Large Drawings and Watercolor Paintings

Drawing on paper is his basic work tool, some are sketches of his surviving works, others are sketches of moments he documents. Undefined by medium, Celso Castro’s works each carry...

Blue Mother Drawing #3, by Jeanette Fintz in 2020 22 x 30 inches watercolor, gouache on Fabriano paper Signed lower right corner Framed: 32 x 39.5 inches, custom white frame, 8 ply w...

Sarah Alexander's "Turbulence", a dramatic abstract 30 x 40 inch watercolor, ink, and charcoal drawing on watercolor canvas explores movement and weightlessness with creamy yellows, ...

“Musing" by Sarah Alexander is a 30 x 40 x 1.5 inch watercolor landscape on canvas viewed through graceful grasses along a body of water. The warm red and gold grasses are a stark co...

Robert Strati is an American artist who creates multimedia artworks using broken plates. His recent series “Fragmented” started when he accidentally dropped and broke a porcelain pla...

Tess Michalik Count on me, 2025 oil on Yupo paper 38 x 25 in. (mic028)

Abstract work of art on paper by Iliyan Ivanov. The artwork belongs to the series "In Not So Many Words," which consists of 12 acrylic on paper pieces created in 2022-23. All the wo...

"Summer Blue", pencil and ultramarine tempera on paper, inspired by Matisse. Part of Nude in Interior series. Nude shown in a Victorian interior, in a cinematic view. In a distorted ...

This original abstract watercolor painting by Nealy Hauschildt features a warm pink, orange, and lavender palette, with three large organic planes of washy color layered over one ano...

Raven Reads the Lines (Chalk Drawing of Black Bird on Vintage Book Pages) by Louise Laplante chalk on vintage collaged book pages. Artwork measures ...

Vibrant large-scale landscape watercolor of a California vineyard by S.W.A. artist Carolyn Hofstetter (American, b.1927). This beautiful scene of ...

Abstract black and grey charcoal drawing on thick, high quality Arches paper Vertical drawing, 25 x 20 inch image on 30.5 x 22.5 inch Arches paper 35 x 28.5 inches in black frame wi...

"Siesta", 100x70cm / 39x27.5in Nude in Interior, pencil and ultramarine tempera on paper, inspired by Matisse. Large drawing. Shipped rolled in a tube, from Florida, US. Check 1st Dibs offer FREESHIP coupon for items over $500. "Siesta" is a serene and visually arresting addition to the "Nude in Interior" series. It conveys a quiet intimacy and relaxation, perfectly encapsulated in its title. The reclining female figure, with legs elegantly extended upward, creates a sense of balance between stillness and subtle energy. The interplay of ultramarine tempera and the warm-toned paper once again demonstrates the artist’s ability to use limited color palettes to great emotional and visual effect. The ochre-like background provides a sunlit, tranquil atmosphere that pairs beautifully with the cool, calm energy of the ultramarine tempera. The artist’s choice of medium emphasizes contrast while imbuing the piece with a harmonious duality—warmth in the environment and coolness in the figure. The fluidity of the brushstrokes aligns with the theme of relaxation, while the vertical drips lend a dreamlike quality, as if the figure is melting into her surroundings. The looser strokes in the background contrast with the more defined lines of the figure, highlighting her as the focal point. The unconventional reclining pose, with legs extended upward, adds visual interest and a sense of lightheartedness to the piece. It suggests a playful yet completely relaxed moment, as though the figure is unwinding and stretching in the midst of a private, comfortable setting. The verticality of the legs and the drips juxtaposes with the horizontal lines in the background, creating a sense of structure and stability. This geometric balance anchors the composition and enhances the overall sense of calm. The artist has included abstract horizontal strokes in the background, reminiscent of blinds or a window. These subtle details suggest an interior space filled with sunlight and add depth without detracting from the figure’s prominence. The title, "Siesta," reinforces the narrative of rest and tranquility. The figure’s pose is unapologetically casual and unguarded, evoking the vulnerability and freedom found in moments of private repose. While other works in the series explore themes of introspection, passion, or desire, this piece focuses purely on physical and emotional relaxation. It offers a more subdued, meditative perspective, providing variety to the series while maintaining its stylistic coherence. The reclining nude is a recurring motif in art history, seen in works by Titian, Ingres, and Modigliani. However, this piece’s contemporary execution—fluid, minimalist, and abstracted—ties it more closely to modernist traditions, particularly the gestural energy of Egon Schiele or Matisse’s reclining nudes. The artist’s decision to leave much of the environment abstract enhances the piece’s timeless quality. The figure feels anchored in both a specific space (suggested by the window-like strokes) and an almost dreamlike, universal realm. "Siesta" is a masterful exploration of rest and serenity, demonstrating the artist’s ability to convey mood through form, color, and composition. The elegant simplicity of the figure, combined with the abstracted interior elements, invites the viewer to share in this peaceful moment. Its balance of gestural abstraction and classical themes makes it both timeless and distinctly modern. This piece is a beautiful representation of intimacy, calm, and the universal human experience of seeking rest. Artist Statement "I started by painting interiors, being interested in space and perspective through my studies. These scenes evolved, when I added the human figure. I focused more on the human figure and its relation to the background. The human figure is more present than ever in my paintings now. As a woman artist I’ve been preoccupied with the female form and its imagery. One of my goals was to capture the solitary moments and the nude’s relation to the surrounding space. My interest turned from depicting the space to rendering the atmosphere and the scene as a whole, the feeling a woman adds to the environment: warmth, desire, joy, a feeling of power and control, or the opposite – sadness, despair. Here is a collection of figurative paintings, exploring the nudes in interior spaces, seeing the nudes from my perspective, as a woman artist, considering the physical and spiritual realities of a woman’s body, in a new level of intimacy. My paintings are the opposite of objectifying a woman’s or a man’s anatomy. Painted works, featuring female nudes and a also men nudes...

