Large Drawings and Watercolor Paintings

Landscape is an artwork realized by Alberto Gillani, in 1981. Oil on Canvas. 49 x 69 cm; 79 x 89 cm with frame. Handsigned in the lower margin. Very good conditions

"Entangled", pencil and ultramarine tempera on paper, inspired by Matisse. Couple in love. Part of Nude in Interior series. Large drawing. Shipped rolled in a tube, from Florida, ...

"Summer Blue", pencil and ultramarine tempera on paper, inspired by Matisse. Part of Nude in Interior series. Nude shown in a Victorian interior, in a cinematic view. In a distorted ...

A charming depiction of a quaint courtyard with a table set up for two. In the doorway a two cats look over the sunny patio. Signed to the lower right. Presented in a light wooden fr...

Duchándome, May 22nd / Duchandose, May 27th-Duchandome/Duchandome En Cuerpo Ajeno 2018 by Celso Castro-Daza From the Duchándome Series Watercolor and ink on an archival paper Individual size: 19.5 in. H x 13.75 in. W Overall Size: 39 in. H x 27.5 in. W Both works are one of a kind Unframed Drawing on paper is his basic work tool, some are sketches of his surviving works, others are sketches of moments he documents. ____________ Undefined by medium, Celso Castro’s works each carry the presence of the artist’s hand through the transparency of their process. Castro’s oeuvre is strongly divided between his photomontage assemblies and watercolor paintings: the prior is marked by the labor-intensive deconstruction of portrait photographs and the latter, by the seemingly frenzied recreation of a past encounter rendered in the drips and scribbles of paint and ink. Both discriminating in what they reveal of the subject, his photomontage and watercolor portraits exude raw sexuality through the combination of Castro’s mark-making and gaze. Celso Castro’s work is a bare-bulb erotic photo foray into the underbelly of Colombia’s drug world. Castro’s labor-intensive, photo-collage works of drug kingpins, smugglers, hitmen, countrymen, street vendors, soldiers, paramilitaries, kidnappers, and pimps pose showing with pride their erect penises...

ARTIST: Trevor Frankland PPRWS RBA RI RE LG (1931-2011) British TITLE: "Grand Tour Revisited No.4" SIGNED: lower right MEDIUM: watercolour on paper...

A colorful painting by Russian artist, Anatole Krasnyansky. His Contemporary style uses elements from Constructivism as well as Cubism wi...

Charcoal on archival quality Ingres paper. I love working with charcoal. It creates wonderful velvety blacks. I set this composition one day when making some origami figures for my s...

A fine coastal scene by the British artist Joseph Hughes Clayton. This delicate watercolour depicts a group of boats sailing to the left of headland, wit...

Schnurr has an art studio in Long Island City, Queens, New York. Over the years she has exhibited widely. Her most recent solo shows were at the H. Pelham Curtis Gallery at the New Canaan Library in New Canaan, Connecticut and the Dougherty Gallery at Crescent Grill in Long Island City, both in 2014; in 2011 she was one of four artists representing the United States in Nordart 2011 at Kunstwerk Carlshutte, Budelsdorf, Germany. Previous solo exhibitions were at the Atlanta Art...

Charcoal on paper, signed by the artist (upper right), and RA visitor L. Alma Tadema, RA., and dated (lower left), 76cm x 57cm, (64cm x 88cm framed). Olivier studied at the Royal Academy Schools from 1881, where this extraordinary display of drafting took place. Olivier exhibited extensively, including the Royal Academy starting in 1883, and the Paris Salon. He exhibited at the Fine Art Society in the 1880s and at the Grafton Galleries in 1908. An official war artist in the Great War, his work is included in the collection of the Imperial War Museum. It is also contained in many regional art galleries. Drawings of the nude, called academic studies...

A charming watercolour scene depicting olive pickers in Monte Cassino region of Italy. The artist captures a blazing sunset with the pickers reaching up to the olive laden branches i...

Abstract Expressionist design. Sealed on the back with the design studio name and number . Ilegible signature We offer a small number of these original illustration designs by this ...

An interesting study depicting the roof of a car with industrial buildings beyond. The slightly surreal elements of this composition create a unique and almost otherworldly feel to t...

Gottfried Salzmann worked on a series of photo collages inspired by the city streets and the urban. In this collage the artist cuts and crops pieces of newspaper, and attaches them t...

