Large Drawings and Watercolor Paintings

Stephan Hoffpauir’s photorealistic watercolors invite viewers to contemplate spaces that, while familiar, are largely ignored by those who fleetingly pass through them. Among his subjects are quasi-urban and quintessentially American spaces with an inherently surreal quality, including architecture, restaurant vignettes, and more recently, suburban supermarket displays. Employing but reinterpreting the traditions of Spanish and Dutch still-life painting, these contemporary works represent an ongoing exploration of the ways in which our surroundings shape our modern lives. 'Antique Store Display...

This evocative landscape painting captures the grandeur of a mountainous region, with rugged peaks receding into a misty distance and livestock on a rocky path, through to the dramat...

This artwork titled "State Capitol at night, Sacramento, California" c.1960 is a watercolor on paper by noted California artist William Jack Laycox, 1921-1984. It is signed at he low...

Jim’s of Lambertville is proud to offer this artwork by: Ramstonev Co-operative Project (1937 - 1939) In the late 1930s, Charles Ramsey became close friends with Charles Evans and ...

Dame Elisabeth Frink. English ( b.1930 - d.1993 ). Hawk, 1969. Watercolor. Signed & Dated Lower Right. Image size 25.4 inches x 19.5 inches ( 64.5cm x 49.5cm ). Frame size 34.4 inches x 28.1 inches ( 87.5cm x 71.5cm ). Available for sale; this original painting is by Dame Elisabeth Frink and is dated 1969. The painting is presented and supplied in a glazed frame and mount dating from June 1997. This vintage watercolor is in very good condition, commensurate with its age. The watercolor is signed and dated lower right. Previously with Beaux Arts, London and Bath in 1999. Dame Elisabeth Frink was one of Britain’s most important post-war sculptors, an accomplished draughtsman, illustrator and teacher. She was part of the post-war school of expressionist British sculptors dubbed the Geometry of Fear, and enjoyed a highly acclaimed career that was commercially successful, broke boundaries and contributed greatly to bringing wonderful sculpture to public places. She was born on 14 November 1930 in Thurlow, the daughter of a cavalry officer, and brought up in rural Suffolk near to an active airbase. She was brought up a Catholic and educated at the Convent of the Holy Family, Exmouth. She then studied at the Guildford School of Art from 1947-1949 under Willi Soukop and Henry Moore’s assistant, Bernard Meadows, and then at the Chelsea School in London 1949-1953. She taught at Chelsea School of Art 1951-61, St. Martin’s School of Art 1954-62 and was a visiting instructor at the Royal College of Art 1965-1967, after which she lived in France until 1973. Frink first came to the attention of the public in 1951 at an exhibition at the Beaux Arts Gallery, London. In 1952 she represented Britain at the Venice Biennale, being described by Herbert Read as “the most vital, the most brilliant and the most promising of the whole Biennale”. The same year the Tate bought its first work by her, and she began to enjoy commercial success. Thereafter she exhibited regularly and was for 27 years associated with Waddington’s, London. The subjects which Frink was most concerned with were man, dog and horses, with and without riders. Interestingly she seldom sculpted the female form, drawing on archetypes of masculine strength, struggle and aggression. Her work has the recurring themes of the vulnerable and the predatory, in the spirit of an authentic post-war artist. It has been said that she was more concerned with representing mankind that portraits of individuals. The appeal of her work lies in its directness, provoking a frank statement of feeling. The anatomy is often exaggerated or incorrect; the impact growing more out of her interest in the spirit of the subject. Her animals and birds may be drawn from nature but verge on the abstract, conveying raw emotion and character rather than a realistic depiction. Her unique style is characterised by a rough treatment of the surface which embeds each piece with vitality and her personal impression. In her later work even the distinction between human and bird figures becomes blurred. Commentators have noted that the often rugged, brutal and contorted surfaces of her work reflect the destruction and terror of the six-year world-wide conflict that she witnessed as a child. Frink was an active supporter of Amnesty International. In the 1960s and early 1970s Frink produced a notable series of falling figures and winged men. Later, living in France during the Algerian war, she began making heads, blinded by goggles which had a threatening facelessness. Frink produced many notable public commissions, including Wild Boar for Harlow New Town, Blind Beggar and Dog for Bethnal Green, Noble Horse and Rider for Piccadilly, London, a lectern for Coventry Cathedral, Shepherd for Paternoster Square beside St. Paul’s Cathedral and a Walking Madonna for Salisbury Cathedral. In the early 1980s she produced a set of three larger than life figures The Dorset Martyrs which stand on the edge of the old walled town of Dorchester on the site of the old gallows, as a memorial to those who had been executed there ‘for conscience sake’. Frink’s Canterbury Tales was a collection of 19 etchings drawn directly on to copper plates and etched by her. The ‘book’ was issued in three limited editions. Her illustrations have been praised as “amongst the most successful illustrations of the century, encompassing the mood of the text in concise delineations and disarmingly ribald humour”. She illustrated other books with colored lithographs or drawings. Frink was on the Board of Trustees, British Museum from 1976, and was a member of the Royal Fine Art Commission 1976-81. CBR (1969), DBE ((1982), Associate of the Royal Academy (1971), Royal Academy (1977). She was made a Companion of Honour in 1992. She died on 18 April 1993, but not before completing her last commission, a monumental but unusual figure of Christ for the front of the Anglican Cathedral in Liverpool, unveiled a week before her death. For several decades Frink exhibited widely in the UK and abroad. In her later years she lived and worked in Dorset where her home and garden became an arena for her work. In 1985 she had a retrospective at the Royal Academy. She died on 18 April 1993, but not before completing her last commission, a monumental but unusual figure of Christ for the front of the Anglican Cathedral in Liverpool, unveiled a week before her death. There was a memorial show at Yorkshire Sculpture Park, Bretton Hall in 1994. Today Frink is venerated as one of the great twentieth century British sculptors. Her unique work is represented in the Tate Gallery and major public and private collections world-wide. © Big Sky Fine Art This original watercolor on paper painting of a hawk by Dame Elizabeth Frink...