"The Artists Wife" Realistic Nude Woman in Conté on Paper by Garth Benton Detailed nude drawing by Paul "Garth" Garfield Benton (American, 1940-2012). Po...

Charles Hinman Untitled Geometric Abstraction (Hand Signed), 1980 Pastel & Graphite painting on Paper Signed and dedicated to "Michael and Rene" in graphite by the artist on the fron...

Work is framed. Signed on the right bottom corner of the drawing. Amilcar's drawings from the series of "Utopia by Tolina" inspired by the imagination of the artist’s five-year-old...

John Rattenbury Skeaping. English ( b.1901 - d.1990 ). A Tight Finish, 1970. Gouache & Watercolor. Signed & Dated Lower Right. Image size 21.5 inches x 29.1 inches ( 54.5cm x 74...

Angela brings vibrant immediacy to her figurative paintings. She uses a depth of colour and bright outlines of her figures to emphasize shape and contours. In all her works Angela gi...

An accomplished watercolour study after Scottish artist Sir William Russell Flint. The scene depicts a life model posing for picture whilst studying some of the artist's other work. ...

Vibrant and detailed depiction of three bird of paradise flowers by unknown artist "Albright" (20th Century). Three flowers are shown with seve...

Immerse yourself in the timeless beauty of the American Southwest with this exceptional vintage watercolor and gouache painting by renowned Western artist Lloyd Moylan (1893–1963). P...

signed lower right. size includes frame. The French artist Claude Hemeret was born on May 23, 1929. After classical studies at the lycée du Parc Imperial in Nice, he started at the l...

Robert Andrew Parker, American (1927 -2024) - Goodrich Castle Ruins, Year: circa 1959, Medium: Gouache on paper, signed and dated lower left, Size: 23 x 30 in. (58.42 x 76.2 cm), ...

On our trip to Ireland, we stopped at the Power Court estate, which reminds me a bit of the architecture of St. Petersburg.I saw people playing golf near the park. The weather was cloudy and the environment was sinking in sfumato, I wanted to immerse the viewer in this environment. The transparency of the watercolor made it possible to realize my idea. Exhibition: 2009 Exhibition at the Game of Imagination Gallery in the Press Centre of the Izvestiya Publishing House, Moscow. 2012 “Visible Images”, personal exhibition at the exhibition hall of the Russian Auction House in Gostiny Dvor, Moscow. 2024 The exhibition "Tail-wind". Museum and exhibition complex "Academy of Watercolor and Fine Arts of Sergey Andriaka". (Moscow) Publication: Златоверховникова О.Н. Семён Кожин. – М.: Принт люкс, 2007. – 120 с. Page 45 Златоверховникова О.Н. Семён Кожин. – М.: Белый город, 2009. – 64 с. – (Мастера живописи. Русские художники). ISBN: 9785779317184 Page 34 Семён Кожин. Зримые образы: [каталог персональной выставки] / Российский аукционный дом. – СПб.: Рекламное агентство MCMG, 2012. – 32 с. Page 25

