Harrison Fisher Art

Paris: A Wartime Study of Figures Relaxing in Springtime by Henri Miloch (1898-1979) Unsigned watercolour, graphite and gouache painting on artist's paper, unframed Sheet: 12.25 x 9...

Bungalow (fauvist painting of New York scene) 1940's. image is 10X 11.5 inches. Hand signed lower right Watercolor painting on paper board Country Scene Samuel Grunvald was a Hunga...

Watercolor on paper laid on board: An exceptional watercolor in terms of quality and presentation. During this earlier period of Day's career he exhibited extensively and was inspir...

HARVEST UNDER THE CANOPY Size: 62.5 x 75 cm (including frame) Oil and gouache on card laid onto board A rich and striking striking mid-century modernist figurative landscape composi...

Complex Art Nouveau patterns intertwined with gracefull figures define this work by American Artist and illustrator, teacher and lecturer Mildred Bailey Carpenter. Signed in cartouc...

William Keith Western Wilderness Interior Signed lower left Watercolor on paper laid on artist board 14 1/2 x 19 inches A native of Scotland, William Keith became in the late 19th ...

Paul Klee 1879-1940 Swiss-German Kronen-Narr (Crown Fool) Signed "Klee" (lower right) Gouache and ink on newsprint on cardboard One of the most important artists of the 20th cent...

A pair of French Impressionist landscape views by Georges Planes. (Dimensions given are for each painting.) The first painting: is an early 20th Century drawing and watercolour view...

Jules-Eugène Lenepveu (1819-1898) Portrait of a man in profile signed on the lower right Pencil and heightenings of white gouache on paper 19.5 x 13 cm Framed : 29 x 22.7 cm Jules-Eugène Lenepveu is of course particularly well known for his large-scale paintings, such as the one on the ceiling of the Paris Opera, but his work here is much more delicate and intimate. We recognise the artist's mastery of talent, but the play of textures, with its highlights of white that enliven and illuminate the model's face, is also very subtle. There's a particularly charming sense of life and impression of light. Jules-Eugène Lenepveu was born in Angers on 12 December 1819, on the site of the street that now bears his name, into a family of small shopkeepers. The painter showed a deep attachment to his family throughout his life through his correspondence and the many portraits of his relatives. He entered the drawing school in Angers in 1833, where he was a pupil of Jean-Michel Mercier. There he rubbed shoulders with the sculptor Ferdinand Taluet. He arrived in Paris in 1837 and entered the Beaux-Arts, where he was officially admitted to François-Édouard Picot's studio in 1838. He exhibited his work "L'Idylle" at the Salon of 1843 and, that same year, left for his first visit to Italy. He was awarded the Second Prix de Rome in 1843 for "Cincinnatus recevant les députés du Sénat" (Cincinnatus receiving the deputies of the Senate), then the First Prize in 1847 for "La Mort de Vitellius" (The Death of Vitellius). A resident at the Villa Médicis from 1848, he was surrounded by painters Alexandre Cabanel, Léon Benouville, Gustave Boulanger, Félix Barrias...

"Sunday Service, a lovely mid-century figurative village street scene by Frank Serratoni (American, 1908-1970), c. 1940s. A family is shown strolling through the tree-lined street of a quaint village towards a red church...

Antique American modernist folk art landscape by Malcah Zeldis., who also spent some time in Israel. Mixed media painting on paper. Framed. Signed. Measuring 18 by 22 inches overa...

The Market, (fauvist painting of NYC scene) 1940's. image is 10X 11.5 inches. Hand signed lower right Lower East Side Tenements Pushcart Market Watercolor on paper board. Samuel G...