Edith Maskey Died Circa 2022 Comfort Artist Image Size: 14.5 x 23.5 Frame Size: 23.75 x 33 Medium: Conte Crayon "Chateau in Eagle Pass" "It is a blessing ...

the painting is being offered with a work and authenticity certificate

Bari-Lynn Friedlander is a vibrant Miami-based abstract artist known professionally as Bari-Lynn Art. Originally from New York City's design and fashion world, working for major luxu...

Graphite on paper, inscribed on original backing Image size: 6 1/2 x 5 1/2 inches (16.5 x 14 cm) Mounted This is a delightful graphite drawing by the artist Joseph Nash that depict...

"Delivered and Discarded (Negatives) 1 " is an original wall-hanging piece by Yoonmi Nam. This piece is made from the flattening out packing boxes that the artist traces to depict t...

A new series inspired by architecture, décor and stylish personalities of the world of interior design. The worlds of fashion, society and pop culture are captured in the illustrati...

William Gould (American, 1930-2017) Bridge in the Flats, 1990 Watercolor on Arches paper Signed and dated lower right 21 x 28.5 inches 28 x 35.5 inches, framed Cleveland Arts Prize ...

ABOUT Stephen Basso Stephen Basso's highly original pastels and oil paintings are romantic, yet thought provoking fantasies. His whimsical works are alive with boundless imaginat...

"Play" (2013) Is a thought-provoking original pastel piece by American realist painter Jane Radstrom, depicting a woman in multiple poses overlaid amongst eachother, dictating the mo...

The artist has covered New York collections for over 16 years and has interviewed, as a journalist, several fashion designers and personalities for different publications. He loves t...

Robin Hill, Australian (1932 - ) - Redish Egret, Year: 1972, Medium: Watercolor, signed, Size: 27 x 20 in. (68.58 x 50.8 cm), Frame Size: 38.5 x 31 in. (97.79 x 78.74 cm)

Charles Levier (French, 1920 - 2003) Large Watercolor. In good condition measures 35x29

Katie DeGroot Nope, 2025 watercolor on paper 40 x 26 in. (groo125)

"Delivered and Discarded (Negatives) 3 " is an original wall-hanging piece by Yoonmi Nam. This piece is made from the flattening out packing boxes that the artist traces to depict t...

Joyce Kozloff Tepoztlan II, 1973 Gouache and colored pencil on paper Signed, dated and titled twice: once on the back of the work (shown) and once on the original board which has bee...