Drawing on paper is his basic work tool, some are sketches of his surviving works, and others are sketches of moments he documents. Throughout his artistic career, Castro has exalted the figure and genitality of the Latin American man, putting into tension the limits imposed by the sex/gender system that are part of an unquestionable patriarchal and phallocentric order. The majority of those portrayed are inhabitants of the Colombian coast, also constructing alternative ways of conceiving Latin American identity. By breaking taboos about corporality and male sexuality, his work has been censored on numerous occasions due to public accusations of immorality and pornography. Celso Castro’s work is a bare-bulb erotic photo foray into the underbelly of Colombia’s drug world. From the Duchándome Series Ink, pastel and watercolor on cotton paper 1. Duchándome 2. Pensando & recordando a Luis Caballero...

Sir William Russell Flint, R.A., P.R.W.S.1880-1969 Scottish A Study of Two Models Signed "WRussell Flint" (bottom right) Ethereal and sen...

The painting is ready to hang, the painting has no decorative frame. «Geometry of the Time Archipelago» — a work from the "Mosaic of Time" series, exploring the fragility and antifr...

A sweeping view of Tallinn, Estonia by an unknown artist (20th Century). This detailed charcoal landscape drawing shows a panorama of the beautiful coastal city on the Baltic Sea, complete with small figures walking on a pier, boats in the harbor, and the iconic Alexander Nevsky...

"Estrada-Duran combines realism and surrealism in his work, the artists paintings are often monochromatic pencil drawings with overlays of gold paint that depict goddess-like women ...

This is an exclusive handprinted limited edition cyanotype. "Lake Tahoe Panorama" shows a sequence of abstracted ripples of the calm Tahoe waters. Details: + Title: Lake Tahoe Panor...

In the style of Monet. Signed and dated. Presented in a white painted wooden frame. On cardboard.

A comical sketch of a Jolly Innkeeper captured alongside other characters. Attributed to political cartoonist and caricaturist William 'Bill' Papa...

Original Abstract Portrait in Mixed Media on Paper I (1987) Example of 1980s vintage Latin American School abstract expressionist art of a minimalist portrait by California-based La...

Gloria Dudfield Yellow Purple Figure 1960s Oil Pastel and Gouache on Paper 36"x28" unframed $800 *Custom framing available for additional charge. Please ...

This delightful panoramic scene depict figures on a beach near the city of Dordrecht in the Netherlands. A couple converse on the sands, while boats sailing on the horizon behind. Th...

This beautiful large vibrant animal painting is by Aubrey Williams, Guyanese artist. It is a watercolour/gouache painting of a magnificent Pelican and painted in 1974. Williams has r...

This is an exclusive handprinted limited edition cyanotype of a Sandy Shore with Foam. Details: + Title: Sandy Shore with Foam + Edition Size: 100 + Stamped and Certificate of Aut...

Signed and dated impressionist landscape oil on canvas by French painter Jean Baptiste Armand Guillaumin. This simply stunning piece de...

Tom Holland Artists in the Spotlight: Celebrating the 50th Anniversary of San Francisco Museum of Modern Art (SFMOMA), 1985 Acrylic and mixed media with stencil on paper Signed and d...

"Showers Today" San Francisco's Chinatown on an Overcast Day Original Watercolor A two sided watercolor on Arches paper by San Francisco and Maryland artist Harolod Gretzner (America...

Original magazine cover illustration for The Saturday Evening Post, published January 24, 1931. Pastel portrait features a fashionable young woman Artwork Dimensions: 39" x 30" Me...

"Vigor" by Sarah Alexander is a vibrant 30 x 40 x 1.5 inch abstract botanical watercolor and collage on canvas in warm gold, yellow and orange that was painted during a long snowy wi...

A large minimal abstract painting on paper by Yasmin Brandolini. Artist: Yasmin Brandolini d'Adda, South African/Italian (1929 - ) Title: 6C Year: 1984 Medium: Tempera on Paper, sig...

Blue Mother Drawing #2, by Jeanette Fintz in 2020 22 x 30 inches watercolor, gouache on Fabriano paper Signed lower right corner Framed: 32 x 39.5 inches, custom white frame, 8 ply w...

Sara Eichner wants to create a space where point of view can not be fixed. Optical games stand in for the struggle to comprehend the complexities of seeing. Using simple drawing tool...