This is a "classic Nina Swirly Ball", in high quality Giclee print on Hahnemuele Etching paper, sized at 30 x 40 inches in an edition of 100. This work ...

"The Lulu" - Harbor Seascape in Watercolor on Paper Serene watercolor titled "The Lulu" by Anne Ormsby (American, 20th century). A small commercial fishing boat, the Lulu, is docked...

A particularly fine watercolour scene of two noble families greeting each other outside a magnificent half-timber manor. Both families look nervous by the meeting, standing at a dist...

A wonderful celebration of Britishness in this 1977 study of a street party table for the Queen's Silver Jubilee. Well presented in a simple wood frame. Signed and inscribed to the r...

Pink, orange, and red abstract watercolor on paper by Lynn R. Wolfe (1917-2019). Signed by the artist in the lower left corner. Presented in a custom frame with all archival materials measuring 27 ½ x 34 ¼; image size is 22 ¼ x 30 inches. Provenance: Estate of the Artist, Lynn R. Wolfe Painting is in good condition - please contact us for a detailed condition report. About the Artist: Born 1917 Red Cloud, Nebraska Died 2019 Boulder, Colorado A versatile artist proficient in painting, sculpture, stained glass and mosaics, Wolfe grew up on his family’s dairy farm near Red Cloud, Nebraska. For much of his early life he was known as Bob until officially adopting the first name of Lynn in 1939. When he was six months old he contracted the "Spanish flu" in the 1918 influenza pandemic that stunted his growth, making him the smallest student in class. To compensate for his small stature, his family engaged a Black boxer to give him boxing lessons so he could always defend himself against any bullies he encountered at school. Before he started grade school in Red Cloud, one of his grandfathers - a Latin scholar - taught him how to read. His early connection with sculpture occurred when as a youngster he looked for clay in the sandpits near his home to mould figures, including a likeness of his older brother. Similarly, his adult interest in archaeology developed from their search for arrowheads brought to the surface after rainstorms on the family farm. As a teenager he read The Temple Warriors in Chichen Itza, Yucatan, by Earl and Ann Morris with illustrations by Jean Charlot. After World War II Charlot taught fresco painting and worked with Lawrence Barrett on several editions of lithographs at the Colorado Springs Fine Arts Center. In 1947 Wolfe served as Charlot’s chauffeur when he came up to lecture at the University of Colorado in Boulder (CU), and in appreciation received one of the artist’s etchings personally inscribed to him. Following graduation as valedictorian of his high school class, Wolfe enrolled in 1935 as an undergraduate on scholarship at the University of Nebraska at Lincoln, earning his B.A. degree in fine art in 1940. He studied art with Frederick Dwight Kirsch (himself a student of fellow Nebraska native Robert Henri at the Art Students League in New York) who served as Chairman of the Art Department and Director of the University Art Galleries – now the Sheldon Museum - until 1950 when he became director of the Des Moines Art Center. In Nebraska Wolfe painted representational scenes of local buildings such as grain elevators in a landscape setting and small-town street scenes with automobiles. It took Wolfe five years to earn his undergraduate degree because he worked while going to school. In his final year he worked to pay the taxes on the family farm to avoid foreclosure during the Great Depression. While at the University, he prepared fossils and did low relief sculptures of prehistoric animals for the Nebraska State Museum located in Morrill Hall on campus. He also participated in Pleistocene fossil digs in Nebraska and Texas. One of his first jobs after graduation was supervising fossil preparation in Lincoln by twenty-nine workers employed in a Depression-era project sponsored by the federal government. In 1939 he met his future wife Arlene at a sock hop at the University of Nebraska. His first impression of her was a "stunning blond across the room" with whom he shared an interest in the arts and travel. During World War II when she was living and working in Omaha, he proposed to her from New Guinea where he was stationed in the South Pacific. He said that he would take her to Florida if she married him. He later took her and their family on a number of trips to most of Europe, and to Morocco, Algeria, Turkey, China, Japan and Fiji. During the last year of the war he taught photo intelligence in Orlando, Florida, while stationed at the local Air Force base. Prior to the Japanese attack on Pearl Harbor and America’s entry into the war, he worked in the Engineer Corps doing color, texture and illusion. During the war he spent four years in the military, shipping out as a buck private and later advancing to the rank of captain. His classroom experience in Florida helped transition him at war’s end to the University of Nebraska where he taught art for two semesters to fellow intelligence officers studying there on the G.I. Bill. In the summer of 1946 he also was a visiting artist at the University of Alaska where he taught watercolor. In 1947 he relocated to CU in Boulder for his Master of Fine Arts degree on the G.I. Bill. As part of his application earning him a graduate fellowship, he included a photograph of his wife and himself in his captain’s uniform. He took painting and sculpture courses with Muriel Sibell Wolle...

