. The poor lad suffered a caved-in shoulder from carrying a heavy wooden crate. The young Spicuzza was aided by moral and financial support from a sympathetic Milwaukee businessman named John Cramer, publisher and editor of the Evening Wisconsin, who raised Spicuzza's salary as a newspaper assembler so that he could attend school. In 1899 or 1900, Spicuzza began studying drawing and anatomy under Robert Schade (1861-1912), a painter of panoramas who had been trained in Munich under Carl Theodor von Piloty. Spicuzza was also taught by Alexander Mueller (1872-1935), a product of the Weimar and Munich academies. Mueller realized Spicuzza was a colorist and encouraged that orientation (Madle, 1961). Spicuzza found it beneficial to accept an apprenticeship in a lithographic studio for $8 a week, which demanded most of his time. During the St. Louis Universal Exposition in 1904, still a struggling student, Spicuzza attended the fair, thanks to Cramer. It was not long before Spicuzza received a twenty-five dollar portrait commission, and this inaugural success led to new commissions and allowed him to continue as a painter. The earliest influences in his work appear to be from Edward H. Potthast and Maurice Prendergast, though Spicuzza never mentioned either artist. Already in August 1910, Spicuzza was described in a newspaper as "one of the most talented of Milwaukee's rising workers." He undoubtedly received lasting inspiration from his one summer study period in 1911 with John F. Carlson at the Art Students League's Summer School in Woodstock, New York. Certainly Spicuzza would have picked up spontaneity in handling the brush from Carlson. Although he executed numerous still-lives and an occasional religious work, Spicuzza is best known for his Milwaukee beach scenes populated with frolicking bathers in multi-colored attire, not unlike the images of Potthast, who used a similar technique. Many of these are small, preparatory works on canvas board executed between 1910 and 1915. Frequently with even greater animation than Potthast, Spicuzza produced moving images of youthful energy and uninhibited child's play. These beach genre scenes reflect the attitude of American impressionists who depicted the more pleasant side of life. Spicuzza manipulated a successful balance of rich pigment applied in varying degrees of impasto texture with subtle nuances of hue. Working all'aperto, he sought "the soft enticing shades of yellow, blue, green, pink and lavender . . . to get the effects of bright glistening summer air." (L.E.S., n.d.). As a painter whose color not only derived from direct observation but also from a personal theory of color symbolism, Spicuzza traded the linear approach of lithography for dynamic patches of brilliant color. Like Prendergast, he would often tilt the angle of the picture plane to bring the viewer's position above the scene. Spicuzza was unable to enter the 1913 Armory Show or the Panama-Pacific International Exposition two years later but he did submit work to the annual exhibitions of the Pennsylvania Academy of the Fine Arts and those of the Art Institute of Chicago. His first important award was the bronze medal presented by the St. Paul Institute in 1913, which was followed by the silver medal two years later. Before long, Spicuzza had acquired a greater sense of security in his profession and was described by a writer in International Studio (April 1917) as "an independent artist with an assured future. His pastels and water-colours are poetic and joyous bits of nature with a genuine out-of-door feeling." In 1918, his Spirit of Youth, exhibited at the National Academy of Design, sold for $112.50. Four years later, the artist achieved his greatest local recognition by winning the gold medal from the Milwaukee Art Institute. Spicuzza spent a great deal of time painting en plein air and by 1925 he began summering at Big Cedar Lake, near West Bend, Wisconsin to gather his subject matter. Easter Morning (1926) owes something to the Symbolist movement, with its figure of Christ appearing over a seascape. During the difficult era of the Depression, patrons came to Spicuzza's aid and during the 40s, he taught housewives, businessmen and students at the Milwaukee Art Institute, the Milwaukee Art Center, and in his private studio. In the following decade, although his kind of art was no longer popular in the "make-it-or-break-it" New York gallery world, Spicuzza enjoyed regular patronage and sales. His beach scenes became more static and he would experiment with modernist techniques. Spicuzza died at the age of seventy-eight. Sources: L.E.S., "Do Colors Change a Person's disposition? Experiments of a Milwaukee Artist...

Danielle Epstein - Fractured Light, Year: 1987, Medium: Watercolor and pastel on paper, signed and titled verso, Size: 40 x 32 in. (101.6 x 81.28 cm)

A sweeping view of Tallinn, Estonia by an unknown artist (20th Century). This detailed charcoal landscape drawing shows a panorama of the beautiful coastal city on the Baltic Sea, complete with small figures walking on a pier, boats in the harbor, and the iconic Alexander Nevsky...

Tess Michalik Floral Escapades 1 & 2, 2025 Oil on yupo 38 x 25 in. (mic032)

Meridional VII, 2013 Tempera on Paper 27.55 H x 39.37 W in. 70 H x 100 W cm The series "Meridional" from 2014 shows colorful landscapes under some occasional exemptions. The tree...