This artwork is a watercolor on paper by noted artist Carolyn Bullis Blish, born 1928. It is signed at the lower right corner by the artist. The artwork size is 17 x 26 inches, framed is 28 x 37 inches. Framed in his original wooden gold and mahogany color frame. The artwork is in excellent condition, the frame is in very good condition, with very minor small dents and scratches, hardly visible. About the artist. A former model, actress, and newscaster, artist Carolyn Blish is known primarily for her watercolor landscapes. She received a very short training in painting under the tutelage of artist Edgar...

In addition to his very well-respected career as a major Fauve and Post -Impressionist, André Derain’s skill as a ballet set decorator also emerged, beginning in 1919 and continuing ...

Fitzgerald, James (1899-1971) OLD TREE. Cat Raisonne 1223. Watercolor on paper, c. 1930. Signed, lower left. 19 x 25 1/2 inches, framed to 27 5/8 x 33 1/4 inches. Provenance: Estate ...

'Tall Iris no.1' original watercolor painted in 2021 in brilliant and subtle shades of red and orange from Cleveland-born and educated Gary Bukovnik who has lived in California for o...

A dynamic and bold nude study in charcoal showing a woman seated on a bench, slouched over with hands hanging elegantly in front of her. The artist has signed to the lower right and ...

Angela brings vibrant immediacy to her figurative paintings. She uses a depth of colour and bright outlines of her figures to emphasize shape and contours. In all her works Angela gi...

Les Andelys in the Seine Valley France Landscape Pastel Art. A fine example of the beautiful work of British 20th Century Artist, Lionel Aggett (1938-2009). Signed front and rear, fr...

Interior design paintings. Abstraction art, made in black, orange, yellow on white foam board. Can be as a single independent painting, diptych or 4-pieces art composition. Also, we...

Francesco Spicuzza (American, 1883-1962) Untitled Landscape, 20th century Pastel on paper Sight size: 24 x 30 in. Framed: 26 1/4 x 32 3/8 in. Signed lower right: Spicuzza Italian-born Francesco Spicuzza was primarily a Wisconsin painter who did portraits, still-lives and local landscapes. He spent the first part of his life in near-poverty to become a painter. An eternal optimist, in 1917, the artist reported: "I am happy and my only ambition now is to paint better and better until I shall have reached the measure of the best of which I am capable." (Spicuzza, 1917, p. 22). His predilection for beach scenes germinated early: reportedly, the five-year-old boy first drew the outlines of his father's fishing boat in the sand on the seashore near their home in Sicily. After setting himself up as a fruit peddler in Milwaukee, Spicuzza's father sent for his family when Francesco was eight years old. For the following six years the boy was unable to attend school because of his job in his father's fruit and vegetable business. The poor lad suffered a caved-in shoulder from carrying a heavy wooden crate. The young Spicuzza was aided by moral and financial support from a sympathetic Milwaukee businessman named John Cramer, publisher and editor of the Evening Wisconsin, who raised Spicuzza's salary as a newspaper assembler so that he could attend school. In 1899 or 1900, Spicuzza began studying drawing and anatomy under Robert Schade (1861-1912), a painter of panoramas who had been trained in Munich under Carl Theodor von Piloty. Spicuzza was also taught by Alexander Mueller (1872-1935), a product of the Weimar and Munich academies. Mueller realized Spicuzza was a colorist and encouraged that orientation (Madle, 1961). Spicuzza found it beneficial to accept an apprenticeship in a lithographic studio for $8 a week, which demanded most of his time. During the St. Louis Universal Exposition in 1904, still a struggling student, Spicuzza attended the fair, thanks to Cramer. It was not long before Spicuzza received a twenty-five dollar portrait commission, and this inaugural success led to new commissions and allowed him to continue as a painter. The earliest influences in his work appear to be from Edward H. Potthast and Maurice Prendergast, though Spicuzza never mentioned either artist. Already in August 1910, Spicuzza was described in a newspaper as "one of the most talented of Milwaukee's rising workers." He undoubtedly received lasting inspiration from his one summer study period in 1911 with John F. Carlson at the Art Students League's Summer School in Woodstock, New York. Certainly Spicuzza would have picked up spontaneity in handling the brush from Carlson. Although he executed numerous still-lives and an occasional religious work, Spicuzza is best known for his Milwaukee beach scenes populated with frolicking bathers in multi-colored attire, not unlike the images of Potthast, who used a similar technique. Many of these are small, preparatory works on canvas board executed between 1910 and 1915. Frequently with even greater animation than Potthast, Spicuzza produced moving images of youthful energy and uninhibited child's play. These beach genre scenes reflect the attitude of American impressionists who depicted the more pleasant side of life. Spicuzza manipulated a successful balance of rich pigment applied in varying degrees of impasto texture with subtle nuances of hue. Working all'aperto, he sought "the soft enticing shades of yellow, blue, green, pink and lavender . . . to get the effects of bright glistening summer air." (L.E.S., n.d.). As a painter whose color not only derived from direct observation but also from a personal theory of color symbolism, Spicuzza traded the linear approach of lithography for dynamic patches of brilliant color. Like Prendergast, he would often tilt the angle of the picture plane to bring the viewer's position above the scene. Spicuzza was unable to enter the 1913 Armory Show or the Panama-Pacific International Exposition two years later but he did submit work to the annual exhibitions of the Pennsylvania Academy of the Fine Arts and those of the Art Institute of Chicago. His first important award was the bronze medal presented by the St. Paul Institute in 1913, which was followed by the silver medal two years later. Before long, Spicuzza had acquired a greater sense of security in his profession and was described by a writer in International Studio (April 1917) as "an independent artist with an assured future. His pastels and water-colours are poetic and joyous bits of nature with a genuine out-of-door feeling." In 1918, his Spirit of Youth, exhibited at the National Academy of Design, sold for $112.50. Four years later, the artist achieved his greatest local recognition by winning the gold medal from the Milwaukee Art Institute. Spicuzza spent a great deal of time painting en plein air and by 1925 he began summering at Big Cedar Lake, near West Bend, Wisconsin to gather his subject matter. Easter Morning (1926) owes something to the Symbolist movement, with its figure of Christ appearing over a seascape. During the difficult era of the Depression, patrons came to Spicuzza's aid and during the 40s, he taught housewives, businessmen and students at the Milwaukee Art Institute, the Milwaukee Art Center, and in his private studio. In the following decade, although his kind of art was no longer popular in the "make-it-or-break-it" New York gallery world, Spicuzza enjoyed regular patronage and sales. His beach scenes became more static and he would experiment with modernist techniques. Spicuzza died at the age of seventy-eight. Sources: L.E.S., "Do Colors Change a Person's disposition? Experiments of a Milwaukee Artist...