Ronnie Cutrone Your Own Heart, 1987 Watercolor and Silkscreen on Paper Signed, dated and numbered from the edition of 7, with each work being unique. 40 × 30 inches Fantastic vintage classic 1980s Ronnie Cutrone Watercolor and Screenprint on Paper. From an edition of 7 with each work being unique. There is a very slight pinhole to the top corners which will frame out, otherwise in very good condition Unframed Ronnie Cutrone (July 10, 1948 – July 21, 2013) was an American pop artist known for his large-scale paintings of some of America's favorite cartoon characters, such as Felix the Cat, Pink Panther, Woody Woodpecker and No Glove No Love. Cutrone's paintings are colorful, lively, and less challenging than those of his contemporaries. As Andy Warhol's assistant at the Factory atop the Decker Building from 1972 until 1980, Cutrone worked with Warhol on paintings, prints, films, and other concepts, eventually co-opting Warhol's earliest work (pre-1960) as well as works by Roy Lichtenstein and others, until finally distilling those myriad influences into the style a few critics eventually labeled "Post-Pop." He exhibited at the Niveau Gallery in 1979 with a Scottish artist called Mike Gall who showed paintings of Snoopy, Mickey and Minnie mouse, the Pink Panther and also a small series of Peter Rabbit paintings...

Dreaming, pencil and ultramarine tempera on paper, inspired by Matisse. Part of Nude in Interior series. Nude shown in a Victorian interior, in a cinematic view. In a distorted persp...

Pastel chalk on textured paper, Series of 20 unique pieces. 100cm x 70cm x .05cm - framing option available.

In Henk Serfontein's recent series of charcoal drawings, Fragile Flora, he continues his investigation into the fragile, the intimate and the ethereal. In his plant portraits he capt...

In her 1980s series of 'Wasserzeichnungen' (Water Drawings), Heidi Bucher used gestural marks in gouache on paper to create what can be described as "wate...

Beautiful pastel painting of a young boy, very reminsent of Summer From the studio of London based artist Caroline Hands Framed in contemporary wooden frame Image 30x20" Framed 36...

This is an exclusive handprinted limited edition cyanotype. "Calming Sea Ripples" is a handmade cyanotype print portraying the subtle movements and abstract ripples of the open sea. ...

With elements of surrealism and fantasy, this is a soft pastel painting on toned archival paper. It is part of an ongoing series of work by the artist depicting humorous observations...

"A Bright Sunny Night" is an original oil pastel drawing on illustration board by Reginald K. Gee. The artist signed the piece on the back. This piece features surreal biomorphic sha...

Patrick Vale Cityscape acrylic and ink on paper 24h x 38w in 60.96h x 96.52w cm Framed: 28.50h x 42.50w x 2.25d in 72.39h x 107.95w x 5.71d cm PKV020 Se...

This is an original watercolor on paper in excellent condition. It has only been shown in a gallery setting. Please note there is some glare in the detailed pics from the glass. ...

Untitled_Body on the Field #4, 2022 coloured pencils on paper 39 3/8 H x 27 9/16 W inches 100 H x 70 W cm Signed on reverse Zsolt Berszán embodies in his works the dissolution of t...

Untitled_Dead Body on the Field #2, 2022 coloured pencils on paper 39 3/8 H x 27 9/16 W inches 100 H x 70 W cm Signed on reverse Zsolt Berszán embodies in ...

Painting: Watercolor on Paper, Framed Dimensions: 22 in x 31.5 in, 28 in x 37 in Unique Signed on Verso, includes a certificate of authenticity. Elena Chestnykh was born in Novosibi...

Painting: Watercolor on Paper, Framed Dimensions: 26 in x 32 in, Framed 29 in x 37 in Unique Signed on Verso, includes a certificate of authenticity. Elena Chestnykh was born in Nov...