Pygmalion - Sculptor Studio II, 2015 collage on cardboard 27 9/16 H x 39 3/8 W in. 70 H x 100 W cm The artist's reference to fundamental myths of humanity and their analysis from th...

Artist : Kory Twaddle Title : Blue Springs Semi Upper Level Materials : Colored pencil, marker, tempera, gouache, stickers, tape, glitter glue, pastel, oil pastel, acrylic, graphite...

Reflection and inspiration of nature in every stroke 🎨 In these images you can see how I capture the beauty and delicacy of nature through my work. Purple viol's and green leaves a...

Blue and Black Post - Minimal Painting is an original artwork realized by TUSET in 2017. The work is unframed but has a rigid support on the back. The title of this works is "From...

A painted watercolor of joyous village festivity with music playing and dancing people by Walter Goodall, signed and dated 1862. In the foreground, a young girl in a white dress danc...

A dynamic mid-20th century artwork in graphite and gouache, depicting gondoliers and other figures abstracted by bold shapes. Reminiscent of Picasso's 'Guernica'. Signed illegibly to...

'By the Pool' by Daniel Camp. San Diego Artist, Psychological Portraiture ---- Signed lower right, 'Daniel M. Camp' (American, born 1947) and painted circa 1985. A luminously atmo...

An original contemporary graphite drawing by American contemporary female artist Amanda Besl. Diana's Field 2, 2018 Graphite on paper 34 × 24 in 86.4 × 61 cm This work was created ...

This charming study depicts a seated nude figure with her back facing the artist. Drawn in expressive pastel marking giving the piece an overall rustic and textured look. Unsigned. O...

"Delivered and Discarded (Negatives) 2 is an original wall-hanging piece by Yoonmi Nam. This piece is made from the flattening out packing boxes that the artist traces to depict th...

Untitled_Remains. The Dead Body on the Field, 2022 coloured pencils on paper 39 3/8 H x 27 9/16 W inches 100 H x 70 W cm Signed on reverse Zsolt Berszán em...

Rod Judkins, British (1956 - ) - Young Man with Slingshot, Year: circa 1990, Medium: Pastel on Paper, signed l.r., Size: 25.5 x 32.5 in. (64.77 x 82.55 cm)

Janusz Kokot was born in Kalisz in 1960. He studied at the Pedagogical University in Częstochowa at the Art Institute. He practices painting and drawing. In the years 1988 - 2020 he ...

This is an exclusive handprinted limited edition cyanotype of a beautiful Palm Tree Leaf. Details: + Title: Palm Tree Leaf Over Blue Sky + Year: 2025 + Edition Size: 100 + Stamped a...

This is an exclusive handprinted limited edition cyanotype. "Abstract Ripples Under Moonlight" is a handmade cyanotype print portraying the subtle movements and abstract ripples of t...

Laboratory_Journal_Day 00204, 2022 black ink on white paper 27 9/16 H x 39 3/8 W cm 70 H x 100 W cm The drawings signed by Alina Aldea show the meticulousness and perfection of micr...

series "Shells", 86x44 cm, acrylic on paper The work is sold without a frame and mat

A brightly colored, Mid-Century, watercolor and charcoal on paper image of a boy by notable artist Margo Hoff, titled "Sun Child". Image size: 31" x 22". Framed size: 34" x 25". ...

Laurence Philip Sisson Authentic & Large Original Painting made of Watercolor & Gouache painting. Painting size is 22 x 30 Frame size 38 x 30 . Frame is wood has gray Matting Paintin...

"He [Cobble] has come to accept the fact that low production can lead to under appreciation in the short run, but he also knows that his gifts of perception and discrimination are ra...

"Delivered and Discarded (negatives) #4" is an original wall-hanging piece by Yoonmi Nam. This piece is made from the flattening out packing boxes that the artist traces to depict t...

This artwork "San Carlos, Borromeo Del Carmelo" c.1970 is a watercolor on paper by American impressionist artist Jane Burnham, 1926-2016. It is signed at ...

Abstract artwork on paper by a Bulgarian/American artist Iliyan Ivanov. Ivanov continues to treat color in a multilayered approach, introducing a wider palette with brighter and bol...