This artwork "Untitled #1" is a watercolor on paper by California abstract expressionist artist R. Anthony (Tony) Askew, b.1939. It is signed at the lower right corner by the artist....

Isabel Rock is a creator of contemporary fairy tales. A graduate of the Royal College of Art in London, her work is an explosion of strange occurrences while a surreal narrative takes the audience on a journey into the imagination. In October 2023 Isabel won the Evelyn Williams Drawing Award at the Trinity Buoy Wharf Drawing Prize. Known as the UK’s most prestigious annual open exhibition for drawing; part of the prize is a solo show at Hastings Contemporary, scheduled for 2024. Whilst Isabel always has a tale to tell for each of her images, you may or may not choose to go on the journey with her or you may indeed have a different story, one of your own that jumps off the page at you, that that you decide to follow. Artwork Details: Isabel Rock , 'Staring at the Sun' 99.7 x 70.2cm, collaged woodblock print and acrylic ink on 410gsm Somerset Satin paper, 2011 In Isabels own words; 'Staring at the Sun' The man stood on the mountain and stared at the golden sun. The sun stared back at him, its heat blazed and burnt his eyes, the birds sang a maddening tune like they were pecking at his eardrums. The man pointed his finger and shouted, ' you lied to me' at the sun. The sun laughed and said 'you wanted to believe me. I told you what you had already decided in your head to be the most convenient thing for you.' The man raged and hopped in what looked to the birds like a beautiful dance. 'Trickery, skulduggery!' he shouted. 'villain, thief, abomination!' The sun blinked and smiled calmly. It had seen a lot from humans, there was nothing that could surprise it now. *Please note we are happy to ship this work rolled in an art tube. Whilst the work is on heavy duty art paper and mixed media, the artist is happy that the painting will be fine rolled in a tube. This is a more cost effective and environmentally sound method of shipping. Artwork Provenance: from the Artist Studio photo credits, Isabel working, black and white shots, James Brown About Isabel Rock and her work: Taking inspiration from Japanese woodblock prints and Indian miniature painting Rock has developed a unique collage technique that combines bold structures with large-scale woodblock prints and intricate detailing. The subject is a grand mixture of humour, drama, hidden morals, fanciful characters, modern culture, mythical beings and fantastical situations. Rock creates a world that pulls you in and demands your attention. Quality of line is paramount, the drawings are created using a dipping pen and acrylic ink. An essential tool is a squirrel’s hair brush that gives incredible fine lines and was purchased on her travels in India. Born in Hammersmith, London in 1981, Rock knew her destiny was to be an artist. Studying Fine Art Printmaking at The University of Brighton and graduating with First Class Honours in 2004 she went on to do a Masters Degree at The Royal College of Art in London, continuing her studies in printmaking and drawing, graduating in 2008. Her first solo show at Bearspace Gallery in Deptford, London in April 2009 sold out and was the beginning of a career that continues to rise. Rock participated in the first ever India Art Fair represented by Art 1821...