This recent series of charcoal drawings by Henk Serfontein, MOMENTUM, is inspired by the work of Eadweard Muybridge. There is a play between realism and surrealism, with the almost p...

This recent series of charcoal drawings by Henk Serfontein, MOMENTUM, is inspired by the work of Eadweard Muybridge. There is a play between realism and surrealism, with the almost p...

This recent series of charcoal drawings by Henk Serfontein, MOMENTUM, is inspired by the work of Eadweard Muybridge. There is a play between realism and surrealism, with the almost p...

Painting: Ink and Watercolor on Paper Dimensions: 29.5 x 38 in Unique Signed on Verso, includes a certificate of authenticity. Elena Chestnykh was born in Novosibirsk, Russia, and c...

Painting: Ink and Watercolor on Paper, Framed Dimensions: 30 in x 22 in, Framed 35 in x 28 in Unique Signed on Verso, includes a certificate of authenticity. Elena Chestnykh was bor...

Painting: Ink and Watercolor on Paper, Framed Dimensions: 27 in x 29 in, Framed 29 in x 38 in Unique Signed on Verso, includes a certificate of authenticity. Elena Chestnykh was bor...

Painting: Ink and Watercolor on Paper Dimensions: 28 in x 36 in Unique Signed on Verso, includes a certificate of authenticity. Elena Chestnykh was born in Novosibirsk, Russia, and ...

Painting: Watercolor on Paper, Framed Dimensions: 30 in x 20 in, Framed 36 in x 27 in Unique Signed on Verso, includes a certificate of authenticity. Elena Chestnykh was born in Nov...

Painting: Ink and Watercolor on Paper, Framed Dimensions: 32 in x 22 in, Framed 36 in x 27 in Unique Signed on Verso, includes a certificate of authenticity. Elena Chestnykh was bor...

Painting: Watercolor on Paper, Framed Dimensions: 24 in x 30 in, Framed 29 in x 35 in Unique Signed on Verso, includes a certificate of authenticity. Elena Chestnykh was born in Nov...

Painting: Ink and Watercolor on Paper, Framed Dimensions: 25 in x 32 in, Framed 29 in x 37 in Unique Signed on Verso, includes a certificate of authenticity. Elena Chestnykh was bor...

Pastel chalk on textured paper, Series of 20 unique pieces. 100cm x 70cm x .05cm - framing option available.

A crowd of people that stretches into infinity, all tinged blue, huddle under umbrellas during a storm and face the viewer. Given the title, it is implied that the viewer stands in t...

This is a pastel painting done on toned archival paper. The title is taken from an old food network show. The artists sardonic humor is well illustrated in this work. A truly one of ...

This drawing depicts a moment from one of the longest trials in US history, when Jean Harris, a headmistress of a school for girls in Virginia, was tried for 14 weeks for the murder ...

This drawing depicts a moment from one of the longest trials in US history, when Jean Harris, a headmistress of a school for girls in Virginia, was tried for 14 weeks for the murder ...

This drawing depicts a moment from one of the longest trials in US history, when Jean Harris, a headmistress of a school for girls in Virginia, was tried for 14 weeks for the murder ...

Portrait of a naked woman, Simone. Pastel signed on the left side J.A.GRAND-CARTERET. Circa 1930-1940. Jean Albert Grand-Cartenet is a painter of nudes and portraits who was the ...

"Better Things to Come" is an original oil pastel drawing on board by Reginald K. Gee. The artist signed the piece on the back. It depicts two figures in conversation against a strik...

Ron Gorchov Untitled, inscribed to Robert Vogele, 1978 Watercolor and etching on paper with 2 deckled edges. Hand signed in pencil and inscribed on lower front. Inscription reads as ...

Heimrad Prem (1934 – 1978) was a German painter born in Roding, Oberpfalz. From 1949–1952 he studied decorative painting at Schwandorf and then studied painting with Josef Oberberger...

Anthony Caro Nude (signed, dedicated & inscribed to Clement Greenberg), 1986 Charcoal on Paper Hand-signed by artist, The drawing is inscribed, "To Clem, much love, from Tony" and signed "A. Caro 1986 July." 38 × 24 inches Unframed This original drawing was acquired from the collection of the influential critic Clement Greenberg - one of the greatest supporters of British artist Anthony Caro, whose students and colleagues at St. Martin School of Art included the distinguished sculptors William Tucker and Isaac Witkin...