Watercolor by Madeleine RENAUD (1900-1994), France. Wreath of Carnations. With frame: 60.2x89 cm - 23.7x35 inches without frame: 73x43 cm - 28.7x16.9 inches. Signed "Madeleine Renaud...

This original watercolor painting by Alfred Wands (1904-1998) captures the breathtaking beauty of the Sangre de Cristo Mountain range in Sou...

'To The Slow Graceful Dance' Original Artwork A breeze in the theatre, a dance begins, costumes rising to the rhythm of the birdsong choir. The pai...

Juventus Football Player - UEFA Champions League 1995-96 Marco Silombria (1936-2017) Charcoal on paper, signed and dated '96 Dimensions: 101 x 72 cm This dynamic drawing capture...

The work is on 1 paper. Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. The artwork is unframed and will be...

This framed 27" x 37" watercolor painting by Irish artist, Peter Healy is from the 'In Flux' Pandemic Collection. The painting comes vibrantly alive as the...

"He [Cobble] has come to accept the fact that low production can lead to under appreciation in the short run, but he also knows that his gifts of perception and discrimination are ra...

Emile Rampelberg, French (1911 - 2001) - Farmhouse, Year: circa 1970, Medium: Watercolor on paper, signed lower right, Size: 19.5 x 27 in. (49.53 x...

Untitled_Body on the Field #4, 2022 coloured pencils on paper 39 3/8 H x 27 9/16 W inches 100 H x 70 W cm Signed on reverse Zsolt Berszán embodies in his works the dissolution of t...

With bold strokes of acrylic, vibrant oil pastels, and lively colored pencils, I poured my heart into this piece. The red tulips pulse with energy and passion, blending expressionism...

"No One Cares" is an original piece by Sean 9 Lugo "No One Cares" is an original contemporary wall-hanging artwork by Sean 9 Lugo, known artistically for his murals and street art...

Robert Strati is an American artist who creates multimedia artworks using broken plates. His recent series “Fragmented” started when he accidentally dropped and broke a porcelain pla...

About Prymon’s Exhibition Dopaminum and his paintings: ”Dopaminum” - Tomasz Prymon Dopamine – colloquially referred to as the hormone of love and happiness. Why is this organic che...

James Nares Untitled flower monotype, 1988 Monotype on hand made paper Pencil signed and dated by James Nares on the lower right front Frame included: floated in the original wood fr...

Frank Nelson Wilcox (American, 1887–1964) Home in the Village, Mt. St. Michel, France, c. 1926 Watercolor on board Signed lower right 21.75 x 28 inches 30.5 x 36.5 inches, framed Frank Nelson Wilcox (October 3, 1887 – April 17, 1964) was a modernist American artist and a master of watercolor. Wilcox is described as the "Dean of Cleveland School painters," though some sources give this appellation to Henry Keller or Frederick Gottwald. Wilcox was born on October 3, 1887 to Frank Nelson Wilcox, Sr. and Jessie Fremont Snow Wilcox at 61 Linwood Street in Cleveland, Ohio. His father, a prominent lawyer, died at home in 1904 shortly before Wilcox' 17th birthday. His brother, lawyer and publisher Owen N. Wilcox, was president of the Gates Legal Publishing Company or The Gates Press. His sister Ruth Wilcox was a respected librarian. In 1906 Wilcox enrolled from the Cleveland School of Art under the tutelage of Henry Keller, Louis Rorimer, and Frederick Gottwald. He also attended Keller's Berlin Heights summer school from 1909. After graduating in 1910, Wilcox traveled and studied in Europe, sometimes dropping by Académie Colarossi in the evening to sketch the model or the other students at their easels, where he was influenced by French impressionism. Wilcox was influenced by Keller's innovative watercolor techniques, and from 1910 to 1916 they experimented together with impressionism and post-impressionism. Wilcox soon developed his own signature style in the American Scene or Regionalist tradition of the early 20th century. He joined the Cleveland School of Art faculty in 1913. Among his students were Lawrence Edwin Blazey, Carl Gaertner, Paul Travis, and Charles E. Burchfield. Around this time Wilcox became associated with Cowan Pottery. In 1916 Wilcox married fellow artist Florence Bard, and they spent most of their honeymoon painting in Berlin Heights with Keller. They had one daughter, Mary. In 1918 he joined the Cleveland Society of Artists, a conservative counter to the Bohemian Kokoon Arts Club, and would later serve as its president. He also began teaching night school at the John Huntington Polytechnic Institute at this time, and taught briefly at Baldwin-Wallace College. Wilcox wrote and illustrated Ohio Indian Trails in 1933, which was favorably reviewed by the New York Times in 1934. This book was edited and reprinted in 1970 by William A. McGill. McGill also edited and reprinted Wilcox' Canals of the Old Northwest in 1969. Wilcox also wrote, illustrated, and published Weather Wisdom in 1949, a limited edition (50 copies) of twenty-four serigraphs (silk screen prints) accompanied by commentary "based upon familiar weather observations commonly made by people living in the country." Wilcox displayed over 250 works at Cleveland's annual May Show. He received numerous awards, including the Penton Medal for The Omnibus, Paris (1920), Fish Tug on Lake Erie (1921), Blacksmith Shop (1922), and The Gravel Pit (1922). Other paintings include The Trailing Fog (1929), Under the Big Top (1930), and Ohio Landscape...