Emile Rampelberg, French (1911 - 2001) - Docked Gondolas, Year: circa 1970, Medium: Watercolor on Paper, signed lower right, Size: 19 x 24.5 in. (4...

This artwork titled "Sedona Dream" 2004 is a pastel on paper by noted American artist Richard Benjamin Royce, born 1941. It is signed and dated at the lower right corner by the artist. The artwork size is 22.25 x 30 inches, framed is 27.25 x 33.75 inches. It is custom framed in silver aluminium frame. The artwork is in excellent condition, frame has scratches and will be replaced by a new one before shipping. About the artist: After getting his BA and MA in fine art at the University of Wisconsin, Richard Royce went to France to study with Stanley W. Hayter, On returning to the US he opened a studio where he produced etchings, cast paper, paintings and sculptural commissions of his own work while at the same time helping other artists including Roy Lichtenstein, Larry Rivers, Marisol, George Segal, Raphael Soyer, Francoise Gilot and Jim Rosenquist to realize works in various media. Selected collections Bibliotheque Nationale, Paris, France State Historical Society of Wisconsin Portland Art Museum, Oregon Fine Arts Museum of Long Island, New York International Paper Corporation, New York Isla Center, University of Guam, Micronesia Byer Museum of the Arts, Evanston, Illinois Musee du Petite Format, Couvin, Belgique Uyasuda Life Insurance Company, Japan Selected solo exhibitions 1991 Prestige Gallery, Danvers, MA 1989 Watermark/Cargo Gallery.. Kingston, NY 1986 ARRAS Gallery, NYC, NY 1985 The Tremellen Gallery, Lancaster, PA 1982 Linden Gallery, New York, NY 1979 Contemporary Crafts Gallery, Portland, OR Keller Gallery, Salem, OR The Tremellen Gallery, Lancaster, PA 1970 Ventura College, Ventura, CO University of Wisconsin, Madison, WI 1969 Comsky Gallery, Boston, MA Ohio University, OH 1968 Thompson Gallery, Boston, MA The Galor Hagen Gallery, Dallas, TX University of Southern California Gallery Selected group exhibitions 2004 Living Space Gallery, Cornville, AZ 2001 Rodman Gallery, Stockbridge, MA 1997 Dalton Fine Art, Boston, MA Boston Corporate Art, Boston, MA Prestige Gallery, Atelier Royce Group Show, Danvers, MA 1996 Copley Society Gallery, Group Sculpture Show, Boston, MA 1995 Barbara’s Hang Up Gallery, Group Show, Beverly, MA 1991 Creative Framing Gallery, Boston, MA 1989 5e Exposition International "Petit Format de Papier" Cul-Des-Arts (Couvin), Belgique 1988 Premiere Triennale Mondiale D'Estampes Petit Format (Traveling show to museums throughout France) 1987 "Eight Upstate Sculptors", Woodstock Artist Assn., NY 1986 First International Biennial of Paper Art, Leopold-Hoesch Museum, Dueren, Germany 1985 '85 Mini-Exhibition, Isla Center, University of Guam, Micronesia 1984 Paperworks: A National Invitational, Chevey Cowles Memorial Museum, Spokane, WA Paper, Canvas & Glass, Gallery Mack, Seattle, WA Atelier Royce Group Show, Eclipse Gallery, New York Contemporary Paperworks, Hurlbutt Gallery, Greenwich, CT 1983 Paper As Images - Traveling exhibition: Six galleries throughout England 1982 Papermaking USA, American Crafts Museum, New York Atelier Royce Group Show, State University, Purchase, NY New American Graphics 2, Art Museum Association of San Francisco Traveling...

"Untitled Female Nude and Male" is a 22 x 17 inches, ink on paper drawing by American Surrealist painter Leon Kelly. The drawing is signed and dated in the lower right, it is matted ...

This stunning exhibited Pre-Raphaelite 19th century watercolour painting is by British Victorian female artist Marcella M Walker. The painting was painted in 1880 and exhibited at th...