Frank Nelson Wilcox (American, 1887–1964) Plowman, Brecksville, Ohio, c. 1922 Watercolor on paper Signed lower right 22.5 x 27.75 inches 27.75 x 34.5 inches, framed Frank Nelson Wilcox (October 3, 1887 – April 17, 1964) was a modernist American artist and a master of watercolor. Wilcox is described as the "Dean of Cleveland School painters," though some sources give this appellation to Henry Keller or Frederick Gottwald. Wilcox was born on October 3, 1887 to Frank Nelson Wilcox, Sr. and Jessie Fremont Snow Wilcox at 61 Linwood Street in Cleveland, Ohio. His father, a prominent lawyer, died at home in 1904 shortly before Wilcox' 17th birthday. His brother, lawyer and publisher Owen N. Wilcox, was president of the Gates Legal Publishing Company or The Gates Press. His sister Ruth Wilcox was a respected librarian. In 1906 Wilcox enrolled from the Cleveland School of Art under the tutelage of Henry Keller, Louis Rorimer, and Frederick Gottwald. He also attended Keller's Berlin Heights summer school from 1909. After graduating in 1910, Wilcox traveled and studied in Europe, sometimes dropping by Académie Colarossi in the evening to sketch the model or the other students at their easels, where he was influenced by French impressionism. Wilcox was influenced by Keller's innovative watercolor techniques, and from 1910 to 1916 they experimented together with impressionism and post-impressionism. Wilcox soon developed his own signature style in the American Scene or Regionalist tradition of the early 20th century. He joined the Cleveland School of Art faculty in 1913. Among his students were Lawrence Edwin Blazey, Carl Gaertner, Paul Travis, and Charles E. Burchfield. Around this time Wilcox became associated with Cowan Pottery. In 1916 Wilcox married fellow artist Florence Bard, and they spent most of their honeymoon painting in Berlin Heights with Keller. They had one daughter, Mary. In 1918 he joined the Cleveland Society of Artists, a conservative counter to the Bohemian Kokoon Arts Club, and would later serve as its president. He also began teaching night school at the John Huntington Polytechnic Institute at this time, and taught briefly at Baldwin-Wallace College. Wilcox wrote and illustrated Ohio Indian Trails in 1933, which was favorably reviewed by the New York Times in 1934. This book was edited and reprinted in 1970 by William A. McGill. McGill also edited and reprinted Wilcox' Canals of the Old Northwest in 1969. Wilcox also wrote, illustrated, and published Weather Wisdom in 1949, a limited edition (50 copies) of twenty-four serigraphs (silk screen prints) accompanied by commentary "based upon familiar weather observations commonly made by people living in the country." Wilcox displayed over 250 works at Cleveland's annual May Show. He received numerous awards, including the Penton Medal for The Omnibus, Paris (1920), Fish Tug on Lake Erie (1921), Blacksmith Shop (1922), and The Gravel Pit (1922). Other paintings include The Trailing Fog (1929), Under the Big Top (1930), and Ohio Landscape...

Medium: Charcoal on Board Dimensions: 24.00" x 36.00" Signature: Signed Lower Right